SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Vernon much Applause Hopkins Diary Benefit for "/1) | (@(roleclean,performerclean) "Mr Vernon much Applause Hopkins Diary Benefit for ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 14530 matches on Event Comments, 2620 matches on Performance Comments, 638 matches on Performance Title, 35 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mrs Siddons. Part of the Pit will be laid into the Boxes. To prevent confusion Ladies are desired to send their Servants by half past Four o'clock. Mainpiece: Not acted these 4 years [acted 15 May 1782]. Afterpiece: Not acted these 5 years [not acted since 25 Mar. 1775]. [In mainpiece the playbill assigns Banquo to Bensley, but "Poor Bensley's illness last night took him off; but on another night he will give and take in the triumph" {Public Advertiser, 4 Feb.). In afterpiece he is assigned to The Guardian. On the Kemble playbill in both cases his name is deleted and MS annotations substitute Hull's.] "Macbeth at Drury-lane will. . . gag the drivellers who, on the failure of Constance [in King John], ventured a sweeping prophecy of condemnation that 'the Siddons never could play Shakespeare.' Would it not have been better to have borrowed Farren, rather than Hull, for Banquo?" (Public Advertiser, 4 Feb.). "'Why,'say some of the critics, 'should Mrs Siddons wear a white dress in her last scene of Lady Macbeth? She is supposed to be asleep, not mad.' What reason except custom can be given for a mad heroine appearing in white we know not [and see DL, 20 Dec. 1782]. Yet there is an obvious reason why a person walking in their sleep should wear a white dress of the loose kind worn by Mrs Siddons ... It [is] the nearest resemblance which theatrical effect will admit, to the common sort of night-dresses" (Public Advertiser, 7 Feb.). Receipts: #346 16s. (198/10/0; 7/2/6; 0/8/6; tickets: 140/15/0) (charge: free)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Guardian

Song: In mainpiece: The Original Music by Matthew Locke, with additional Accompaniments, by Bannister, Dignum, Suett, Chapman, Barrymore, Williames, Wilson, Fawcett; Miss Phillips, Miss Field, Mrs Love, Mrs Booth, Miss Barnes, Mrs Burnett, Miss Simson, Miss Cranford, Miss Burnett, Mrs Smith, the Miss Stageldoirs, Miss George, Mrs Wrighten. [This was sung, as here assigned, in all subsequent performances, except on 4 Feb.]

Performance Comment: [This was sung, as here assigned, in all subsequent performances, except on 4 Feb.] hathi.
Event Comment: Benefit for Holman

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Rosina

Event Comment: Benefit for Crescentini

Performances

Mainpiece Title: Demetrio

Dance: End of Act I Divertissement [performers not listed, but see17841218]; End of Opera Le Tuteur Trompe, with the Fandango, Sapredella, and Allemande [performers not listed, but see I Jan.]

Song: In Act I a new Air, composed by Sarti, by Crescentini, and a Duet, composed by Bertoni, by Crescentini and Sga Ferrarese; In Act II an entire new Aria and a favourite Song of Handel [singer not listed]

Event Comment: Benefit for the Author [of the mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #162 10s. (115/9; 45/11; 1/10; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Natural Son

Afterpiece Title: Liberty Hall

Event Comment: Benefit for the Author and Composer of the After-Piece. Receipts: #154 17s. (112/14; 41/0; 1/3; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Clandestine Marriage

Cast
Role: Mrs Heidelberg Actor: Mrs Hopkins

Afterpiece Title: Liberty Hall

Event Comment: Benefit for Nivelon. Tickets, half a guinea each, to be had of Nivelon, No. 80, near the Opera House, Hay-marlcet. Divertissement: Part of the music composed by Barthelemon. [A la Plus Sage has the same plot as La Rosiere de Salency (see 19 Mar. 1782). A synopsis of the action is printed in London Magazine, Mar. 1785, pp. 219-20.]

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a New Divertissement, in which the 3 different Stiles of Dancing, viz., Serious, Demicharacter and Comic, by Lepicq, Mme Rossi, Sg and Sga Angiolini, with a Dance performed in Wooden Shoes by Nivelon, Frederic, Mlle Dorival; End of Opera a new Pastoral Ballet in 2 parts, composed by Gardel Sen., Ballet-master to the French Court, A la Plus Sage; ou, La Vertu Ricompensk, by Lepicq, Mme Rossi, Frederic, Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival

Performance Comment: , Serious, Demicharacter and Comic, by Lepicq, Mme Rossi, Sg and Sga Angiolini, with a Dance performed in Wooden Shoes by Nivelon, Frederic, Mlle Dorival; End of Opera a new Pastoral Ballet in 2 parts, composed by Gardel Sen., Ballet-master to the French Court, A la Plus Sage; ou, La Vertu Ricompensk, by Lepicq, Mme Rossi, Frederic, Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival . ou, La Vertu Ricompensk, by Lepicq, Mme Rossi, Frederic, Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival .
Event Comment: Benefit for Miss Younge. Mainpiece: Never performed there. [Miss Orme, who made her 1st appearance on 5 Feb., is identified in Morning Chronicle, 9 Mar.]

Performances

Mainpiece Title: Matilda

Afterpiece Title: Comus

Event Comment: Benefit for Henderson. Part of the Pit will be laid into the Boxes. Mainpiece [1st time; T 5, by Richard Cumberland. Text, which assigns no parts, 1st published in his Posthumous Dramatic Works, Vol. II (1813), under the title of Alcanor]. Public Advertiser, 5 Mar.: Tickets to be had of Henderson at his house in Buckingham-street, York-buildings

Performances

Mainpiece Title: The Arab

Afterpiece Title: Rosina

Dance: As17841116

Event Comment: Benefit for Mrs Bannister. Public Advertiser, 10 Mar.: Tickets to be had of Mrs Bannister, No. 29, Bow-street, Covent Garden

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: Midas

Performance Comment: As17841213. imitations. End of mainpiece the celebrated Musical Child (from the Pantheon) will perform a Musical Oglio, consisting of various Theatrical and Vocal Imitations [of Miss George, Mrs Bannister, Sga Sestini, Mrs Martyr, Mrs Wells, Edwin (Morning Chronicle, 16 Mar., which also states, without further indentification, that the performer was a young girl)] .
Event Comment: Benefit for Smith. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. Receipts: #287 17s. 6d. (131/4/0; 13/19/6; 0/4/0; tickets: 142/10/0) (charge: #71 8s. 4d.)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Bon Ton

Event Comment: Benefit for Palmer. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. Public Advertiser, 12 Mar.: Tickets to be had of Palmer, No. 39, Goodge-street, Rathbone-place. Receipts: #308 1s. (150/16/0; 11/7/6; 0/14/6; tickets: 145/3/0) (charge: #66/1/8)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Lyar

Dance: As17850307athi

Event Comment: Benefit for Mme Rossi. Tickets, half a guinea each, to be had of Mme Rossi, No. 33, Pall-mall. 2nd ballet: With Grand Chorusses; the original Music by Matthew Locke is entirely preserved; the rest partly new [by Barthelemon], partly compiled from the most favourite Scotch Airs. "We cannot think last night's effort among the most successful . . . Lepicq and Rossi were the Macbeth and Lady--and considering the narrow boundaries of their art, which is tongue-tied, they discoursed 'with most miraculous organs.' Still, however, the whole of the material questions of the scene were agitated with all the disadvantages of contrast with comparative inefficience" (Public Advertiser, 18 Mar.)

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I Divertissement, as17850224, with The Cossack; End of Opera a new Heroic Ballet (1st time; composed by Lepicq) founded on Shakespeare's Historical Play of Macbeth by Lepicq, Angiolini, Nivelon, Mme Rossi, Slingsby, Frederic, Sga Angiolini, Mlle Dorival. The Vocal Parts by Tasca, Franchi, Bartolini; Sga Dorta, &c. The Ballet to conclude with The Caledonian Reel

Event Comment: Benefit for Bannister. Public Advertiser, 15 Mar.: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing-cross. [Miss Bannister's 1st appearance at this theatre was on 28 Apr. 1784.] Receipts: #321 9s. (118/6; 22/18; 2/4; tickets: 178/1) (charge: #113 7s. 3d.)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Rosin A

Dance: As17850307athi

Event Comment: Benefit for Quick. Public Advertiser, 5 Mar.: Tickets to be had of Quick, No. 99, High Holbourn. Mainpiece: Not acted these 20 years [not acted since 15 Apr. 1763]. Afterpiece [1st time; F 2, by Frederick Pilon]: Altered from [The Comical History of Don Quixote, Part II, by Thomas] D'Urfey. In Act I A Grand Baratarian Procession of Sancho to his Government. The Characters all dressed in the Habits of the Times

Performances

Mainpiece Title: The Constant Couple Or A Trip To The Jubilee

Afterpiece Title: Barataria or Sancho Turnd Governor

Performance Comment: Sancho Panca-Quick; Duke-Cubitt; Manuel-Bonnor; Pedro-Thompson; Recorder-Booth; Alonzo-Helme; Smuggler-Stevens; Custom House Officer-Bates; Gardener-Jones; Tailor-Kennedy; Cryer-Besford; Thin Man-Newton; Don Quixote-Davies; Lady Tereza Panca-Mrs Webb; Spanish Lady-Mrs Pitt; Duchess-Mrs Poussin; Mary the Buxom-Mrs Wilson. [Text (J. Almon, 1785) adds: Big Woman-Miss Brangin, and calls Spanish Lady, Rodriguez.] hathi. hathi.
Cast
Role: Cryer Actor: Besford

Dance: As17841201

Monologue: 1785 03 29 Preceding the mainpiece Mother Shipton's Review of the Audience (Written by the late D. Garrick, Esq.) [speaker not listed, but probably Quick]

Event Comment: Benefit for Mrs Kennedy. Public Advertiser, 16 Mar.: Tickets to be had of Mrs Kennedy at her house in Great Queen-street, Lincoln's-inn-fields

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Rosina

Dance: As17841001

Event Comment: Benefit for Kemble [who had 1st acted Macbeth at Hull, 30 Oct. 1778]. Public Advertiser, 17 Mar.: Tickets to be had of Kemble, No. 2, Leicester Court, Castle-street, Leicester Fields. [In mainpiece the playbill retains R. Palmer as Malcolm, but "Preceding the play there was an apology, on its appearance evidently exciting doubt and trepidation in the audience [probably for fear that Mrs Siddons would be unable to appear]; but Palmer's fourth word broke the spell. R. Palmer was suddenly prevented attending the house:--what could the house do, but laugh?--Laugh they did;--'and Barrymore will read his part.' The house laughed again. And so Britannia was delivered" (Morning Chronicle, 1 Apr.). The name of R. Palmer's substitute in the afterpiece is not given.] Receipts: #293 3s. (175/2; 9/16; 0/5; tickets: 108/0) (charge: #115 10s. 3d.)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: All the Worlds a Stage

Cast
Role: Miss Bridget Actor: Mrs Hopkins
Event Comment: Benefit for Mrs Wrighten. Public Advertiser, 29 Mar.: Tickets to be had of Mrs Wrighten, Kennington-lane, near Vauxhall. Afterpiece: Not acted these 20 years [acted 13 Apr. 1773]. Receipts: #277 18s. (70/15; 8/18; 0/8; tickets: 197/17) (charge: (#106 16s. 1d.)

Performances

Mainpiece Title: The Clandestine Marriage

Cast
Role: Mrs Heidelberg Actor: Mrs Hopkins

Afterpiece Title: The Intriguing Chambermaid

Song: End of Act II of mainpiece a Hunting Cantata; In afterpiece A Soldier for Me, both by Mrs Wrighten

Event Comment: Benefit for Miss Pope. Part of the Pit will be laid into the Boxes. To prevent confusion Ladies are desired to send their Servants by half past Four o'clock. Public Advertiser, 17 Mar.: Tickets to be had of Miss Pope, Great Queen Street, Lincoln's Inn Fields. Receipts: #236 13s. (56/19; 30/9; 0/13; tickets: 148/12) (charge: #113 14s. 10d.)

Performances

Mainpiece Title: The Double Dealer

Dance: As17850307athi

Event Comment: Benefit for Johnstone

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Comus

Dance: As17841116

Song: In afterpiece From tyrant Laws and Customs free by Johnstone and Mrs Martyr; Live and love by Johnstone, Mrs Morton, Mrs Martyr

Event Comment: Benefit for Miss George. Receipts: #199 19s. (66/18/0; 25/15/6; 1/0/6; tickets: 106/5/0) (charge: #108 15s.)

Performances

Mainpiece Title: The Confederacy

Cast
Role: Mrs Amlet Actor: Mrs Hopkins

Afterpiece Title: Rosina

Dance: As17850307athi

Song: Between the Acts, by Miss George

Event Comment: Benefit for Miss Wheeler

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Musical Lady

Dance: In Act III of mainpiece Hornpipe by Miss Besford; After 2nd song, The Mountaineers, as17841201

Song: End of Act I of mainpiece The Sorrows of Charlotte at the Tomb of Werter (the music composed by Percy, and never before sung in public) sung in character by Miss Wheeler; End of mainpiece The Soldier tir'd of War's Alarms by Miss Wheeler

Event Comment: Benefit for Bensley. Public Advertiser, 2 Apr.: Tickets to be had of Bensley, No. 32, Gerrard-street, Soho. [In mainpiece the playbill retains Packer as Belmour, but on the Kemble playbill a MS annotation substitutes Hull.] Receipts: #296 5s. 6d. (165/3/0; 17/7/6; 0/10/0; tickets: 113/5/0) (charge: #106)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Bon Ton

Event Comment: Benefit for Mlle Dorival. Tickets, half a guinea each, to be had of Mlle Dorival, No. 127, Pall-mall

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I an entirely new Ballet, L'Amour Soldat, in which a new Minuet and Gavot by Mlle Dorival and Lepicq, and in the second part of the ballet a Pas de Deux [Trois?] by Mlle Dorival in Man's Cloaths, Lepicq, Mme Rossi; End of Opera Don Juan; or, The Libertine Destroyed [performers not listed; this was perhaps another version of Il Convitato di Pietra(see17850312

Performance Comment: ] by Mlle Dorival in Man's Cloaths, Lepicq, Mme Rossi; End of Opera Don Juan; or, The Libertine Destroyed [performers not listed; this was perhaps another version of Il Convitato di Pietra(see17850312 .
Event Comment: Benefit for Clarke. Mainpiece: With the Procession from the Abbey at the Coronation of Anne Bullen

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: Tom Thumb

Dance: As17841022

Song: In Act II of mainpiece Tally ho! by Mrs Martyr; In Act III song by Mrs Kennedy

Event Comment: Benefit for the Author [of mainpiece]

Performances

Mainpiece Title: Fashionable Levities

Cast
Role: Welford Actor: Lewis

Afterpiece Title: The Poor Soldier

Dance: End of mainpiece Damon and Musidora by Harris and Miss Besford