SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Vernon much Applause Hopkins Diary Benefit "/1) | (@(roleclean,performerclean) "Mr Vernon much Applause Hopkins Diary Benefit ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 14530 matches on Event Comments, 2620 matches on Performance Comments, 638 matches on Performance Title, 35 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: King Arthur Or Merlin The British Enchanter

Performances

Mainpiece Title: Rosamond

Performances

Mainpiece Title: Alexanders Feast

Afterpiece Title: The Judgment of Paris

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Lottery

Dance: TThe Grand Scotch Dance, as17491031; Venetian Gardeners, as17491031

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Mayor of Garratt

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: The Lottery

Event Comment: Afterpiece [1st time at a public theatre; C 3, by Elizabeth Craven, Baroness Craven, afterwards Margravine of Anspach, 1st acted privately at the Town-Hall, Newbury, 6 Apr. 1780. Text (G. Riley, 1781) assigns no parts. Prologue by Richard Brinsley Sheridan. Epilogue by Joseph Jekyll (see text)]: With new Dresses, &c. "The Prologue [the first 30 lines and the concluding couplet of which were used by Sheridan as the Prologue to Pizarro (see dl, 24 May 1799)] was so much admired that at the request of the Duchess of Devonshire and several other of the nobility it was respoken after the piece; but as King was absent from the theatre, it was delivered by Palmer" (Town and Country Magazine, May 1780, p. 23 ). "The chief singularity was that [Lady Craven] went to it herself the second night, in form; sat in the middle of the front row of the stage-box, much dressed, with a profusion of white bugles and plumes, to receive the public homage due to her sex and loveliness. The Duchess of Richmond, Lady Harcourt,...Mrs Damer, Lord Craven,...and I were with her. It was amazing to see so young a woman entirely possess herself-but there is such an integrity and frankness in her consciousness of her own beauty and talents, that she speaks of them with a naivete as if she had no property in them, but only wore them as gifts of the gods. Lord Craven on the contrary was quite agitated by his fondness for her and with impatience at the bad performance of the actors, which was wretched indeed, yet the address of the plot, which is the chief merit of the piece, and some lively pencilling carried it off very well, though Parsons murdered the Scotch lord, and Mrs Robinson (who is supposed to be the favourite of the Prince of Wales) thought on nothing but her own charms, or him. There is a very good though endless prologue written by Sheridan and spoken in perfection by King, which was encored (an entire novelty) the first night: and an epilogue that I liked still better and which was full as well delivered by Mrs Abington, written by Mr. Jekyl. The audience, though very civil, missed a fair opportunity of being gallant, for in one of those ----logues, I forget which, the noble authoress was mentioned, and they did not applaud as they ought to have done, especially when she condescended to avow her pretty child and was there looking so very pretty...Yet Lady Craven's tranquillity had nothing displeasing;...and it was tempered by her infinite good nature, which made her make excuses for the actors instead of being provoked at them" (Walpole [28 May 1780], XI, 178-80). Public Advertiser, 14 July 1781: This Day at Noon will be published The Miniature Picture (price not listed). Receipts: #144 9s. (94.9; 48.3; 1.17)

Performances

Mainpiece Title: The Winters Tale

Cast
Role: Paulina Actor: Mrs Hopkins

Afterpiece Title: The Miniature Picture

Dance: II: New Dance, as17791126; End II afterpiece: The Coopers, as17800224

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Love in a Camp

Event Comment: Pit and Boxes to be put together; and no persons to be admitted without Tickets, which will be deliver'd this day, at the office, at Half-a-Guinea each. Gallery 5s. Upper Gallery 3s. 6d. Galleries will be open'd at Four, Pit & Boxes at Five, and to begin at half an four after Six o'clock. Tickets delivered out for 25 Jan. will be take. Subscribers tickets may be had of Richard Dawson, at his house near Henry the Seventh's Chapel, Westminster, who is empower'd by the Society to deliver them, and receive the subscriptions. N.B. Tickets deliver'd to subscribers to this charity will admit one person into any part of the House. Benefit for Increase of a Fund establish'd for the support of Decay'd Musicians, or their Families. [The governors report that they have expended from June 1757 to June 1758 #541 8s. 6d. from this fund.

Performances

Mainpiece Title: Alfred The Great

Event Comment: Paid Mr J. B. Rich balance for Benefit for Westminster Lying In Hospital #19 10s. 6d. (Account Book). Receipts: #176 13s. 6d. (Account Book)

Performances

Mainpiece Title: The Fox

Afterpiece Title: Mother Shipton

Event Comment: By Particular Desire of their Excellencies the Persian Ambassadors. Benefit for Wild. Wild begs leave to inform his friends Mons. DeLoutherbourg has no concern whatever in the invention or painting any of the above scenes [in Phusimimesis]. Receipts: #288 9s. (210.14; tickets: 77.15) (charge: #105)

Performances

Mainpiece Title: The Farmers Return From London

Afterpiece Title: All for Love

Afterpiece Title: Phusimimesis or Resemblances of Nature

Afterpiece Title: The Royal Chace or Harlequin Skeleton

Song: End II 2nd piece: The Huntsman's Sweet Halloo, as17810226; 4th piece: The Early Horn-Cubitt; Scene I: When Phoebus the tops of the hills, as17810425

Performances

Mainpiece Title: Circe

Performances

Mainpiece Title: Constantine The Great

Performances

Mainpiece Title: Cuckolds haven Or An Alderman No Conjurer

Performances

Mainpiece Title: A Commonwealth Of Women

Performances

Mainpiece Title: The Widow Ranter Or The History Of Bacon In Virginia

Performances

Mainpiece Title: The Wives Excuse Or Cuckolds Make Themselves

Performances

Mainpiece Title: The Comical History Of Don Quixote Part Ii

Performances

Mainpiece Title: The She gallants

Performances

Mainpiece Title: Pausanius The Betrayer Of His Country

Performances

Mainpiece Title: The Spanish Wives

Performances

Mainpiece Title: The Female Wits Or The Triumvirate Of Poets At Rehearsal

Performances

Mainpiece Title: Cinthia And Endimion Or The Loves Of The Deities

Performances

Mainpiece Title: Cato

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Biter Bit