SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Vernon much Applause Hopkins Diary Benefit "/1) | (@(roleclean,performerclean) "Mr Vernon much Applause Hopkins Diary Benefit ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 14530 matches on Event Comments, 2620 matches on Performance Comments, 638 matches on Performance Title, 35 matches on Author, and 0 matches on Roles/Actors.
Event Comment: At the Desire of Isaac Bickerstaffe, Esq.; for the Benefit of his cousin John Bickerstaffe

Performances

Mainpiece Title: Don Quixote Part Ii

Dance: Harlequin-Layfield, Miss Santlow; With other comical Dances originally in the play-

Entertainment: As17100202

Event Comment: By Command of His Royal Highness the Prince of Wales. Benefit the Brave and Unfortunate Crew, belonging to Captain Peddie...[and] the Widow of the Boatswain killed in the Engagement

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Intriguing Chambermaid

Song: V: Lowe, During which the whole Crew will appear and return their humble Thanks to the Generous Audience

Event Comment: For the Entertainment of the...Masons. Benefit Blakes and Miss Hippisley

Performances

Mainpiece Title: The Miser

Afterpiece Title: Lethe

Song: Miss Medina, Mrs Jones; the Masons' Songs-Hemskirk

Dance: DDrunken Peasant-Chettle; Hornpipe-Yates, others

Event Comment: GGreat Theatrical Booth, Bowling Green. By Permission. Benefit of Legar and Boaman. A Concert, etc. At the particular Desire of several of the Subscribers. Stage 5s. Tickets for the Orphan will be taken

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Flora or Hob in the Well

Event Comment: For the Benefit and Increase of a Fund establish'd for the Support of decay'd Musicians and their Families. [Prices as usual.

Performances

Mainpiece Title: Entertainment Of Vocal And Instrumental Musick

Event Comment: At the Desire of several Eminent Citizens. A concert, etc. Benefit for Stevens (bookseller). Mainpiece: Written by E. Young, author of the Midnight Thoughts. Boxes 5s. Pit 2s. 6d. Gallery 1s. 6d

Performances

Mainpiece Title: Busiris King Of Egypt

Song: IV: A Cantata-Doorsming, who never appeared in public

Dance: V: Drunken Peasant-Matthews

Event Comment: [See Occasional Prologue spoken at cg by Mr Barry (28 Sept. 1750): @When vice and folly overruns the state,@Weak politicians lay the blame on fate...@If Shakespeare's Passion, or if Johnson's art@Can fire your fancy, or can warm your heart,@That task be ours;--but if you damn, their scenes@And heroes must give way to Harlequins.@We too can have recourse to Mime and Dance@Nay there I think we have the better chance;@And should the town grow weary of the Mute@Why--we'll produce--a Child upon the flute@ This infant piper referred to again satirically in a Guide to the Stage, 2nd ed., 1751, p. 7.] Rec'd of Mr Warner for arrears at his Benefit 16 May last, #5 14s. As this belong'd to last season's Account, I shall make an allowance, and accordingly subtract it from the sum total (Powel). Receipts: #70 (Cross); #92 12s. (Powel)

Performances

Mainpiece Title: She Woud And She Woud Not Or The Kind Imposter

Afterpiece Title: The Lottery

Music: I: Concerto on Flute-a Child five years of age (1st time of his appearing on any stage); III: Another piece of music-the Child

Event Comment: For one Night Only. Benefit for the Author [John Slade]. A New Tragedy, never acted before. To begin 7 p.m. Places for the Boxes to be had of Varney at the Stage Door

Performances

Mainpiece Title: Love And Duty

Event Comment: By Particular Desire of the Ancient and Honorable Society of Free Masons, and By Authority. Benefit for Brother Lauder. Tickets at Berwick St., at the Black Boy, near the Hermitage Bridge. To begin at Seven. Boxes 5s. Pit 3s. Gallery 2s

Performances

Mainpiece Title: The Gentle Shepherd

Event Comment: By Special License from the Lord Chamberlain, For One Night Only. Benefit for Lee. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. To begin at 6:00 p.m. Both pieces By Particular Desire. Present, the King of Denmark. Receipts: #244 7s. 6d. (Account Book)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: Damon and Phillida

Event Comment: By Authority. Benefit Miss Rose (near six Years old), who for her surprising capacity and Theatrical Abilities is most deservedly celebrated. Tickets for 18 March will be taken. To begin at 7 p.m. N.B. No person on any pretence whatever to be admitted behind the Scenes unless those few possess'd of tickets for that purpose. Those Ladies and Gentlemen who chuse entire Boxes are most humbly requested to secure them immediately

Performances

Mainpiece Title: The Distressd Mother

Afterpiece Title: The Author

Event Comment: Mainpiece: By Particular Desire. Benefit for King. Part of pit will be laid into Boxes. The Entertainment By Desire and for the only night this season. Receipts: #254 6s. 6d. Charges: #65 12s. Profit to King: #188 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Register Office

Dance: The Sailors Revels, as17730928

Monologue: End: Linco's Travels. Linco-King; Old Woman-Mrs Bradshaw

Event Comment: By Authority [of the Lord Chamberlain]. Benefit for the Westminster New Lying-In Hospital

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Old Maid

Song: End III: a new Cantata, suitable to the occasion, composed by Barthelemon,-Mrs Barthelemon

Music: End: concerto on the violin-Barthelemon; in which Grammacree with variations-

Event Comment: By Authority of the Lord Chamberlain. Benefit for Stewart. Mainpiece: New Dresses and Decorations. [Authors of Prologues unknown.] The doors to be opened at 5:00. To begin precisely at 6:00

Performances

Mainpiece Title: The Gentle Shepherd Or Patie And Roger

Afterpiece Title: The Students or The Humours of St

Song: End IV: Hooly and Fairlyin character-M'Donald

Music: Between the Acts: proper Scotch Music-; a new Scotch Overture-

Event Comment: [Extra night] By Permission [of the Lord Chamberlain]. Benefit for Massey. Tickets delivered by Painter, Kenny, Mrs Lefevre will be admitted

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequin Teague

Dance: In Act III of mainpiece a Hornpipe [performer not listed]; In afterpiece, as17820826

Song: In afterpiece The Tobacco Box by Brett and Miss Morris

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Greville. Tickets and places to be had of Mrs Greville, No. 1, Queen's-court, King-street, Covent-garden. [This was Mrs Pinto's last appearance on the stage (but see 12 May 1786).]

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Irish Widow

Song: End of mainpiece The Soldier tired of War's Alarms by Mrs Pinto

Monologue: 1785 04 26 End of Act II of mainpiece Collins's Ode on the Passions by Mrs Walcot. imitations. End of Act I of afterpiece, as 17 Sept. 1784, but An entire new dialogue in the Shades between Foote and Weston; added: Prospero (in the manner of Mossop); omitted: Prologue to Barbarossa

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Greville and Mrs Hunter. The Doors to be opened at 5:30. To begin at 6:30. Tickets delivered for the 7th and by L'Estrange will be taken

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Ephesian Matron

Afterpiece Title: The Irish Widow

Dance: End I 3rd piece: Hornpipe-Alison

Event Comment: By Permission of the Lord Chamberlain. Benefit for Berry. Afterpiece: Written by the late Samuel Foote, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had at Mrs Richman's@Masquerade@Warehouse, Oxford-street; of Berry, at the George in the Haymarket; and of Rice at the Theatre, where Places for the Boxes may be taken. No Money to be returned

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: Taste or Diversion in the Morning

Dance: I afterpiece: Mock Minuet-Alderman, Lady Pentweazel

Song: End: The Tobacco Box-Johnson, Miss Chatterley

Entertainment: Monologues After Singing: British Loyalty[; or, A Squeeze to St. Paul's-Wilkinson; End II afterpiece: Bucks have at Ye All-a Gentleman (1st appearance on any stage [unidentified])

Music: Between Acts: several pieces of Martial Music-his Royal Highness the Duke of Gloucester's Band(, in full uniform, by Permission)

Event Comment: By Permission of the Lord Chamberlain. Benefit for Walker

Performances

Mainpiece Title: The Gentle Shepherd Or Patie And Roger

Afterpiece Title: Wits Last Stake

Dance: End III: a new dance The Caledonian Cottagers; or, Scotch Wedding-Allison, Allison's Pupils

Song: End IV: The Cries of Edinburgh-Shaw

Entertainment: Monologue Probably end: An Occasional Address-Walker

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by James Boaden. Epilogue by Edward Topham (see text). For this play Reynolds and the cg manager made a new plan for payments to the author. Benefits for the author on the 3rd, 6th and 9th nights were abandoned; instead he received #33 6s. 8d. for each of the first nine nights and #100 on the 20th night. "This was the foundation of that bargain between manager and author which, I believe, exists to the present period [1826]" (Reynolds, II, 182-83)]. Morning Chronicle, 19 Jan. 1795: This Day is published The Rage! (2s.). Receipts: #259 13s. 6d. (255.17.6; 3.16.0)

Performances

Mainpiece Title: The Rage

Afterpiece Title: Cymon

Dance: Afterpiece to conclude with: a Dance-

Performances

Mainpiece Title: The Anatomist Or The Sham Doctor

Afterpiece Title: The Loves of Mars and Venus

Performances

Mainpiece Title: The Island Princess Or The Generous Portuguese

Performances

Mainpiece Title: The Citizen Turned Gentleman

Event Comment: The United Company. Newdigate newsletters, 20 Jan. 1682@3: Yesterday was acted at the Theatre Royall the first of a new play Entituled the City Politiques the novelty of wch drew a Confluence of Spectators under both Qualifications of Whigg and Tory to hear and behold a Ld Mayor Sheriffs & some Aldermen with their wives in yr usuall formalityes buffoond & Reviled a great Lawyer with his young Lady Jeared and Intreagued Dr Oates pfectly represented berogued & beslaved the papist plott Egregiously Rediculed the Irish Testemonyes Contradictiorily disproved & befoold the Whiggs totally vanquished & undon Law & property men oreruld & there wanted nothing of Artifice in behaviour and discourse to render all those obnoxious & dispised in fine such a medly of occurences intervened that twas a question whether more of Loyalty designe or Rhetorique prvailed but there were mighty clappings among the poeple of both partyes in Expressing either their sattisfaction or displeasure (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately Printed, have 20 Jan. 1682@3 as Luttrell's date of acquisition (Huntington Library) and are reprinted in Wiley's Rare Prologues and Epilogues, pp. 166-69. John Dennis, To Mr --- In which are some Passages of the Life of Mr John Crown, Author of Sir Courtly Nice, June 23, 1719: About that time he writ The City Politicks, on purpose to Satyrize and expose the Whigs; a Comedy so agreeable, that it deserv'd to be writ in a much better Cause: But after he had writ he met with very great Difficulties in the getting it acted. Bennet Lord Arlington, who was then Lord Chamberlain of the King's Houshold, and who had secretly espous'd the Whigs, who were at that time powerful in Parliament, in order to support himself against the Favour and Power of the Lord Treasurer Danby, who was his declared Enemy, us'd all his Authority to suppress it. One While it was prohibited on the account of its being Dangerous, another while it was laid aside on the pretence of its being Falt and Insipid; till Mr Crown at last was forc'd to have Recourse to the king himself, and to engage him to give his absolute Command to the Lord Chamberlain for the acting of it; which Command the King was Pleas'd to give in his own Person (I, 49-50). Morrice Entry Book, Vol.1 1682@3: Mr Crowne [was cudgled on Wednesday last in St Martin's Lane and] hee that beat him said hee did it at the suite of the Earle of Rochester some time since deceased who greatly abused in the play for his penetency &c. (p. 353. I owe this note to the courtesy of Professor David M. Vieth of the University of Kansas and Professor G. H. Jones of Kansas State University)

Performances

Mainpiece Title: The City Politiques

Performances

Mainpiece Title: The Deceiver Deceived