SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Vernon much Applause Hopkins "/1) | (@(roleclean,performerclean) "Mr Vernon much Applause Hopkins ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4654 matches on Event Comments, 2583 matches on Performance Comments, 628 matches on Performance Title, 34 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Cleone

Afterpiece Title: The Upholsterer

Dance: End: The Village Romps, as17661008

Performances

Mainpiece Title: Dido

Afterpiece Title: The Devil to Pay

Dance: End: The Lilliputian Camp, as17670227

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: I: A Minuet-Fishar, Miss Macklin; IV: The Female Archer, as17661215; End: The Village Romps, as17671008

Performances

Mainpiece Title: Cymon

Performances

Mainpiece Title: King Lear

Afterpiece Title: Flora

Dance: End: Hearts of Oak, as17670212

Performances

Mainpiece Title: The Double Falsehood; Or, The Distrest Lovers

Afterpiece Title: Midas

Dance: III: The Sicilian Peasants, as17670411

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: A Fairy Tale

Dance: End: Hearts of Oak, as17670212

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Queen Mab

Dance: I: The Irish Lilt-Giorgi, Mrs King; End: A Comic Dance-Duquesney, Mrs King

Entertainment: LLinco's Travels-King

Event Comment: Benefit for Widow Vincent. House charges #64 15s. 6d. [Deficit Mrs Vincent #20 3s. 6d.] Rec'd by draft on Mr Clutterbuck #200, and from Sinking Fund #287; Paid Blandford (tallow chandler) #27 18s. 11d.; and French on account #12 12s. (Treasurer's Book). Fifteen minutes past 5 went to the 2s. gallery...(Widow Vincent's voice pleases me much. Holland did Oakly,-he imitates Garrick, but is very inferior to him (Neville MS Diary). Receipts: #44 12s. (Treasurer's Book)

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Contrivances

Dance: End: Comic Dance, as17670430

Event Comment: Benefit for Grimaldi (ballet master) and Moody. House charges #64 17s. [Profits to Moody and Grimaldi #5 9s. plus tickets.] Farce not acted in 3 years. [See 12 April 1764.] At 9 got to Drury Lane, could not get in at ye left side of ye Pit or first Gallery. After waiting till the play was over at the other door of ye Pit, got in and saw the Vintage, by Mrs King and Sg Grimaldi (whose benefit and Mr Moody's it was). He dances much better than the fellow who usually dances that dance. My intention in going was to see the F, of the Register Office, not acted these 3 years. [All characters done well] such characters are ye effects of our ill-cemented union (Neville MS Diary). Receipts: #70 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Provoked Husband

Cast
Role: Lady Wronghead Actor: Mrs Hopkins

Afterpiece Title: The Register Office

Dance: II: The Lilliputian Camp composed by Grimaldi, as17670227; III: Hearts of Oak, as17670212; End: The Vintage, as17661011, but-Grimaldi, Mrs King

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: Lethe

Dance: End: The Lilliputian Camp, as17670227

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: All For Love

Afterpiece Title: Midas

Dance: III: Rural Love, as17661120; End: Double Hornpipe, as17670427

Ballet: End: The Wapping Landlady. As17670427

Event Comment: Benefit for Mortimer, Tomlinson, West, Lings. House charges #84. [Deficit to actors #60 4s.] Received Mr Evans and Miss Roger's deficiency #28 18s. 6d. Paid Ann Collett for a gold brocaided silk #10 10s. (Treasurer's Book). Receipts: #23 16s. (Treasurer's Book). Went into ye Pit...Vernon is an excellent MacHeath. I don't like Yates as Peachum so well as Shuter, and Parsons is not so good a Filch as Holborn. Bransby ye Lockit and Mrs Abington Lucy pretty well...Polly-$Mrs Vincent, who is now too old for ye character, and I think wants feeling...One Tomlinson, who had a 4th of the Benefit, spoke an Epilogue in the character of a Beggar, but by one party hissing and a greater clapping, could not hear it.--At Covent Garden a Hurdy-Gurdy man and girl play in the whore's scene, and as the Highwaymen march out, one returns and kisses MacHeath, and Shuter says some things Yates did not, but perhaps they are additions of his own (Neville MS Diary)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Register Office

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Coronation

Dance: II: A New Tambourine-Mas. Blurton, as17670427 III: by Desire, A Serious Dance-Miss Capon, as17670427

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Musical Lady

Performances

Mainpiece Title: The Minor

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: The Taylors

Afterpiece Title: The Citizen

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Citizen

Dance: II: New Serious Dance-; End: New Comic Dance, The Gallant Peasant-Miss Froment

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Afterpiece Title: The Lyar

Dance: End: The Fingalian-Miss Froment; End I Farce: Hornpipe-Miss Froment

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Harlequin Dr Faustus

Dance: III: A new dance call'd The Merry Sailors-Aldridge

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Royal Chace

Dance: End: A New Comic Dance-LaRiviere, Miss Valois

Event Comment: Mainpiece: By Desire. Music [to afterpiece] by Barthelemon. I often go to both theatres, have seen Garrick and Mrs Yates, who are the first in this theatrical sphere. The former has hitherto [i.e., this season] appeared only in comedy, --his manner, his humour, and his judgment are not to be equall'd. The adoration he meets with from the English is equal to his merit. His every motion they attend to, and every turn of his eye seems to transport them. Mrs Yates [at Covent Garden] has much tragic merit. Her low voice is very tuneful, her feeling great, her action peculiarly graceful and her figure uncommonly fine. She has more power than Mrs Dancer (at Drury Lane] and more variety than Mrs Fitz-Henry, tho' less strength and compass. On the whole she is superior to the former and inferior to the latter. Barry and Mrs Dancer are engag'd here (MS Letter from Henry Grattan to Cornet Broome giving his first impressions of living in London, 27 Oct. 1767, in Folger Library). Neville MS Diary: Went into the Pit to see As You Like It a second time. Reddish did Orlando for the 1st time. He is a pretty good player. End Act I, Hearts of Oak. The Entertainment was the new Farce called a Peep Behind the Curtain. Glib by King who is the author. The piece is not unentertaining, whatever other merit it may have. The Prologue and an Address to the Town by way of Epilogue, are spoken by Mr King, the music by Barthelemon

Performances

Mainpiece Title: As You Like It

Afterpiece Title: A Peep behind the Curtain

Dance: I: Hearts of Oak, as17671022