SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Vernon much Applause Hopkins "/1) | (@(roleclean,performerclean) "Mr Vernon much Applause Hopkins ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 4654 matches on Event Comments, 2583 matches on Performance Comments, 628 matches on Performance Title, 34 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Music of Afterpiece composed by Dibdin. Sigr Como and Sgna Crespi danc'd for first time very Indiff (Hopkins Diary). Paid Printer's Bill #11; Copper plate Printing Bill #3 2s. (Treasurer's Book). [The printing bill averaged #9 6s. per week and came to #344 2s. No further itemization will be made of it this season.] Receipts: #195 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Wedding Ring

Performance Comment: Pandolfo-Bannister; Zerbino-Vernon; Henrico-Davies; Felicia-Mrs Smith; Lissetta-Mrs Wrighten.

Dance: I: A New Comic Dance call'd The Mountaineers-Como, Sga Crespi, first appearance

Event Comment: Wash &c. left out of the title (Winston MS). The farce went off very well till the second act when Capt. Roper and another Gentleman came into the boxes very Drunk hiss'd and kept a great Noise 'till at last the Pit and Gallery began to hiss them he struck at Somebody in the Pit--the Gentleman that came with Capt. Roper Jump'd out of the Stage Box upon the Stage immediately Several out of the Pit and Boxes follow'd and Some blows ensued and I thought they would have pull'd the House down this lasted about half and hour and then it all grew quiet and we finished the Farce (Hopkins Diary). Paid salary list 5 days #520 5s. 5d.; Mrs Garrick for sundry stage trimmings #7 8s. 6d. Receipts: #197 2s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Blackamoor

Performance Comment: As17760201, but short bill; Parts-King, Parsons, Davies, Vernon, Mrs Siddons, Mrs Wrighten.
Event Comment: The Prelude shortened, and is much the better for it (Hopkins Diary). Receipts: #246 8s. 6d

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Jane Shore

Afterpiece Title: May Day; or, The Little Gipsy

Performance Comment: William-Vernon; Clod-Bannister; Dozey-Waldron; Cryer-Wrighten; Furrow-Parsons; Dolly-Mrs Wrighten; The Little Gipsy-Miss Abrams.
Event Comment: Mrs Baddeley sung but very indifferently (Hopkins Diary). Receipts: #188 9s. 6d

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Love in a Village

Performance Comment: Hawthorn-Vernon; Justice Woodcock-Parsons; Young Meadows-Dodd; Sir William Meadows-Aickin; Eustace-Davies; Hodge-King; Margery-Mrs Wrighten; Deborah Woodcock-Mrs Love; Lucinda-Miss Jarratt; Rosetta-Mrs Baddeley (1st appearance in that character these 5 years).

Afterpiece Title: The Note of Hand; or, Trip to Newmarket

Dance: I: a Country Dance- incident to the main piece; End II: The Sailors Revels-Blurton

Event Comment: Benefit for the City of London Lying-in Hospital. Mrs Greville-Indiana--$Miss Younge being ill (Hopkins Diary). Public Advertiser, 4 Dec.: Tickets to be had at the Hospital, in Oldstreet Road. Receipts: #253 9s. (70.14; 0.0; 0.0; tickets: 182.15) (charge: #105)

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Lucinda Actor: Miss Hopkins

Afterpiece Title: The Rival Candidates

Performance Comment: As17761010, but Byron-Vernon.

Dance: End: Comic Dance-the two Miss Stageldoirs

Song: As17761025

Event Comment: The United Company. The exact date of the first production is not known, but the play was entered in the Term Catalogues, February 1691@2, and mentioned in the Gentleman's Journal, February 1691@2 (licensed 12 February 1691@2). In all probability, it was first acted not later than January 1691@2. The music to one song, As soon as the Chaos, was composed by Henry Purcell. See Purcell, Works, Purcell Society, XX (1916), xvii. Two songs--Bonny lad prithee lay thy pipe down, with music by Tollet; Great Jove once made love like a bull, with music by Mountfort--are in The Banquet of Musick, The Sixth and Last Book, 1692. Dedication, Edition of 1692: Having at last so well acquitted it self on the Stage (tho' the thronging, imperfect Action, and worse than all, the faulty length, which I will never be guilty of again, render'd it little Diversion the first day). A Letter to Mr D'Urfey [by Charles Gildon], Edition of 1692: If there be any fault in this Play, 'tis that which few are guilty of; that is, there are too many good Characters, too full of Humour, a very Pardonable failing, which only proceeds from Variety, the life of Pleasure and Wit, tho' that gave it the disadvantage of seeming too long the first days Acting, tho' the Stage's being throng'd with Spectators, did not a little contribute to the imperfect Acting of it, which accidental Misfortunes concurring with the Endeavours of an opposite Faction, must needs have damn'd it, had it not by the Force and Vigour of its own Worthy, rais'd it self the second day with the general Applause of all that saw it....But the Marriage-hater went further, and in spight of all the disadvantages it labour'd under of Action and Audience, pleas'd on, after several times Repetition. See also Poeta Infamis; or, A Poet not worth Hanging (1692) for a variety of comments upon this play. London Mercury, 26 Feb. 1691@2: Query 4. Whether in Justice he [D'Urfey] is not obliged to present Mr Dogget (who acted Solon to so much Advantage) with half the Profit of his Third Day, since in the Opinions of most Persons, the good Success of his Comedy was half owing to that admirable Actor? Query 5. Whether, if there be any Wit in bringing a Person upon the Stage with an extravagantly broad-brimmed Hat, and a Muff of the same Size, so it will not be a very easy Matter for the next Poet that writes a Play, to Out-hat and Out-muff his Predecessors, and consequently to Out-wit him? Downes, Roscius Anglicanus, p. 42: Mr Dogget perform'd the part of Solon Inimitably. Gentleman's Journal, p. 454, February 1691@2 (licensed 12 Feb. 1691@2): I send you the Marriage-hater match'd, a new Comedy by Mr Durfey; it hath met with very good success, having been plaid six days together, and is a diverting Play. Gentleman's Journal, January 1691@2: Now I speak of Music I must tell you that we shall have speedily a new Opera, wherein something very surprising is promised us; Mr Purcel who joyns to the Delicacy and Beauty of the Italian way, the Graces and Gayety of the French, composes the Music, as he hath done for the Prophetess, and the last Opera called King Arthur, which hath been plaid several times the last Month [presumably December 1691]

Performances

Mainpiece Title: The Marriage-hater Matched

Event Comment: Mainpiece: By Command of their Majesties. This Comedy is reviv'd with great Alterations by Mr G. by particular desire of the Queen. The play went off vastly well Mr G. Play'd with great Spirit & much Applauded the Alterations are vastly lik'd it will now be a living Play (Hopkins Diary). Doors open half past five. Play to begin promptly at six. House (Hopkins Diary). Receipts: #156 12s. (Treasurer's Book)

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Garrick; Don Frederick-Jefferson; Antonio-Parsons; Petruchio-J. Aickin; 1st Constantia-Miss Younge; 2nd Constantia-Mrs Abington; Mother-Mrs Hopkins; Landlady-Mrs Bradshaw; Kinswoman-Miss Platt; Nurse-Mrs Love; Francisco-Wright; Surgeon-Wrighten; Peter-W. Palmer; Duke-Packer; Antony-Wheeler; Edition of 1774 adds Duke's Party-J. Bannister, Yates; Petruchio's Party-Fawcett, Griffith; Attorney-Burton.
Cast
Role: Mother Actor: Mrs Hopkins

Afterpiece Title: A Trip to Scotland

Cast
Role: Cupid Actor: Miss Hopkins
Event Comment: Introductory Interlude played By Particular Desire. Hamlet Mr Smith B[ad] (Hopkins Diary). [Kemble's note "Mr Smith Hamlet-very dull and heavy" (Hopkins MS Notes).] Paid Madlle Hidou on Acct #63. Receipts: #135 5s. (Treasurer's Book)

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Smith; King-Jefferson; Ghost-Bransby; Horatio-Packer; Polonius-Baddeley; Laertes-J. Aickin; Rosencrans-Davies; Guildenstern-Fawcett; Messenger-Wright; Player King-Keen; Lucianus-Parsons; Marcellus-Wrighten; Bernardo-Griffiths; Francisco-Norris; Ophelia-Mrs Smith; Queen-Mrs Hopkins; Player Queen-Mrs Johnston.
Cast
Role: Queen Actor: Mrs Hopkins

Afterpiece Title: The Meeting of the Company

Afterpiece Title: The Elopement

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: As17540112, but Don John-Bransby; Verges-Vernon; Dogberry-Yates (playbill). [Don John-$Davies (Public Advertiser).]

Afterpiece Title: Lethe

Dance: II: Masquerade Dance-; Devisse, Mad Auretti

Event Comment: Benefit for Miss Young. Afterpiece: Not acted in 20 years. Music by Dr Arne. [See John Lockman's Reflections concerning Operas, &c." in his introduction to his edition of Rosalinda (London, 1760), p. iv: 'A gentleman, well known for his musical compositions, is of opinion, that the reason why the Opera Rosamond tho' adorned with all the graces of lyric poetry, does not please from the stage, so much as might be expected, is owing to a circumstance that forms a beauty in the drama itself; I mean the suppos'd poisoning of Rosamond at the end of the second act, and her appearing no more upon the stage. Whilst this sheet was at press, I was told that Mr Arne has reduc'd this opera into one act, and set the whole anew; and so managed matters, that Rosamond appears throughout the whole drama. Tis said that the music of this new Rosamond is as delightful as that of another performance of Mr Arne's which now affords the town so agreeable an Entertainment."

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Rosamond

Performance Comment: Queen-Miss Young; King Henry-Vernon; Sir Trusty-Champness; Page-Miss Rogers; Rosamond-Mrs Vincent; Grideline-Mrs Dorman.

Dance: End: The Medley, as17641120

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Vernon; Peachum-Moody; Lockit-Bransby; Filch-Parsons; Mat@o@Mint-Kear; Beggar-Burton; Player-Wheeler; Ben Budge-Ackman; Diana Trapes-Mrs Bradshaw; Mrs Peachum-Mrs Love; Polly-Mrs Wrighten, 1st time; Lucy-Miss Pope; In Act III: a Hornpipe-; To Conclude with a Country Dance-.

Afterpiece Title: High Life below Stairs

Dance: II: A Comic Dance-Daigville, Sga Vidini

Event Comment: Cymon and The Witches both to be laid aside after this night on account of preparations for a New Pantomime for the Holidays (Winston MS 10). [See Pigmy Revels, 26 Dec.] Paid Mr Vernon on note #10 10s.; Mr Wright's bill to Manning, #4 10s. 3d.; Eaton for Women's cloaths #16 16s.; Master Cape per order, #2 12s. 6d. Receipts: #177 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Witches

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Packer; Ferdinand (with songs)-Vernon; Stephano (that night only)-G. A. Stevens; Trincalo-Baddeley; Caliban-Ackman; Sebastian-Keen; Gonzalo-J. Aickin; Alonzo-Bransby; Antonio-Hurst; Master of Ship-Wrighten; Francisco-Griffith; Ariel (with songs)-Mrs Scott; Hymen-Fawcett; Ceres-Mrs Wrighten; Miranda-Mrs Smith, first time and with a new song. With a; Grand Dance of Fantastic Spirits-.

Afterpiece Title: Harlequin's Invasion

Dance: Other dances-Atkins, Sg Giorgi, Sga Giorgi

Entertainment: End: Bucks Have at ye All-Palmer; by Desire

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Vernon; Peachum-Moody; Ben Budge-Ackman; Lockit-Bransby; Filch-Parsons; Beggar-Waldron; Player-Wheeler; Lucy-Mrs Wrighten; Mrs Peachum-Mrs Love; Diana Trapes-Mrs Bradshaw; Polly-Mrs Smith; In III, a Hornpipe-Atkins; To Conclude with a Country Dance-.

Afterpiece Title: High Life below Stairs

Dance: II: The Irish Fair-Atkins, Mrs Sutton

Performances

Mainpiece Title: Alfred

Afterpiece Title: The Padlock

Performance Comment: Leonora-Mrs Smith; Leander-Vernon; Ursula-Mrs Love; Diego-Bannister; Mungo-Dibdin.

Performances

Mainpiece Title: The Provok'd Wife

Performance Comment: Sir John Brute-Garrick; Heartfree-Aickin; Constant-Cautherly; Razor-Baddeley; Lady Fanciful-Mrs Abington; Lord Rake-Ackman; Belinda-Mrs Robinson, first time; Lady Brute-Miss Younge; Col. Bully (with a Song)-Vernon; Justice-Bransby; Mademoiselle-Mrs Bradshaw.

Afterpiece Title: A Trip to Scotland

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: Lord Ogleby-King; Sir John Melvil-Brereton; Flower-Bransby; Sterling-Parsons, first time; Lovewell-Cautherly; Traverse-Keen; Trueman-Fawcett; Canton-Baddeley; Brush-Palmer; Betty-Mrs Love; Chambermaid-Mrs Davies; Mrs Heidelberg-Mrs Hopkins; Fanny-Mrs Baddeley, first time in three years in that character; Miss Sterling-Miss Pope.
Cast
Role: Mrs Heidelberg Actor: Mrs Hopkins

Afterpiece Title: The Meeting of the Company

Afterpiece Title: The Padlock

Performance Comment: Leander-Vernon; Mungo-Dibdin; Leonora-Mrs Smith; Ursula-Mrs Love; Don Diego-Bannister.

Performances

Mainpiece Title: The Tempest

Performance Comment: Sebastian-Farren; Boatswain-Carpenter; Prospero-Packer; Caliban-Wright; Gonzalo-Aickin; Stephano-Moody; Trincalo-Baddeley; Francisco-Norris; Ariel (with songs)-Mrs Scott; Hymen-Fawcett; Ceres-Mrs Wrighten; Miranda (with Song)-Mrs Smith; Alonzo-Bransby; Antonio-Hurst; Sebastian-Farren; Master of Ship-Wrighten; Ferdinand (with songs)-Vernon; With a Grand Dance of Fantastic Spirits-; The other Dances-Como, Giorgi, Sga Crespi.

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as17751003

Event Comment: By the Great Mogul's Company of Comedians. Mainpiece: Written by the Author of George Barnwell. Afterpiece: A new Dramatick Satire: With freshest Advices Foreign and Domestick. Written by the Author of Pasquin [Henry Fielding]. These Characters will all be seen cheap; 1n the Boxes at 5s.; in the Pit at 3s.; in the Gallery at 2s. Note, None will be admitted after the House is full; for which Reason, the sooner you come, or secure your Places, the better. All Persons are desir'd to cry at the Tragedy, and laugh at the Comedy, being quite contrary to the present general Practice. Mr Hen gives Notice, that if any Joke is both Hiss'd and Clapp'd, such Division will be consider'd an Encore, and the said Joke be put up again. Daily Advertiser, 22 March: Last Night the two new Performances at the Hay-Market...were receiv'd with the greatest Applause ever shown at the Theatre

Performances

Mainpiece Title: Fatal Curiosity

Afterpiece Title: The Historical Register

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The London Prentice

Performance Comment: Parts-Beard, Wilder, Vernon, Miss Thomas, Mrs Clive. [Emperor-Wilder; Vizir-Vernon; London Prentice-Beard; Humdrumeda-Miss Thomas; Princess Theoraze-Mrs Clive (MacMillan).]

Dance: Devisse, Mlle Auretti

Performances

Mainpiece Title: Comus

Performance Comment: Comus-Smith; Elder Brother-Clarke; Younger Brother-Dyer; 1st Spirit-Ross; 2nd Spirit-Mattocks; Lady-Mrs Ward; Bacchanals-Beard, Baker; Bacchants-Miss Brent, Mrs Vernon; Chorusses-Legg, Whitaker, Roberts, Ryley, Dibdin, Courts, Mrs Lampe, Miss Young, Miss Davis, Miss Sledge; Euphrosyne-Mrs Vernon; Sabrina, the Pastoral Nymph, and the song of Sweet Echo-Miss Brent.

Dance: The Dances incident to the masque-Poitier Jr, Mlle Capdeville, Granier, Leppie, Desse, Rochford, Dumai, Gosley, Hussey, Balthazar, Mrs Granier, Mrs Jansolin, Mrs Mariane, Mrs Crawford, Mrs Welch, Miss Daw

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Beard; Peachum-Collins; Lockit-Dunstall; Filch-Holtom; Mat@o@Mint-Baker; Player-Hull; Beggar-Bennet; Lucy-Mrs Vernon; Mrs Peachum-Mrs Stephens; Diana Trapes-Mrs Copin; Polly-Miss Brent; With a Hornpipe-Mrs Vernon; Country Dance-the characters in the Opera.

Afterpiece Title: The Mock Doctor; or, The Dumb Lady Cur'd

Event Comment: Benefit for Mrs Arne. Afterpiece: By Desire. House Charges #68 16s. 6d. [Profits to Mrs Arne #150 18s. 6d.] Tickets deliver'd for The Beggar's Opera will be admitted. Dido oblig'd to be defer'd a few days. Paid 1 year's Watch for St Martin's #10 2s.; Reynolds Oil bill #46 4s.; Carpue (silk dyer) #7 9s. 6d.; Jennings (glover) #13 12s.; Vernon on note #21; Chorus 1 night #2 5s. 6d.; Hautboy 5s.; Salary list #294 2s. 8d. [Treasurer's Book). Receipts: #219 14s. (Treasurer's Book). At 4 dined at the Chop House in St Clements. At 5 went to Drury Lane to see the Tempest for the benefit of Mrs Arne the prettiest performer at the house...She has a sweet little voice...A grand Dance of Fantastic Spirits in different shapes. At the end of the play a Double Hornpipe by Mr Walker and Miss Tatley. We had the entertainment of Daphne and Amintor with dancing by Sg and Sga George, Sg Tessoni, Miss King, &c. Having a seat in the third row of the Pit, was much pleased as all the principal characters were well played and the scenery is very fine. Had I been later in going, I should not have got in (Neville MS Diary)

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Havard; Ferdinand (with proper songs)-Vernon; Stephano-King; Trincalo-Yates; Caliban-Love; Ariel, 1st time (with additional songs, composed by Dr Arne)-Mrs Arne; Hymen-Kear; Ceres-Mrs Vincent; Miranda-Mrs Palmer; Grand Dance of Fantastic Spirits-; The other dances-Giorgi, Mrs King. (playbill), but Public Advertiser lists Miss Baker in place of Mrs King.

Afterpiece Title: Daphne and Amintor

Dance: End: A Double Hornpipe-Walker, Miss Tetley

Event Comment: Mainpiece: By Particular Desire. Paid Mrs Price for Women's cloaths #20; Mr Vernon on note #40; Dr Boyce's Overtures #4 14s. 6d. (Treasurer's Book). Receipts: #252 2s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Rule A Wife

Afterpiece Title: Amelia

Dance: V: The Sailors Revels, as17711008

Event Comment: MMr Woodward has enter'd into partnership with Mr Barry in a new Theater in Ireland & has taken from us Mr Walker and Wife (Miss Minors that was) Mr Vernon, Mr Jefferson and Wife-from Mr Rich, Mr Arthur, Mr White, Mr Chambers, Mr Finny (his Scene-man) & others (Cross). Receipts: #120 (Cross); #128 15s. (Winston MS 8). Places for Boxes to be had of Mr Varney at the stage door. No admittance behind scenes, nor any money returned after the Curtain is drawn up. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. [This notice regularly occurs at foot of bill and will not be noted further this season. The box receipts recorded from Winston MS 8 seem to have been taken by him from the Huntington Library playbills (second set) annotated by J. P. Kemble from a Treasurer's Book.] Letter to Mr G@k on Opening of the Theatre, With Observations on Managers, Actors, Authors, and their Audiences and Particularly New Performers. 6d. Published by Cooke opposite Drury Lane Theatre. [It is a plea for more frequent appearances of Garrick, especially in lighter parts, now that Woodward has left; for especially good plays on Saturday nights; for striking from the repertoire all immoral, immodest and cruel plays; for being a sport about competition with Rich; for better regulation of the boxes, on a first-come, first-pay basis; for training up the most promising young actors gradually and not casting them in parts beyond their reaches; for more new plays; and for an advisory council in selecting them; for omission of personal satirical attacks in comedy.

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Anatomist

Dance: I: A comic Dance call'd The German Hunters-Master Settree, Miss Twist