SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Vernon much Applause Hopkins "/1) | (@(roleclean,performerclean) "Mr Vernon much Applause Hopkins ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4657 matches on Event Comments, 2583 matches on Performance Comments, 628 matches on Performance Title, 35 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for King. Part of Pit laid into the Boxes. Mainpiece: Not performed for 10 years. [See 14 Oct. 1761. The Wishing Cap is Larpent MS 350. It discusses Fortunatus' Cap as King conceived several people would use it--the miser, the cit, the adolescent maid, the gossip, Hodge, &c.: "Thus in several spheres of life we find@Wishing appears the madness of Mankind." He closes with the Cap on his head wishing for applause.] Receipts: #207 6s. Charges: #64 9s. Profits to King: #142 15s. (Treasurer's Book)

Performances

Mainpiece Title: The Double Dealer

Performance Comment: Maskwell-Reddish; Sir Paul Plyant-King; Careless-Palmer; Brisk-Dodd; Lord Froth-Parsons; Mellefont-Brereton; Lord Touchwood-Packer; Lady Touchwood-Mrs Hopkins; Lady Froth-Mrs Abington; Lady Plyant-Miss Younge; Saygrace-Wright; Cynthia-Miss Platt; By way of Epilogue a little piece of Descriptive Poetry (First Time) call'd The Wishing Cap-King.
Cast
Role: Lady Touchwood Actor: Mrs Hopkins

Afterpiece Title: The Deuce Is in Him

Dance: V: Comic Dance, as17720922

Event Comment: Mainpiece [1st time; T 5, by George Edward Ayscough, based on Semiramis, by Voltaire. Prologue by the author. Epilogue by Richard Brinsley Sheridan (see text)]: With New Scenes and Dresses. This Tragedy is a translation from Voltaire by Captain Ayscough. Mrs Yates played finely, and met with the Applause she deserved. Mrs Reddish, alias Mrs Canning, who played the part of Azema, was hissed all through, and must never perform again. Indeed she was very bad. The Play was greatly applauded (Hopkins Diary). Public Advertiser, 24 Dec. 1776: This Day is published Semiramis (1s. 6d.). Receipts: #226 3s. 6d. (224.16.6; 0.0.0; 1.7.0)

Performances

Mainpiece Title: Semiramis

Performance Comment: Principal Characters by Smith, Bensley, Grist, Farren, Hurst, Chaplin, R. Palmer, Reddish, Mrs Reddish, Mrs Yates. [Cast from text (J. Dodsley, 1776), and Town and Country Magazine, Dec. 1776, p. 659: Ninias (known first as Arzaces)-Smith; Assures-Bensley; Mithranes-Grist; Otanes-Farren; Ghost of Ninus-Hurst; Cedarus-Chaplin; Oroes-Reddish; Azema-Mrs Reddish (in text: Miss Hopkins [see17761216]); Semiramis-Mrs Yates; R. Palmer [is unassigned; Prologue-Reddish; Epilogue-Mrs Yates. [These were spoken, as here assigned, at the first 9 performances only (see17770201.)]These were spoken, as here assigned, at the first 9 performances only (see17770201.)]

Afterpiece Title: The Irish Widow

Dance: End I afterpiece: The Irish Fair, as17761031

Event Comment: "[King's] utterance possessed an articulate velocity and smartness never heard but from him; and a collected confidence in himself that extorted an applause paid to the situation, or the sentiment, rather than the man" (Boaden, Siddons, II, 105). [Address written by Richard Cumberland (Betsy Sheridan, Journal, 1960, p. 25).] Receipts: #255 13s. 6d. (228/1/0; 27/11/0; 0/1/6)

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: Lord Ogleby-King (1st appearance these 2 years); Sterling-Parsons; Sir John Melvil-Bensley; Lovewell-Brereton; Serjeant Flower-Wrighten; Traverse-Phillimore; Trueman-Fawcett; Canton-Baddeley; Brush-Palmer; Miss Sterling-Miss Pope; Fanny-Mrs Brereton; Chambermaid-Mrs Wilson; Betty-Mrs Love; Mrs Heidelberg-Mrs Hopkins .
Cast
Role: Mrs Heidelberg Actor: Mrs Hopkins

Afterpiece Title: The Quaker

Monologue: 1784 09 30 End of Act I an Occasional Address spoken by King

Event Comment: Benefit for Mr Hopkins, Mrs Hopkins. The Distressed Mother was oblig'd to be deferred on account of the death of Mr Holland's father (Hopkins Diary-MacMillan). Tickets deliver'd for that play will be taken

Performances

Mainpiece Title: Othello

Performance Comment: As17640414 but Iago-Havard; Roderigo-King; Desdemona-Mrs Yates; Montano-Fox; End of Play, a New Epilogue-Miss Hopkins, the Fairy Page.

Afterpiece Title: The Witches

Dance: II: Double Hornpipe-Mas. Cape, Miss Rogers; IV: The Carpenters and the Fruit Dealers, as17640523

Event Comment: Rich's Company. The date of the premiere is not known, but Dryden, writing on 14 Dec. 1699, indicates that this play had had its first performance by that date. The Dedication is dated 10 Jan. 1699@1700, and the play was advertised in the Post Boy, 20-23 Jan. 1699@1700. Preface, Edition of 1700: Another difficulty this Play labour'd under, was its being acted at a time when the whole Town was so much, and so justly diverted by the Trip to the Jubilee. When the play was revised and reprinted in 1714, the new edition--The Victim; or Achilles and Iphigenia in Aulis--indicates that The Invocation to Diana in the last act was set by Gottfreid Finger, the first verse being sung by Freeman, the second verse by Mrs Erwin, and the third verse by W. Pate. Advertisement, Edition of 1714: The following Tragedy...having been translated into English [from Racine], with considerable Additions, by Mr Boyer, and pass'd the Correction and Approbation of the late famous Mr Dryden, and several other Persons distinguish'd as well by their Wit and Learning, as by their Taste and Discernment, was acted with general Applause, towards the End of the Year 1699, and Beginning of 1700. The Reasons why this Excellent Play stopt, on a sudden, in a full Career, are, in some Measure, accounted for in Mr Boyer's Preface: To which he might have added, That the Dutchess of Marlborough, who at that Time bore an irresistable Sway, bespoke the Comedy then in Vogue [The Constant Couple], during the Ruin of Iphigenia in Aulis; And that this Tragedy receiv'd no small Prejudice, from the Person that acted Eriphyle [Mrs Wilkins], who sunk under the Weight of so great a Part. A Comparison Between the Two Stages (1702), pp. 24-25: Sullen: Then comes the second Iphigenia in all her Charms, and like a superious Mistress was resolv'd to eclipse her Rival: No cast was spar'd by the Masters, nor toil by the Actors; the Town was bespoke in its favour, and all the Friends of this new Fletcher and Beaumont were ingaged to clap it. She appear'd, but what pity 'twas (as the Prefacer says) that a Play which had such a glorious run shou'd in four Days disappear, never to rise again. Oh! says Mr D@@, mine was acted six Days; and I'll hold you a hundred Pound--just what I got by't--How's that?, says Boyer--I say, Sir, that I'll hold you, or any Man, a hundred Pound, 'twill be acted again ten times this Winter. With that B@@ fell a laughing, and replies, Sir, says he, I'll stake my French Dictionary against your Criticisms on Blackmore, and that I think is odds enough--I say,"I'll hold you that Bet, that you did not get fifty Shillings by't, and that the House lost a hundred Pound. This had like to ha' made sad work; but all was well, for neither of 'em have been acted since, for they both sleep in everlasting Tranquillity. [See also pp. 23-25 for other remarks about the two Iphigenia plays.

Performances

Mainpiece Title: Achilles Or Iphigenia In Aulis

Event Comment: The Prince of Wales by Obrien (first time) very well (Hopkins). Receipts: #147 (MacMillan)

Performances

Mainpiece Title: King Henry Iv Part I

Performance Comment: Falstaff-Love; King-Havard; Prince of Wales-Obrien, first time; Sir Richard Vernon-Jackson; Worcester-Bransby; Hostess-Mrs Bradshaw; Northumberland-Burton; Glendower-Lee; Douglas-Parsons; Blunt-J. Palmer; Poins-Packer; Carriers-Moody, Weston; Sheriff-Stevens; Bardolf-Clough; Westmorland-Ackman; Francis-Vaughan; Mortimer-Castle; Hotspur-Holland; Lady Percy-Mrs Palmer.
Cast
Role: Sir Richard Vernon Actor: Jackson

Afterpiece Title: The Deuce Is in Him

Dance: End: The Provancalle, as17631014

Event Comment: This night Hymen was in the Bills (Hopkins). Mainpiece: dress'd in the Habits of the times. [The Hymen text printed in Gentleman's Magazine, Jan., p. 38.] Receipts: #191 18s. (MacMillan)

Performances

Mainpiece Title: King Henry Iv Part Ii

Afterpiece Title: The Rites of Hecate

Afterpiece Title: Interlude Hymen

Performance Comment: End II, A New Occasional Interlude. Hymen-Vernon; Cupid-Miss Wright; Venus-Miss Young. [See note 20 Jan.]See note 20 Jan.]
Event Comment: By Command of their Majesties K. & Q. (Hopkins Diary)

Performances

Mainpiece Title: Cymon

Performance Comment: Cymon-Vernon; Merlin-Bannister; Dorus-Parsons; Demon of Revenge-Champness; Linco-King; Damon-Fawcett; Dorilas-Wheeler; Shepherdesses-Mrs Jeffries, Mrs Dorman; Fatima-Mrs Abington; Dorcas-Mrs Bradshaw; Sylvia-Miss Radley; Urganda-Mrs Baddeley; In which will be Introduced a Grand Procession of the Different Orders of the Knights of Chivalry-, with Proper Dances and Decorations.

Afterpiece Title: The Devil to Pay

Event Comment: New Scenes, Dresses and Decorations for Mainpiece (playbill). This Masque was got up in a Superb manner the Scenery exquisitely fine & greatly applauded--. Miss Hayward play'd Emmeline very bad (Hopkins Diary). Mainpiece: Altered from Dryden by Garrick. First time performed. Music Purcell and Arne. New Overture by Arne

Performances

Mainpiece Title: King Arthur Or The British Worthy

Performance Comment: Arthur-Reddish; Oswald-Jefferson; Canon-Packer; Albanacht-Bransby; Aurelius-Keen; Guillamar-Wheeler; Merlin-Aickin; Osmond-Palmer; Grimbald-Bannister; Philadel-Mrs Baddeley; Cupid-Miss Rogers; Matilda-Miss Platt; Emmeline-Miss Hayward; Vocal parts-Vernon, Champnes, Kear, Fawcett, Miss Radley, Mrs Scott, Mrs Wrighten, Mrs Dorman; The Dances-Daigville, Sga Giorgi, Atkins, Mrs King, Sga Daigville.

Afterpiece Title: The Miller of Mansfield

Event Comment: Garrick. Lady Brute 1st time Miss Younge--very well (Hopkins). Paid Half a year's paving, Lighting & Cleaning to Mich. Last--#14 (Treasurer's Book). Receipts: #254 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Provokd Wife

Performance Comment: Sir John Brute-Garrick; Constant-Cautherly; Heartfree-Aickin; Col. Bully (with song)-Vernon; Razor-Baddeley; Lord Rake-Ackman; Justice-Bransby; Lady Fanciful-Mrs Abington; Belinda-Miss Ambrose; Mademoiselle-Mrs Egerton; Lady Brute-Miss Young, 1st time.

Afterpiece Title: A Trip to Scotland

Performance Comment: Cupid-Miss Hopkins, 1st time; Griskin-Parsons; Sotherton-Palmer; Jemmy Twinkle-Brereton; Chamberlain-W. Palmer; Miss Grishin-Miss Pope; Housemaid-Miss Platt; Miss Flack-Miss Ambrose; Filagree-Mrs Bradshaw; Landlady-Mrs Lowe; With Dance incidental to the piece,-Giorgi, Atkins, Mrs King; To Conclude with a Country Dance-.
Cast
Role: Cupid Actor: Miss Hopkins, 1st time
Event Comment: Music of Afterpiece composed by Dibdin. Sigr Como and Sgna Crespi danc'd for first time very Indiff (Hopkins Diary). Paid Printer's Bill #11; Copper plate Printing Bill #3 2s. (Treasurer's Book). [The printing bill averaged #9 6s. per week and came to #344 2s. No further itemization will be made of it this season.] Receipts: #195 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Wedding Ring

Performance Comment: Pandolfo-Bannister; Zerbino-Vernon; Henrico-Davies; Felicia-Mrs Smith; Lissetta-Mrs Wrighten.

Dance: I: A New Comic Dance call'd The Mountaineers-Como, Sga Crespi, first appearance

Event Comment: Wash &c. left out of the title (Winston MS). The farce went off very well till the second act when Capt. Roper and another Gentleman came into the boxes very Drunk hiss'd and kept a great Noise 'till at last the Pit and Gallery began to hiss them he struck at Somebody in the Pit--the Gentleman that came with Capt. Roper Jump'd out of the Stage Box upon the Stage immediately Several out of the Pit and Boxes follow'd and Some blows ensued and I thought they would have pull'd the House down this lasted about half and hour and then it all grew quiet and we finished the Farce (Hopkins Diary). Paid salary list 5 days #520 5s. 5d.; Mrs Garrick for sundry stage trimmings #7 8s. 6d. Receipts: #197 2s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Blackamoor

Performance Comment: As17760201, but short bill; Parts-King, Parsons, Davies, Vernon, Mrs Siddons, Mrs Wrighten.
Event Comment: The Prelude shortened, and is much the better for it (Hopkins Diary). Receipts: #246 8s. 6d

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Jane Shore

Afterpiece Title: May Day or The Little Gipsy

Performance Comment: William-Vernon; Clod-Bannister; Dozey-Waldron; Cryer-Wrighten; Furrow-Parsons; Dolly-Mrs Wrighten; The Little Gipsy-Miss Abrams.
Event Comment: Mrs Baddeley sung but very indifferently (Hopkins Diary). Receipts: #188 9s. 6d

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Love in a Village

Performance Comment: Hawthorn-Vernon; Justice Woodcock-Parsons; Young Meadows-Dodd; Sir William Meadows-Aickin; Eustace-Davies; Hodge-King; Margery-Mrs Wrighten; Deborah Woodcock-Mrs Love; Lucinda-Miss Jarratt; Rosetta-Mrs Baddeley (1st appearance in that character these 5 years).

Afterpiece Title: The Note of Hand or Trip to Newmarket

Dance: I: a Country Dance- incident to the main piece; End II: The Sailors Revels-Blurton

Event Comment: Benefit for the City of London Lying-in Hospital. Mrs Greville-Indiana--$Miss Younge being ill (Hopkins Diary). Public Advertiser, 4 Dec.: Tickets to be had at the Hospital, in Oldstreet Road. Receipts: #253 9s. (70.14; 0.0; 0.0; tickets: 182.15) (charge: #105)

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Lucinda Actor: Miss Hopkins

Afterpiece Title: The Rival Candidates

Performance Comment: As17761010, but Byron-Vernon.

Dance: End: Comic Dance-the two Miss Stageldoirs

Song: As17761025

Event Comment: The United Company. The exact date of the first production is not known, but the play was entered in the Term Catalogues, February 1691@2, and mentioned in the Gentleman's Journal, February 1691@2 (licensed 12 February 1691@2). In all probability, it was first acted not later than January 1691@2. The music to one song, As soon as the Chaos, was composed by Henry Purcell. See Purcell, Works, Purcell Society, XX (1916), xvii. Two songs--Bonny lad prithee lay thy pipe down, with music by Tollet; Great Jove once made love like a bull, with music by Mountfort--are in The Banquet of Musick, The Sixth and Last Book, 1692. Dedication, Edition of 1692: Having at last so well acquitted it self on the Stage (tho' the thronging, imperfect Action, and worse than all, the faulty length, which I will never be guilty of again, render'd it little Diversion the first day). A Letter to Mr D'Urfey [by Charles Gildon], Edition of 1692: If there be any fault in this Play, 'tis that which few are guilty of; that is, there are too many good Characters, too full of Humour, a very Pardonable failing, which only proceeds from Variety, the life of Pleasure and Wit, tho' that gave it the disadvantage of seeming too long the first days Acting, tho' the Stage's being throng'd with Spectators, did not a little contribute to the imperfect Acting of it, which accidental Misfortunes concurring with the Endeavours of an opposite Faction, must needs have damn'd it, had it not by the Force and Vigour of its own Worthy, rais'd it self the second day with the general Applause of all that saw it....But the Marriage-hater went further, and in spight of all the disadvantages it labour'd under of Action and Audience, pleas'd on, after several times Repetition. See also Poeta Infamis; or, A Poet not worth Hanging (1692) for a variety of comments upon this play. London Mercury, 26 Feb. 1691@2: Query 4. Whether in Justice he [D'Urfey] is not obliged to present Mr Dogget (who acted Solon to so much Advantage) with half the Profit of his Third Day, since in the Opinions of most Persons, the good Success of his Comedy was half owing to that admirable Actor? Query 5. Whether, if there be any Wit in bringing a Person upon the Stage with an extravagantly broad-brimmed Hat, and a Muff of the same Size, so it will not be a very easy Matter for the next Poet that writes a Play, to Out-hat and Out-muff his Predecessors, and consequently to Out-wit him? Downes, Roscius Anglicanus, p. 42: Mr Dogget perform'd the part of Solon Inimitably. Gentleman's Journal, p. 454, February 1691@2 (licensed 12 Feb. 1691@2): I send you the Marriage-hater match'd, a new Comedy by Mr Durfey; it hath met with very good success, having been plaid six days together, and is a diverting Play. Gentleman's Journal, January 1691@2: Now I speak of Music I must tell you that we shall have speedily a new Opera, wherein something very surprising is promised us; Mr Purcel who joyns to the Delicacy and Beauty of the Italian way, the Graces and Gayety of the French, composes the Music, as he hath done for the Prophetess, and the last Opera called King Arthur, which hath been plaid several times the last Month [presumably December 1691]

Performances

Mainpiece Title: The Marriage hater Matched

Event Comment: Mainpiece: By Command of their Majesties. This Comedy is reviv'd with great Alterations by Mr G. by particular desire of the Queen. The play went off vastly well Mr G. Play'd with great Spirit & much Applauded the Alterations are vastly lik'd it will now be a living Play (Hopkins Diary). Doors open half past five. Play to begin promptly at six. House (Hopkins Diary). Receipts: #156 12s. (Treasurer's Book)

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Garrick; Don Frederick-Jefferson; Antonio-Parsons; Petruchio-J. Aickin; 1st Constantia-Miss Younge; 2nd Constantia-Mrs Abington; Mother-Mrs Hopkins; Landlady-Mrs Bradshaw; Kinswoman-Miss Platt; Nurse-Mrs Love; Francisco-Wright; Surgeon-Wrighten; Peter-W. Palmer; Duke-Packer; Antony-Wheeler; Edition of 1774 adds Duke's Party-J. Bannister, Yates; Petruchio's Party-Fawcett, Griffith; Attorney-Burton.
Cast
Role: Mother Actor: Mrs Hopkins

Afterpiece Title: A Trip to Scotland

Cast
Role: Cupid Actor: Miss Hopkins
Event Comment: Introductory Interlude played By Particular Desire. Hamlet Mr Smith B[ad] (Hopkins Diary). [Kemble's note "Mr Smith Hamlet-very dull and heavy" (Hopkins MS Notes).] Paid Madlle Hidou on Acct #63. Receipts: #135 5s. (Treasurer's Book)

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Smith; King-Jefferson; Ghost-Bransby; Horatio-Packer; Polonius-Baddeley; Laertes-J. Aickin; Rosencrans-Davies; Guildenstern-Fawcett; Messenger-Wright; Player King-Keen; Lucianus-Parsons; Marcellus-Wrighten; Bernardo-Griffiths; Francisco-Norris; Ophelia-Mrs Smith; Queen-Mrs Hopkins; Player Queen-Mrs Johnston.
Cast
Role: Queen Actor: Mrs Hopkins

Afterpiece Title: The Meeting of the Company

Afterpiece Title: The Elopement

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: As17540112, but Don John-Bransby; Verges-Vernon; Dogberry-Yates (playbill). [Don John-$Davies (Public Advertiser).]

Afterpiece Title: Lethe

Dance: II: Masquerade Dance-; Devisse, Mad Auretti

Event Comment: Benefit for Miss Young. Afterpiece: Not acted in 20 years. Music by Dr Arne. [See John Lockman's Reflections concerning Operas, &c." in his introduction to his edition of Rosalinda (London, 1760), p. iv: 'A gentleman, well known for his musical compositions, is of opinion, that the reason why the Opera Rosamond tho' adorned with all the graces of lyric poetry, does not please from the stage, so much as might be expected, is owing to a circumstance that forms a beauty in the drama itself; I mean the suppos'd poisoning of Rosamond at the end of the second act, and her appearing no more upon the stage. Whilst this sheet was at press, I was told that Mr Arne has reduc'd this opera into one act, and set the whole anew; and so managed matters, that Rosamond appears throughout the whole drama. Tis said that the music of this new Rosamond is as delightful as that of another performance of Mr Arne's which now affords the town so agreeable an Entertainment."

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Rosamond

Performance Comment: Queen-Miss Young; King Henry-Vernon; Sir Trusty-Champness; Page-Miss Rogers; Rosamond-Mrs Vincent; Grideline-Mrs Dorman.

Dance: End: The Medley, as17641120

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Vernon; Peachum-Moody; Lockit-Bransby; Filch-Parsons; Mat@o@Mint-Kear; Beggar-Burton; Player-Wheeler; Ben Budge-Ackman; Diana Trapes-Mrs Bradshaw; Mrs Peachum-Mrs Love; Polly-Mrs Wrighten, 1st time; Lucy-Miss Pope; In Act III: a Hornpipe-; To Conclude with a Country Dance-.

Afterpiece Title: High Life below Stairs

Dance: II: A Comic Dance-Daigville, Sga Vidini

Event Comment: Cymon and The Witches both to be laid aside after this night on account of preparations for a New Pantomime for the Holidays (Winston MS 10). [See Pigmy Revels, 26 Dec.] Paid Mr Vernon on note #10 10s.; Mr Wright's bill to Manning, #4 10s. 3d.; Eaton for Women's cloaths #16 16s.; Master Cape per order, #2 12s. 6d. Receipts: #177 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Witches

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Packer; Ferdinand (with songs)-Vernon; Stephano (that night only)-G. A. Stevens; Trincalo-Baddeley; Caliban-Ackman; Sebastian-Keen; Gonzalo-J. Aickin; Alonzo-Bransby; Antonio-Hurst; Master of Ship-Wrighten; Francisco-Griffith; Ariel (with songs)-Mrs Scott; Hymen-Fawcett; Ceres-Mrs Wrighten; Miranda-Mrs Smith, first time and with a new song. With a; Grand Dance of Fantastic Spirits-.

Afterpiece Title: Harlequins Invasion

Dance: Other dances-Atkins, Sg Giorgi, Sga Giorgi

Entertainment: End: Bucks Have at ye All-Palmer; by Desire

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Vernon; Peachum-Moody; Ben Budge-Ackman; Lockit-Bransby; Filch-Parsons; Beggar-Waldron; Player-Wheeler; Lucy-Mrs Wrighten; Mrs Peachum-Mrs Love; Diana Trapes-Mrs Bradshaw; Polly-Mrs Smith; In III, a Hornpipe-Atkins; To Conclude with a Country Dance-.

Afterpiece Title: High Life below Stairs

Dance: II: The Irish Fair-Atkins, Mrs Sutton

Performances

Mainpiece Title: Alfred

Afterpiece Title: The Padlock

Performance Comment: Leonora-Mrs Smith; Leander-Vernon; Ursula-Mrs Love; Diego-Bannister; Mungo-Dibdin.