SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Vernon much Applause Hopkins "/1) | (@(roleclean,performerclean) "Mr Vernon much Applause Hopkins ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4657 matches on Event Comments, 2583 matches on Performance Comments, 628 matches on Performance Title, 35 matches on Author, and 0 matches on Roles/Actors.
Event Comment: MMr Reddish played Lord Townly, being his first appearance in London, --was well received and met with Applause, --but an indifferent figure, --will be useful (Hopkins MS Notes)

Performances

Mainpiece Title: The Provoked Husband

Performance Comment: Lord Townly-Reddish, 1st appearance there; Manly-Jefferson; Count Basset-Dodd; Sir Francis Wronghead-Love; John Moddy-Burton; Squire Richard-a young gentleman, [1st appearance [Mr Wingfield]; Lady Grace-Mrs Barry; Mrs Motherly-Mrs Cross; Lady Wronghead-Mrs Hopkins; Myrtilla-Mrs Lee; Miss Jenny-Miss Pope; Mrs Trusty-Mrs Johnston; Lady Townly-Mrs Abington[, 1st time., 1st time.
Cast
Role: Lady Wronghead Actor: Mrs Hopkins

Afterpiece Title: Daphne and Amintor

Event Comment: SSir John Brute, Mr Garrick (Cross Diary). The Fair Penitent was advertised for Wednesday the 11th: a Rehearsal was call'd on Tuesday the 10. About nine o'clock in the morning Mr Barry sent for & told me he was so ill that would be impossible for him to play for sometime & that he would give up his salary till he was able to play (Hopkins MS Memorandum Book)

Performances

Mainpiece Title: The Provokd Wife

Performance Comment: Sir John Brute-Garrick; Constant-Cautherly; Heartfree-Aickin; Col. Bully (with songs)-Vernon; Lord Rake-Ackman; Justice-Bransby; Rasor-Baddeley; Lady Brute-Mrs Stephens; Mademoiselle-Miss Radley, first time; Belinda-Mrs Jeffries; Lady Fanciful-Mrs Abington.

Afterpiece Title: The Register Office

Performances

Mainpiece Title: The Plain Dealer

Performance Comment: Freeman-Palmer; Jerry Blackacre-Weston; Oakam-Wright; Fidelia-Miss Younge, 1st time; Manly-Aickin; Novel-King; Lord Plausible-Parsons; Major Oldfox-Love; Vernish-Packer; Quillet-Baddeley; Olivia-Miss Pope; Widow Blackacre-Mrs Hopkins; Eliza-Mrs Johnston.
Cast
Role: Widow Blackacre Actor: Mrs Hopkins

Afterpiece Title: Peep Behind the Curtain

Performance Comment: Sir Toby Fuz-Love; Sir Macaroni Virtue-Dodd; Glib-King; Miss Fuz-Miss Rogers, 1st time; Lady Fuz-Mrs Hopkins; Rhodope-Mrs Wrighten; Orpheus-Vernon; Others-Packer, Palmer, Moody, J. Aickin, Wright, Johnston, Mrs Love, Mrs Bradshaw.
Cast
Role: Lady Fuz Actor: Mrs Hopkins
Event Comment: Mainpiece: With New Dresses and Decorations. N.B. After this night the Meeting of the Company will be laid aside for sometime. The Play was New drest in the Habits of the time & they look'd very well & was applauded (Hopkins Diary) Paid 3 days salary list at #91 16s. 4d. per diem, #275 9s.; Sundry salaries not on list last week as per partners in Memorandum Book, #44 8s.; Mr Granier for last week 12s. 6d.; Mr J. French on acct #5 5s. Receipts: #226 3s. (Treasurer's Book)

Performances

Mainpiece Title: As You Like It

Performance Comment: Orlando-Reddish; Oliver-Packer; Jacques-Jefferson; Touchstone-King; Amiens (with Songs)-Vernon; Adam-Moody; Duke, Sen-Hurst; Silvius-Wheeler; LeBeau-Ackman; Charles-Keen; Jaques de Bois-Fawcett; Corin-Hartry; William-Messink; Celia (with Cuckow Song)-Mrs Baddeley; Phoebe-Mrs Davies; Audry-Mrs Bradshaw; Duke Frederick-Bransby; Rosalind-Miss Younge; In V a New Dance of Forresters-Atkins, Como, Giorgi; and a Song-Mrs Scott.

Afterpiece Title: The Meeting of the Company

Afterpiece Title: The Wedding Ring

Performance Comment: Zerbino-Vernon; Pandolfo-Bannister; Henrico-Davies; Lissetta-Mrs Wrighten; Felicia-Mrs Smith.

Dance: I: A Dance-Giorgi's Scholars

Event Comment: Prelude and Mainpiece By Command of their Majesties. Jane Shore is oblig'd to be deferr'd on Account of Mrs Yates's being incapable of performing. [MacMillan's note from Kemble "Mr Smith Kitely -dull enough" does not appear in the Folger, Hopkins Diary.] King and Queen Present. Rec'd from Mr Reddish on Acct #50. Paid Printer's Bill #14 12s. 6d. (Treasurer's Book). [This weekly payment throughout the season averaged #9 6s., for a total payment of #353 8s. No further itemization of it will be made.] Receipts: #284 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Padlock

Performance Comment: Mungo-Cubitt, first appearance on this stage; Leander-Vernon; Ursula-Mrs Love; Leonora-Mrs Smith; Diego-Bannister.
Event Comment: Afterpiece: By Particular Desire. Mr G.-never play'd better, and when he was in the Woman's Cloaths he had a head drest with Feathers, Fruit etc. as extravagant as possible to Burlesque the present Mode of Dressing-it had a Monstrous Effect (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Paid Mr Fredrick his bill for sattin #40 10s.; a Tow Bill 10s. (Treasurer's Book). [This monthly bill for Tow amounted to #4 10s. for the season and will not be further mentioned.] Receipts: #217 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Provokd Wife

Performance Comment: Sir John Brute-Garrick; Constant-Brereton, first time; Heartfree-Bensley, first time; Razor-Baddeley; Justice-Bransby; Col. Bully (with Song)-Vernon; Rake-Usher; Lady Fanciful-Mrs Abington; Lady Brute-Miss Younge; Mademoiselle-Mrs Bradshaw; Belinda-Mrs Greville.

Afterpiece Title: The Padlock

Event Comment: Portia by Mrs Siddons being her first appearance upon this Stage a good figure rather handsome--wants Spirit and ease her Voice a little course very well receiv'd (Hopkins, Diary). Paid Mr Wrighten on note #100; Mr Garrick 2 nights for Bon Ton and Little Gipsey, #238. Receipts: #197 (Treasurer's Book). Books of the Songs and Chorusses of the Afterpiece to be had at the Theatre. [This note appeared on all subsequent bills advertising the Jubilee this season.] The most accomplished actress can display little other abilities in this part [Portia] than a correct elocution, and a knowledge of the author. The lady of last night being thus circumstanced [her first appearance] it is impossible to pronounce what the nature or extent of her powers may enable her to execute when placed in a situation that calls them forth. But from the speciman she gave there is not room to expect anything beyond mediocrity. Her figure and face, although agreeable, have nothing striking, her voice (that requisite of all public speakers) is far from being favourable to her progress as an actress. It is feared she possess a monotone not to be got rid of; there is also vulgarity in her tones, ill calculated to sustain that line in a theatre she has at first been held forth in; but as these observations are formed when the lady laboured under the disadvantages of a first attempt in the metropolis, her future efforts may perhaps entirely remove them (Middlesex Journal, 30 Dec. Quoted in Hampden, Journal)

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-King; Antonio-Reddish; Bassanio-Bensley; Gratiano-Dodd; Salanio-Fawcett; Launcelot-Parsons, first time; Duke-Bransby; Gobbo-Waldron; Salarino-Farren; Jessica (With a Song)-Miss Jarratt; Tubal-Messink; Nerissa-Mrs Davies; Portia-A Young Lady; first appearance; Lorenzo (With Songs)-Vernon.

Afterpiece Title: The Jubilee

Dance: III: The Merry Peasants, as17751018

Event Comment: This Farce is suppos'd to be written by Mr King. & was tolerably well receiv'd. The Tunes are very dull (Hopkins). Farce well receiv'd (Cross Diary). Receipts: #144 2s. 6d. (MacMillan)

Performances

Mainpiece Title: The Earl Of Essex

Performance Comment: Southampton-Jackson; Countess of Nottingham-Mrs Hopkins; Burleigh-Burton; Raleigh-Lee; Essex-Holland; Rutland-Mrs Yates; Queen-Mrs Pritchard; Lieutenant-Ackman.

Afterpiece Title: Love at First Sight

Performance Comment: Principal parts by King, Vernon, Packer, Burton, Baddeley, Clough, Strange, Mrs Lee, Miss Young. Smatter-King; Young Gilbert-Vernon; Lockworth-Baddeley; Modely-Packer; Sir Ralph-Burton; Celia-Miss Young; Lucy-Mrs Lee; Roger-Clough (MacMillan).

Dance: IV: The Provancalle, as17631014

Event Comment: MMrs Jeffries made her first appearance on this stage in Belinda.--not perfect.--was pretty well received.--is a little smart figure (Hopkins MS Notes). At 15 minutes past 4, took my place in the Pit at Drury Lane to see the Provok'd Wife. Mr Garrick is inimitable as Sir John Brute, Palmer does Heartfree, and Mrs Abington Lady Fanciful (with a song not printed in the play) very well. Constant by Cautherly, whose figure and manner I do not like, Vernon in Col. Bully sings a song (Neville MS Diary)

Performances

Mainpiece Title: The Provoked Wife

Performance Comment: Sir John Brute-Garrick; Constant-Cautherly; Heartfree-Palmer; Col. Bully (with song)-Vernon; Lord Rake-Ackman; Razor-Baddeley; Mademoiselle-Mrs Cross; Lady Fanciful-Mrs Abington; Belinda-Mrs Jeffries, 1st appearance this stage.

Afterpiece Title: The Devil to Pay

Performance Comment: Loverule-Vernon; Jobson-Love; Lady Loverule-Mrs Lee; Nell-Miss Pope.
Event Comment: This comic opera of two acts [Padlock] was written by Mr Bickerstaffe and is a very compleat, pretty piece,--the music very striking.--Mrs Dorman was hissed at first, but the piece went off very well, and much applauded (Hopkins Diary). New Scenes, Dresses, Music and other Decorations. Doors opened at half past 4. Play to begin exactly at 6 o'clock. [A three column retelling of the plot of the padlock appeared in Lloyd's Evening Post, for Oct. 5-7.

Performances

Mainpiece Title: The Earl Of Warwick

Performance Comment: Earl of Warwick-Holland; King Edward-Reddish; Earl of Suffolk-Packer; Earl of Pembroke-Aickin; Lady Eliz Gray-Mrs W. Barry; Lady Clifford-Mrs Reddish; Margaret of Anjou-Mrs Hopkins.

Afterpiece Title: The Padlock

Performance Comment: Parts by Vernon, Bannister, Dibdin, Fawcett, J. Burton, Mrs Dorman, Mrs Arne. Mungo-Dibdin; Don Diego-Bannister; Leander-Vernon; Leonora-Mrs Arne; Ursula-Mrs Dorman; Scholars-Fawcett, J. Burton (Edition of 1768). Original casting (Larpent MS 285) suggested Mungo-Moody.
Event Comment: [Mainpiece in place of Merope, announced on playbill of 4 Jan. "We played last night Much Ado about Nothing, and had an apology to make for the change of three principal parts. About twelve o'clock Mr Henderson sent word he was not able to play. We got Mr Lewis from Covent Garden, who supplied the part of Benedick. Soon after Mr Parsons sent word he could not play. Mr Moody supplied the part of Dogberry; and about four in the afternoon Mr Vernon sent word he could not play. Mr Mattocks supplied his part of Balthazar...In the middle of the first act, a message was brought me that Mr Lamash (who was to play the part of Borachio) was not come to the House. I had nobody there that could go on for it, so I was obliged to cut his scenes in the first and second acts entirely out, and got Mr Wrighten to go on for the remainder of the part. At length we got the play over without the audience finding it out. We had a very bad house. Mr Parsons is not able to play in The School for Scandal to-morrow night; do not yet know how we shall be able to settle that" (Garrick, Private Correspondence, II, 328-29: Hopkins, prompter,in letter to Garrick, 6 Jan. 1779. He does not state who took Wrighten's place as the Sexton.).] On account of the sudden Illness of a Principal Performer, the new Pantomime [The Wonders of Derbyshire, announced on playbill of 4 Jan.] is obliged to be deferred till Friday. Receipts: #74 11s. (48.19; 25.10; 0.2)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Irish Widow

Dance: As17780919

Event Comment: This Farce was wrote on purpose to Shew Mrs Barry in an Irish part. She did not succeed so well in it as was expected but upon the Whole the Farce was well perform'd & met with great Applause (Hopkins Diary). [Macmillan note from Kemble differs slightly. See Account of the Irish Widow" in British Theatre article, London Magazine, Oct. 1772.] Paid Mr Rochfort for men's cloaths #7 7s. (Treasurer's Book). [The account in Town and Country Magazine of the afterpiece: "Upon the whole it is very indifferent production and as it did not meet with the applause that was expected, no one has adopted the bantling. The many are of opinion that Garrick had a hand in it, as it is got up to the best advantage, and a new dance is introduc'd between the acts to put the audience in a good humour for the succeeding scenes. Mrs Sutton is the principal dancer in the Irish Fair, in which she displayed great spirit and activity. The piece concludes with a song sung by Mrs Barry, which we think injudiciously alloted to her, as her forte does not consist in singing."] Receipts: #200 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Irish Widow

Dance: End Act I of the Farce: A New Dance call'd The Irish Fair-Atkins, Mrs Sutton, being her first appearance that stage

Event Comment: Benefit for Hopkins, prompter, and Mrs Hopkins. Mainpiece: Not acted these 2 years. Afterpiece: A Dramatic Entertainment (in two parts) of Singing, Dancing and Dialogue in Honour of Shakespeare. In which a Pageant. The Music by Dibdin. Public Advertiser, 10 Apr.: Tickets to be had of Hopkins, No. 7, Little Russel-street, Covent Garden. Receipts: #280 7s. (169.5; 21.0; 1.2; tickets: 89.0) (charge: #64 4s.)

Performances

Mainpiece Title: The Provokd Wife

Performance Comment: Sir John Brute (for that night only)-King; Constant-Brereton; Col. Bully (with a song)-Vernon; Lord Rake-Davies; Razor-Baddeley; Justice-Chaplin; Watchmen-Wright, Burton; Constable-Wrighten; Heartfree-Bensley; Lady Fanciful-Miss Pope; Belinda-Miss Hopkins; Mademoiselle-Miss P. Hopkins (their 1st appearance in those characters); Lady Brute-Miss Younge.
Cast
Role: Belinda Actor: Miss Hopkins
Role: Mademoiselle Actor: Miss P. Hopkins

Afterpiece Title: The Jubilee

Event Comment: Miss Younge having been a Season in Ireland is now return'd play'd Well & was receiv'd with Great Applause (Hopkins Diary). Potter, Theatrical Review: We must beg leave to point out a small error in her playing the part of Imogen; and which was too obvious to escape notice: --When Iachimo arrives from Italy...he is introduc'd to her by Pissanio who says..."Madam, a noble gentleman of Rome comes from my Lord with letters." And Iachimo on his first appearance informs her, that "the worthy Leonatus is in safety." These circumstances ought to awaken the highest joy and transport in Imogen, instead of which, we wer sorry to observe, she dropped a solemn curtsey, and without one joyous feature said, with the utmost langor, "Thanks good sir, &c." And even after she had read the letter...she addresses herself to him again with the same indifference. Rec'd Mrs Groath, 1 yrs. Rent to Xmas last #3, and from Mr Atkins on Acct #5 5s.; Advanc'd Mr Barry, Box Office keeper #15; Ditto to Mr Watson, Box Office Keeper #10 (Treasurer's Book). Receipts: #164 5s. (Treasurer's Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Mayor of Garratt

Dance: III: A Comic Dance, as17710921

Event Comment: Mainpiece: Not played for 20 years. Afterpiece: By Desire. The Play very dull Little Applause (Hopkins Diary). Benefit for Reddish. Theatrical Review, 28 March: The plot of this piece is taken from a well known passage in history, which, however, is too barren of incidents for the support of a piece of 5 acts, on which account it is rather languid and tedious, notwithstanding the language in general is tolerable poetical. What could induce Mr Reddish to revive so dull a performance, after it had been neglected for 20 years, we cannot conceive, unless it was with a view of having an opportunity to rant a few speeches in favor of liberty; but (as the piece was miserably represented except in the characters of Timoleon and Eunesia) we think Mr Reddish extended his liberty a little too far with the public; for which neither his Occasional Prologue, the Solemn Sacrifice, nor the Epilogue spoken by Miss Younge, made sufficient atonement. Paid 4 days salary #333 19s.; Mrs Abington's Cloaths Acct #1; Mr S. French 6 days #1 10s. (Treasurer'sBook). Receipts: #205 16s.; Charges: #67 6s. 6d.; Profit to Reddish: #138 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Timoleon Or Liberty Restored

Afterpiece Title: The Author

Event Comment: Mrs Smith Patty for the first time very well & great Applause (Hopkins Diary). Paid Tallow chandler's 2nd bill #36 9s. 5d.; Mr L. Frederick for sattin, #21 9s.; Mr Weston per order Mr G. G. #7 7s. (Treasurer's Book). Receipts: #156 2s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Harlequins Invasion

Dance: I: A Comic Dance, as17720922

Event Comment: A New Scene was introduced at the End of the Elopement call'd the Rejoicing Night & finish'd with the Sailors Pageant...the whole receiv'd great Applause (Hopkins Diary). Mainpiece: By Deisre. Paid 2 notes of Mr Weston #9 4s. 10d. (Treasurer's Book). Receipts: #200 2s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Cast
Role: Lady Rushport Actor: Mrs Hopkins

Afterpiece Title: The Elopement

Event Comment: With New Music, Scenes, Dresses, and Decorations for the Afterpiece. This Farce is brought on the Stage by Mrs Abington--it is very dull--It is vastly well got up and was receiv'd with Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly, mentioning Bickerstaff as the author. Larpent MS 397 contains elaborate stage direction at opening: "An interior apartment in the Seraglio. An arch in the middle of the back scene, which is shut with a curtian. On the right hand toward the front is a sopha in the Turkish manner, low deep, and long, covered with carpets and cushions. A little gold table about eight inches high and a foot and a half square. Upon it a rich or gold saver set with jewels, with two cups on porcelain, and a spoon made of the beak of an Indian bird, which is redder than coral, extremely rare and of extensive price." This may have been intended for a reading audience. In the piece Mrs Abington, an English slave , rebels in the confines of the Seraglio, and start a reform movement wherein men are to please the women. Concludes with demostration of the nobility of English women who will not be enslaved, who will not flatter, who will preserve their liberty and dignity, and who are capable of returning love for honor and respect. Reviewed in Westminster Magazine for Dec.: "The Audience appeared to be divided in their opinion of the merit of the Sultan, some loudly applauding, and others as loudly condemning it, when the curtain dropped. The Majority however, stood firmly for it, and a verdict was returned in its favor. The managers not only well dressed this dramatic trifle, but bestowed three new scenes on it: The Outer Gate of the Seraglio--An Interior view of it--and a Garden terminating in a prospect of the sea. The first was but la! la! The last two were beautiful and picturesque. Five airs were introduced into this piece which had a very good effect....The music of the two first was the composition of Mr Dibdin, and was exceedingly pretty."] Receipts: #143 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Cast
Role: Queen Actor: Mrs Hopkins

Afterpiece Title: The Sultan or A Peep into the Seraglio

Event Comment: Taken from a Midsummer Night's Dream written by Shakespear. The Songs from Shakespear, Milton, Waller, Dryden, Lansdown, Hammond. Music-Smith. [First edition Text by John Christopher Smith; see Garrick to James Murphey French, Dec. 1756; H. Walpole to R. Bentley 23 Feb. 1755.] Besides our own Singers, we had Sg Guadagni, Sga Passerini, Miss Potier [i.e., Mrs Vernon], and Savage's Boys. Very great Applause; Sabatini danced after it and fell down, not hurt (Cross). [See A Midsummer Night's Dream in the Hands of Garrick and Colman, G. W. Stone Jr, PMLA (June 1939).] Receipts: #200 (Cross)

Performances

Mainpiece Title: The Fairies

Performance Comment: Theseus-Beard; Egeus-Chamnys [MacMillan lists Wilder]; Lysander-Curioni but Guadagni listed by Cross, MacMillan, and first edition]; Demetrius-Atkins [MacMillan lists Vernon]; Hermia-Sga Passeroni; Helena-Mrs Vernon; Hippolita-Mrs Jefferson; Oberon-Mas. Reinhold; Titania-Miss Young; Puck-Mas. Moore; Fairy-Mas. Evans; Prologue [written and-Garrick [first edition.].first edition.].

Dance: CComic Dance-Sabatini, Sga Sabatini, Sabatini jun, his first time

Event Comment: MMrs Love play'd Mrs Peachum very bad. Her fit seem'd a very Aukward Imitation of Mrs Pritchard in the Jealous Wife (Hopkins). Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No money received at the Stage Door. None returned after the curtain is up. Play to begin exactly at 6 o'clock. Places may be had of Mr Johnston at the Stage Door. Vivat Rex et Regina. [Customary notice, which will not be repeated here, Sept. 15 David Garrick & his Lady set out for Italy from his house in Southampton St. Covent Garden (Winston MS 9). Winston also refers to a Sept. 9 Letter from T. Davies, cg, to the poet Charles Churchill begging he would not introduce so unimportant a person as himself in his Smithfield Rosciad.] Receipts: #248 9s. (Cross Diary)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Vernon; Peachum-Yates; Lockit-Bransby; Filch-Parsons; Mat@o@Mint-Fox; Beggar-Burton; Player-Castle; Drawer-Master Burton; Lucy-Mrs Clive; Mrs Peachum-Mrs Love, first time; Polly-Mrs Vincent; Diana Trapes-Mrs Bradshaw; In Act III a Hornpipe-Miss Dawson; To conclude with a Country Dance-.

Afterpiece Title: Miss in Her Teens

Event Comment: RRanger by Mr Obrien. he Play'd with Spirit & was well receiv'd (Hopkins). Receipts: #148 9s. (MacMillan)

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Obrien, first time; Jack Meggot-Vernon; Clarinda-Miss Yates, first time; Jacintha-Miss Plym, first time; Strictland-Love; Mrs Strictland-Mrs Davies; Frankly-Palmer; Bellamy-Packer; Lucetta-Mrs Bennet; To conclude with a Country Dance-.

Afterpiece Title: Interlude Hymen

Afterpiece Title: The Rites of Hecate

Event Comment: Paid salary list 6 days at #72 8s. 4d. per diem #434 10s.; Mr Hopkins on note #28; Miss Reynolds to make up salary 18s. 4d.; Rec'd Stopages [i.e., forfeits from actors' wages for missing rehearsals, etc.] #3 6s. (Treasurer's Book). Receipts: #254 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Zara

Afterpiece Title: Lethe

Performance Comment: Lord Chalkstone-Garrick; Aesop-Bransby; Fine Gentleman-Dodd; Charon-Moody; Bowman-Ackman; Drunken Man-Yates; Mercury-Vernon; Frenchman-Baddeley; Old Man-Parson; Fine Lady-Mrs Clive.
Event Comment: KKing of Denmark--Macbeth, Mr Garrick (Cross Diary). For the King of Denmark--put in by Particular desire (Hopkins Diary). Lady Macbeth-Mrs Barry, late Mrs Dancer. The doors (by Particular Desire) will be opened at half past 5 o'clock. The Play to begin exactly at 7 o'clock

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Garrick; MacDuff-Reddish; Ross-Aickin; Malcolm-Cautherly; Banquo-Packer; Hecate-Champness; Witches-Burton, Love, Baddeley; Lady MacDuff-Mrs Reddish; Lady Macbeth-Mrs Barry; Duncan-Bransby; Vocal Parts-Vernon, Champness, Dibdin, Bannister, Kear, Miss Young, Mrs Dorman; With Proper Dances-Grimaldi, Giorgi, Mrs King.

Dance: TThe Lilliputian Camp-

Event Comment: Mainpiece: An English Opera composed and directed by Dr Arne. In this opera two new performers appeared,--Mr Rathom who played Artaxerxes, a bad figure, extreamly aukward, and much hissed--the other Mrs Forbes, who played Arbaces, a small figure a good voice, was well received, and went decently through the part (Hopkins Diary)

Performances

Mainpiece Title: Artaxerxes

Performance Comment: Artaxerxes-Rathom; Arbaces-Mrs Forbes, their first appearance; Rimenes-Fawcett; Artabanes-Vernon; Semira-Miss Young; Mandani-Mrs Arne.

Afterpiece Title: The Old Maid

Dance: M Daguville, 1st appearance, Mrs King

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: As17700103, but Traverse-Hurst; Mrs Heidleberg-Mrs Hopkins.
Cast
Role: Mrs Heidleberg Actor: Mrs Hopkins.

Afterpiece Title: A Peep behind the Curtain

Performance Comment: Glib-King; Sir Toby Fuz-Love; Patent-Packer; Carpenter-Moody; Sir Macaroni-Dodd; Wilson-Palmer; Prompter-Bannister; Housekeeper-Johnston; Shepherds-Dodd, Parsons, Hartry, Fawcett, Kear, Messink; Orpheus-Vernon; Rhodope-Mrs Baddeley; Sweepers-Mrs Bradshaw, Mrs Love; Miss Fuz-Miss Burton; Lady Fuz-Mrs Hopkins.
Cast
Role: Lady Fuz Actor: Mrs Hopkins.

Dance: I: Comic Dance, as17690926

Entertainment: LLinco's Travels-King (with considerable alterations and additions) His remarks on England and the Jubilees