SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Vernon much Applause "/1) | (@(roleclean,performerclean) "Mr Vernon much Applause ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4491 matches on Event Comments, 1799 matches on Performance Comments, 618 matches on Performance Title, 31 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: At King's Othello

Afterpiece Title: The Patron

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Farmer

Performances

Mainpiece Title: The Rival Queens; Or, Drury-lane And Covent-garden

Afterpiece Title: The Suspicious Husband

Afterpiece Title: Sprigs of Laurel

Event Comment: On this date, James Vernon, writing to Sir Joseph Williamson, reported: Senior Scaramouchio and his band have begged his Majesty's leave to returne, theire affaires requiring their presence att home (Letters to Sir Joseph Williamson at Cologne, Camden Society, I, 179)

Performances

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Chymical Counterfeits

Performance Comment: As17401106, but in which will be introduced a Song in Honour of Admiral Vernon's Victories in the West-Indies, as it was performed at the Theatre-Royal in Drury-Lane-.

Dance: As17401110

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Queen Mab

Performance Comment: As17501226, but now lists Master Vernon, his 3rd appearance upon any stage.

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Queen Mab

Performance Comment: As17510424 but others-Vernon, _Mathews, Mad _Camargo.
Event Comment: Last time of performing [the afterpiece] this Season. Tickets deliver'd out by Vernon, Sanderson, &c. for a Bold Stroke for a Wife will be taken this night. Receipts: #140 (Cross)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Fortunatus

Performances

Mainpiece Title: The Fair Quaker Of Deal

Performance Comment: As17571227, but Sailors-Vernon.

Afterpiece Title: Queen Mab

Ballet: II: The Prussian Camp. As17580131, but Blakes_

Performances

Mainpiece Title: The Fatal Marriage

Afterpiece Title: Lethe

Performance Comment: As17580211, but others-Vernon, +Mozeen, +Bransby, +Jefferson.

Dance: I: The Italian Peasants, as17571004

Performances

Mainpiece Title: Artaxerxes

Performance Comment: Principal parts: Beard, Tenducci, Peretti, Mattocks, Miss Thomas, Miss Brent. Artabanes-Beard; Arabaces-Tenducci; Rimenes-Mattocks; Artaxerxes-Peretti, first appearance on English stage; Mandane-Miss Brent, Edition of 1762; Semira-Miss Thomas. (Genest, IV, 650) mistakenly assigns the part to Mrs Vernon.

Ballet: II: A New Ballet call'd The Statue Animated. Pygmalion-Maranesi; Scaramouch-Sodi; Inchantress-Miss Valois; Statue-Miss Wilford

Dance: End Opera: A New Dutch Dance-Maranesi, Mlle Capdeville

Performances

Mainpiece Title: Trial Scenes Of The Cock Lane Ghost

Afterpiece Title: Tars of Old England

Entertainment: Exhortation of the Little Lilliputian Squire Hum, a child of five years old. TheGrand Hornpipical Balletin the taste and after the manner of Mrs Vernon and Miss Nancy Dawson,-a young lady

Performance Comment: TheGrand Hornpipical Balletin the taste and after the manner of Mrs Vernon and Miss Nancy Dawson,-a young lady.

Performances

Mainpiece Title: Ruth

Performance Comment: Cast: Guadagni, Vernon, Reinhold, Mrs Mattocks, Mrs Weichsel.

Music: First Violin-Giardini; After Part II: a Concerto Violin-Sga Sirmen

Performances

Mainpiece Title: The Messiah

Performance Comment: Parts-Mrs Smith, Miss Harper, Sga Galli (first performance her in 16 years), Vernon, Meredith (who never performed in public).

Music: Solo on the Violin-Agus Jr (scholar of Nardini) lately arriv'd from Italy; Concerto on Clarinet-Mahoon

Event Comment: Benefit for Bannister. Mainpiece: By Desire. Rec'd stopages #12 7s. Paid salary list #566 6s.; J. French on acct #5 5s. (Treasurer's Book). Mrs Smith's Benefit for 2 May advertised as Cymbeline and a new Comic Opera (in 2 Acts) call'd the Wish. The Music entirely new, the principal characters by Vernon, Bannister, Davies, Mrs Wrighten and Mrs Smith. With a New Occasional Prologue spoken by King. [But this was changed on 27 April.] Receipts: #212 1s. Charges: #66 3s. Profits to Bannister #145 18s. (Treasurer's Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Mayor of Garratt

Dance: II: A New Dance, call'd The Pirates-Como, Sga Crespi. [See17730422.

Entertainment: End Opera: (By particular Desire) Imitations Vocal and Rhetorical-Bannister

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: As17751204, but the Vocal Parts-Vernon, _Fawcett.

Afterpiece Title: The Sultan

Event Comment: Benefit for Holcroft, Miss Field & Miss Simson. The Rival Candidates [announced on playbill of 18 May] is obliged to be deferred on account of Vernon's illness. Tickets delivered for Oroonoko by Philimore, Nash, Hulet, Master Pulley and Dale will be taken. Receipts: #211 11s. 6d. (28.1.0; 10.3.0; 0.12.6; tickets: 172.15.0) [charge: #105)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Waterman

Entertainment: Monologue. End: Bucks have at ye All; or, The Picture of a Playhouse-Master Pulley

Event Comment: The Lady of the Manor [announced on playbill of 20 Nov.] is (on account of Vernon's Indisposition) deferred till Monday next

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: The Invasion

Event Comment: [This was Vernon's last appearance on the stage.] The Doors to be opened at 5:15. To begin at 6:15 [same for rest of season]. Receipts: #220 3s. 6d. (172/12/0; 47/4/6; 0/7/0)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Camp

Song: As17810927

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Event Comment: The Duke's Company. Pepys, Diary: To the Opera, where there was a new play (Cutter of Coleman Street), made in the year 1658, with reflections much upon the late times; and it being the first time, the pay was doubled, and so to save money, my wife and I went up into the gallery, and there sat and saw very well; and a very good play it is. It seems of Cowly's making. Downes (Roscius Anglicanus, p. 25): This Comedy being Acted so perfectly Well and Exact, it was perform'd a whole Week with a full Audience. John Dennis, Dedication to The Comical Gallant, 1702: The only Play that ever Mr Cowley writ, was barbarously treated the first night, as the late Mr Dryden has more than once informed me, who has told me that he went to see it with the famous Mr Sprat, now Bishop of Rochester, and that after the Play was done, they both made a visit to Mr Cowley. Langbaine (English Dramatick Poets, p. 81): This Play met with some Opposition, at its Representation under this new Name, from some who envyed the Authors unshaken Loyalty to the Prince, and the Royal Cause, in the worst of Times. BM Add. Mss. 34217, fol. 31b, in Hotson (Commonwealth and Restoration Stage, p. 247): @The Cutter of Coleman street had more fame@Before the Author chang'd its name@And shewd himselfe an Englishman right@By mending of things to spoyle them quite@And bee's more to blame because he can tell@(No better) to make new strings soe well.

Performances

Mainpiece Title: The Cutter Of Coleman Street

Performances

Mainpiece Title: The Man's The Master

Event Comment: The Duke's Company. This performance is on the L. C. list at Harvard. See VanLennep, "Plays on the English Stage," p. 13. Diary of Richard Boyle, Earl of Burlington: Heer dined with mee my lord of Canterbury my ld Sandwich and my brother and sister Orrery, and in the afternoone wee all went but his Grace to see my brothers new play cald Tryphon which was much applauded (Volume IV, in the Library at Chatsworth. This excerpt supplied by Kathleen Lynch). Pepys, Diary: My wife tells me of my Lord Orrery's new play "Tryphon," at the Duke of York's house...and [we] went thither, where, with much ado, at half-past one, we got into a blind hole in the 18d. place, above stairs, where we could not hear well, but the house infinite full, but the prologue most silly, and the play, though admirable, yet no pleasure almost in it, because just the very same design, and words, and sense, and plot, as every one of his plays have, any one of which alone would be held admirable, whereas so many of the same design and fancy do but dull one another; and this, I preceive, is the sense of every body else, as well as myself, who therefore showed but little pleasure in it

Performances

Mainpiece Title: Tryphon

Performances

Mainpiece Title: Tryphon