SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Vernon much Applause "/1) | (@(roleclean,performerclean) "Mr Vernon much Applause ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4493 matches on Event Comments, 1799 matches on Performance Comments, 618 matches on Performance Title, 32 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Text by the Rev. Dr Thomas Morrell; Music by Handel. [Dean quotes Lord Shaftesbury as saying the oratorio went off with great applause.

Performances

Mainpiece Title: Judas Macchabaeus

Event Comment: At the Tiled Booth, Black heath. Lee and Yeates will perform a Droll, During the Time of the Fair. This Droll was performed at Bartholomew Fair and Southwark Fair with Universal Applause. The Machinery is inexpressibly Fine, especially the Temple Scene and the Burning of Troyv (Daily Advertiser). [Prices as 9 Sept. Notice repeated 29, 30 Sept., 1, 2 Oct.

Performances

Mainpiece Title: The Siege Of Troy

Event Comment: At Lee and Yeates Sen and Jun great Theatrical Booth...will be reviv'd that celebrated Droll, call'd The Unnatural Parents; or, The Fair Maid of the West. Shewing the Manner of her being forced to wander from Home, by the Cruelty of her Parents and beg her Bread; and directs her to a Nobleman's House: How she was there taken in as a Servant; and, at length, for her Beauty and modest Behaviour, married to a Gentleman of great Fortune; with her Return to her Parents, and their happy Reconciliation. Also the Comical Humours and Adventures of Trusty her Father's Man, and the three Witches. The Scenes and Cloaths are entirely new; and the Droll the same that was perform'd by Mrs Lee 15 Years ago with great Applause. Boxes: 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. To begin each Day at Twelve o'Clock. [Notice repeated 25, 26, 27 Aug.

Performances

Mainpiece Title: The Unnatural Parents

Dance: The original Dance-Three Wild Cats of the Wood; Between the Acts: Dancing-Adams, Mrs Ogden

Music: A Good Band of Musick

Event Comment: At Bridges, Cross, Burton, and Vaughan's Great Theatrical Booth on the Bowling Green, Southwark, (with a company from the theatres) during the short time of the Fair will be presented an Historical Drama (lately acted in Bartholemew Fair with universal applause) the Northern Heroes with the Loves of Count Gillensternia, a Swedish General, and the fair Ellimira a Russian Princess, containing the most remarkable events of that time; and concluding with the memorable battle of Putlowav, and Charles's retreat into the Turkish dominionsv. Interspersed with a comic interlude, The Volunteers. Also the comical humours and amours of Corporal Garbage and Serjeant Slim, with Mrs Vanspriggen the Swedish Sutler's widow, the merry pranks of her foolish son Janny, and several other diverting incidents. As the Fair will be of so short continuance, we shall begin very early each day (General Advertiser). [See 24 Aug. 1748, bf]

Performances

Mainpiece Title: He Northern Heroes Or The Bloody Contest Between Charles The Twelfth King Of Sweden And Peter The Great Czar Of Muscovy

Afterpiece Title: The Volunteers or The Adventures of Roderick Random and His Friend Strap

Dance: Particularly a Hornpipe-

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

Performance Comment: Vocal Parts-Sga Sybilla, Miss Young, Waltz, Hague, Messing Jr; Act I: The overture in Otho-; A Concerto of Geminiani-; A Solo on the German Flute-Balicourt; Powerful Guardians, Come ever Smiling Liberty by Handel-Sga Sybilla; Concerto on the Bassoon-Miller; Solo on the Violincello-Jones; First Trumpet-Snow; A Grand Concerto with Trumpets French Horns, and four Kettle Drums-John Mitchell Axt; who has had the honour to perform before several Sovereigns and English General Officers with great applause. Between the Acts: Preamble on Kettle Drums-Axe; a piece of music-six of the best French Horns; in England, never attempted before. Act II: The Music on the Thanksgiving Day-; compos'd by John Frederick Lampe, as it was perform'd on Thursday the 9th day of October 1746, in the Savoy. The words oy Christian Benjamin Schlaiblin, dedicated to the Duke of Cumberland. Concluding with the Water Music of Handel-;accompanied with four kettle drummers-.
Event Comment: This interlude by particular desire. Choclate great Applause. (Cross). Receipts: #50 (Cross); #79 9s. 6d. (Powel)

Performances

Mainpiece Title: The Busie Body

Afterpiece Title: Tit for Tat

Afterpiece Title: Triumph of Peace

Event Comment: By Aaron Hill. Receiv'd with great applause (Cross). Receipts: #123 18s. 6d. (Powel)

Performances

Mainpiece Title: Merope

Event Comment: Friday Next at Five O'Clock in the Afternoon will be publish'd Merope; or, The Princely Shepherd, a Tragedy as it is now acting at Drury Lane, with Universal Applause. Printed for A. Millar in the Strand. Receipts: #140 (Cross); #110 9s. (Powel)

Performances

Mainpiece Title: Merope

Event Comment: At the New Wells, Shepherd's Market. During the time of May Fair. The Unnatural Parents; or, The Fair Maid of the West: Also the Comical Humours and Adventures of Trusty, her Father's Man, and the Three Witches. By Yeates's Company. To begin each day at 2, 5, and 7, and conclude at 9. A good band of music is provided...Scenes and Clothes entirely New; N.B. The Droll the same that was performed by Mrs Lee fifteen years ago with great Applause

Performances

Mainpiece Title: The Unnatural Parents

Dance: Three Wild Cats of the Woods

Event Comment: On Saturday last the Farce of The Little French Lawyer from Beaumont and Fletcher, was acted at Drury Lane to a crowded House; every scene except the last, was receiv'd with Universal Applause; but that meeting with Disapprobation, it is now alter'd, and will be perform'd again tomorrow night (General Advertiser)

Performances

Mainpiece Title: None

Event Comment: Benefit for Mrs Hoper. The Second Night. Mrs Hoper's Prologue to the Town, By a Friend: @Tonight a Female author heads the stage@Warm'd by the grand productions of the age;@To shine among the modern Bards aspires,@As the Moon glisters midst the lesser fires:@Pants to be rank'd with Sapho, Phillips, Behn@And prove that women write as well as Men.@Bold in the drama's cause, attacks the fashion@Where Novelty appears the reigning passion,@With drooping spirits draws the Tragic Queen@Like your fine ladies troubled with the spleen:@Nor trusts her meaning to the strolling Elf@But represents the character herself.@ [Suggests her friends reproved her for turning player, but she thought it more honorable than going into debt.] @The Stage is innocent and brings no shame@Unless the players are themselves to blame@'Twas meant as Virtue's School;--Tis no disgrace@To act a virtuous part, in any Place.@ [Closes with appeal to audience to be charitable to "this firstling of her quill, to support her generously with applause. See Daily Advertiser.

Performances

Mainpiece Title: Queen Tragedy Restored

Event Comment: Last night the Play of the Tempest, as alter'd from Shakespear by Dryden, was performed at Drury Lane, when the Music, Dances, and whole performance met with uncommon applause. By particular desire again tonight (General Advertiser). Paid Blandford (Tallow Chandler) #18 17s. 3d.; Gave Xmas Box to King's Footmen #2 2s.; to his Chairmen #2 2s.; and to Smith's man 2s. 6d.; Norton 5 chorus #1 5s. (Treasurer's Book). The Play of Hamlet is oblig'd to be deferr'd till tomorrow. Receipts: #100 (Cross); #99 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Lying Valet

Event Comment: At Hickford's Room, Brewer St. Benefit for Mme Cuzzoni. Burney, II, 848-49: [Giardini's] first performance in public was at a benefit concert for Cuzzoni, May the 18th...where, as this was her third arrival in this country, and she was grown old, poor, and almost deprived of voice, by age and infirmities, there was but little company; yet, when Giardini played a solo of Martini of Milan's composition, the applause was so long and loud, that I never remember to have heard such hearty and unequivocal marks of approbation at any other musical performance

Performances

Mainpiece Title: A Concert

Event Comment: [For the New Epilogue] Great applause (Cross). This day is Publish'd, Price 6d. Romeo and Juliet, written by Shakespear, with alterations, and an additional Scene; as it is performing at the Theatre Royal in Drury Lane. Printed for J. and R. Tonson, and S. Draper in the Strand. Receipts: #120 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Event Comment: This day is publish'd a Guide to the Stage; or Select Instructions and Precedents from the best Authorities towards forming a polite Audience; with some account of the Players, &c. Printed and sold by D. Job, at the Spread Eagle in King St. [An ironical post-Addisonian quip at theatrical behavior]: I boldly enter the lists as the first champion for theatric decorum. The next thing to be consider'd is disapprobation, which I think may be sufficiently shewn, by an attention to something else, by loud discourse, profuse laughter, and the like. I cannot help thinking it a little out of character, for a polite audience to distort their features by a hiss: however for the sake of some ambitious youths, who thus love to signalize themselves, I shall leave a new play to their mercy. They then are at liberty to exercise their several talents whether they hiss or groan most successfully, or have a greater genius for the cat-call. If you desire to know when you are to shew your dislike, my answer is, when anything displeases you, or in fine when you will provided you have a strong party to second you; for the best hiss or groan in the universe may be drown'd in a general applause. [Never laugh at what passes on stage save it be an error, blunder, or accident. In tragic scenes avoid being visibly moved by humming a tune, regarding the audience, engaging in conservation, or turning your back to the stage. When a female social rival calls attention to herself and away from the stage, let fall your handkerchief into the pit, or call out to an acquaintance in the opposite box, or burst into loud and unexpected laughter. You'll know when to applaud, for the actors will tell you.] On these occasions Cato looks more than unusually big, Hamlet stares with great emphasis, Othello has a most languishing aspect, Monimia is all sighs and softness, Beatrice will bridle, and pretty Peggy Wildair leers you into a clap. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Anatomist

Event Comment: Great applause--I believe the Author had many friends (Cross). This day at 2 o'clock will be publish'd at 6d. The Original Story from which the New Comedy of Gil Blas is taken. Printed for W. Owen, at Temple Bar. Receipts: #150 (Cross)

Performances

Mainpiece Title: Gil Blas

Event Comment: A little Noise at ye Singing & Dancing (Cross). Nn Saturday night was played for the first time a new Masque called Alfred, at the Theatre Royal in Drury Lane, before a very numerous and splendid audience. The Piece itself, as it justly deserved met with great and universal applause: However, the spectators rightly found fault with some improprieties in the performance of the inferior dancers and actors, which we hear will be all corrected in this night's representation (General Advertiser). Receipts: #160 (Cross)

Performances

Mainpiece Title: Alfred

Event Comment: Tomorrow will be publish'd at 1s 6d. Alfred, a Masque as it is now acting with great applause at the Theatre Royal in Drury Lane. Printed for A. Miller, opposite Catherine St., in the Strand. Receipts: #130 (Cross)

Performances

Mainpiece Title: Alfred

Event Comment: He [Mossop] play'd easier & preserv'd his Voice, great Applause (Cross). Receipts: #100 (Cross)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Devil to Pay

Event Comment: MMr Ross from Ireland play'd Y. Bevil & was receiv'd with great applause (Cross). Person engaging; voice musical; countenance expressive; judgment correct in general, but he lacks a certain easiness of carriage, and gracefulness of deportment...appeared better his second night than his first (Inspector No 184, in Daily Advertiser and Literary Gazette). Receipts: #100 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Chaplet

Dance: II: Mattocks

Event Comment: Last night the Shepherd's Lottery was performed for the first time at Drury Lane, and met with universal applause. Receipts: #100 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Shepherds Lottery

Song: Mattocks

Event Comment: At ye end of ye play, a voice call'd out to Shuter; Perriwinkle --which he answer'd--what do you want? this set ye Audience in such a roar, that they insisted upon his giving out ye play, wch he did with great Applause, this wch wou'd have been call'd Impudence in another was look'd upon, in him, as Humour; so rising he is in opinion (Cross). Receipts: #150 (Cross)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Harlequin Ranger

Dance: IV: Les Caprices de la Dance, as17511212

Song: II: Mattocks

Event Comment: [Continued approbation for the Temple of Taste]: The Second time it was receiv'd with uncommon approbation, particularly the Essay on a new-invented Astronomy, adapted to the Ladies, and the performances on the Harpsichord by a young lady but eight years old, who was allow'd by some Conoisseurs that were present, to play it extremely curious and masterly. Several Gentlemen spoke to the Questions, and met with unanimour applause; and the whole was conducted with the utmost Regularity and decency (General Advertiser)

Performances

Mainpiece Title: Jeptha

Event Comment: MMrs Cibber's New Entertainment call'd the Oracle, which was acted last Tuesday for her benefit, met with the most general applause; and she is thought to excel in the character of Cinthia, as much as any she ever performed

Performances

Mainpiece Title: Judas Macchabaeus

Event Comment: Benefit for Macklin. Afterpiece: A New Dramtic Satire in two acts. N.B. As several of the Town have prejudged the Pit the Boxes and Galleries acting their own parts themselves for their diversion, to be of the same species of the Lick at the Town last year; and that it can mean only the ordinary Approbation or Disapprobation of the Audience, Signor Pasquin thinks it incumbent on himself to assure to Publick that all those conjectures are groundless; And farther, he assures them that the Pit, &c. acting their parts has no other meaning than the common literal sense; and that the Audience are really interwoven in the piece; and are to be bona fide part of the Dramatis Personae; and he makes no doubt but that he shall make them perform their parts to a numerous and polite audience, and with universal Applause. But he begs that those Ladies and Gentlemen who intend to perform in the Pit and Galleries will be at the Theatre betimes, for particular reasons; and those who are to act in the Boxes are requested to send their servants to keep their places by three o'clock. Signor Pasquin has received the letters sent by the Town and the Village, and they may depend upon having Places kept for them upon the Stage. The Hiss concerning the Robin Hood Society will be complied with (General Advertiser). [The parts were: Pasquin, Marforio, Sir Eternal Grinn, Sir Conjecture Positive, Sir Roger Ringwood, Bob Smart, Soloman Common Sense; Count Hunt Bubble, Sir John Ketch, hic and Hac (Scribblers), Hydra, Lady Lucy Loveit, Miss Diana Singlelife, Miss Brilliant, Miss Bashfull (Larpent MS 96).

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: Covent Garden Theatre or Pasquin turnd Drawcansir Censor of Great Britain

Dance: GGrand Comic Ballet, as17511216