SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Vernon much Applause "/1) | (@(roleclean,performerclean) "Mr Vernon much Applause ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4491 matches on Event Comments, 1799 matches on Performance Comments, 618 matches on Performance Title, 31 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Palmer; Ferdinand (With songs)-Vernon; Stephano-King; Trincalo-Baddeley; Caliban-Ackman; Ceres-Mrs Wrighten; Ariel (With songs)-Mrs Scott; Miranda (With song)-Mrs Smith; Hymen-Fawcett; Gonzalo-J. Aickin; Alonzo-Bransby; Sebastian-Keen; Francisco-Griffith; Boatswain-Wright; Master of Ship-Wrighten; With a Grand Dance of Fantastic Spirits-; The Other Dances-Giorgi, Mrs Sutton.

Afterpiece Title: The Elopement

Performances

Mainpiece Title: The School For Fathers

Performance Comment: Lionel-Vernon; Sir John Flowerdale-Aickin; Col. Oldboy-Parsons; Jessamy-Dodd; Jenkins-Bannister; Diana-Mrs Wrighten; Lady Oldboy-Mrs Bradshaw; Jenny-Mrs Davies; Clarissa-Mrs Smith; Harman-Davies.

Afterpiece Title: The Register Office

Entertainment: End Act II: Hippisley's Drunken Man-Weston

Dance: End: The Mountaineers, as17730930

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-King; Bassanio-Cautherly; Antonio-Reddish; Gratiano-Dodd; Salanio-Fawcett; Gobbo-Parsons; Launcelot Gobbo-W. Palmer; Tubal-Messink; Nerissa-Mrs Davies; Portia-Mrs Abington; Jessica (with Song)-Miss Jarratt; Salarino-Keen; Duke-Wright; Lorenzo (With Songs)-Vernon.

Afterpiece Title: A Peep behind the Curtain

Event Comment: Mrs Baddeley who play'd the Lady in Comus got out of the Enchanted Seat before her time & made a great Laugh the Farce was much hiss'd at the End (Hopkins Diary). [The Masque (never performed there) is the version reduced to two Acts by George Colman.] Benefit for Cautherly. Paid Mr J. Aickin in part of #60 in lieu of Benefit (remiting #10 to his credit) #50. Receipts: #197 11s. 6d. Charges: #68 17s. Profits to Cautherly: #128 15s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Comus

Performance Comment: Comus-Cautherly; Euphrosyne-Mrs Barree, first appearance this stage; Spirit-Davies; Brothers-Lamash, Wheeler; Lady (With Song, Sweet Echo)-Mrs Baddeley; Bacchanals-Vernon, Bannister, Fawcett, Kear, Legg, Carpenter, Blanchard, Master Blanchard; Bacchants-Mrs Davies, Mrs Love; Pastoral Nymph, Sabrina-Mrs Scott; In Act II, a Dance- incident to the piece.

Dance: I: The Grand Provencalle Dance, as17750202

Performances

Mainpiece Title: As You Like It

Performance Comment: Orlando-Reddish; Duke Sen-Hurst; Touchstone-King; Oliver-Davies; Jaques-Jefferson; Duke Fredrick-Bransby; Amiens (With Songs)-Vernon; Adam-Moody; Silvius-Whitfield; Celia (with Song)-Miss Jarratt; Audrey-Mrs Bradshaw; Rosalind-Miss Younge; LeBeau-Everard; Corin-Waldron; Jaques de Bois-Fawcett; William-Messink; Phoebe-Mrs Davies; in V, a Dance of Forresters-Como, Giorgi; and a Song-Mrs Scott.

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Note of Hand

Dance: I: The Schoolmaster-Como, Sga Crespi

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Rival Candidates

Performance Comment: Byron-Vernon; Sir Harry-Dodd; Worry-Parsons; Spy-Weston; First Gardner-Bannister; Gardners-Fawcett, Kear; Jenny-Mrs Wrighten; Narcissa-Mrs Smith, first time.

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Parts were: Judas , Israelite Man , Israelite Woman , Chorus , Simon (Brother to Judas ), Messenger , Eupolemus (Jewish Ambassador to Rome ) Principal Vocal parts-Vernon, Champness, Leoni, Mrs Wrighten, Mrs Weichsel.

Music: First Violin-Lamotte; after I: Concerto on German Flute-Florio; Part II: Violin Concerto-Lamotte

Performances

Mainpiece Title: New Brooms

Afterpiece Title: As You Like It

Performance Comment: Touchstone-King; Orlando-Reddish; Jaques-Jefferson; Duke Senior-Hurst; Duke Frederick-Bransby; Oliver-Packer; Amiens (with songs)-Vernon; Corin-Waldron; LeBeau-Everard; Silvius-R. Palmer; William-Messink; Adam-Moody; Caelia-Mrs Baddeley; Cuckoo Song-Mrs Baddeley; Phoebe-Mrs Davies; Audrey-Mrs Bradshaw; Rosalind-Miss Younge.

Afterpiece Title: Bon Ton; or, High Life above Stairs

Dance: End I: The Grand Garland Dance-Giorgi, Sga Crespi, Slingsby

Song: In V: a song-Mrs Scott

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408. It is not certain that this was the premiere, but, as the play was licensed for publication on 20 Nov. 1676, the first performance may well have been on this day. A song, Away with the causes of riches and cares, with music by Matthew Lock, is in Catch that Catch Can, No. 64, 1685. Another, Beneath a shady willow, with music by William Turner, is in A New Collection of Songs and Poems...by Thomas D'Urfey, 1683. Edition of 1677: That its only good Fortune was, in being the Subject of the Courts Diversion, where their Noble Clemency and Good Nature were extremely requisite, in covering its defects from the too Censorious; His Majesty, according to His accustomed Royal and Excellent Temper, was pleas'd to descend so far, as to give it a particular Applause, which was seconded by your Grace [The Duke of Ormond]

Performances

Mainpiece Title: Madam Fickle; Or, The Witty False One

Event Comment: The United Company. As 9 Nov. 1692 is known to be the second day, it is assumed that 8 Nov. 1692 represents the first performance. (See entry for 9 Nov. 1692.) The authorship is uncertain; William Mountfort signed tne Dedication, but its authorship is linked with that of Edward III (November 1690), which may have been by Bancroft. Gentleman's Journal, October 1692 (not issued until November): Henry the Second, King of England, A new Play, by the Author of that call'd Edward the Third, which gave such universal satisfaction, hath been acted several times with applause. It is a Tragedy with a mixture of Comedy....Had you seen it acted, you would own that an Evening is pass'd very agreeably, when at a Representation of that pleasing Piece. [Alfred Harbage, Elizabethan-Restoration Palimpsest, Modern Language Review, XXXV (1940), 312-18, argues that this play is the Elizabethan Henry II once in the possession of Moseley. A song, In vain 'gainst Love I strove, composed by Henry Purcell and sung by Mrs Dyer, not in the printed play, is in Comes Amoris, 1693, and Joyful Cuckoldom 1695. See Purcell's Works, Purcell Society, XX (1916), vii

Performances

Mainpiece Title: Henry The Second, King Of England; With The Death Of Rosamond

Event Comment: London Journal, 21 April: The Scholars of Mr Weston...performed the Play of Tamerlane...before the Lords of the Admiralty, with great Applause

Performances

Mainpiece Title: Tamerlane

Event Comment: cted sometime during this week.] Evening Post, 22 Nov.: We hear that last Week the Gentleman of Mr Clare's Academy in Soho Square acted the celebrated Tartuffe of Moliere, done into English by themselves, before many Persons of Distinction, with great Applause

Performances

Mainpiece Title: Tartuffe

Event Comment: DDaily Advertiser, 22 Nov.: A Latin Play of Terence's, call'd Eunuchus; the Theatre was newly built by the said Mr Galliardy, and is large enough to contain 150 Spectators; the Scenes were all new, and the House neat and well lighted; the Performers were young Lords, and Sons of Gentlemen of Distinction, whose Propriety of Speech and Justness of Action, exceeded all that had ever been done of the kind; the Dresses were exceeding rich, and after the Eastern Fashion; the Decorations handsome, and every thing performed...to the intire Satisfaction and Applause of the Audience

Performances

Mainpiece Title: Eunuchus

Event Comment: Written by Shakespear. Daily Advertiser, 22 Dec.: On Saturday last was performed...As you like it; the extraordinary Applause it met with, is a strong Proof of the Merit of that immortal Author

Performances

Mainpiece Title: As You Like It

Dance: I: Les Jardiniers Suedois-Fausan, Signora Fausan; III: L'Allamande-Muilment, Mlle Chateauneuf

Event Comment: MMr Woodward said--I have been getting you (to Bayes) a fine parcel of Monsters, & they have knock'd me down & taken 'em from me--(thinking of the late Dispute) a little hissing &c. but it went off--Great Applause all thro'. Receipts: #220 (Cross)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Devil to Pay

Dance: Concluding: Devisse, Mad Auguste

Event Comment: Benefit for Ryder. Public Advertiser, 20 Mar.: Tickets to be had of Ryder at his house, No. 5, Bow-street, Covent-garden. 1st piece: The Overture, Airs, &c. by Dr Arnold. The selected by Handel, Vento, Giordani, Giardini, Bertoni, Dr Arne, Carolan the Irish Bard. 2nd piece: 1st time Here. Translated from the French of La Bonne Mere, by Horatio Edgar? Robson, and at this Time reading with great success and general applause by LeTexier in Lisle-Street [and 1st acted at the hay, 22 Aug. 1788]. 3rd piece [1st time; F 2, by Thomas Ryder, altered from The Man of Parts, by Isaac Jackman; not published]. Receipts: #271 0s. 6d. (191.15.6; 5.7.0; tickets: 73.18.0)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Look before You Leap

Afterpiece Title: Such Things Have Been

Song: End 3rd piece: Paddy's Ramble from Dublin to Londonwritten and to be sung-Ryder

Entertainment: Monologue. In course of Entertainments: Bucks have at Ye All-Ryder

Event Comment: By Command of Their Majesties. "George? Dance, @R. A., was at Covent Garden on Wednesday evening when his musical Composition of One and All [for a band] was performed before his Majesty, with much applause" (Joseph Farington,@Diary [26 Cct.], 1922, I, 243). Receipts: #628 8s. 6d. (620.17.6; 7.11.0)

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Spoil'd Child

Event Comment: Afterpiece: Written by O'Keeffe, Author of The Poor Soldier, &c, and perform'd at the Theatre Royal, Hay-Market, with universal Applause

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discovered

Performance Comment: Jaffier-The Young Gentleman who, with great applause, twice recited the Apologue of Parents and Children, &c. [Gibbons (see17860719]; Priuli-Smith; Renault-Sadler (1st appearance on that stage); Bedamer-Hill; Duke-Watts; Officer-Meadows; Elliot-Price; Spinosa-Johnston; Pierre-Yatesmore; Belvidera-A Young Lady (1st appearance [Miss Fenton(see17860719]) .Miss Fenton(see17860719]) .

Afterpiece Title: The Agreeable Surprise

Event Comment: Benefit for Fawcett 1st piece: By permission of G. Colman, Esq. Never performed at that Theatre. As performed at the Theatre Royal, Haymarket, with universal Applause. With new Scenery, Dresses and Decorations. Written by the Author of The Way to Get Married [Thomas Morton]. 2nd piece [1st time; M. INT 1]. Oracle, 8 Apr.: Tickets to be had of Fawcett at his house, No. 9, Tottenham-Court-Road, opposite Howland-street. Receipts: #507 9s. 6d. (185.7.6; 10.0.0; tickets: 312.2.0)

Performances

Mainpiece Title: Zorinski

Afterpiece Title: A Nicknackatory

Afterpiece Title: Lock and Key

Dance: 2nd piece to conclude with: Highland Festivity, as17951125

Song: 1st piece: Vocal Parts-Linton, Williamson, Blurton, Street, Abbot, Holland, Rees, Lee, Little, Miss Logan, Miss Ives, Miss Leserve, Miss Walcup, Mrs Castelle, Mrs Masters, Mrs Watts

Entertainment: Monologue.End: Monsieur Tonson (Founded on Fact, and recited at Free-Mason's Hall, last Winter, with universal Applause)-Fawcett

Performance Comment: End: Monsieur Tonson (Founded on Fact, and recited at Free-Mason's Hall, last Winter, with universal Applause)-Fawcett.
Event Comment: Benefit for Mrs Vernon. Opera by Desire. Receipts: #101 4s. plus #44 4s. from tickets (Box 113; Pit 89; Gallery 26) (Account Book). Charges: #64 10s. 6d. (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17600924, but Lucy-Mrs Vernon, 1st time; with a New Musical Prologue-Mrs Vernon.

Afterpiece Title: Thomasand Sally

Dance: As17600924; End of Opera: The Waggoners, as17610228

Event Comment: Benefit for Vernon. Paid Printer's Bill, #8 12s. (Treasurer's Book). [See Romantic criticism from a most Neo-Classical pen in Theatrical Review, 2 April.] Receipts: #247 1s. Charges: #71 14s. Profits to Vernon: #175 6s. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Performance Comment: Cymon-Vernon; Linco-King; Merlin-Bannister; Dorus-Parsons; Demon of Revenge-Champness; Fatima-Mrs Abington; Shepherdesses-Mrs Davies, Miss Ambrose; Urganda-Mrs Scott; Dorcas-Mrs Bradshaw; Sylvia-Mrs Fitzgerald; In which will be introduced a Grand Procession of the different Orders of the Knights of Chivalry-with proper Dances and Decorations.

Afterpiece Title: A Peep behind the Curtain

Event Comment: Benefit for Vernon. Receipts: #213 9s. Charges: #66 9s. Profit to Vernon: #147 (Treasurer's Book)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: A Peep behind the Curtain

Performance Comment: Glib-King; Sir Toby Fuz-Bransby; Sir Macaroni Virtue-Dodd; Orpheus-Vernon; Rhodope-Mrs Wrighten; Miss Fuz-Mrs Davies; Lady Fuz-Mrs Hopkins; Others-Moody, Packer, Palmer, Hartry, J. Aickin, Wright, Johnston, Mrs Love, Mrs Bradshaw.

Dance: I: The Irish Fair, as17730918

Event Comment: Benefit for Vernon. Rec'd Mrs Johnston's rent 1 year to Lady Day #6. Paid Powney (stationer) #7 2s. 6d.; Ray (linen draper) #25 6s. 6d.; Vaughan (haberdasher) #4 10s. 6d.; Norfolk (glazier) #2 3s.; Barrow and Co. Oil #54 15s. 6d.; Pryer (turner) #5 18s. 6d.; Carter (scowerer) #9 8s. 6d.; Evans for Spermacetti Candles #5; Watch Rate half year #18 15s.; Cubit (tinman) #2 6d. Receipts: #160 10s. Charges: #66 16s. Profits to Vernon: #93 14s. (Treasurer's Book)

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Vernon; Mat@O@Mint-Kear; Ben Budge-Burton; Player-Whitfield; Beggar-Waldron; Filch-Parsons; Peachum-Moody; Lockit-Bransby; Lucy-Mrs Wrighten; Polly-Mrs Smith; Diana Trapes-Mrs Bradshaw; Mrs Peachum-Mrs Love; In Act III, a Hornpipe-Mrs Sutton; To conclude with a Country Dance-.

Afterpiece Title: The Lying Valet

Performance Comment: Sharp-Vernon; Trippit-Lamash; Mrs Gadabout-Miss Platt; Gayless-Davies; Kitty Pry-Mrs Davies; Melissa-Miss Hopkins; Justice-Griffiths; Cook-Wright.

Dance: End Opera: The Grand Garland Dance, as17760311

Event Comment: Benefit for Vernon. Public Advertiser, 29 Feb.: Tickets to be had of Vernon, at Jones's, No. 7, Catherine Street, Strand. Receipts: #173 13s. 6d. (86.14.0; 21.10.0; 0.12.6; tickets: 64.17.0) (charge: #74 14s.)

Performances

Mainpiece Title: Love For Love

Performance Comment: As17791012, but Foresight-Parsons; Trapland-Waldron; Ben-Vernon (1st appearance in that character). [Public Advertiser assigns Tattle-Dodd.]

Afterpiece Title: Fortunatus

Event Comment: Benefit for Vernon. 2nd piece [1st time; INT I, author unknown. Larpent MS 552; not published. It had reference to the surrender of St. Eustatius by the Dutch to Admiral Rodney, 4 Feb. 1781]. Receipts: #233 19s. (106.18.0; 27.2.6; 0.3.6; tickets: 99.15.0) (charge: #108 0s. 2d.)

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Conquest of St

Performance Comment: Eustatia. Principal Parts by Vernon, Baddeley, Gaudry, Suett, Burton. [Cast from London Chronicle, 4 Apr.: Sea Officer-Vernon; Van Brugen-Baddeley; Land Officer-Gaudry; Oliver Cant-Wrighten [recte Suett (?)]; Van Spragen-Burton; Frenchman-Lamash; Don Carlos-Norris; Governor-Griffiths.

Afterpiece Title: All the World's a Stage