SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Vernon much Applause "/1) | (@(roleclean,performerclean) "Mr Vernon much Applause ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4493 matches on Event Comments, 1799 matches on Performance Comments, 618 matches on Performance Title, 32 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Written by Shakespear. Play to begin at 6 o'clock. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Hobson at the Stage-Door of the Theatre. As the Admittance of Persons behind the Scenes has occasioned a general Complaint on Account of the frequent Interruptions in the Performance, tis hop'd Gentlemen won't be offended, that no Money will be taken there for the future. [This notice appears on succeeding bills for the season and will hence not be repeated. See note on public objection to nonadmittance behind scenes 22 Feb. 1748.] Receipts: #150 (Cross); #I26 12s. (Clay MS). Nichols Literary Anecdotes, II, 319-20: There is one part of theatrical conduct which ought unquestionably to be recorded to Mr Garrick's honour, since the cause of virtue and morality and the formation of public manners are very considerably dependent upon it, and that is the zeal with which he ever aimed to banish from the stage all those plays which carry with them an immoral tendency, and to prune from those which do not absolutely on the whole promote the interests of vice such scenes of licentiousness and libertinism as a redundency of wit and too great liveliness of imagination have induced some of our comic writers to indulge themselves in, and to which the sympathetic disposition of an age of gallantry and intrigue had given a sanction. The purity of the English stage was certainly much more fully establish'd during the administration of this theatrical minister than it had ever been during preceding managements; for, what the publick taste had itself to some measure begun, he, by keeping that taste within its proper channel, and feeding it with a pure and untainted stream, seems to have completed; and to have endeavoured as much as possible to adhere to the promise made in the prologue which was spoken at the first opening of that theatre under his direction, @Bade scenic virtue form the rising age@And truth diffuse her radiance from the stage.

Performances

Mainpiece Title: The Merchant Of Venice

Performances

Mainpiece Title: The Rehearsal

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Anatomist

Dance: II: New Comic Dance call'd The Savoyards-Matthews

Performances

Mainpiece Title: The Foundling

Performances

Mainpiece Title: The Foundling

Performances

Mainpiece Title: The Distressd Mother

Afterpiece Title: Miss in Her Teens

Dance: Cooke, Anne Auretti

Performances

Mainpiece Title: The Rover Or The Banishd Cavaliers

Afterpiece Title: The Muses Looking Glass

Song: Singing In Italian and English-Miss Faulkner [Songs unspecified]

Performances

Mainpiece Title: The Distressd Mother

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Double Disappointment

Song: III: Sullivan

Dance: V: Comic Dance, as17480314

Performances

Mainpiece Title: Auction Of Pictures

Performances

Mainpiece Title: The Provoked Wife

Afterpiece Title: The Lying Valet

Dance: III: Savoyards, as17471215; IV: Pastoral Dance-Cooke, Janneton Auretti[, as17480320

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The King and Miller of Mansfield

Dance: I: Savoyards, as17471215

Performances

Mainpiece Title: Busiris King Of Egypt

Song: IV: A Cantata-Doorsming, who never appeared in public

Dance: V: Drunken Peasant-Matthews

Performances

Mainpiece Title: She Woud And She Woud Not Or The Kind Imposter

Afterpiece Title: The Lottery

Music: I: Concerto on Flute-a Child five years of age (1st time of his appearing on any stage); III: Another piece of music-the Child

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Lethe

Performances

Mainpiece Title: None

Performances

Mainpiece Title: None

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Triumph of Peace

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Triumph of Peace

Performances

Mainpiece Title: Othello

Afterpiece Title: The Devil to Pay

Dance: Cooke, the Aurettis

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Anatomist

Dance: In I: a Dutch Dance, as17481203; Savoyards, as17480920

Performances

Mainpiece Title: Don Sebastian

Afterpiece Title: The Lying Valet

Dance: J. Granier, J. Granier's sister; by Particular Desire the Drunken Peasant-Phillips

Performances

Mainpiece Title: The Distressd Mother

Afterpiece Title: The Intriguing Chambermaid

Dance: II: Savoyards, as17480920; IV: The Gondoliers-Cooke

Music: III: Concerto on Flute-the Child

Song: V: Mad Bess-Beard