SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Vascour and Wife"/1) | (@(roleclean,performerclean) "Mr Vascour and Wife")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4529 matches on Event Comments, 2818 matches on Performance Title, 1522 matches on Performance Comments, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Country Wife

Event Comment: The Duke's Company. The date of the premiere is not known, but the large proportion of minor actors and the licensing for printing on 4 Nov. 1676 suggest a production in the late summer or early autumn

Performances

Mainpiece Title: Tom Essence; Or, The Modish Wife

Event Comment: The United Company. Peregrine Bertie to the Countess of Rutland, 6 March 1685@6: To day is acted Jevarns' new farse; Thursday was the first day. I must confess it is the strangest thinge I ever saw; 'twas mighty full the last time, and to day there is noe getting in (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II, p. 106). [Since Friday 5 March was a Friday in Lent, it is possible that the farce was not given on that day.

Performances

Mainpiece Title: The Devil Of A Wife

Performances

Mainpiece Title: The Provok'd Wife

Performance Comment: Edition of 1697: Prologue-Mistress Bracegirdle; Epilogue [Written] by another Hand-Lady Brute, Bellinda; Constant-Verbrugen; Heartfree-Hudson; Sir John Brute-Betterton; Treble-Bowman; Rasor-Bowen; Justice of the Peace-Bright; Lady Brute-Mrs Barry; Bellinda-Mrs Bracegirdle; Lady Fancyfull-Mrs Bowman; Mademoiselle-Mrs Willis.
Event Comment: Betterton's Company. It is not certain that this play was given at this time, but Vanbrugh, writing on 25 Dec. 1699, states that Thomas Dogget, who had been acting in Norwich, was in London "last Week," and acted six times, presumably on 18, 19, 20, 21, 22, 23 Dec. 1699. The Amorous Widow is a likely play for this week, as Barnaby Brittle was one of Dogget's best roles. In addition, the Inner Temple, which usually requested popular plays, selected it for its revels on 3 Feb. 1699@1700. Nearly all the individuals in the cast in the 1710 edition acted in London during this season, with two exceptions: Fieldhouse and Mrs Hunt. Their roles may have been played by them or by other performers if they were not in the company at this time. I owe the suggestion that this was the play in which Dogget appeared to Professor Lucyle Hook

Performances

Mainpiece Title: The Amorous Widow; Or, The Wanton Wife

Performances

Mainpiece Title: The Amorous Widow; Or, The Wanton Wife

Event Comment: Rich's Company. The date of the premiere is not known, but the second edition (1700) states: The first appearance of this Play was on a Wednesday in Lent; for then (it seems) the Town look for a bad Entertainment. [As the play was advertised in the Flying Post, 2 April 1700, the first performance probably occurred in early March.] A Prologue by Sir Charles Sedley which may have been intended for this play is in Sedley's Works, ed. V. de Sola Pinto (London, 1928), I, 46-47, 288-89. A song in this play, separately printed ca. 1700, indicates that the music was composed by Daniel Purcell and that the song was sung by Mrs Erwin

Performances

Mainpiece Title: The Reform'd Wife

Event Comment: Written by the most Ingenious William Wycherly Esq. And for the Reputation of the most Judicious Author, care is taken to have each part performed to the best advantage

Performances

Mainpiece Title: The Country Wife

Performances

Mainpiece Title: The Spanish Wives

Entertainment: As17030705

Performances

Mainpiece Title: The Amorous Widow; Or, The Wanton Wife

Dance:

Event Comment: [Downes lists this performance for Sunday 23, a very unlikely day for an offering at Court. Since both dl and lif were closed on Monday 24 and since the dl advertisment for Tuesday 25 refers to dances performed "last night" at St. James's, Monday 24 seems the probable date.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Dance: duRuel, Cherrier, Mrs duRuel

Performances

Mainpiece Title: The Merry Wives Of Windsor

Music: Vocal and Instrumental Music , to be expressed in the large Bills-

Performances

Mainpiece Title: Oroonoko

Song: Let the Dreadful Engines-Leveridge

Dance: Country Frenchman and his Wife, Dutch Skipper-duRuel, Mrs duRuel

Entertainment: Diverting ones Clinch of Barnet

Performances

Mainpiece Title: King And No King

Performance Comment: King/and/no/King-Wilks.
Cast
Role: KingandnoKing Actor: Wilks.

Dance: As17040613 particularly a French Peasant and his Wife-

Event Comment: Benefit Short and Mrs Willis. Mainpiece: Not Acted these Five Years. Afterpiece: in four Musical Entertainments

Performances

Mainpiece Title: The Comical Transformation; Or, The Devil Of A Wife

Afterpiece Title: The Loves of Mars and Venus

Song: Mrs Willis' two Daughters

Dance: Mrs Willis's two Daughters, who never perform'd before

Performances

Mainpiece Title: The Amorous Widow; Or, The Wanton Wife

Dance: Mlle delaVal, Mrs Elford, l'Abbe's Brother, l'Abbe's Scholar

Performances

Mainpiece Title: The Merry Wives Of Windsor

Dance: As17050109Mlle delaVal, Mrs Elford

Performances

Mainpiece Title: The Virtuous Wife; Or, Good Luck At Last

Performances

Mainpiece Title: The Virtuous Wife

Performances

Mainpiece Title: The Virtuous Wife

Song:

Dance:

Performances

Mainpiece Title: The Amorous Widow; Or, The Wanton Wife

Dance: Mrs Elford

Performances

Mainpiece Title: The Merry Wives Of Windsor

Song: As17051011

Dance:

Performances

Mainpiece Title: The Provok'd Wife

Performances

Mainpiece Title: The Provok'd Wife

Performances

Mainpiece Title: The Provok'd Wife

Dance: deBarques, Mrs Elford, Prince, Mrs Bignal; Chacone-Miss Bruce; Italian Scaramouch-Layfield