SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Vascour and Wife"/1) | (@(roleclean,performerclean) "Mr Vascour and Wife")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4529 matches on Event Comments, 2818 matches on Performance Title, 1522 matches on Performance Comments, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [1st time; D 5, by Elizabeth Inchbald. Prologue by Thomas Vaughan. Epilogue by Miles Peter Andrews (see text). Public Advertiser, 14 Feb: Part of Andrews's Epilogue to Eloisa [see 20 Dec. 1786]...was blended with Epilogue spoken on first representation of Such Things Are]: With new Scenes, Dresses, &c. Public Advertiser, 1 Dec. 1787: This Day is published Such Things Are (1s. 6d.). Receipts: #214 10s. (212.10; 2.0)

Performances

Mainpiece Title: Such Things Are

Performance Comment: [Principal Characters by Lewis, Quick, Holman, Pope, Farren, Davies, Fearon, Macready, Cubitt, Mrs Mattocks, Miss Wilkinson, Mrs Pope. Cast from text (G. G. J. and J. Robinson, 1788 [i.e. 1787]): Mr Twineall-Lewis; Sir Luke Tremor-Quick; Elvirus-Holman; Mr Haswell-Pope; Sultan-Farren; Lord Flint-Davies; Zedan-Fearon; Mr Meanright-Macready; Keepers-Thompson, Cubitt; Prisoners-Helme, Gardner; Guard-Blurton; Messenger-Ledger; Lady Tremor-Mrs Mattocks; Aurelia-Miss Wilkinson; Prisoner-Mrs Pope; Prologue-Holman; Epilogue-Mrs Mattocks. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: The Enchanted Castle

Related Works
Related Work: The Enchanted Castle Author(s): Miles Peter Andrews
Event Comment: Benefit for Mrs Martyr. 3rd piece [1st time: F 2, by Edmund John Eyre. Text (Shrewsbury: P. Sandford, 1791) correctly assigns Prolix to Wilson. Prologue by John Wolcot (see text)]. Morning Chronicle, 29 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlett-court, Bow-street, Covent Garden. Receipts: #318 4s. (153.3; 2.5; tickets: 162.16)

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: Midas

Afterpiece Title: The Dreamer Awake; or, The Pugilist Matched

Performance Comment: Prolix-Bernard [recte Wilson]; Sir David Drowsy-Munden; Bob Sparwell-Bernard; Lexicon-Marshall; Ormond-Macready; John-Rock; Standfast-Blanchard; Lady Drowsy-Mrs Webb; Jenny-Miss Stuart; Emma-Miss Chapman; New Prologue-Bernard (see text).
Cast
Role: Standfast Actor: Blanchard

Song: End I 1st piece: Say Bonny Lass: Highland Lad-Mrs Martyr, Highland Lassie- Mrs Mountain; End I 3rd piece: The Musical Courtship-Incledon, Mrs Martyr

Event Comment: 2nd piece [1st time; C 3, by Elizabeth Inchbald, based on L'Indigent, by Louis Sebastien Mercier, and on Le Dissipateur; ou, L'Honnete Friponne, by Philippe Nericault, dit Destouches. Prologue and Epilogue by Thomas Vaughan (see text)]. Morning Chronicle, 21 July 1791: This Day is published Next Door Neighbours (1s. 6d.)

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: Next Door Neighbours

Performance Comment: Characters by Palmer, Aickin, Palmer Jun., Kemble, Baddeley, Bannister Jun., Evatt, R. Palmer, Ledger, Abbott, Chapman, Mrs Brooks, Miss Heard, Mrs Edwards, Mrs Kemble. Cast from text (G. G. J. and J. Robinson, 1791), and playbill of 16 July 1792: Sir George Splendorville-Palmer; Willford-Aickin; Henry-Palmer Jun.; Mr Manly-Kemble; Mr Blackman-Baddeley; Bluntly-Bannister Jun.; Lord Hazard-Evatt; Mr Lucre-R. Palmer; Servants-Ledger, Abbott; Shopman-Chapman; Lady Caroline Seymour-Mrs Brooks; Lady Bridget Squander-Miss Heard; Evans-Mrs Edwards; Eleanor-Mrs Kemble; Prologue-Bannister Jun; Epilogue-Mrs Kemble.

Afterpiece Title: The Author

Cast
Role: Villagers Actor: Mrs +Bland, Mrs +Powell, Miss +Hale, Mrs +Edwin.
Role: Sandford Actor: R. Palmer
Role: Young Random Actor: Palmer
Role: Old Random Actor: Aickin

Performances

Mainpiece Title: The Welch Heiress

Performance Comment: Characters by Palmer, Dodd, Barrymore, Hollingsworth, Bannister Jun., Suett, R. Palmer, Aickin, Webb, Evans, Miss Farren, Miss Pope, Mrs Jordan. [Cast from text (Richard White, 1795), and London Chronicle, 18 Apr.: Lord Melcourt-Palmer; Sir Pepper Plinlimmon-Dodd; Mr Fashion-Barrymore; Taffy-Hollingsworth; Mr Phrensy-Bannister Jun.; Cautious-Suett; Mr Fancy-R. Palmer; Steward-Aickin; Lady Bellair-Miss Farren; Lady Plinlimmon-Miss Pope; Miss Plinlimmon-Mrs Jordan; Webb, Evans [are unassigned; Prologue [read-Barrymore ["Barrymore could not learn the prologue" (Boaden, Jordan, I, 286)]; Epilogue-Miss Farren.

Afterpiece Title: My Grandmother

Cast
Role: Waiter Actor: Bland
Event Comment: Benefit for Johnstone. 1st piece [1st time; C 5, by William Macready, based on The Artful Husband, by William Taverner. Prologue by William Thomas Fitzgerald. Epilogue by Robert Houlton (see text)]. 2nd piece [1st time; M. INT 1, author unknown. Larpent MS 1076; not published]: The Music part new and part compiled by Shield. Morning Herald, 4 June 1795: This Day is published The Bank Note (2s.). Morning Chronicle, 18 Apr.: Tickets to be had of Johnstone, No. 19, Piazza, Covent-garden. Receipts: #434 19s. 6d. (168.1.0; 8.0.6; tickets: 258.18.0)

Performances

Mainpiece Title: The Bank Note; Or, Lessons For Ladies

Performance Comment: Principal Characters by Quick, Holman, Johnstone, Fawcett, Middleton, Hull, Townsend, Macready, Powel, Miss Standen, Mrs Mattocks, Mrs Lee, Miss Hopkins, Mrs Davenport, Mrs Norton, Miss Wallis. Cast from text (T. N. Longman, 1795): Mr Hale-Quick; Sir Charles Leslie-Holman; Killeavy-Johnstone; Ned Dash-Fawcett; Mr Bloomfield-Middleton; Father-Hull; Tim-Townsend; Lieutenant Selby-Macready; Careful-Powel; Young Bloomfield-Miss Standen; Mr Bloomfield's Servant-Abbot; Porter-Coombs; Gentleman-Platt; Cook-Ledger; Butler-Williamson; Mrs Bloomfield-Mrs Mattocks; Sally Flounce-Mrs Lee; Miss Emma Hale-Miss Hopkins; Lady Supple-Mrs Davenport; Maid-Mrs Norton; Miss Russel-Miss Wallis; Gentlewoman-Mrs Follett; Prologue-Macready; Epilogue-Mrs Mattocks.

Afterpiece Title: The Sailor's Prize; or, May-Day Wedding

Afterpiece Title: Three Weeks after Marriage

Dance: 2nd piece to conclude with: a Garland Dance (composed by Byrn)-Byrn, Mlle St.Amand, Mme Rossi

Performance Comment: Amand, Mme Rossi.

Song: Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; End II: Old Towler-Incledon; In course 2nd piece: New Ballad-Mrs Martyr; Fat Dolly-Munden; Battle Song-Bowden; Let us love and let us drink-Munden; Bowden, Mrs Martyr; Teddy O'Shaughnessey's History-Johnstone; When 'tis Night and the Mid@Watch is come, Admiral Benbow-Incledon; Now landed from the Ocean-

Performances

Mainpiece Title: The Wheel Of Fortune

Related Works
Related Work: The Wheel of Fortune Author(s): Richard Cumberland

Afterpiece Title: My Grandmother

Event Comment: Mainpiece: By Permission of the Proprietor of the Theatre Royal, Haymarket. [As afterpiece the playbill announces Oscar and Malvina, but "The Poor Sailor played" (MS annotation on BM playbill, cg, Vol. ix). "The audience were in a violent uproar, at the change from Oscar and Malvina to The Poor Sailor" (Monthly Mirror, Dec. 1795, pp. 122-23).] Receipts: #190 7s. (182.17; 7.10)

Performances

Mainpiece Title: The Battle Of Hexham; Or, Days Of Old

Performance Comment: Gondibert-Holman; Fool-Knight; Gregory Gubbins-Fawcett; Robbers-Richardson, Haymes, Abbot, Williamson; Barton-Harley; La Varenne-Macready; Corporal-Farley; Drummer-Townsend; Fifer-Simmons; Marquis of Montague-Powel; Duke of Somerset-Claremont; Egbert-Davenport; Prince of Wales-Miss Standen; Villagers-Mr Rees, Mr Cross, Mrs Mountain, Mrs Clendining, Mrs Norton, Miss Walcup, Miss Kirton, Miss Logan, Mrs Martyr; Adeline-Miss Wallis; Queen Margaret-Mrs Pope.
Cast
Role: Prince of Wales Actor: Miss Standen

Afterpiece Title: The Poor Sailor

Event Comment: Afterpiece: Never [previously] performed at this Theatre [1st acted by the dl Company at king's, 18 Oct. 1792]. The new Scenes by Greenwood. The Musick composed principally by Attwood; rest from Mozart and Sarti. Receipts: #363 9s. (262.10; 99.2; 1.17)

Performances

Mainpiece Title: The Wheel Of Fortune

Related Works
Related Work: The Wheel of Fortune Author(s): Richard Cumberland

Afterpiece Title: The Prisoner

Performance Comment: Marcos-Kelly; Bernardo-Dignum; Pasqual-Caulfield; Roberto-Suett; Lewis-Wewitzer; Narcisso-Master Welsh; Clara-Miss DeCamp; Theresa-Miss Leak; Nina-Mrs Bland; Juliana-Miss Menage; Chorus of Soldiers-Evans, J.? Fisher, Maddocks, Phillimore, Trueman, Welsh, Atkins, Burrows, Meyers, Caulfield Jun., Denman, Fisher, Tett, Aylmer, Dibble, Gallot, Potts, Annereau, Bardoleau, Walker, Willoughby, Peck.
Cast
Role: Nina Actor: Mrs Bland

Performances

Mainpiece Title: The Wheel Of Fortune

Related Works
Related Work: The Wheel of Fortune Author(s): Richard Cumberland

Afterpiece Title: The Children in the Wood

Cast
Role: Sir Rowland Actor: Barrymore
Role: Josephine Actor: Mrs Bland
Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, based on La Serva Amorosa and on Il Padre di Famiglia, both by Carlo Goldoni. Author of Prologue unknown. Epilogue by Matthew Gregory Lewis (see text)]. Times, 7 Feb. 1798: This Day is published Knave or Not (2s.). Receipts: #358 2s. (283.11.6; 71.2.0; 3.8.6)

Performances

Mainpiece Title: Knave Or Not

Performance Comment: Characters by Palmer, Wroughton, Suett, Wewitzer, Barrymore, Bannister Jun., Hollingsworth, Trueman, Evans, Miss DeCamp, Mrs Jordan, Miss Pope, Mrs Walcot, Mrs Sparks. [Cast from text (G. G. and J. Robinson, 1798): Monrose-Palmer; Sir Guy Taunton-Wroughton; Sir Job Ferment-Suett; Mr Taunton-Wewitzer; Oliver-Barrymore; Jonas-Bannister Jun.; Mr Quake-Hollingsworth; Mr Scribe-Trueman; Footman-Evans [part listed in text, but unassigned]; Aurelia-Miss DeCamp; Susan-Mrs Jordan; Lady Ferment-Miss Pope; Mrs Clack-Mrs Walcot; Poor Woman-Mrs Sparks; Prologue-Barrymore; Epilogue-Mrs Jordan. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Blue-Beard

Cast
Role: Beda Actor: Mrs Bland

Performances

Mainpiece Title: The Wheel Of Fortune

Related Works
Related Work: The Wheel of Fortune Author(s): Richard Cumberland

Afterpiece Title: Blue-Beard

Performances

Mainpiece Title: The Wheel Of Fortune

Related Works
Related Work: The Wheel of Fortune Author(s): Richard Cumberland

Afterpiece Title: The Deserter

Performance Comment: Henry-Kelly; Russet-Clarke; Simkin-Suett; Skirmish-Bannister Jun.; Flint-Webb; Serjeant-Trueman; Louisa-Mrs Crouch; Jenny-Mrs Bland.
Cast
Role: Jenny Actor: Mrs Bland.

Entertainment: Vaudeville In II afterpiece: Military Manoeuvres-; [the Dead March-; [the Ceremony used in Shooting a Deserter-. [These were included in all subsequent performances.

Event Comment: The Duke's Company. Pepys, Diary: Against my judgment and conscience (which God forgive, for my very heart knows that I offend God in breaking my vows therein) to the Opera, which is now newly begun to act again, after some alteracion of their scene, which do make it very much worse; but the play, Love and Honour, being the first time of their acting it, is a very good plot, and well done. Downes (pp. 21-22): This Play was Richly Cloath'd; The King giving Mr Betterton his Coronation Suit;...The Duke of York giving Mr Harris his...and my Lord of Oxford gave Mr Joseph Price his...and all the other Parts being very well done: The Play having a great run, Produc'd to the Company great Gain and Estimation from the Town

Performances

Mainpiece Title: Love And Honour

Performance Comment: Downes (Roscius Anglicanus, pp.21-22): Prince Alvaro-Betterton; Prince Prospero-Harris; Lionel-Joseph Price; Duke-Lilliston; Evandra-Mrs Hester? Davenport. [Possibly Peg Fryer acted the Old Widow; when she appeared at lif on 11 Jan. 1720, she was announced as having appeared in Love and Honour when she was young. As she was 85 in 1720, she was about 26 at this time.]Possibly Peg Fryer acted the Old Widow; when she appeared at lif on 11 Jan. 1720, she was announced as having appeared in Love and Honour when she was young. As she was 85 in 1720, she was about 26 at this time.]
Cast
Role: Evandra Actor: Mrs Hester? Davenport.
Event Comment: The Duke's Company. This date marks the opening of the new theatre in Dorset Garden. Downes (Roscius Anglicanus, p. 31): The new Theatre in Dorset-Garden being Finish'd, and our Company after Sir William's Death, being under the Rule and Dominion of his Widow the Lady Davenant, Mr Betterton and Mr Harris, (Mr Charles Davenant her Son Acting for her) they remov'd from Lincolns-Inn-Fields thither. And on the Ninth Day of November 1671, they open'd their new Theatre with Sir Martin Marral, which continu'd Acting 3 Days together, with a full Audience each Day; notwithstanding it had been Acted 30 Days before in Lincolns-Inn-Fields, and above 4 times at court. [This play is also on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 18: Sir Martin.

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Event Comment: The King's Company. The date of the premiere is not known, but as the play was entered in the Stationers' Register, 26 June 1673, it was probably acted in May 1673 or earlier. For a discussion of its possible dates, see Nicoll, Restoration Drama, p. 403. A song, The day is come, I see it rise, set by Robert Smith, is in Choice Songs and Ayres, The First Book, 1673. Dedication to the edition of 1673:...though it succeeded on the Stage

Performances

Mainpiece Title: Amboyna

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 116. See also Nicoll, Restoration Drama, p. 345. There is no certainty that this is the premiere, but the frequency of performance of The Tempest during September-October-November would make November 1674 a suitable time for a burlesque of this sort. A small quarto, The Songs & Masque in the New Tempest (in the Huntington Library, 122925), without a title page, contains what are apparently the songs and concluding masque of the play. It may have been issued during the run of the play and sold at the theatre. It does not name any performers. Langbaine (English Dramatick Poets, p. 177): This Play was to draw the Town from the Duke's Theatre, who for a considerable time had frequented that admirable reviv'd Comedy call'd The Tempest

Performances

Mainpiece Title: The Mock-tempest; Or, The Enchanted Castle

Related Works
Related Work: The Enchanted Castle Author(s): Miles Peter Andrews
Event Comment: The Duke's Company. This performance, the premiere, is on the L. C. list, 5@141, p. 216: first Acting. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p406. The title page states: The English Opera; or The Vocal Musick in Psyche, with the Instrumental Therein Intermix'd...By Matthew Lock. Preface: All the Instrumental Musick (which is not mingled with the Vocal) was Composed by that Great Master, Seignior Gio. Baptista Draghi, Master of the Italian Musick to the King. The Dances were made by the most famous Master of France, Monsieur St.Andree. The Scenes were Painted by the Ingenious Artist, Mr Stephenson. In those things that concern the Ornament or Decoration of the Play, the great industry and care of Mr Betterton ought to be remember'd, at whose desire I wrote upon this Subject. Roger North Upon Music: I am sure the musick in the Psyche was composed by Mr M. Lock, of whom wee may say, as the Greeks sayd of Cleomenes, that he was ultimus Heroum. This masque is also in print, and begins 'Great Psyche,' &c. and the book containing the whole musick of that entertainment is not unworthy of a place in a vertuoso's cabanet (ed. John Wilson [1959], pp. 306-7). Preface to Settle's Ibrahim (licensed 4 May 1676): I have often heard the Players cursing at their oversight in laying out so much on so disliked a play [Psyche]; and swearing that they thought they had lost more by making choice of such an Opera: writer than they had gained by all his Comedies; considering how much more they might have expected, had such an Entertainment had that scence in it, that it deserved: and that for the future they expect the Tempest, which cost not one Third of Psyche, will be in request when the other is forgotten. Downes (Roscius Anglicanus, pp. 35-36): In February 1672. The long expected Opera of Psyche, came forth in all her Ornaments; new Scenes, new Machines, new Cloaths, new French Dances: This Opera was Splendidly set out, especially in Scenes; the Charge of which amounted to above 800l. It had a Continuance of Performance about 8 Days together it prov'd very Beneficial to the Company; yet the Tempest got them more Money

Performances

Mainpiece Title: Psyche

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 81. See also Nicoll, Restoration Drama, p. 348. There is no certainty as to whether this is the date of the first performance. Downes (Roscius Anglicanus, p. 35): Then the Conquest of China by the Tartars, by Mr Settle; in this Play Mr Jevon Acting a Chinese Prince and Commander in it, and being in the Battle, Vanquisht by the Tartars; he was by his Part to fall upon the point of his Sword and Kill himself, rather than be a Prisoner by the Tartars: Mr Jevon instead of falling on the point of his Sword, laid it in the Scabbard at length upon the Ground and fell upon't, saying, now I am Dead; which put the Author into such a Fret, it made him speak Treble instead of Double Jevons answer was; did not you bid me fall upon my Sword

Performances

Mainpiece Title: The Conquest Of China By The Tartars

Performance Comment: Edition of 1676: Prologue-; Epilogue-Mrs Lee; Theinmingus-Gillow; Zungteus-Harris; Palexus-Norris; King of China-Medbourn; Quitazo-Smith; Lycugus-Sandford; Orunda-Mrs Batterton; Alcinda-Mrs Corer; Amavanga-Mrs Mary Lee; Vangona-Mrs Spencer. See also Downes (below).
Cast
Role: Lycugus Actor: Sandford
Event Comment: The King's Company. There is no indication of the date of the first performance, but a licensing date of 6 April 1677 and the large number of minor actors in the cast suggest a Lenten performance. Preface to edition of 1677: I think (without Ostentation) never was House more throng'd;...The first, second, and other times it was Acted, I think lost me no Credit, but...Fortune...Jaded me, robbing me of the Honour of my Plays continuance for that time; by a Mischance which hapned to one, whose Part was too considerable to be quickly studied

Performances

Mainpiece Title: The Country Innocence; Or, The Chamber-maid Turn'd Quaker

Event Comment: L. C. 5@142, p. 38 (see also Nicoll, Restoration Drama, p. 355): Order to Mr Staggins, Master of his Majesty's Musick, and in his absence to Mr Lock, who officiates for him:--That all His Majesty's musitians doe attend to practise in the theatre at Whitehall at such tymes as Madam Le Roch and Mr Paisible shall appoint for ye practiceing of such musick as is to be in ye French comedy to be acted before His Matie [the 29 May]

Performances

Performances

Mainpiece Title: Trick For Trick; Or, The Debauch'd Hypocrite

Event Comment: The Duke's Company. The date of the first production is uncertain. The date of licensing was 3 Jan. 1678@9, but Wilson (Six Restoration Play-Dates, p. 222) has argued that it may well have been the first new play of the season. The Prologue refers to it as "The first Play bury'd since the Wollen Act," the Act going into effect on 1 Aug. 1678. For Sandford as Creon, see Cibber, Apology, ed. Lowe, I, 131. Downes (Roscius Anglicanus, p. 37): Oedipus King of Thebes, Wrote by Mr Nat. Lee and Mr Dryden: The last Writing the first two Acts, and the first the 3 last. This play was Admirably well Acted; especially the Parts of Oedipus and Jocasta: One by Mr Betterton, the other by Mrs Betterton; it took prodigiously being Acted 10 Days together

Performances

Mainpiece Title: Oedipus

Performance Comment: Edition of 1679: Prologue-; Oedipus-Betterton; Adrastus-Smith; Creon-Samford; Tiresias-Harris; Haemon-Crosby; Alcander-Williams; Diocles-Norris; Pyracmon-Boman; Phorbas-Gillo; Ghost of Lajus-Williams; Jocasta-Mrs Betterton; Eurydice-Mrs Lee; Manto-Mrs Evans; Epilogue-.
Cast
Role: Alcander Actor: Williams
Event Comment: The King's Company. The date of the premiere is not known. As the play was entered in the Term Catalogues, June 1679, it probably was acted first sometime in the preceding two or three months. Gildon's revision of Langbaine, English Dramatick Poets: This Play met not with the Applause the Author and his Friends expected (p. 28)

Performances

Mainpiece Title: The Ambitious Statesman; Or, The Loyal Favourite

Event Comment: The Duke's Company. The date of the first performance is not known. Luttrell, however, dated the copy he purchased 6 July 1680 (VanLennep, Two Restoration Comedies, pp. 57-58) and attributed it to Mrs Aphra Behn. If copies were available in early July, the play was most probably performed in June 1680. Langbaine (English Dramatick Poets, p. 547) had heard that Mrs Behn was the author, but A Comparison between the Two Stages (p. 11) attributed it to Thomas Betterton. For a discussion of the authorship, see also Ten English Farces, ed. Leo Hughes and A. H. Scouten (Austin, Texas, 1948), pp. 203-4

Performances

Mainpiece Title: The Revenge; Or, A Match In Newgate

Event Comment: The King's Company. The date of the first performance is not known. Wilson (Six Restoration Play-Dates, pp. 222-23) argues from a number of references (principally in the Epilogue) to events of early 1681 which point to a premiere near May 1681: to the dissolution of Parliament, 28 March 1681; to the comet which appeared in November 1680 and disappeared in January 1680@1; to the Hatfield Maid; to William Lilly, the astrologer, who is referred to as though alive, thus suggesting a premiere before his death, 9 June 1681. It is possible that the premiere may have been earlier than this. In 1681 was published Poeta de Tristibus; or, The Poet's Complaint, whose author had obviously read the Prologue and Epilogue to The Unhappy Favourite. He represents himself as a disappointed dramatist whose tragedy has been rejected by both houses because "their Summer-store@Will all this Winter last." With the work entered in the Term Catalogues in 1682 and a copy purchased by Narcissus Luttrell with his note "4d 1681 12 Nov" (see A Bibliography of John Dryden, ed. Macdonald, pp. 235-36), his quotations from the Epilogue to The Unhappy Favourite and references to the Prologue would offer no difficulties if it were not that the "Author's Epistle" in which the references are made is dated "at Dover the Tenth day of January 1680@1," thus suggesting that he had seen the Prologue and Epilogue before that date. Nevertheless, some of the references in the Epilogue (to Heraclitus Ridens, beginning on 1 Feb. 1680@1, and Democritus Ridens, beginning on 14 March 1680@1) preclude a January premiere for the Prologue and Epilogue. Possibly the dating of the "Author's Epistle" is in error

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Performance Comment: Edition of 1682: The Earl of Essex-Clarke; Earl of Southampton-Gryffin; Burleigh-Major Mohun; Sir Walter Rawleigh-Disney; Queen Elizabeth-Mrs Quyn; Countess of Rutland-Mrs Cook; Countess of Nottingham-Mrs Corbett; Prologue-Major Mohun the first Four Dayes; Prologue to the King and Queen at their coming to the House, and Written on Purpose by Mr Dryden-; Epilogue by Mr Dryden-; Prologue Intended to be spoken, by the Author-.
Cast
Role: Countess of Rutland Actor: Mrs Cook