SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Van Richardson"/1) | (@(roleclean,performerclean) "Mr Van Richardson")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4245 matches on Event Comments, 1351 matches on Performance Comments, 633 matches on Performance Title, 24 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: King Edward The Third With The Fall Of Mortimer Earl Of March

Performances

Mainpiece Title: The Scowrers

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Henry The Second King Of England With The Death Of Rosamond

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Event Comment: The United Company. This performance is on the L. C. list, 5@151, p. 369: ye Q a Box & a Box for ye Maids of Honr double dealer. [See also Nicoll, Restoration Drama, p. 352.] Cibber relates an incident which may pertain to this performance, Apology, I, 185-86: Queen Mary having commanded the Double Dealer to be acted, Kynaston happen'd to be so ill that he could not hope to be able next Day to perform his Part of the Lord Touchwood. In this Exigence, the Author, Mr Congreve, advis'd that it might be given to me, if at so short a Warning I would undertake it. The Flattery of being thus distinguish'd by so celebrated an Author, and the Honour to act before a Queen, you may be sure made me blind to whatever Difficulties might attend it. I accepted the Part, and was ready in it before I slept; next Day the Queen was presented at the Play, and was received with a new Prologue from the Author, spoken by Mrs Barry, humbly acknowledging the great Honour done to the Stage....After the Play, Mr Congreve made me the Compliment of saying, That I had not only answer'd, but had exceeded his Expectations, and that he would shew me he was sincere in his saying more of me to the Masters.--He was as good as his Word, and the next Pay-day I found my Sallary of fifteen was then advanced to twenty Shillings a Week

Performances

Mainpiece Title: The Double Dealer

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: The Comical History Of Don Quixote Part I

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Pyrrhus King Of Epirus

Performances

Mainpiece Title: Bonduca Or The British Worthy

Performances

Mainpiece Title: Philaster Or Love Lies A Bleeding

Performances

Mainpiece Title: The Lovers Luck

Performances

Mainpiece Title: Cyrus The Great Or The Tragedy Of Love

Performances

Mainpiece Title: Cleomenes

Performances

Mainpiece Title: The Lost Lover Or The Jealous Husband

Related Works
Related Work: Lucrezia Romana Violata, da Sesto Tarquinio: Viz Lucretia the Roman, Ravish'd by Sextus Tarquinius: with Harlequin a Jealous Husband an the Pantalon's Rivality for Argentina Author(s): Giovanni Bonicelli
Event Comment: Rich's Company. The date of the first performance is not known. A contract between Cibber and Rich was signed on 29 Oct. 1696 (L. C. 3@73, in Nicoll, Restoration Drama, pp. 381-82), with an agreement that it was not to be printed until a month after it was acted. Since the play was advertised in the Post Man, 20-23 March 1696@7, it may have been acted as early as January 1697, certainly not later than February 1697. Possibly Leveridge set the music for a song, Tell me, Belinda, prithee do, which is in A New Book of Songs by Mr Leveridge, advertised in the London Gazette, No. 3293, 3 June 1697. A Comparison Between the Two Stages (1702), p. 18: Lady in Fashion, by a Player, Damn'd. Preface, Edition of 1697: Not to miss the Advantage of Mr Doggett's Excellent Action; I prepar'd a low Character

Performances

Mainpiece Title: Womans Wit Or The Lady In Fashion