SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Van Richardson"/1) | (@(roleclean,performerclean) "Mr Van Richardson")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4245 matches on Event Comments, 1351 matches on Performance Comments, 633 matches on Performance Title, 43 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Miss in Her Teens

Event Comment: AA Letter to Mr Garrick on his having purchased a Patent for Drury Lane Play-House published. [Written by one who subscribed himself the Plain Dealer, it pointed out the troubles in store for the young manager from grievances from subordinates, arrogance from other actors (all individualists, no unity) failure from joint managership, grievances from public, and extraordinary expense from costume. He suggests the reasons for Garrick's jumping from actor to manager are vanity and avarice. He indicates Garrick's challenge and sums up the late troubled years of management under Fleetwood and Highmore.

Performances

Performances

Mainpiece Title: Albumazar

Event Comment: CCross: (Pam: publish'd). Play dislik'd. Hiss'd much. [The pamphlet referred to was "Mr Garrick's Conduct as Manager of TRDL considered in a Letter Addressed to him," by E. F. 18 Oct.: As a manager, Sir, it is your business not only to prepare the Evening's Entertainment, but to prepare it in the best manner you are able; and the manager who does otherwise uses his customers ill." The burden of the author's complaints was: (1) the theatre has been operating for a month yet Garrick has appeared in only one character; (2) that he should buy himself off with speaking a prologue only, then sell that to the public at 6d. shows vanity, avarice, and lack of managerial responsibility; (3) that plays such as Albumazar (simple and poorly cast) and Scornful Lady, (with irreligious and atheistical parts) should not have been passed off on the public, whose expectations were raised high at the thought of Garrick's management. Macklin even had to apologize to the audience as he played the part of Sir Roger in the latter play. E. F. closed by urging: "Get up the best of our English Tragedies and Comedies; encourage the rising Wits and be under no apprehesion of the want of success." If you use common sense in casting your actors, as your former managers did (with all their other faults) in casting you, you will not yourself have to play every night. Above all remember your responsibility to the public.] Receipts: #100 (Cross); #127 4s. 6d. (Powel)

Performances

Mainpiece Title: The Scornful Lady

Afterpiece Title: The Double Disappointment

Dance: II: Dance-Cooke

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discover'd

Afterpiece Title: The Double Disappointment (Cross)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Virgin Unmask'd

Dance: DDance-Cooke

Performances

Mainpiece Title: The Refusal

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: The London Cuckolds

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: Tea

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Virgin Unmasked

Performances

Mainpiece Title: Lucius Verus

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: Roxana

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Lying Valet

Event Comment: Benefit for Mrs Cibber (Cross). And the Stage (for the better Accommodation of the Ladies) will be form'd into Front and Side Boxes, where Servants will be allow'd to keep Places, as well as in the Boxes and the Pit. Ladies are desired to send Servants to keep Places by 3 o'clock. Tickets to be had of Mrs Cibber, at her house in Thrift St, Soho, and of Hobson, at the Stage Door of the Theatre, where Places may be taken. Tomorrow The Foundling (being the 13th Night). Receipts: #250 (Cross); house charges, #60 (Powel); cash, #81 17s.; tickets, #187 5s. 6d. (Clay MS). This charge was also set down that the principle [sic] treasurer should not know to the contrary, because it was told him that Mrs Cibber paid for her benefit, and if he had imagin'd otherwise, he perhaps would have insisted upon the same terms for his wife (Mrs Pr-h-d). I must therefore subtract it with Mr G-k's Benefit, it standing in their Books exactly in the same manner as his (Powel)

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Lying Valet

Dance: Cooke, Anne Auretti

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Virgin Unmask'd

Dance: I: Tambourine-Anne Auretti; III: Savoyards, as17471215; V: Dutch Dance, as17471128

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Dragon of Wantly

Dance: Cooke, Anne Auretti

Performances

Mainpiece Title: The Lady's Last Stake; Or, The Wife's Resentment

Afterpiece Title: Damon and Phillida

Song: n Irish Song %Ellen a Roon-Mrs Storer

Dance: Master Granier, Miss Granier

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: The Lying Valet

Dance: I: Polish Dance, as17471109; III: Dutch Dance, as17471128; IV: Pastoral Dance-Cooke, Janeton Auretti; V: A Ball Dance, call'd The Louvre-; concluding with: a Minuet-Cooke, Anne Auretti

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: A Will and No Will

Song: II: Mrs Mozeen

Dance: III: Savoyards, as17471215; IV: Dance-Cooke, Janeton Auretti

Performances

Mainpiece Title: The Relapse

Related Works
Related Work: The Relapse; or, Virtue in Danger Author(s): John Vanbrugh

Afterpiece Title: Apollo and Daphne