SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Thos Davenant"/1) | (@(roleclean,performerclean) "Mr Thos Davenant")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4259 matches on Event Comments, 1154 matches on Performance Comments, 816 matches on Author, 528 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Miniature Picture

Dance: End II afterpiece: As17791122

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Robinson Crusoe

Dance: As17810203

Performances

Mainpiece Title: The Farmer's Return From London

Afterpiece Title: All for Love

Related Works
Related Work: The Temple of Love Author(s): William Davenant

Afterpiece Title: Phusimimesis; or, Resemblances of Nature

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Song: End II 2nd piece: The Huntsman's Sweet Halloo, as17810226; 4th piece: The Early Horn-Cubitt; Scene I: When Phoebus the tops of the hills, as17810425

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Event Comment: Afterpiece [1st time; past 2, by Richard Tickell]: Altered from [the same, by] Allan Ramsay. [MS not in Larpent; not published.] With the original Airs, new Accompaniments, and a new Overture [by Thomas Linley, Sen.]. Books of the Songs to be had at the Theatre. "The above Opera, written by Allen Ramsay, has been long and justly admired, but by those only whose knowledge of the Scottish dialect has enabled them to judge of its excellencies. That an English audience might become partakers of this entertainment seems to have been the laudable design of the Dramatist, Mr Tickel, in now divesting it of its numerous provincialities, grown almost obsolete, even in Scotland, at this distant period . . . The characters were drest with a rustic simplicity, which, tho' not exactly characteristic of the Highland manner, were perfectly Pastoral" (Universal Magazine, Nov. 1781, p. 237). Receipts: #202 9s. 6d. (167/18/0; 33/3/0; 1/8/6)

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Gentle Shepherd

Dance: End of Act I of afterpiece a Highland Reel by Blurton and the two Miss Stageldoirs. [This was danced, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: The Banditti; Or, Love's Labyrinth

Afterpiece Title: The Apprentice

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: A Fete

Afterpiece Title: The Dead Alive

Performances

Mainpiece Title: Hamlet

Related Works
Related Work: Hamlet Author(s): Sir William Davenant

Afterpiece Title: The Quaker

Event Comment: RosiNA [announced on playbill of 2 Oct.] is obliged to be deferred on account of Mrs Martyr's Indisposition. "There are many of Mr Garrick's most favourite characters which [Henderson] appears in with great credit to himself, and applause from the audience; that in which he has been thought to approach the nearest to his predecessor is Hamlet; and, if we oppose the declamatory skill of Henderson-a quality indispensably necessary to the performance of this most difficult character-to the pathos and phrenzy (whether it be assumed or real madness in Hamlet is not here the question) of Garrick; I think it must be allowed that however short of him he may fall in some particulars, in the one I have mentioned, at least, he exceeds him" Qonson, The sad shepherd, ed. Waldron, p. 174). Receipts: #199 4s. 6d. (197/19/0; 1/5/6)

Performances

Mainpiece Title: Hamlet

Related Works
Related Work: Hamlet Author(s): Sir William Davenant

Afterpiece Title: The Padlock

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Performance Comment: Carlos-Kemble (1st appearance in that character); Antonio-Baddeley; Charino-Waldron; Don Duart-Barrymore; Sancho-Suett; Governor-Packer; Monsieur-Burton; Page-Miss Heard; Jaqucs-Wright; Officer-Phillimore; Clodio (alias Don Dismalo Thickscullo de Half Witto)-Ward; Don Lewis (alias Don Choleric Snapshorto de Testy)-Parsons (Their 1st appearance in those characters); Angelina-Mrs Brereton; Elvira-Miss E. Kemble; Honoria-Miss Tidswell; Louisa-Mrs Ward .

Afterpiece Title: A Medley

Afterpiece Title: Duke and No Duke

Dance: End of Act I of mainpiece, as17840311athi

Performances

Mainpiece Title: Zara

Afterpiece Title: Catherine and Petruchio

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest Author(s): Sir William Davenant
Related Work: The Tempest; or, The Enchanted Island Author(s): Sir William Davenant

Afterpiece Title: Bon Ton

Dance: In Act I of mainpiece a Dance of Spirits by Miss Hamoir, &c.; In Act III a Dance of Fantastic Spirits (performers not listed); In Act IV a Dance by Mr and Miss Hamoir. [All these were danced, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: The Fair Refugee; Or, The Rival Jews

Afterpiece Title: A Musical Interlude

Afterpiece Title: The Author

Song: End of Act I of 3rd piece How sweet's the love that meets return by Mrs Henley

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Land of Enchantment

Afterpiece Title: Barataria

Dance: In 2nd piece, by Harris, Miss Besford, Mrs Goodwin, Mrs Ratchford, Miss Matthews

Song: As17841025, but omitted: names of singers

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Deserter

Dance: End of mainpiece The fancy Races {performers not listed]

Song: End of Act I of mainpiece Tantivy, the welkin resounds (the Music by Hook); End of Act II a new song, The New Blown Rose (the Words by Mrs Cumyns, the Music by Dale), both by Mrs Martyr

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: Rosina

Dance: As17851103

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Three Weeks after Marriage

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Romp

Afterpiece Title: The Elopement

Performances

Mainpiece Title: The Chances

Afterpiece Title: Richard Coeur de Lion

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Three Weeks after Marriage

Dance: End: The Wapping Landlady-Blurton, Rayner, Miss Cranfield

Performances

Mainpiece Title: She Stoops To Conquer; Or, The Mistakes Of A Night

Afterpiece Title: Bon Ton; or, High Life above Stairs

Entertainment: Monologue. Entertainments: An Epilogue describing the Furor Dramatica, Epilogue to The Lying Valet [by David Garrick], Paul Prigg's Description of his Journey thro' Gravesend Rochester Boulogne Amiens and Chantilly, Prologue to Bon Ton [describing the Folly and Fashions of the Times by George Colman elder], Bucks have at Ye all, An Occasional Address of Thanks to the Ladies and Gentlemen [by Marriot, Johnny Gilpin's Account of his Journey thro' Stoke Newington Edmonton to Ware shewing how he went farther than he intended and arrived safe Home at last-Marriot

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Dr Last's Examination before the College of Physicians

Afterpiece Title: The Padlock

Song: V: a Grand Funeral Procession-; Solemn Dirge-; Vocal Parts-Wilson, Mrs Fowler, Miss Fowler, Mrs Marriot; Between the Acts: Singing-Wilson

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Comus

Performances

Mainpiece Title: Sir John Cockle, At Court

Afterpiece Title: The Village Lawyer

Afterpiece Title: The Ghost; or, The Man Bewitch'd

Song: End 2nd piece: the new Four@and@twenty Fiddlers all on a Row-Edwin

Entertainment: Monologue End: Lingo's Opinions on Men and Manners (a Comical, Whimsical, Operatical, Farcical Rhapsody)-Edwin