SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Thos Davenant"/1) | (@(roleclean,performerclean) "Mr Thos Davenant")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 4266 matches on Event Comments, 1154 matches on Performance Comments, 816 matches on Author, 528 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Polly Honeycomb

Dance: I: The Pirates, as17750422

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Padlock

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Irish Widow

Dance: End I: A New Dance call'd The Merry Peasants-M Fontaine (from the Opera at Paris), Mrs Sutton, Others; End I Afterpiece: The Irish Fair, as17751003

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Rival Candidates

Dance: II: A Grand New Ballet, call'd The Savage Hunters-Slingsby first appearance this season, Grimaldi, Como, Giorgi, Sga Crespi, Sga Paccini, first appearance on the English Stage

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: May Day or The Little Gipsy

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: The Padlock

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: May Day

Dance: End: The Savage Hunters, as17751020

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: May Day

Performances

Mainpiece Title: Much Ado About Nothing

Related Works
Related Work: The Law Against Lovers Author(s): Sir William Davenant

Afterpiece Title: May Day

Dance: III: The Merry Peasants, as17751018

Performances

Mainpiece Title: Old City Manners

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Lottery

Dance: II: The Savage Hunters, as17751118

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Genii

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Jubilee

Dance: III: The Merry Peasants, as17751018

Performances

Mainpiece Title: Old City Manners

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Jubilee

Dance: I: A New Comic Dance call'd The Gardeners-Sg Martini, first appearance on the English Stage, and Sga Paccini

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Jubilee

Dance: II: The Jealous Harlequin, as17760117

Performances

Mainpiece Title: The Discovery

Afterpiece Title: The Lottery

Dance: II: The Gardeners, as17760116

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Jubilee

Dance: I: The Savage Hunters, as17760210

Event Comment: By Command of their Majesties. Tickets to be had and places for the Boxes to be taken of Mr Fosbrooke at the Stage Door of the Theatre, at Half a guinea each. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. Doors to be opened at Half past Five. To begin at Half past Six. N.B. Those ladies who have had boxes for the Oratorios and who intend continuing them are humbly requested to give notice to Mr Fosbrooke at the Stage Door. Rec'd Stoppages #1 1s. (Treasurer's Book). [The Westminster Magazine, Feb., p. 75, contained an article on the "Origin of Oratorios," followed by one on the Musical Powers of Handel, particularly relating to his Oratorios. The Morning Chronicle for 24 Feb. commented as follows on Miss Linley's performance in Acis and Galatea: "Miss Linley...gave every delight that the ear, the heart, or understanding could receive from Music...Miss Linley's manner of delivering Recitative is peculiarly distinct and sensible; a circumstance of infinite importance in a performance of this nature. Her voice is clear and melodious, and capable of truest expression as was peculiarly evident in the song of 'Must I my Acis still bemoan?'...Their Majesties' presence and apparent satisfaction lead us to hope that the Royal countenance and encouragement will never again be withdrawn to grace the innovations of foreigners on the only musical ground which is left for English genius to take root and flourish"( (Quoted in Hampden, Journal).]

Performances

Mainpiece Title: Acis And Galatea With Drydens ode

Music: Concerto on Organ-Stanley

Performances

Mainpiece Title: Zara

Afterpiece Title: The Spleen or Islington Spa

Dance: V: The Sailors Revels, as17751220

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Spleen

Performances

Mainpiece Title: A Lyric Ode Alexanders Feast And The Coronation Anthems

Music: After the Ode: A Miscellaneous Act-; New Overture-; Song-a Gentleman (his first appearance in Public); Concerto on Oboe-Fischer; Song-Miss M. Linley (composed by Bach); Concerto on violin-Linley Jr; Song-Miss Linley (composed by Sacchini); Duetto-the Two Miss Linley's (composed by Piccini); Chorus

Performances

Mainpiece Title: Samson Alexanders Feast And The Coronation Anthems

Music: I: Concerto on Organ-Stanley

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: Matilda

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Loves Metamorphoses

Dance: End: A Comic Dance-the two Miss Stagledoirs, scholars to M. LaRiviere