SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Thos French"/1) | (@(roleclean,performerclean) "Mr Thos French")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4506 matches on Event Comments, 1444 matches on Performance Comments, 1064 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: St Helena; or, The Isle of Love

Dance: End II: a Hornpipe, as17770430

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Polly Honeycombe

Performances

Mainpiece Title: A Bold Stroke For A Wife

Event Comment: [Extra night] By Permission [of the Lord Chamberlain]. Benefit for Mrs Jewell. The Out-standing Tickets of Mr Jewell [from his benefit on 3 Sept.], and those issued for King Richard III will be admitted

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Mayor of Garratt

Dance: III: a Hornpipe-

Entertainment: ImitationsEnd: New Imitations Vocal and Rhetorical-Hutton

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Irish Widow

Song: Entertainments of singing-Mrs Mapples;, particularly the favourite song of The Soldier tir'd of war's alarms-Mrs Mapples

Performances

Mainpiece Title: The Wonder: A Woman Keeps A Secret

Afterpiece Title: The Lying Valet

Dance: End: Hornpipe-a Lady [from the Theatre Royal, Covent Garden unidentified]

Performances

Mainpiece Title: The First Part Of King Henry Iv

Afterpiece Title: The Wonders of Derbyshire

Performances

Mainpiece Title: The Second Part Of King Henry The Fourth

Afterpiece Title: The Register Office

Performance Comment: Irishman-Moody; Captain LeBrush-Palmer; Gulwell-Packer; Scotchman-Parsons; Frenchman-Baddeley; Frankly-Norris; Harwood-Lamash; Lord Brilliant-R. Palmer; Williams-Wrighten; Margery Moorpout-Mrs Love; Maria-Miss Collett; Melpomene-Miss Stageldoir; Mrs Doggrel-Miss Pope.
Cast
Role: Frenchman Actor: Baddeley

Dance: End IV: As17780919

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: An Ode by Garrick

Dance: As17790922

Performances

Mainpiece Title: A Gazette Extraordinary; Or, The Illumination

Afterpiece Title: The Pilgrim

Afterpiece Title: The Elders

Dance: IV: The Bedlamites-

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Miniature Picture

Dance: End II afterpiece: As17791122

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Robinson Crusoe

Dance: As17810203

Performances

Mainpiece Title: The Farmer's Return From London

Afterpiece Title: All for Love

Afterpiece Title: Phusimimesis; or, Resemblances of Nature

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Song: End II 2nd piece: The Huntsman's Sweet Halloo, as17810226; 4th piece: The Early Horn-Cubitt; Scene I: When Phoebus the tops of the hills, as17810425

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Event Comment: Afterpiece [1st time; past 2, by Richard Tickell]: Altered from [the same, by] Allan Ramsay. [MS not in Larpent; not published.] With the original Airs, new Accompaniments, and a new Overture [by Thomas Linley, Sen.]. Books of the Songs to be had at the Theatre. "The above Opera, written by Allen Ramsay, has been long and justly admired, but by those only whose knowledge of the Scottish dialect has enabled them to judge of its excellencies. That an English audience might become partakers of this entertainment seems to have been the laudable design of the Dramatist, Mr Tickel, in now divesting it of its numerous provincialities, grown almost obsolete, even in Scotland, at this distant period . . . The characters were drest with a rustic simplicity, which, tho' not exactly characteristic of the Highland manner, were perfectly Pastoral" (Universal Magazine, Nov. 1781, p. 237). Receipts: #202 9s. 6d. (167/18/0; 33/3/0; 1/8/6)

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Gentle Shepherd

Dance: End of Act I of afterpiece a Highland Reel by Blurton and the two Miss Stageldoirs. [This was danced, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: The Banditti; Or, Love's Labyrinth

Afterpiece Title: The Apprentice

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: A Fete

Afterpiece Title: The Dead Alive

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Quaker

Event Comment: RosiNA [announced on playbill of 2 Oct.] is obliged to be deferred on account of Mrs Martyr's Indisposition. "There are many of Mr Garrick's most favourite characters which [Henderson] appears in with great credit to himself, and applause from the audience; that in which he has been thought to approach the nearest to his predecessor is Hamlet; and, if we oppose the declamatory skill of Henderson-a quality indispensably necessary to the performance of this most difficult character-to the pathos and phrenzy (whether it be assumed or real madness in Hamlet is not here the question) of Garrick; I think it must be allowed that however short of him he may fall in some particulars, in the one I have mentioned, at least, he exceeds him" Qonson, The sad shepherd, ed. Waldron, p. 174). Receipts: #199 4s. 6d. (197/19/0; 1/5/6)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Padlock

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Performance Comment: Carlos-Kemble (1st appearance in that character); Antonio-Baddeley; Charino-Waldron; Don Duart-Barrymore; Sancho-Suett; Governor-Packer; Monsieur-Burton; Page-Miss Heard; Jaqucs-Wright; Officer-Phillimore; Clodio (alias Don Dismalo Thickscullo de Half Witto)-Ward; Don Lewis (alias Don Choleric Snapshorto de Testy)-Parsons (Their 1st appearance in those characters); Angelina-Mrs Brereton; Elvira-Miss E. Kemble; Honoria-Miss Tidswell; Louisa-Mrs Ward .

Afterpiece Title: A Medley

Afterpiece Title: Duke and No Duke

Dance: End of Act I of mainpiece, as17840311athi

Performances

Mainpiece Title: Zara

Afterpiece Title: Catherine and Petruchio

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Bon Ton

Dance: In Act I of mainpiece a Dance of Spirits by Miss Hamoir, &c.; In Act III a Dance of Fantastic Spirits (performers not listed); In Act IV a Dance by Mr and Miss Hamoir. [All these were danced, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: The Fair Refugee; Or, The Rival Jews

Afterpiece Title: A Musical Interlude

Afterpiece Title: The Author

Song: End of Act I of 3rd piece How sweet's the love that meets return by Mrs Henley