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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Thos French"/1) | (@(roleclean,performerclean) "Mr Thos French")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6562 results for: Keyword - Mr Thos French
We found 4506 matches on Event Comments, 1444 matches on Performance Comments, 1064 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

426
29 April 1800 @ Covent Garden

Performances

Mainpiece Title: Douglas

Performance Comment: Douglas-H. Johnston; Lord Randolph-Betterton; Glenalvon-Raymond (By Permission of the Proprietors of the Theatre Royal, Drury-Lane); Officer-Thompson; Old Norval-Murray; Anna-Miss Mills; Lady Randolph-Mrs St.Ledger (Their 1st appearance in those characters).

Afterpiece Title: Lovers' Quarrels

Afterpiece Title: The Deserter of Naples

Entertainment: Vaudeville In course Evening: an entire New Song, The Seaman's Lamentation for the Loss of the Royal Charlotte (The Words by G. S. Carey, and composed by Mazzinghi)-Incledon; Dancing-Mr and Master Michell (from the Theatre Royal, Edinburgh; 1st appearance)

427
12 May 1677 @ Dorset Garden Theatre

Performances

Mainpiece Title: Circe

428
12 November 1683 @ Drury Lane Theatre

Performances

Mainpiece Title: Constantine The Great

429
July 1685 @ Dorset Garden Theatre

Performances

Mainpiece Title: Cuckolds-haven; Or, An Alderman No Conjurer

430
August 1685 @ Drury Lane Theatre

Performances

Mainpiece Title: A Commonwealth Of Women

431
20 November 1689 @ Drury Lane Theatre

Event Comment: The United Company. The date of the first performance is uncertain, but the Prologue and Epilogue, printed separately, bear a licensing date of 20 Nov. 1689. Luttrell's copy of the Prologue and Epilogue (in the possession of Mr Louis Silver, Wilmette, Illinois, who kindly permits me to use his dating) bears his date of acquisition: 25 Nov. 1689. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 283-85. Dedication, Edition of 1690: The Play had not that Success which it deserv'd....The main fault ought to lye on those who had the management of it. Had our Authour been alive she would have Committed it to Flames rather than suffer'd it to have been Acted with such Omissions as was made....And Lastly, many of the Parts being false Cast, and given to those whose Tallants and Genius's suited not our Authors Intention

Performances

Mainpiece Title: The Widow Ranter; Or, The History Of Bacon In Virginia

432
December 1691 @ Drury Lane Theatre

Performances

Mainpiece Title: The Wives' Excuse; Or, Cuckolds Make Themselves

433
June 1694 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Comical History Of Don Quixote, Part Ii

434
December 1695 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The She-gallants

435
April 1696 @ Drury Lane Theatre

Performances

Mainpiece Title: Pausanius, The Betrayer Of His Country

436
August 1696 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Spanish Wives

437
September 1696 @ Drury Lane Theatre

Performances

Mainpiece Title: The Female Wits; Or, The Triumvirate Of Poets At Rehearsal

438
December 1696 @ Drury Lane Theatre

Performances

Mainpiece Title: Cinthia And Endimion; Or, The Loves Of The Deities

439
November 1697 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Boadicea Queen Of Britain

440
05 March 1700 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Way Of The World

441
23 November 1723 @ Greenwich

Performances

Mainpiece Title: Cato

442
29 March 1729 @ Haymarket Theatre

Performances

Mainpiece Title: Hurlothrumbo; Or, News From Terra Australis Incognita: With The Whimsical Flights Of My Lord Flame

443
04 June 1731 @ Goodman's Fields

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Biter Bit

444
17 March 1733 @ King's Theatre

Performances

Mainpiece Title: Deborah

445
01 February 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Sir Harry Wildair

Afterpiece Title: Hymen's Triumph; or, Trick Upon Trick

446
04 May 1737 @ Haymarket Theatre

Performances

Mainpiece Title: Pasquin

Afterpiece Title: Fame; or, Queen Elizabeth's Trumpets; or, Never plead's Hopes of being a Lord Chancellor; or, The Lover turn'd Philosopher; or, The Miser's Resolve upon the Lowering of Interest

447
15 April 1740 @ Drury Lane Theatre

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Lethe; or, Esop in the Shades

Dance: II: La Matelote-Desnoyer, Mlle Chateauneuf; III: Muilment; V: Le Tambourine-Mlle Chateauneuf

448
12 January 1741 @ Covent Garden

Performances

Mainpiece Title: The Old Batchelor

Dance: Mechel, Mlle Mechel

449
21 November 1741 @ Drury Lane Theatre

Performances

Mainpiece Title: Rehearsal

Dance: I: Ballet, as17411015; II: Sailor's Dance, as17411015; III: The Drunken Peasant, as17411029; IV: A Dutch Dance, as17411114; V: The Swiss, as17410926

450
22 April 1742 @ Goodman's Fields

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The School Boy

Song: Concert Air from Alexander's Feast: War he sung is Toil and Trouble-Mrs Bishop; III: Can Love be controul'd by Advice-Miss Medina

Music: V: Preamble on the Kettle Drums-Jo. Woodbridge; who never perform'd on that Stage before ending with Handel's celebrated Water Musick-; And to conclude: the Concert, the Coronation Anthem Long Live the King (never perform'd there before) by Mr Handel-an Additional Band

Dance: I: David apShenkin; II: Welsh Buffoon, as17420406 IV: Two Millers and Courtezan, as17420315 End I Afterpiece: New Scots Dance-Master and Miss Granier