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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Thomas Betterton"/1) | (@(roleclean,performerclean) "Mr Thomas Betterton")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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11246 results for: Keyword - Mr Thomas Betterton
We found 5466 matches on Author, 4613 matches on Event Comments, 1954 matches on Performance Comments, 587 matches on Performance Title, and 0 matches on Roles/Actors.

1001
11 November 1797 @ Covent Garden

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: The Jealous Wife

Performance Comment: Mr Oakly (1st time [in London])-Murray; Sir Harry Beagle-Fawcett; Lord Trinket-Betterton; Capt. 0'Cutter-Johnstone; Charles Oakly-Holman; Russet-Munden; Tom-Rees; Paris-Dyke; John-Wilde; Major Oakly-Quick; Chamber@maid-Miss Leserve; Toilet-Mrs Platt; Lady Freelove-Mrs Mattocks; Harriet-Mrs Mountain; Mrs Oakly-Mrs Abington.
Cast
Role: Lord Trinket Actor: Betterton

Afterpiece Title: The Farmer

1002
27 February 1700 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. This performance is known from a playbill apparently no longer extant: W. R. At the Desire of several Persons of Quality. At the New Theatre in Little Lincoln's-Inn Fields, this present Tuesday, being the 27th of February, will be presented, a Tragedy call'd The Mourning Bride. The Moorish? Entry perform'd by The Little? Boy. Vivant Rex. (W. J. Lawrence, The Elizabethan Playhouse and Other Studies (Stratford, 1913). See also R. W. Lowe, Thomas Betterton (London, 1891), and Fitzgerald, A New History, I, 389

Performances

Mainpiece Title: The Mourning Bride

1003
March 1696 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 25-28 April 1696, suggests that it was acted not later than the period preceding Passion Week (6-11 April 1696). In addition, the large number of minor performers in the cast suggests a Lenten performance by the young actors. In Act I, Scene i, there is an Entertainment of Instrumental Musick, Compos'd by Signior Finger: Then a Song, set by Mr John Eccles, and Sung by Young La Roche. In III, iii: A Dialogue set by Seignior Baptist. The play is an adaptation of John Webster's Cure for a Cuckold. A Comparison Between the Two Stages (1702): The City Bride, by another Player, Damn'd

Performances

Mainpiece Title: The City Bride; Or, The Merry Cuckold

1004
September 1695 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. The date of the first production is not known, but the play was probably not acted later than September 1695, as it was advertised in the London Gazette, No. 3122, 10-14 Oct. 1695. Preface, Edition of 1696: It was the first I ever made Publick by appearing on the Stage, which (with the Advantage it met with, of admirable Acting) is all the Recommendations I have for exposing it...Ariadne. A song, Restless, in thought disturbed, set by John Eccles and sung by Mrs Hodgson, is in A Collection of Songs, 1696

Performances

Mainpiece Title: She Ventures And He Wins

1005
September 1697 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. The date of the first performance is not known. As the play was advertised in the Post Boy, 20-23 Nov. 1697, it was probably first acted not later than October 1697; and, in view of its apparently unsuccessful appearance, may have been a late summer or early fall production. When this play was entered in the Term Catalogues, it had the title, Love's Reward; or, The Unnatural Mother

Performances

Mainpiece Title: The Unnatural Mother

1006
06 December 1771 @ Drury Lane Theatre

Event Comment: [Theatrical Review, 6 Dec.: re afterpiece: "Thomas is well supported by Mr Vernon who...is the best acting singer on the stage...Mr Davies appeared for the first time in the character of the squire, and discovered no inconsiderable degree of merit.--Dorcas by Mrs Love--This character is better played here by Mrs Dorman. [Both surpassed by Mrs Thomson at cg.] Mrs Scott does justice to the songs, being an accomplished singer, but as an actress she is insufferably insipid and inanimate."] Paid Mr Russell for men's cloaths #30; Paid Mr Follett on note #10 10s.; 2 Clarinets 6 nights (2nd incl.) #9 9s. (Treasurer's Book). Receipts: #243 19s. (Treasurer's Book)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Thomasand Sally

Performance Comment: Thomas-Vernon; Squire-Davies; 1st time; Dorcas-Mrs Love; Sally-Mrs Scott; To conclude with a dance-incidental to the Piece.
Cast
Role: Thomas Actor: Vernon

1007
August 1695 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. The date of the premiere is not known, but the Epilogue refers to it as a summer production and the play was advertised in the London Gazette, No 3108, 22-26 Aug. 1695; hence, it appeared first not later than August. A song, Stretch'd in a dark and dismall grove, composed by John Eccles and sung by Mrs Hudson, is in Deliciae Musicae, The Third Book, 1696. A Comparison Between the Two Stages (p. 16): Sullen: Imprimis, Here's Pyrrhus King of Epire. Ramble: Whose is that? Sullen: Charles Hopkin's, an Irish Gentleman of good Sense, and an excellent Ovidian. Ramble: What was it's Fate? Sullen: Damn'd

Performances

Mainpiece Title: Pyrrhus King Of Epirus

1008
November 1697 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. The date of the first performance is not known, but the Dedication to the Edition of 1698 is dated 16 Dec. 1697, suggesting a premiere in November 1697

Performances

Mainpiece Title: The Italian Husband

1009
June 1698 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 26-28 July 1698, suggests that the premiere occurred probably in mid-June or late June 1698. A Comparison Between the Two Stages (1702), p. 20: Damn'd

Performances

Mainpiece Title: Queen Catharine; Or, The Ruines Of Love

1010
May 1699 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 6-8 July 1699, suggests a first performance not later than June, probably in May 1699

Performances

Mainpiece Title: The False Friend; Or, The Fate Of Disobedience

1011
March 1700 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Boy, 16-18 April 1700, suggests that the first production came before Easter, March 31. A song, Delia tired Strephon with her flame, with music by John Eccles and sung by Bowman, is in Wit and Mirth, 1706

Performances

Mainpiece Title: The Beau Defeated; Or, The Lucky Younger Brother

1012
April 1696 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. The date of the first performance is not certain, but the fact that the play was advertised in the London Gazette, 6-11 May 1696, suggests that it was first acted not later than April 1696. A song, Come, Hodge, come, Robin, set by John Eccles and sung by Wiltshire and Mrs Hudson, was printed in Deliciae Musicae, The Second Book of the Second Volume, 1696. Dedication, Edition of 1696: Which I wrote three Years ago....nor the Displeasure of the Judicious, who I hope will not condemn this Play from the appearance it had upon the Stage, where it suffer'd in the Acting....Tho. Dogget. A Comparison Between the Two Stages (1702), pp. 16-17: Ramble: Oh that's Dogget's: The Players have all got the itching Leprosie of Scribling as Ben. Johnson calls it; twill in time descend to the Scene-keepers and Candle-snuffers: Come, what came on't? Sullen: Not then directly Damn'd, because he had a part in't himself, but it's now dead and buried

Performances

Mainpiece Title: The Country-wake

Performance Comment: Edition of 1696: Prologue-Mrs Barry; Epilogue-Mrs Betterton; Sir ThomasTestie-Underhill; Woodvill-Betterton; Friendly-Kenneston; Old Hob-Trefise; Young Hob-Dogget; Lady Testie-Mrs Barry; Flora-Mrs Bracegirdle; Lucia-Mrs Bowman; Betty-Mrs Lee.
Cast
Role: Epilogue Actor: Mrs Betterton
Role: Sir ThomasTestie Actor: Underhill
Role: Woodvill Actor: Betterton
Related Works
Related Work: Hob; or, The Country Wake Author(s): Thomas Doggett

1013
April 1696 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Man, 4-6 June 1696, suggests that it was acted not later than May 1696, possibly that it was given in late April. In III is a song, Unguarded lies the wishing maid, set by John Eccles and sung by Leveridge. In IV is a song, The secrets of peace, set by Finger and sung by Mrs Hudson. A Comparison Between the Two Stages (1702), p. 20: This is Mrs Manley's; it made a shift to live a half a dozen Days, and then expir'd

Performances

Mainpiece Title: The Royal Mischief

Performance Comment: Edition of 1696: Prologue-Mrs Betterton; Levan Dadian-Bowman; Prince of Libardian-Kynaston; Osman-Betterton; Ismael-Hudson; Acmat-Freeman; Bassima-Mrs Bracegirdle; Homais-Mrs Barry; Selima-Mrs Bowman; Epilogue-Miss Bradshaw.
Cast
Role: Prologue Actor: Mrs Betterton
Role: Osman Actor: Betterton

1014
April 1697 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 11-13 May 1697, suggests that it was first acted about mid-April, a month before publication. For an account of the history of the play before its production, see Cibber, Apology, I, 217-18

Performances

Mainpiece Title: The Provok'd Wife

Performance Comment: Edition of 1697: Prologue-Mistress Bracegirdle; Epilogue [Written] by another Hand-Lady Brute, Bellinda; Constant-Verbrugen; Heartfree-Hudson; Sir John Brute-Betterton; Treble-Bowman; Rasor-Bowen; Justice of the Peace-Bright; Lady Brute-Mrs Barry; Bellinda-Mrs Bracegirdle; Lady Fancyfull-Mrs Bowman; Mademoiselle-Mrs Willis.
Cast
Role: Sir John Brute Actor: Betterton

1015
April 1698 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the London Gazette, 18-20 June 1698, suggests that its first performance occurred in late April or early May 1698. A Comparison Between the Two Stages (1702), p. 20: Damn'd

Performances

Mainpiece Title: Beauty In Distress

Performance Comment: Edition of 1698: Prologue-Bowen [an induction scene, with a player coming forward to announce that there is no prologue, then Bowen entering, having forgotten it, but the prompter gets Bowen's memory restored and the prologue proceeds]; Epilogue-Mrs Bracegirdle; Don Vicentio-Betterton; Ricardo-Verbruggen; Duke Ferdinand-Kynaston; Fabiano-Hodgson; Zemet-Arnold; Laura-Mrs Barry; Placentia-Mrs Bracegirdle; Morella-Mrs Moore; Melinda-Mrs Prince.
Cast
Role: Don Vicentio Actor: Betterton

1016
17 September 1782 @ Drury Lane Theatre

Event Comment: Places for the Boxes to be taken of Fosbrook at the Stage-door. No Money to be taken at the Stage-door, nor any Money returned after the Curtain is drawn up. The Doors will be opened at 5:30. To begin at 6:30 [see 4 Nov.]. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] Monologue [1st time, probably by Thomas King. MS: Larpent 602; synopsis in London Magazine, Sept. 1782, 437]. Receipts: #200 4s. (170/14/0; 29/7/6; 0/2/6)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Who's the Dupe

Dance: End of Act I of afterpiece The Minuet de la Cour by the Miss Stageldoirs

Monologue: 1782 09 17 End of Act I of mainpiece a Dramatic Oglio by King

1017
26 March 1772 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Chaplet

Related Works
Related Work: Harlequin's Chaplet Author(s): Thomas Shaw

Dance: V: A Comic Dance-Daigville, Sga Vidini

1018
01 October 1772 @ Drury Lane Theatre

Performances

Mainpiece Title: Romeo And Juliet

Related Works
Related Work: The History and Fall of Caius Marius Author(s): Thomas Otway

Afterpiece Title: Harlequin's Invasion

1019
02 October 1773 @ Drury Lane Theatre

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Polly Honeycomb

Dance: End: The Mountaineers, as17730930 Como, Sga Crespi (2nd appearance)

1020
08 October 1770 @ Drury Lane Theatre

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Jubilee

Related Works
Related Work: The Goldsmiths Jubilee; or, London's Triumph: Containing, A Description of the several Pageants: On which are Represented, Emblematical Figures, Artful Pieces of Architecture, and Rural Dancing: with the Speeches Spoken on each Pageant. Author(s): Thomas Jordan

1021
03 December 1771 @ Drury Lane Theatre

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: Polly Honeycomb

1022
27 May 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Phoenix; or, Anacreontics Renovated [i

Afterpiece Title: Rosina

Entertainment: In 2nd piece: Imitations-Caulfield

1023
18 January 1750 @ Drury Lane Theatre

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Chaplet

Related Works
Related Work: Harlequin's Chaplet Author(s): Thomas Shaw

Ballet: II: Savoyard Travellers. Principal Savoyards-Grandchamps, Mlle Auretti, Mathews, Mrs Addison; Children Savoyards-Little Swiss, Miss Popling; Peasants-M'Neil, Mlle delaContri; see17491110

1024
16 December 1754 @ Haymarket Theatre

Performances

Mainpiece Title: A Writ Of Inquiry Will Be Executed On The Inquisitor General

1025
28 April 1762 @ Haymarket Theatre

Performances

Mainpiece Title: The Orators