SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Thomas Betterton"/1) | (@(roleclean,performerclean) "Mr Thomas Betterton")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5726 matches on Author, 4614 matches on Event Comments, 1954 matches on Performance Comments, 587 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Betterton's Company. James Brydges, Diary: To ye playhouse in Lincolns inn fields, where I met Lds Henry Cavendish, Grey of Ruthia, & Abergavenny (Huntington MS St 26)

Performances

Mainpiece Title: The Mourning Bride

Event Comment: Betterton's Company. James Brydges, Diary: About 4: we went to ye playhouse in Lincolns inn fields, and meeting Sr John Cope here, after having Put ye Ladies in box kept for them, I went with him to Hyde Park, & from thence came again to ye play (Huntington MS St 26)

Performances

Mainpiece Title: The Mourning Bride

Event Comment: Betterton's Company. This performance is known from a playbill in the Folger Shakespeare Library: Not Acted these 16 Years. At the New Theatre, in Little Lincolns-Inn Fields, Tomorrow being Thursday the 28th of October, will be Reviv'd, A Play call'd Troilus and Cressida; or, Truth Found too late. No Person to stand on the Stage. Nor any Money to be after Return'd [sic] the Curtain is Drawn up. By His Majesties Servants. Vivat Rex

Performances

Mainpiece Title: Troilus And Cressida Or Truth Found Too Late

Event Comment: Betterton's Company. See letter of 5 Jan. 1698@9

Performances

Mainpiece Title: The Rival Queens Or The Death Of Alexander The Great

Related Works
Related Work: The Rival Queens; or, Drury-Lane and Covent-Garden Author(s): Thomas Holcroft
Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was entered in the Term Catalogues, June 1699, and advertised in the Post Man, 13-15 June 1699, suggests that it was first given not later than May 1699. In addition, references in the Epilogue to the vogue of Balon and Clementine (see 8, 10, and 15 April 1699) suggest a first production not earlier than April 1699

Performances

Mainpiece Title: Feignd Friendship Or The Mad Reformer

Event Comment: Betterton's Company. The date of the premiere is not known, but the Preface indicates that it appeared during the run of The Constant Couple, which apparently was most frequently acted during November, December, and January

Performances

Mainpiece Title: A Cure For Jealousie

Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Boy, 19 March 1699@1700, makes it likely that the first performance occurred not later than February 1700. The Prologue also suggests a Lenten performance: Methinks in Lent

Performances

Mainpiece Title: The Generous Choice

Event Comment: Betterton's Company. If this play had its premiere on 5 March and if the company acted on Wednesday in Lent, this play probably was acted daily (except perhaps Friday) during this week

Performances

Mainpiece Title: The Way Of The World

Event Comment: Betterton's Company. London Post, 28 June-1 July 1700: Yesterday the Play called the Tempest was acted at the Old Play-house; and that called Love for Love at the new, both for the benefit of the poor English Slaves, &c. and I am told, that the sum arising thereby, amounted to about 250 #. It being put on the Playhouse Bills on Friday last, That each Company were to Act that day, and the whole Profits to go to'ards the Redemption of the English now in Slavery at Machanisso in Barbary, we are credibly informed, That, pursuant thereunto, the Treasurers of the Theatre Royal in Drury Lane, did on Saturday last pay into the hands of the Churchwardens of St.@Martin's the sum of 20 #. out of the Receipts of the Play acted by that Company, towards the Relief of those our Natives from Slavery, which good example 'tis hoped, may move others to be speedy and generous in their Charity for the same purpose. What the other Company gave I do not yet hear

Performances

Mainpiece Title: Love For Love

Performances

Mainpiece Title: The Maids Tragedy

Performance Comment: Betterton and Mrs Barry acting their own parts, but see queen's, 6 Nov. 1707.

Performances

Mainpiece Title: Alonzo

Afterpiece Title: A Peep behind the Curtain

Performances

Mainpiece Title: Alexander The Great Or The Rival Queens

Related Works
Related Work: The Rival Queens; or, Drury-Lane and Covent-Garden Author(s): Thomas Holcroft

Afterpiece Title: The Miller of Mansfield

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Irish Widow

Cast
Role: Thomas Actor: Weston

Dance: I: The Irish Fair, as 18 Sept

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Mr Ballance-Packer; Mr Scale-Cooke; Mr Scruple-Maddocks; Mr Worthy-Caulfield; Capt. Plume-Wroughton; Capt. Brazen-Bannister Jun.; Kite-Palmer; Bullock (1st time)-Wathen; Costar Pearman-Hollingsworth; ThomasAppletree-Suett; Constable-Phillimore; Welch Collier-Wewitzer; Melinda-Miss Heard; Sylvia-Mrs Jordan; Lucy-Miss Mellon; Rose-Miss DeCamp.
Cast
Role: ThomasAppletree Actor: Suett

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Poor Soldier

Song: End: The Waggoner (composed by Dibdin)-Wathen

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: May Day

Related Works
Related Work: May Day; or, The Little Gipsy Author(s): Thomas Arne

Performances

Mainpiece Title: The Wives Revenged

Afterpiece Title: Man and Wife

Afterpiece Title: Poor Vulcan

Dance: End of 2nd piece The Poney Races, as17840504

Song: Procession to conclude with a new Theatrical Glee, composed by Shield, by Reinhold, Brett, Johnstone

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Gentle Shepherd

Related Works
Related Work: The Gentle Shepherd; or, Patie and Roger Author(s): Thomas Linley Sr.

Dance: End: L'Amour au Rende'vous; or, The Conflict of Love, in which will be displayed the Customs of the American Indians, to conclude with the War Dance,-the young D'Egvilles, Miss Blanchet, Miss D'Egville, Miss DeCamp; End I afterpiece: A Highland Reel-the young D'Egvilles, Miss Blanchet, Miss DeCamp

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Witches

Related Works
Related Work: The Lancashire Witches, and Tegue o Divelly the Irish Priest Author(s): Thomas Shadwell

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: A Peep behind the Curtain

Dance: V: Comic Dance, as17720922

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Lottery

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Catherine And Petruchio

Dance: As17791022

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Tom Thumb

Related Works
Related Work: The Opera of Operas; or Tom Thumb the Great Author(s): Thomas Arne

Dance: As17801027

Performances

Mainpiece Title: the Feast Of Thalia Or A Dramatic Olio

Afterpiece Title: First Course a substantial Dish from Henry IV

Afterpiece Title: Second Courae a Comic Dish never servd up before Kensington Gardens or The Walking Jockey

Afterpiece Title: Third Course an Operatic Dish The Son in Law

Afterpiece Title: Also by way of Entremet Ripe Fruit or The Marriage Act

Afterpiece Title: Desert Tom Thumb

Song: In Second Course: Auld Robin Gray-Miss Harper

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Son in Law

Dance: As17811101