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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Thomas Baker"/1) | (@(roleclean,performerclean) "Mr Thomas Baker")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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12140 results for: Keyword - Mr Thomas Baker
We found 5726 matches on Author, 4618 matches on Event Comments, 2731 matches on Performance Comments, 705 matches on Performance Title, and 0 matches on Roles/Actors.

26
31 May 1701 @ Drury Lane Theatre

Event Comment: [By Thomas D'Urfey. Premiere.] Preface: The stopping of it from Acting by Superiour command, doing me no manner of Injury, (tho it might the Play-house) but only for two or three days disappointing my friends; the Cause is so trivial...for taking the Poetical Licence of making Mad man in my Scene Satyrically drink a Health, altering it into a modest phrase, (tho somewhat too familiar)

Performances

Mainpiece Title: The Bath Or The Western Lass

Performance Comment: Edition of 1701 lists: Lord Lovechace-Griffin; Sir Oliver Oldgame-Norris; Sir Carolus Codshead-Johnson; Collonel Philip-Mills; Charles-Pinkiman; Harry-Bullock; Crab-Cibber; Lydia-Mrs Knight; Sophronia-Mrs Rogers; Delia-Mrs Kent; Gillian-Mrs Verbruggen; Combrush-Mrs Moor; Dearnwell-Mrs Stephens; Sisse-Mrs Baker; Prologue-Cibber; Epilogue, being a Satyr upon May-Fair,-Pinkeman.
Cast
Role: Sisse Actor: Mrs Baker
Related Works
Related Work: The Bath, or, The Western Lass Author(s): Thomas D'Urfey

27
01 May 1724 @ Drury Lane Theatre

Event Comment: Benefit Mrs Baker. At the particular Desire of several Ladies of Quality

Performances

Mainpiece Title: The Amorous Widow

Performance Comment: As17231025, but Lovemore-Wilks; Cunningham-Mills; Sir Peter-Johnson; Barnaby-Norris; Merryman-Penkethman; Clodpole-Miller; Lady Laycock-Mrs Baker; Lady Pride-Mrs Willis; Philadelphia-Mrs Younger; Damaris-Miss Tenoe; Prudence-Mrs Heron; And an Epilogue-Penkethman riding on an Ass.
Cast
Role: Lady Laycock Actor: Mrs Baker
Related Works
Related Work: The Amorous Widow; or, The Wanton Wife Author(s): Thomas Betterton

Dance: As17240316

28
18 October 1776 @ Drury Lane Theatre

Event Comment: [Afterpiece in 3 acts, altered from Garrick's original 5 acts by Richard Brinsley Sheridan.] The Music composed by Dibdin. With New Dresses. The Scenes, Machines, &c. invented by DeLoutherbourg. The Christmas Tale reduced to three Acts (by R. B. Sheridan esq.) was performed for the first time as a Farce--was received with very great Applause--it is too long, and must be shortened (Hopkins Diary). Public Advertiser, 22 Oct. 1776: This Day at Four o'Clock will be published A Christmas Tale (1s.) [For Baker see 28 Sept.] Receipts: #241 14s

Performances

Mainpiece Title: The Hypocrite

Performance Comment: Doctor Cantwell-Moody; Sir John Lambert-Packer; Seyward-Brereton; Col. Lambert-Jefferson; Maw@Worm-A Young Gentleman (3rd appearance upon any stage [Baker]); Darnley-Bensley; Lady Lambert-Miss Sherry; Old Lady Lambert-Mrs Bradshaw; Charlotte-Mrs Abington (1st appearance this season).
Related Works
Related Work: The Hypocrite Author(s): Thomas Shadwell
Related Work: Trick for Trick; or, The Debauch'd Hypocrite Author(s): Thomas D'Urfey

Afterpiece Title: A ChristmasTale

29
January 1692 @ Drury Lane Theatre

Performances

Mainpiece Title: The Marriage hater Matched

Related Works
Related Work: The Marriage-Hater Matched Author(s): Thomas D'Urfey
Related Work: The Marriage Hater Matched Author(s): Thomas D'Urfey
Related Work: The Marriage Hater Match'd Author(s): Thomas D'Urfey

30
18 February 1792 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5 by Thomas Holcroft. Prologue and Epilogue by the author (London Chronicle, 21 Feb.)]. Morning Herald, 29 Feb. 1792: This day is published The Road to Ruin (1s. 6d.). Receipts: #233 5s. (231.1; 2.4)

Performances

Mainpiece Title: The Road To Ruin

Related Works
Related Work: The Road to Ruin Author(s): Thomas Holcroft

Afterpiece Title: Blue Beard

31
29 April 1700 @ Drury Lane Theatre

Performances

Mainpiece Title: The Pilgrim

Performance Comment: Edition of 1700: Prologue by Mr Dryden-Colley Cibber; Epilogue by Mr Dryden-Colley Cibber; Alphonso-Johnson; Pedro-Wilks; Roderigo-Powell; Governor-Simson; Scholar-Thomas; Parson-Haynes; Englishman-Cibber; Welshman-Norris; Taylor-Pinkethman; Alinda-Mrs Oldfield; Juletta-Mrs Moor.
Cast
Role: Scholar Actor: Thomas
Related Works
Related Work: The Pilgrim Author(s): Thomas Killigrew

32
April 1693 @ Drury Lane Theatre

Performances

Mainpiece Title: The Richmond Heiress Or A Woman Once In The Right

Related Works
Related Work: The Richmond Heiress; or, A Woman Once in the Right Author(s): Thomas D'Urfey

33
04 February 1791 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, based on Le Glorieux, by Philippe Nericault, dit Destouches. In 1793 reduced by the author to an afterpiece of 3 acts. Prologue and Epilogue by the author (Knapp, 101, 307). This play was originally attributed to James Marshall (Public Advertiser, 5 Feb.); on 8 Feb. he wrote a letter to the editor of the Oracle, stating that "The School for Arrogance is not mine, but Mr Holcroft's...By appearing for a time as the ostensible author I hope I have contributed to heal what was most unaccomodating between Mr Harris and Mr Holcroft." And see Genest, VII, 24, 27.] Oracle, 19 Feb. 1791: This Day is published The School for Arrogance (1s. 6d.). "If Mrs Wells could be prevailed upon to speak out, so that the audience might hear, it would be of some advantage to the new play. At present, the performer who happens to be on the stage with her has it all in confidence" (Gazetteer, 9 Feb.). Receipts: #186 11s. (181.8; 5.3)

Performances

Mainpiece Title: The School For Arrogance

Related Works
Related Work: The School for Arrogance Author(s): Thomas Holcroft

Afterpiece Title: The Picture of Paris

34
15 September 1794 @ Covent Garden

Event Comment: 1st piece [1st time; PREL I, by Thomas Holcroft, based on The Covent Garden Tragedy, by Henry Fielding. Larpent MS 1039; not published; synopsis of plot in Morning Herald, 16 Sept.]. "The two Queens are represented by Munden and Fawcett, who are dressed up fantastically, wearing as Crowns Models of the two Theatres" (Morning Chronicle, 16 Sept.). Covent-Garden was crowned with a triangular representation of the Piazza; Drury-Lane with her own Theatre, surmounted by Apollo" (Morning Herald, 16 Sept.). [This was Burton's 1st appearance in London; he was from the Norwich theatre. Miss Cornelys was from the Dublin theatre.] No Money to be returned. Boxes 6s. Second Price 3s. Pit 3s. 6d. Second Price 2s. Gallery 2s. Second Price 1s. Upper Gallery 1s. Places for the Boxes to be taken of Brandon at the Office in Hart-street. The Doors to be opened at 5:30. To begin at 6:30 [see 30 Oct.]. Receipts: #305 1s. 6d. (296.10.6; 8.11.0)

Performances

Mainpiece Title: The Rival Queens Or Drury lane And Covent garden

Related Works
Related Work: The Rival Queens; or, Drury-Lane and Covent-Garden Author(s): Thomas Holcroft

Afterpiece Title: The Suspicious Husband

Afterpiece Title: Sprigs of Laurel

35
08 October 1793 @ Covent Garden

Event Comment: Mainpiece: With Alterations [by Thomas Hull]. Afterpiece: Compressed into 3 Acts by the author of the Road to Ruin [Thomas Holcroft]. Receipts: #232 6s. (204.16; 27.10)

Performances

Mainpiece Title: The Comedy Of Errors

Related Works
Related Work: The Twins; or, A Comedy of Errors Author(s): Thomas Hull
Related Work: The Comedy of Errors Author(s): Thomas Hull

Afterpiece Title: The School for Arrogance

Related Works
Related Work: The School for Arrogance Author(s): Thomas Holcroft

Song: In III: a song (in character)-Mrs Clendining

Entertainment: As17931004

36
April 1684 @ Drury Lane Theatre

Event Comment: The United Company. The date of the first performance is not known, but Luttrell dated his copy of the separately-printed Prologue and Epilogue 5 April 1684 (J. W. Dodds, Thomas Southerne, p. 48). Very probably the play first appeared during the week of 31 March-5 April, immediately following Easter. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 191-94. This may have been the last new role William Smith undertook for some years; see Cibber, Apology, ed. Lowe, 1, 78-79, for the incident which prompted Smith's leaving the stage for awhile. One song, I never saw a face till now, with music by Captain Pack, is in The Theater of Music, the First Book, 1685; and another, O why did e'er my thoughts aspire, the music by R. King, is in the same collection. A third song, See how fair Corinna lies, the music by Captain Pack, is in A Collection of Twenty-Four Songs, 1685

Performances

Mainpiece Title: The Disappointment Or The Mother In Fashion

Related Works
Related Work: The Disappointment; or, The Mother in Fashion Author(s): Thomas Southerne

37
January 1691 @ Drury Lane Theatre

Performances

Mainpiece Title: Love For Money Or The Boarding School

Related Works
Related Work: Love for Money; or, The Boarding School Author(s): Thomas D'Urfey

38
11 May 1757 @ Drury Lane Theatre

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Britannia

Performance Comment: [See17550509, but without Miss Thomas.] With a Prologue-Garrick [in the character of a Sailor; Epilogue-[suitable to the Occasion, to be spoken at the head of a Number of Boys clothed in Sailors Habits given them by the Society.suitable to the Occasion, to be spoken at the head of a Number of Boys clothed in Sailors Habits given them by the Society.
Related Works
Related Work: Britannia Author(s): Thomas Lediard
Related Work: Britannia Author(s): Thomas Arne

39
25 September 1780 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Walker and Stewart. [Author of Prologue unknown.] Afterpiece [1st time; F 2, by Thomas Stewart. Larpent MS 926; not published]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:00. To begin at 6:30

Performances

Mainpiece Title: The Gentle Shepherd Or Patie And Roger

Related Works
Related Work: The Gentle Shepherd; or, Patie and Roger Author(s): Thomas Linley Sr.

Afterpiece Title: The Double Amour

Related Works
Related Work: The Double Amour Author(s): Thomas Stewart

Music: With an entire new Scotch Overture-, composed by JonasBlewitt; End: songs-Mrs Bayley; between the Acts of the Farce: songs-Mrs Bayley, composed by JonasBlewitt

40
06 May 1796 @ Covent Garden

Event Comment: Benefit for Mr and Mrs Knight. 1st piece [1st time; C 3, by Thomas Holcroft, altered by author from his Duplicity. Larpent MS 1129; not published]. Oracle, 13 Apr.: Tickets to be had of Mr and Mrs Knight, No. 47, Rathbone Place. Receipts: #331 5s. (159.7.0; 16.7.6; tickets: 155.10.6)

Performances

Mainpiece Title: The Maskd Friend

Related Works
Related Work: The Mask'd Friend Author(s): Thomas Holcroft
Related Work: Duplicity Author(s): Thomas Holcroft

Afterpiece Title: The Way to Get Un Married

Afterpiece Title: The Farmer

Song: In 2nd piece: The Sportman's snug little Cot-Incledon

Entertainment: Monologues, with Songs.End: The Barber's Petition-Fawcett (1st time); [with a song in character, Wigs [including His Own Wig, The Lover's Wig, Doctor's Wig, Coachman's Wig, Counsellor's Wig-Fawcett; End 2nd piece: A Ramble to Bath (1st time) [with a descriptive song in the character of Jacob Gawkey [in The Chapter of Accidents]-Knight

41
25 January 1798 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, based on La Serva Amorosa and on Il Padre di Famiglia, both by Carlo Goldoni. Author of Prologue unknown. Epilogue by Matthew Gregory Lewis (see text)]. Times, 7 Feb. 1798: This Day is published Knave or Not (2s.). Receipts: #358 2s. (283.11.6; 71.2.0; 3.8.6)

Performances

Mainpiece Title: Knave Or Not

Related Works
Related Work: Knave or Not Author(s): Thomas Holcroft

Afterpiece Title: Blue Beard

42
June 1680 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the first performance is not known. Luttrell, however, dated the copy he purchased 6 July 1680 (VanLennep, Two Restoration Comedies, pp. 57-58) and attributed it to Mrs Aphra Behn. If copies were available in early July, the play was most probably performed in June 1680. Langbaine (English Dramatick Poets, p. 547) had heard that Mrs Behn was the author, but A Comparison between the Two Stages (p. 11) attributed it to Thomas Betterton. For a discussion of the authorship, see also Ten English Farces, ed. Leo Hughes and A. H. Scouten (Austin, Texas, 1948), pp. 203-4

Performances

Mainpiece Title: The Revenge Or A Match In Newgate

Related Works
Related Work: The Revenge; or, A Match in Newgate Author(s): Thomas Betterton
Related Work: Bussy D'Ambois; or, The Husbands Revenge Author(s): Thomas D'Urfey
Related Work: The Unhappy Kindness; or, A Fruitless Revenge Author(s): Thomas Scott

43
August 1685 @ Drury Lane Theatre

Performances

Mainpiece Title: A Commonwealth Of Women

Related Works
Related Work: A Commonwealth of Women Author(s): Thomas D'Urfey

44
November 1692 @ Drury Lane Theatre

Event Comment: The United Company. The date of the first performance is not certain, but the play was acted soon after Shadwell's death in November 1692. Gentleman's Journal, November 1692: We have lately lost Thomas Shadwell Esquire....The Comedy which, as I told you, he design'd for the Stage, was acted since his decease: 'Tis call'd the Volunteers; and though that Orphan wanted its Parent to support it, yet it came off with reasonable success. [When this play was revived at Drury Lane 27 July 1711, the bill bore the heading: Not acted these Twenty Years.

Performances

Mainpiece Title: The Volunteers Or The Stock jobbers

Related Works
Related Work: The Volunteers; or, The Stock-Jobbers Author(s): Thomas Shadwell

45
June 1694 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Comical History Of Don Quixote Part Ii

Related Works
Related Work: The Comical History of Don Quixote, Part II Author(s): Thomas D'Urfey

46
December 1696 @ Drury Lane Theatre

Performances

Mainpiece Title: Cinthia And Endimion Or The Loves Of The Deities

Related Works
Related Work: Cinthia and Endimion; or, The Loves of the Deities Author(s): Thomas D'Urfey

47
13 October 1781 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft; in 1796 altered by the author and acted as The Mask'd Friend. Prologue by William Nicholson (see text). Epilogue attributed to Frederick Pilon (Public Advertiser, 15 Oct.)]: With New Dresses, Scenery, &c. Public Advertiser, 12 Nov. 1781: This Day will lie published Duplicity (price not listed). Paid Music #8 4s. 8d.; Chorus Singers #3 15s. Receipts: #204 16s. (202/7/6; 2/8/6)

Performances

Mainpiece Title: Duplicity

Related Works
Related Work: Duplicity Author(s): Thomas Holcroft
Related Work: The Mask'd Friend Author(s): Thomas Holcroft

Afterpiece Title: The Flitch of Bacon

48
November 1695 @ Drury Lane Theatre

Performances

Mainpiece Title: Oroonoko

Related Works
Related Work: Oroonoko Author(s): Thomas Southerne

49
December 1696 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The City Lady Or Folly Reclaimd

Related Works
Related Work: The City Lady; or, Folly Reclaim'd Author(s): Thomas Dilke

50
24 March 1741 @ Drury Lane Theatre

Performances

Mainpiece Title: Rosamond

Related Works
Related Work: Rosamond Author(s): Thomas Clayton
Related Work: Henry the Second; or, The Fall of Rosamond Author(s): Thomas Hull