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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Tho Wroth"/1) | (@(roleclean,performerclean) "Mr Tho Wroth")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5726 results for: Keyword - Mr Tho. Wroth
We found 4297 matches on Event Comments, 1173 matches on Performance Comments, 535 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

5626
28 November 1781 @ Covent Garden

Performances

Mainpiece Title: The Banditti; Or, Love's Labyrinth

Related Works
Related Work: Loves Labyrinth; or, The Royal Shepherdess Author(s): Thomas Forde

Afterpiece Title: The Apprentice

Cast
Role: Gargle Actor: Thompson

5627
01 August 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber

Cast
Role: Doctor Bartholo Actor: Parsons

Afterpiece Title: A Fete

Afterpiece Title: The Dead Alive

5628
30 September 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Quaker

Related Works
Related Work: The Fair Quaker; or, The Humours of the Navy Author(s): Edward Thompson

5629
03 October 1783 @ Covent Garden

Event Comment: RosiNA [announced on playbill of 2 Oct.] is obliged to be deferred on account of Mrs Martyr's Indisposition. "There are many of Mr Garrick's most favourite characters which [Henderson] appears in with great credit to himself, and applause from the audience; that in which he has been thought to approach the nearest to his predecessor is Hamlet; and, if we oppose the declamatory skill of Henderson-a quality indispensably necessary to the performance of this most difficult character-to the pathos and phrenzy (whether it be assumed or real madness in Hamlet is not here the question) of Garrick; I think it must be allowed that however short of him he may fall in some particulars, in the one I have mentioned, at least, he exceeds him" Qonson, The sad shepherd, ed. Waldron, p. 174). Receipts: #199 4s. 6d. (197/19/0; 1/5/6)

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Henderson; King-Clarke; Ghost-Aickin; Horatio-Whitfield; Laertes-Davies; Ostrick-Bonnor; Polonius-Wilson; Player King-Mahon; Marcellus-Fearon; Rosencraus-Booth; Guildenstern-Thompson; Grave-Diggers-Quick, Jones; Queen-Mrs Inchbald; Player Queen-Miss Stuart; Ophelia-Miss Satchell .
Cast
Role: Guildenstern Actor: Thompson

Afterpiece Title: The Padlock

5630
10 May 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Performance Comment: Carlos-Kemble (1st appearance in that character); Antonio-Baddeley; Charino-Waldron; Don Duart-Barrymore; Sancho-Suett; Governor-Packer; Monsieur-Burton; Page-Miss Heard; Jaqucs-Wright; Officer-Phillimore; Clodio (alias Don Dismalo Thickscullo de Half Witto)-Ward; Don Lewis (alias Don Choleric Snapshorto de Testy)-Parsons (Their 1st appearance in those characters); Angelina-Mrs Brereton; Elvira-Miss E. Kemble; Honoria-Miss Tidswell; Louisa-Mrs Ward .

Afterpiece Title: A Medley

Related Works
Related Work: Bacchus Festival; or, A New Medley Author(s): Thomas Jordan

Afterpiece Title: Duke and No Duke

Dance: End of Act I of mainpiece, as17840311athi

5631
28 September 1784 @ Covent Garden

Performances

Mainpiece Title: Zara

Performance Comment: Lusignan-Henderson; Nerestan-Davies; Orasmin-Fearon; Chatillon-Hull; Melidor-Thompson; Osman-Wroughton; Selima-Mrs Inchbald; Zara-Miss Younge .
Cast
Role: Melidor Actor: Thompson

Afterpiece Title: Catherine and Petruchio

Performance Comment: Petruchio-Lewis; Baptista-Thompson; Biondello-Chalmers; Music Master-Stevens; Hortensio-Helme; Tailor-Jones; Pedro-Gaudry; Haberdasher-Besford; Nathaniel-Ledger; Grumio-Quick; Bianca-Mrs Poussin; Curtis-Mrs White; Catherine-Mrs Bates .
Cast
Role: Baptista Actor: Thompson

5632
09 November 1784 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 3 years. The Music by Purcel and Dr Arne, with the additional Airs and Chorusses by the late [Thomas] Linley Jun. [Gazetteer, 9 Nov., notes that the music for the Chorus of Spirits was composed by Purcell, for Ariel's song by Dr Arne, for the storm scene by Linley Jun.] Receipts: #162 11s. (126/10/0; 35/19/6; 0/1/6)

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): Thomas Shadwell
Related Work: The Mock-Tempest; or, The Enchanted Castle Author(s): Thomas Duffett
Related Work: The Mock Tempest Author(s): Thomas Duffett

Afterpiece Title: Bon Ton

Dance: In Act I of mainpiece a Dance of Spirits by Miss Hamoir, &c.; In Act III a Dance of Fantastic Spirits (performers not listed); In Act IV a Dance by Mr and Miss Hamoir. [All these were danced, as here assigned, in all subsequent performances.]

5633
10 February 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Mainpiece [1st time; C 5, author unknown. MS: Larpent 651; not published]. Places for the Boxes to be taken of Rice at the Theatre; and Tickets to be had of Mrs Williams, the Artificial Flower Warehouse, Store-street, Bedford-square. [Mrs Williams is identified in Morning Post, 11 Feb.]

Performances

Mainpiece Title: The Fair Refugee; Or, The Rival Jews

Performance Comment: Principal Characters by Jackson, Cartwright, Holland, Osborne, Frederic, Mitchell, Edwards, Porter, Henley, Connell (with a new Irish sons in character); A Young Lady (1st appearance [unidentified]), Mrs Bolton, Mrs Cartwright, Mrs Ponsonby, Mrs Henley, A Lady (2nd appearance [unidentified]). [Larpent MS lists the parts: Sir Gregory Granby, Sir ThomasLoveby, George Granby, Frank Bentley, Solomons, Levi, Waddle, Scandal, Dennis, Robert, Waiter; Eliza Wentworth, Mrs Dornbush, Miss Harcourt, Charlotte Harcourt, Lady Loveby, Susan, Miss Nancy, Miss Kitty, Maid.] hathi.

Afterpiece Title: A Musical Interlude

Afterpiece Title: The Author

Song: End of Act I of 3rd piece How sweet's the love that meets return by Mrs Henley

5634
18 April 1785 @ Covent Garden

Performances

Mainpiece Title: Romeo And Juliet

Related Works
Related Work: The History and Fall of Caius Marius Author(s): Thomas Otway

Afterpiece Title: The Land of Enchantment

Performance Comment: A Select Scene, consisting of Music and Dancing, in which: a Hunting Song [Tantivy, the welkin resounds] by Mrs Martyr; the celebrated Vauxhall Echo Catch [They say there is an echo here (performers not listed)]; a Pastoral Dialogue [Alas! Poor Sue] by Johnstone and Mrs Martyr; Auld Robin Gray by Mrs Kennedy; Poor ThomasDay by Edwin, Brett, Davies. Abdiel, the Genius-Master Farley .

Afterpiece Title: Barataria

Cast
Role: Pedro Actor: Thompson
Related Works
Related Work: Barataria; or, Sancho Turn'd Governor Author(s): Thomas D'Urfey

Dance: In 2nd piece, by Harris, Miss Besford, Mrs Goodwin, Mrs Ratchford, Miss Matthews

Related Works
Related Work: King and No King Author(s): Thomas Harris

Song: As17841025, but omitted: names of singers

5635
25 April 1785 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Cast
Role: Calvetto Actor: Thompson

Afterpiece Title: The Deserter

Dance: End of mainpiece The fancy Races {performers not listed]

Song: End of Act I of mainpiece Tantivy, the welkin resounds (the Music by Hook); End of Act II a new song, The New Blown Rose (the Words by Mrs Cumyns, the Music by Dale), both by Mrs Martyr

5636
08 November 1785 @ Covent Garden

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: Rosina

Dance: As17851103

5637
25 February 1786 @ Covent Garden

Performances

Mainpiece Title: Venice Preserv'd

Performance Comment: Jaffier-Pope; Priuli-Hull; Renault-Fearon; Bedamar-Davies; Duke-Thompson; Spinosa-Cubitt; Elliot-Palmer; Officer-Booth; Pierre-Aickin; Belvidera-Mrs Siddons (of DL). New Occasional Prologue spoken by Mrs Siddons .
Cast
Role: Duke Actor: Thompson
Related Works
Related Work: Venice Preserv'd; or, A Plot Discover'd Author(s): Thomas Otway
Related Work: Venice Preserv'd Author(s): Thomas Otway

Afterpiece Title: Three Weeks after Marriage

5638
08 August 1786 @ Windsor Castle Inn, King Street, Hammersmith

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Romp

Related Works
Related Work: Love for Money; or, The Boarding School Author(s): Thomas D'Urfey

Afterpiece Title: The Elopement

5639
27 November 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Chances

Afterpiece Title: Richard Coeur de Lion

Related Works
Related Work: Richard Coeur de Lion Author(s): Thomas Linley Sr.

5640
31 January 1787 @ Covent Garden

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Leon-Holman; Duke-Macready; Juan-Davies; Cacafogo-Booth; Sanchio-Thompson; Alonzo-Fearon; The Copper Captain-Lewis; Margaritta-Mrs Inchbald; Altea-Mrs Morton; Clara-Miss Platt; Old Woman-Mrs Pitt; Maid-Mr Painter; Estifania-Mrs Abington.
Cast
Role: Sanchio Actor: Thompson

Afterpiece Title: Three Weeks after Marriage

Dance: End: The Wapping Landlady-Blurton, Rayner, Miss Cranfield

5641
29 March 1787 @ Red-Lion Inn, Lordship Road, Stoke Newington

Performances

Mainpiece Title: She Stoops To Conquer; Or, The Mistakes Of A Night

Afterpiece Title: Bon Ton; or, High Life above Stairs

Entertainment: Monologue. Entertainments: An Epilogue describing the Furor Dramatica, Epilogue to The Lying Valet [by David Garrick], Paul Prigg's Description of his Journey thro' Gravesend Rochester Boulogne Amiens and Chantilly, Prologue to Bon Ton [describing the Folly and Fashions of the Times by George Colman elder], Bucks have at Ye all, An Occasional Address of Thanks to the Ladies and Gentlemen [by Marriot, Johnny Gilpin's Account of his Journey thro' Stoke Newington Edmonton to Ware shewing how he went farther than he intended and arrived safe Home at last-Marriot

5642
31 March 1787 @ Red-Lion Inn, Lordship Road, Stoke Newington

Performances

Mainpiece Title: Romeo And Juliet

Related Works
Related Work: The History and Fall of Caius Marius Author(s): Thomas Otway

Afterpiece Title: Dr Last's Examination before the College of Physicians

Afterpiece Title: The Padlock

Song: V: a Grand Funeral Procession-; Solemn Dirge-; Vocal Parts-Wilson, Mrs Fowler, Miss Fowler, Mrs Marriot; Between the Acts: Singing-Wilson

5643
21 July 1787 @ Haymarket Theatre

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Comus

Related Works
Related Work: Comus Author(s): Thomas Arne

5644
28 August 1787 @ Haymarket Theatre

Performances

Mainpiece Title: Sir John Cockle, At Court

Related Works
Related Work: Phoebe at Court Author(s): Thomas Arne

Afterpiece Title: The Village Lawyer

Afterpiece Title: The Ghost; or, The Man Bewitch'd

Song: End 2nd piece: the new Four@and@twenty Fiddlers all on a Row-Edwin

Entertainment: Monologue End: Lingo's Opinions on Men and Manners (a Comical, Whimsical, Operatical, Farcical Rhapsody)-Edwin

5645
12 January 1788 @ King's Theatre

Event Comment: "The orchestra, during the whole time of representations [of the opera] has by no means been conducted with that exactness that should be expected from that band...It must be supposed that neither the master of music at the harpsichord, nor Mr Cramer, the leader, have influence or power enough to prevail on the band to play, or rather, to accompany, more correctly...The arias of the tenor and base [sic] have been played, or rather accompanied, too fast, and without harmony with the voices of Morelli and Fineschi, which being good, and they seeming to wish to sing with all possible expression, the orchestra should have accompanied accordingly. Mme Storace, howefer, has baffled the efforts of the musicians to make her sing out of tune, quick or slow. As they fiddled, she modulated" (Public Advertiser, 17 Jan.). Receipts: #147 12s. 6d. [non-subscription]

Performances

Mainpiece Title: Il Re Teodoro In Venezia

Dance: End I: a new ballet, The Military Dance (composed by Chevalier)-Didelot, Chevalier, Coulon, Vestris, Mlle Coulon, the two Miss Simonets, Sga Bedini, Mlle Hilligsberg; End Opera: Les Offrandes a l'Amour, as17871208

5646
26 April 1788 @ Covent Garden

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: The Romance of an Hour

Dance: As17880301

Entertainment: Monologues. End I: A Dissertation on Macaronyism-Bernard; End: Shuter's Observations in a Post@haste Journey to Paris-Bernard

5647
14 May 1788 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Cast
Role: Calvetto Actor: Thompson

Afterpiece Title: The Minor

Performance Comment: Shift, Smirk, Mrs Cole (with Imitations of several capital, living Actors)-A Young Gentleman (1st appearance [Rees]); Sir G. Wealthy-Macready; Sir W. Wealthy-Wewitzer; Mr R. Wealthy-Thompson; Dick-Stevens; Transfer-Rock; Loader-Fearon; Lucy-Mrs Lewis.
Cast
Role: Wealthy Actor: Thompson

Dance: As17880328

5648
17 September 1788 @ Covent Garden

Performances

Mainpiece Title: The West Indian

Performance Comment: Belcour-Lewis; Stockwell-Aickin; Major O'Flaherty-Duncan (1st appearance on this stage); Captain Dudley-Hull; Charles-Farren; Fulmer-Thompson; Stukely-Gardner; Varland-Quick; Louisa-Miss Tweedale; Lady Rusport-Mrs Webb; Lucy-Miss Stuart; Mrs Fulmer-Mrs Davenett; Charlotte Rusport-Mrs Duncan (1st appearance on this stage).
Cast
Role: Fulmer Actor: Thompson

Afterpiece Title: Midas

5649
17 March 1789 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece, who is named in Kemble Mem., "Mr Greatheed's third night," but not on the playbill; in the preceding season the play had been acted 8 times, and it was the custom for the author of a new play to have his benefits on the 3rd, 6th and 9th nights]. Receipts: #160 17s. (139.5; 19.8; 2.4; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Regent

Afterpiece Title: The Deserter

5650
28 April 1789 @ Covent Garden

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: Midas

Dance: As17881010

Entertainment: Monologue. Preceding: Occasional Address-Middleton