Event Comment: By Authority of the Lord Chamberlain. At the request of several of the Scotch Nobility. Benefit for Raeburn. Mainpiece: In its original state, as it was written by Allan Ramsay in 1724 [recte 1725]. The Characters to be entirely new dressed. The Doors to be opened at 5:00. To begin at 6:00. No persons to be admitted behind the scenes, nor any money returned after the curtain is drawn up. Ladies are requested to send their servants by Five to keep places. Tickets to be had of Raeburn, No. 4, Gloucester-court, St. James's; of Walker, the Globe, Pall-mall; of Mackintosh, the George, East Harding-street, Shoe-lane; of Watson, the Fleece, Little Windmill-street (being the original Scotch house); of Mrs Shaw, the St. Andrew, near the Armitage-bridge, Wapping

Event Comment: By Permission of the Lord Chamberlain. Benefit for Raeburn, Stewart and Rae. Mainpiece: In its original state. Afterpiece: Written by the Author of the Prologue. The Doors to be opened at 5:00. To begin at 6:00. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Rice at the Theatre; and tickets to be had at Rae's, No. 4, Wardour-street, Soho

Event Comment: Benefit for Waldron. 1st piece: Originally written by the celebrated Monsieur de Beaumarchais, and perform'd innumerably, often at Paris; translated and adapted to the English Stage by the very ingenious Mr Holcroft, Author of several admired Dramatic and other Works; and perform'd with unbounded Applause during Half the Season last Winter at the Theatre Royal in Covent Garden. 2nd piece: Never acted here; written by Mr O'Keeffe, set to music by Mr Shield, and performed with unceasing Applause at the Theatre Royal, Covent Garden. 3rd piece: To conclude with the Representation of the Siege of Gibraltar, Elliot's Red Hot Balls, &c. Tickets to be had of Waldron, at the Cock and Magpie

Event Comment: Mainpiece [1st time; C 5, by John Burgoyne, based in part on Le Pere de Famille, by Denis Diderot. Prologue by the Hon. Richard Fitzpatrick; Epilogue by the author (see text)]: With a Variety of new Scenes [by Greenwood (Daily Universal Register, 16 Jan.)], Dresses, and Decorations. Public Advertiser, 4 Feb. 1786: This Day is published The Heiress (1s. 6d.). "It rarely happens that all the characters of a piece are so well sustained" (Morning Chronicle, 16 Jan.). "We never saw a play more admirably performed in all its parts" (Gazetteer, 16 Jan.). "In point of performance the comedy had every advantage" (Morning Herald, 16 Jan.). Receipts: #226 2s. (205/10; 20/7; 0/5)

Event Comment: Benefit for Baddeley. 3rd piece [1st time; F 2 (?), author unknown. Public Advertiser, 16 Apr. has synopsis of plot; assigns Toby Todman-thousands of pounds were said to have been wagered, which took place at Odiham, Hants, on 9 Jan.]. Public Advertiser, 25 Mar.: Tickets to be had of $Baddeley">R. Palmer; Billy Dibley-$Bannister Jun.; and lists, unassigned: Mr Stockfield, Sir William Matchem, Mr Harland, Lucetta. Not in Larpent MS; not published. This piece has reference to a prize-fight, on which thousands of pounds were said to have been wagered, which took place at Odiham, Hants, on 9 Jan.]. Public Advertiser, 25 Mar.: Tickets to be had of $Baddeley, No. 10, New Store-street, Bedford-square. Receipts: #323 11s. [107.6.0; 10.2.6; 0.13.6; tickets: 205.9.0) (charge: #109 4s. 2ds.)

Event Comment: Benefit for Edwin. Afterpiece: With the Triumphal Entryv of King Chrononhotonthologos into Queerumania attended with Drums, Trumpets, Fiddles, Flutes, Fifes, Flagellets, Lutes, Bagpipes, Tabours and Pipes, Marrow-Bones and Cleavers, Post-Horns, French Horns, Cows Horns, Salt-Boxes, Broom-stickado's. The different Instruments will be played after the Manner of the Queen's Band at Queerum. The most comical Tragedy that ever was Tragedized by any comical Company of Tragedians. Public Advertiser, 23 Aug.: Tickets to be had of Edwin, No. 19, Piazza, Covent-Garden

Event Comment: Benefit for the Author of the Farce [who is named in Kemble Mem., but not on the playbill. Kemble's 1st appearance as Leon was at Smock Alley Theatre, Dublin (Genest, VI, 295); Palmer's as the Copper Captain at hay, 15 July 1777]. Receipts: #133 15s. (94.17; 37.3; 1.15; tickets; none listed) (charge: #105)

Event Comment: "At the conclusion of the Opera on Saturday, a scene of riot and tumult took place which the King's Theatre has not witnessed since the celebrated discords between 'Tweedle-dum and Tweedle-dee' in the days of Handel and Bononcini. At the commencement of the last dance hostilities commenced by hissing and hooting from the pit and boxes...The dancers, however, were not dismayed, but continued their evolutions, though the noise was so great that they derived but little aid from the music. At last a body of malcontents, among whom were several stars and ribbons, sallied from the pit and took possession of the stage, from which they drove the light-heeled troops, and immediately began to perform a ballet tragique. The chamber of Ifigenia was despoiled of all its ornaments, and side scenes, and patent lamps; Roman tents and triumphal cars danced on the stage in all the mazes of confusion, nor did they cease, till they had demolished everything they found that was moveable. Mr Carnevale came forward to inform the audience that Mr Gallini could not be found...The ostensible reason given for this riot, which in our opinion is not to be justified on any pretense, is that Mr Gallini has not engaged dancers of sufficient eminence" (Public Advertiser, 10 Feb.)

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland, altered by the author from his The Country Attorney. Prologue and Epilogue probably by Cumberland. Larpent MS 828; not published; synopsis of plot in Universal Magazine, May 1789, p. 267]: With new Dresses, &c. Receipts: #165 6s. 6d. (155.5.6; 10.1.0)