SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Tho Shadwell"/1) | (@(roleclean,performerclean) "Mr Tho Shadwell")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 4327 matches on Event Comments, 1187 matches on Performance Comments, 851 matches on Author, 535 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: A Lyric Ode; Alexander's Feast, And The Coronation Anthems

Music: After the Ode: A Miscellaneous Act-; New Overture-; Song-a Gentleman (his first appearance in Public); Concerto on Oboe-Fischer; Song-Miss M. Linley (composed by Bach); Concerto on violin-Linley Jr; Song-Miss Linley (composed by Sacchini); Duetto-the Two Miss Linley's (composed by Piccini); Chorus

Performances

Mainpiece Title: Samson; Alexander's Feast, And The Coronation Anthems

Music: I: Concerto on Organ-Stanley

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: Matilda

Related Works
Related Work: Matilda Author(s): Thomas Francklin

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Loves Metamorphoses

Dance: End: A Comic Dance-the two Miss Stagledoirs, scholars to M. LaRiviere

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Spleen

Performances

Mainpiece Title: The Runaway

Performance Comment: As17760413but without the Dance in the course of the play.

Afterpiece Title: The Jubilee

Related Works
Related Work: The Goldsmiths Jubilee; or, London's Triumph: Containing, A Description of the several Pageants: On which are Represented, Emblematical Figures, Artful Pieces of Architecture, and Rural Dancing: with the Speeches Spoken on each Pageant. Author(s): Thomas Jordan

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: The Waterman

Related Works
Related Work: London's Resurrection to Joy and Triumph: Celebrious to the much-meriting Magistrate Sir George Waterman Knight, Lord Mayor of the City of London Author(s): Thomas Jordan

Song: V: (By Desire) The Soldier Tir'd-Miss Abrams

Performances

Mainpiece Title: Hamlet

Afterpiece Title: May Day

Related Works
Related Work: May Day; or, The Little Gipsy Author(s): Thomas Arne

Performances

Mainpiece Title: Eldred; Or, The British Freeholder

Performance Comment: Eldred-Jackson; Elidure-Lewis; Brennus-Aickin; Locrine-Hull; Eliud-Young; Morgan-Thompson; Eliza-Miss Ambrose; Edwena-Mrs Jackson; the Original Prologue, Epilogue-Mr and Mrs Jackson.
Cast
Role: Morgan Actor: Thompson

Afterpiece Title: The Two Misers

Dance: End: Mirth and Jollity, as17760102

Event Comment: Benefit for Mrs Abington. Mainpiece: By Particular Desire. Garrick's last time of performing Archer . Pit and Boxes will be laid together. Ladies and Gentlemen most earnestly requested to come early (playbill). Mrs Abington having wrote to Mr Garrick that she intended to quit the Stage at the End of the Season never to return to it again, he very kindly play'd for her Benefit (Hopkins Diary). Tickets deliver'd for Much Ado will be taken. Attempted to get into Drury Lane Theatre to see Mr Garrick in the character of Archer, but the crowd was so great that after suffering thumps, squeezes and almost suffocation for two hours, I was oblig'd to retire without effecting it (Hampden, Journal). Receipts: #129 19s. 6d. Charges: #65 7s. 6d. Profits to Mrs Abington: #64 12s. (Treasurer's Book)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Man of Quality

Dance: IV: The Irish Fair, as17751003

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Waterman

Related Works
Related Work: London's Resurrection to Joy and Triumph: Celebrious to the much-meriting Magistrate Sir George Waterman Knight, Lord Mayor of the City of London Author(s): Thomas Jordan

Dance: I: The Sailors Revels, as17751220

Event Comment: The People flock'd about the doors by Two o'clock. there never was a greater Overflow-Mr G. was never happier in Lear -the Applause was beyond description 3 or 4 loud Claps Succeeding one another at all his exits and many Cry'd out Garrick for Ever &c., &c. House (Hopkins Diary). [Kemble's note differs slightly.] Paid Mr Short, Chorus Singer #1 10s. (Treasurer's Book). Hannah More wrote to Mrs Gwatkin: The eagerness of the people to see Garrick is beyond anything you can have an idea of. You will see half a dozen duchesses and countesses a night in the upper boxes: for the fear of not seeing him at all, has humbled those who used to go, not for the purpose of seeing but being seen; and they now courtsy to the ground for the worst places in the house" (Hampden, Journal). [Letter to David Garrick, Esq on his appearance in Lear last night 13 May: The correspondent who signs himself Stock Fish and who claims to have been one of the survivors of the Black Hole of Calcutta, and who took a young lady from the country to see Garrick's last performance, blames him for endangering the lives of his majesties subjects for not providing proper bars, lanes, and queue lines to handle the crowds: "I went with intention to get into the Pit as the most eligible Part of the House (for your Boxes are always engag'd) and we got to the Door in Vinegaryard about five o'clock. Here the Passage to the first Door was too full for me to entertain any Hopes of getting in that Way, we therefore made for Catharine-street but the Multitudes of People waiting for the Opening of the Gallery-doors, rendered it impossible for us to get along through the Court; we therefore made a Circuit, and at length arrived opposite the Door in Catharine-street, where it was with Difficulty we could keep our Stands on a Foot Pavement....You will be absolutely inexcusable, if after this Warning you neglect to adopt some Method for the Security of the Lives of his Majesties Subjects on similar Occasions.--What think you of the following Scheme, viz. To keep the outer Doors next the Street shut, till the inner ones are opened ; and then, by a Proper bar, to prevent more than one at a Time entering, who shall there pay Entrance-money, and receive the Tickets of Admission through the inner Doors' (Public Advertiser 18 May).] Receipts: #308 1s. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Spleen

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): Thomas Shadwell
Related Work: The Mock-Tempest; or, The Enchanted Castle Author(s): Thomas Duffett
Related Work: The Mock Tempest Author(s): Thomas Duffett

Afterpiece Title: The Irish Widow

Cast
Role: Thomas Actor: Burton, first time.

Dance: I: The Irish Fair, as17751003

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Deserter

Dance: I: The Gardeners, as17760116

Event Comment: Ladies send servants by 5 to keep Places and prevent Confusion. Doors will be opened at half after five o'clock. To begin at half after 6 o'clock (playbill). Mr G. Voice and Spirits was never finer he never wanted Spirit or Voice thro' the whole part and Convinced the Audience that those Amazing powers he has always possess'd are now as brilliant as ever. Never was a part play'd with greater Propriety nor an Audience more lavish of their Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] [A full column letter for the Morning Chronicle this date from Theatricus to Garrick protested the fact that his announced benefit for the Theatrical Fund on the 30th of May would be all sold out to the highest bidders for tickets; that a nobleman offering ten Guineas for four box seats would get them in preference to the tradesmen who offered only a pound, the stated price of the tickets. Since charity was the cause this writer suggested that Garrick give a second benefit night to the Fund, with the hopes (1) that the Fund would be thereby vastly increased, and (2) that opportunity might be given for twice as many People to see a Garrick final performance. It was, perhaps, in response to this public request that Garrick gave a second Benefit night for the Fund on 10 June. The Morning Post, 29 May, noted: "The concourse of servants assembled yesterday morning at seven o'clock, at Drury Lane Stage Door, to take places for the approaching benefit, in which it is said Mr Garrick will again play Richard III , was astonishing, amounting to many hundreds, three fourths of which were not able to Succeed in their embassies' (Hampden, Journal).] Receipts: #307 3s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Anatomist; or, The Sham Doctor

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Life and Death of Tom Thumb the Great

Performance Comment: Tom Thumb-Master Russell; King Arthur-Comerford; Lord Grizzle-Massey; Noodle-Russell; Doodle-Johnson; Bailiff-Dancer; Follower-Thomas; Glumdalca (Queen of the Giants)-Mr Smith; Queen Dollalolla-Mrs Ross; Princess Huncamunca-Mrs Wilks; Mustacha (a Maid of Honour)-Miss Taylor; Cleora-Mrs West.
Cast
Role: Follower Actor: Thomas

Entertainment: Monologues.Preceding: Prologue to Barbarossa in the character of a Country Boy, containing an account of his Journey to London, his different Services there, first in the City, next with a Lord, then with a Lady, and last of all with a starved Poet-Master Russell; End I: a Scene from Lethe: Fine Gentleman-Master Russell; End II: an Harangue in a Tubafter the manner of the celebrated George Alexander Stevens-Master Russell; End: The Drunken Buck-Raymond

Event Comment: Paid Lampmen #3 18s.; Tailors #11 2s. 10d.; Mantua Makers #3 14s. 6d.; Carpenters #16 15s. 6d.; Printer [of playbills] #19 5s. 6d. The Hypocrite and Christmas Tale in three Acts was advertised for to-morrow. This Morning at Rehearsal Lacy came and told Sheridan that he could not be off from his Agreement with Mr Langford and Captain Thomson. Sheridan told him, if he did agree, that he would withdraw himself from the Management of the Theatre--accordingly at eight this Evening he sent me with a Letter to Lacy confirming what he told him, and ordered me to receive my orders from Mr L and that he withdrew the Christmas Tale, as he had altered, for a Farce, it was his Property. This put us all into confusion--Sent to Mrs Abington to know if she would play in the Hypocrite, as it was advertised--Her answer was, that she had made her Agreement with Sheridan only, and would play under no other Manager. About twelve at night we got Richard the third settled, and sent Bills accordingly (Hopkins Diary). [For further remarks concerning this situation see 15 Oct.] Receipts: #173 6s

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Braganza

Afterpiece Title: The Rival Candidates

Related Works
Related Work: The Rival Candidates Author(s): Charles Thomas Carter

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: Cross Purposes

Cast
Role: Bevil Actor: Thompson

Dance: As17761015

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: A ChristmasTale

Song: II: Mrs Scott

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Performance Comment: Lord Hardy-Lacy; Campley-Palmer (Their first appearance in those characters); Lord Brumpton-Hurst; Sable-Moody; Puzzle-Baddeley; Trusty-Packer; Tom-Waldron; Cabinet-Norris; Trim-King; Lady Brumpton-Mrs Hopkins; Lady Harriet-Mrs Baddeley (1st appearance in that character); Mademoiselle-Mrs Booth; Farthingale-Mrs Bradshaw; Tattleaid-Mrs Love; Lady Charlotte-Miss Younge; [Edition of 1777 (W. Strahan et al]) adds: Kate Matchlock-Mr Griffiths.

Afterpiece Title: The Jubilee

Related Works
Related Work: The Goldsmiths Jubilee; or, London's Triumph: Containing, A Description of the several Pageants: On which are Represented, Emblematical Figures, Artful Pieces of Architecture, and Rural Dancing: with the Speeches Spoken on each Pageant. Author(s): Thomas Jordan

Dance: As17770215

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Milesian

Related Works
Related Work: The Milesian Author(s): Charles Thomas Carter
Event Comment: Benefit for Mrs Lessingham. Mainpiece: Not acted these 2 years. The Characters dressed in the Habits of the Country. Afterpiece [1st time; C 2, ascribed to Charles Stuart. Author of Address unknown]. Public Advertiser, 24 Mar.: Tickets to be had of Mrs Lessingham at her House, the corner of Percy-street, Rathbone Place. Receipts: #224 1s. 6d. (151.19.6; tickets: 72.2.0) (charge: #65 13s. 6d.)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Experiment

Performance Comment: Characters-Wroughton, Lee Lewes, Robson, Fearon, Wewitzer, Booth, Mrs Whitefield, Mrs Lessingham; [Larpent MS 429 lists the parts: Mr Warren, Sir James Middleton, The Hon. Capt. Turner, Mr Green, Robert, Thomas, Miss Warren, Miss Louisa Warren.] Address to the Public-Mrs Lessingham.

Dance: End: Hunting Dance, as17770218; End I afterpiece: The Villagers, as17770122