SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Tho Durfey"/1) | (@(roleclean,performerclean) "Mr Tho Durfey")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4317 matches on Event Comments, 1176 matches on Performance Comments, 536 matches on Performance Title, 209 matches on Author, and 0 matches on Roles/Actors.
Event Comment: This farce of Lethe was wrote some years ago and play'd with Success, & was reviv'd this Night with great Alterations, & was but indifferently receiv'd by the Audience (Cross). The Poet, Frenchman, & Sot Mr Garrick perform'd most inimitably (Charles Adams to John Gilbert-Cooper, Theatre Notebook, XI (1957) p. 138). No After Money will be taken, and no Persons will be Admitted behind the Scenes (General Advertiser). Receipts: #180 (Cross); #186 7s. (Powel). N.B.: Mr G-k is the author of Lethe and did receive #36 8s. 6d. for this night which is the overplus after the charge of #63 for the House is paid, and which I must subtract from the rest (Powel). [A letter appeared in the General Advertiser this day giving advance notice and approval of a performance of Cato to be put on at Leicester House 7 Jan. by members of the Royal Family. The author noted that "proper Habits are absolutely in the making," and that the Princes would learn the principles of liberty from the lines of the play.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Lethe

Event Comment: To be seen a Person who performs the most surprizing Things...he presents you with a common Wine bottle, which any of the Spectators may first examine; this Bottle is plac'd on a Table in the Middle of the Stage, and he (without any Equivocation) goes into it in Sight of all the Spectators, and sings in it; during his Stay in the Bottle, any Person may handle it, and see plainly that it does not exceed a common Tavern Bottle. The Performance continues about Two Hours and a Half. These Performances have been seen by most of the Crowned Heads of Asia, Africa, and Europe, and never appear'd anywhere Public but once. Stage 7s. 6d. where Masks may be worn. Boxes 5s. Pit 3s. Gallery 2s. [The famous Bottle Conjurer hoax.] Theatre was crowded...by five o'clock; at seven the house was lighted up [but not music]...a Person came before the Curtain, and, bowing, promis'd if Mr Conjurer did not arrive in half an Hour, their Money should be return'd...after near an Hour...a Gentleman in the Box snatch'd a Candle lighted, and in Violence threw it on the Stage; this was the Signal for the Onset of Battle...the Boxes, Seats, Glasses, Scenes, Chairs, Machinery, and all the Furniture of the Play House, were in less than ten Minutes carried into the Street...an excellent Bonfire was made of Mr Foote's Auction Room...it may put a [pe]riod to the Auction, till the Theatre can be refitted.--Charles Adams to John Gilbert-Cooper, Theatre Notebook, XI (1957) p. 139. [Potter was still owner of this theatre.] Those opposed to a recent late book would have been gratified had the Conjurer jumped into the bottle and proved that miracles had not yet ceased."--Daily Advertiser, 17 Jan. Last Night a numerous Audience, among whom were several Persons of Quality, was at the New Theatre in the Haymarket, in wonderful Expectation of seeing the Miraculous Man creep into a Bottle, and do several other Miracles; but the only one he perform'd was, that he render'd himself invisible (without any Equivocation) to the no small Disappointment of the gaping Multitude; who, being told from behind the Curtain that the Performer had not yet appear'd, but that if they would stay until the next Night, instead of a Quart Bottle he should creep into a Pint, immediately grew outrageous, and in a Quarter of an Hour's Time broke to Pieces all the Boxes, Benches, Scenes, and everything that was in their power to destroy, leaving only the Shell of the House remaining. Surely this will deter anyone from venturing to impose on the public in the like manner for the future.--General Advertiser, 17 Jan. [See also dl Comment 18, 19, 20, 27 Jan.

Performances

Mainpiece Title: None

Performances

Mainpiece Title: None

Performances

Mainpiece Title: The Miser

Related Works
Related Work: The Miser Author(s): Thomas Shadwell

Afterpiece Title: The Triumph of Peace

Related Works
Related Work: The Triumph of Peace Author(s): Thomas Arne

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Triumph of Peace

Related Works
Related Work: The Triumph of Peace Author(s): Thomas Arne

Performances

Mainpiece Title: Othello

Afterpiece Title: The Devil to Pay

Dance: Cooke, the Aurettis

Event Comment: Benefit for Berry. Tickets to be had of Berry at Mr Pope's, Peruke Maker in Russel St., Covent Garden and of Hobson at the Stage Door. [From the Gentleman's Magazine Register of Books for this month: An Account of the Life of that Celebrated Tragedian, Mr Thomas Betterton, containing a distinct relation of his excellencies in his profession and character in private life, and interspersed with an account of the English theatre during his time. Printed for J. Robinson.] Receipts: #160 (Cross); house charges, #60 (Powel)

Performances

Mainpiece Title: Romeo And Juliet

Related Works
Related Work: The History and Fall of Caius Marius Author(s): Thomas Otway

Afterpiece Title: The Anatomist

Dance: In I: a Dutch Dance, as17481203; Savoyards, as17480920

Performances

Mainpiece Title: Don Sebastian

Afterpiece Title: The Lying Valet

Dance: J. Granier, J. Granier's sister; by Particular Desire the Drunken Peasant-Phillips

Event Comment: Benefit for Sowdon. Tickets to be had of Sowdon at Mr Haymer's in James St., Covent Garden, of Hobson at the Stage Door; at Will's Coffee House, Cornhill, and of Mr Thomas Sowdon, in Blackman St., Southwark. Receipts: #160 (Cross); no house charges. N.B.: A present was made to him of the charge of the House, because he had acted this season and receiv'd no salary (Powel)

Performances

Mainpiece Title: The Distressd Mother

Afterpiece Title: The Intriguing Chambermaid

Dance: II: Savoyards, as17480920; IV: The Gondoliers-Cooke

Music: III: Concerto on Flute-the Child

Song: V: Mad Bess-Beard

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: A Concert Of Musick

Performances

Mainpiece Title: Acis And Galatea

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Damon and Phillida

Dance: Master J. Granier, Master J. Granier's Sister

Performances

Mainpiece Title: Don Calascione

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: Damon and Phillida

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Lottery

Song:

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Acis and Galatea

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Lottery

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: The Chaplet

Related Works
Related Work: Harlequin's Chaplet Author(s): Thomas Shaw

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Perseus and Andromeda

Performances

Mainpiece Title: The Rehearsal

Dance: II: The Swedish Gardeners, as17491219; V: The Wooden Shoe Dance, as17491219

Performances

Mainpiece Title: Hamlet

Ballet: SSavoyard Travellers. As17491110

Performances

Mainpiece Title: Edward The Black Prince Or The Battle Of Poictiers

Performances

Mainpiece Title: Theodosius Or The Force Of Love

Afterpiece Title: Perseus and Andromeda

Dance: As17500201