SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr The Cibber"/1) | (@(roleclean,performerclean) "Mr The Cibber")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4551 matches on Event Comments, 3633 matches on Author, 3064 matches on Performance Comments, 534 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Overture and Music for the Prelude composed by Bates. Mr Bensley return'd from Covent Garden Theatre Play'd Pierre as usual was received with Applause (Hopkins Diary). Paid Carpenter's Bill #31 10s.; Two surveyors (by Butler) #5 5s. (Treasurer's Book). [The carpenter's bills averaged #10 per week during the season, or about #380 total. No further mention will be made of this item.] Receipts: #238 17s. (Treasurer's Book)

Performances

Mainpiece Title: Venice Preservd

Performance Comment: Jaffier-Reddish; Bedamor-Davies; Elliot-Wrighten; Pierre-Bensley, first time there in 8 years; Priuli-Aickin; Renault-Jefferson; Belvidera-Miss Younge; Duke-Bransby; Spinoza-Wright; Officer-Griffiths (playbill).

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Lyar

Event Comment: Mrs Jewel from the Haymarket Theatre made her first appearance upon this stage in Lucinda and was receiv'd with great applause (Hopkins Diary). Paid 3 days salary list #134 15s. 6d.; Lampmen #2 12s.; Bill stickets #3 12s.; Handbills 8s.; Candlemen Bill #2 15s. 6d.; Taylor's Bill #13 16s. 3d.; Mantua Maker's Bill #8 12s.; Mr French #12 12s.; Painter's Bill #3 6s.; Heath andWife #2; Roye #4 1Os. (Treasurer's Book). [The following items among those listed in the Treasurer's Book were constant weekly expenditures. Their averages and totals appear in the following table and will not again be mentioned]: @Week's Average Total expense for season@Lampmen #4 5s. #171@Billstickers #2 14s. #92 12s.@Handbills 12s. #22 16s.@Tailors #8 10s. #323@Mant. Makers #2 5s. #85 2s.@Candlemen #12 #456@Mr French #10 10s. #388@Painters #7 #266@Mr Heath and Wife #2 #76 [A spectator writes to the Public Advertiser (to inform the country readers) about the changes in the interior of Drury Lane Theatre resulting from the remodeling by the Adams@brothers. They had managed to give the impression of greater magnitude to the house. They removed the old heavy square pillars at the side of the stage, raised the sounding board on the side next to the stage, greatly improving the sound of the music and the actors' voices. Much new decoration went into the boxes making them more light and gay. Much panel glass, ornamentation, and ceiling decoration, giving it the effect of a dome. The author believes the crimson drapery over the stage is too dark for the objects around it, and the gold fringe lacks the brilliant effect. The lobby behind the front boxes was remodeled and kept clear of servants, by means of an adjoining room prepared for the servants. New arches lead into the entrance from Brydges St. toward the boxes.] Receipts: #235 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Love In A Village

Performance Comment: Hawthorne-Vernon; Justice Woodcock-Parsons; Sir William-Aickin; Eustace-Davies; Young Meadows-Dodd; Hodge-King; Margery-Mrs Wrighten, frist time; Lucinda-Mrs Jewell, first appearance on this stage; Rosetta-Mrs Smith; Deborah-Mrs Love; in I, a Country Dance incident to the piece-.

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: A Trip to Scotland

Performance Comment: Griskin-Parsons; Jemmy Twinkle-Whitfield; Sotherton-Lamash; Cupid (with song)-Mas. Blanchard; Landlady-Mrs Love; Miss Griskin-Miss Jarratt; Chamberlain-Burton; Filagree-Mrs Bradshaw; Miss Flack-Mrs Davies; Chambermaid-Miss Platt; With a Postillion Dance incidental to the piece,-Giorgi, Lauchery, Mrs Sutton; To conclude with a Country Dance-.
Event Comment: Paid additional Flutes 6 nights #3; Mr Davis's draft on the managers #50. Receipts: #249 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Rival Candidates

Event Comment: Mrs King from the York Theatre made her first appearance on this stage in Rosalind. She is very Tall and would look well enough if she did not paint her face so much with white and Red. She has a course Voice-and does not speak very Naturally. She was received with great applause (Hopkins Diary). [Genest, V, 479, suggests Mrs King was used to offset and upset Miss Younge.] Paid Watch tax and Beadle for half a year #18 15s.; Mr Levy Fredrick bill for silks #154 1s. 6d. Receipts: #132 16s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: As You Like It

Performance Comment: As17750926, but Rosalind-Mrs King; first appearance there. LeBeau-_; Charles-_; Jaques de Bois-_; Corin-_; William-_.

Afterpiece Title: The Theatrical Candidates

Dance: I: The Irish Fair, as17751003

Event Comment: Afterpiece: A Pantomime Entertainment not acted these eight years. [See 20 Oct. 1768.] New Scenes, Dresses and other Decorations. Doors open at 5 o'clock. To begin exactly at 6 o'clock. Theatrical intelligence, Covent Garden: Mrs Hunter, lately returned from Ireland was very well receiv'd in Mrs Oakly, and to do her justice she played the part throughout better than it has been performed for some time at either house. The labourings of Mr Wroughton's jealousy in Oakly reminded us of the progressive workings of a fatt of small beer, when inflated with powerful yeast....Orpheus and Eurydice was reviv'd after the play-the dullest of all dull Pantomimes (Harlequin's Jacket excepted). The two additional scenes we were summoned by the bills to behold, are two of the late memorable regatta:-The first is a perspective of Ranelagh Gardensv to the water, illuminated with party-coloured lamps, which terminates with the temporary obelisk erected on that occasion:-Behind this we just catch the streamers of the barges and etc., supposed to be rowing up to the stairs, and landing their company, to martial music and under the discharge of cannon, imitated by the unnatural slamming of one of the Green Room doors. This scene, however, had a tolerable appearance, but being on too confined a scale, its intended effect must have been lost. The other represented the inside of as much of the Temple of Neptunev as was possible to give the spectators in a theatre:-we cannot extol it by any means as a perfect representation:-and to prevent it coming too near the original, Harlequin, Perot, Pantaloon, and etc. were made to lounge in the orchestra instead of its being occupied by a good band of music:-in short the whole pantomime went off rather flat. It is recommended to the managers here never to suffer the scene shifters to appear again in such garb as they did; old greasy plush waistcoats, with red-stocking sleeves!-such a habit may be in keeping with a blacksmaith's forge, but not for a theatre royal in the metropolis of a polished country (Folger News Clipping)

Performances

Mainpiece Title: The Jealous Wife

Related Works
Related Work: The Jealous Wife Author(s): George Colman, the elder

Afterpiece Title: Orpheus and Eurydice or The Metamorphoses of Harlequin

Performance Comment: Harlequin-Lee Lewes; Orpheus-DuBellamy; Pantaloon-Banks; Squire Gawky-Wewitzer; Clown-Cushing; Witch-Thompson; Fish Woman-Walters; Drawer-Jones; Eurydice-Miss Brown; Rhodope-Miss Dayes; Dwarf-Mas. Jones; Nymph-Mrs Masters; Maid-Mrs Lawr; Colombine-Miss Matthews; first time. The Dances-Sg and Sga Zuchelli, Daguville, Sga Vidini; the Whole to conclude with Two Additional Scenes-. See17751016 .

Performances

Mainpiece Title: The Distressd Mother

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Bon Ton or High Life Above Stairs

Dance: II: The Savage Hunters, as17751020

Event Comment: Hamlet -Smith as usual (Hopkins Diary). Paid half year's Watch, St Martins #32 9s. 6d.; Housekeeper's 4 Bills #50 7s. 10d.; Music Books to Mr Stayner, #6 18s. (Treasurer's Book). [The housekeeper's weekly bill averaged #10, for a total of #380 the season. No further itemization of it will be made.] Receipts: #183 3s. (Treasurer's Book)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Bon Ton

Event Comment: Mainpiece: Not acted these 6 years. [See 24 Oct. 1770.] Miss P. Hopkins made her first appearance in Celia-great applause (+Hopkins Diary). [The Young Lady who played Celia indentified by Winston MS 11 as Miss Pricilla Hopkins who became Mrs Brereton, then was married a second time to John Kemble. She had acted Celia 19 April 1773 in As You Like It. The Young Lady who played Tragedy was Miss Sharp, later married to W. Palmer (Winston MS 11).] Paid Mr Neale for a laced Hat #1 15s. Receipts: #155 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The School For Lovers

Performance Comment: Sir John Dorilant-Reddish; Modely-Dodd; Bellmour-Palmer, first time for all three in these parts; Steward-Waldron; Servant-Everard; Araminta-Mrs King; Lady Beverly-Mrs Hopkins; Celia-a Young Lady, first time.

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Bon Ton

Dance: End: The Merry Peasants, as17751018

Performances

Mainpiece Title: The Provoked Husband

Performance Comment: Townly-Smith; Sir Francis Wronghead-Yates; Manly-Packer; John Moody-Moody; Richard-Burton; Count Bassett-Dodd; Lady Grace-Miss Sherry; Lady Wronghead-Mrs Hopkins; Miss Jenny-Mrs Davies; Mrs Motherly-Mrs Cross; Trusty-Mrs Johnston; Myrtilla-Miss Platt; Lady Townly-Mrs Yates.
Cast
Role: Mrs Motherly Actor: Mrs Cross

Afterpiece Title: Bon Ton

Dance: End: The Merry Peasants, as17751018

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: The Elopement

Dance: II: The Savage Hunters, as17751020

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Elopement

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: May Day

Dance: II: By Particular Desire, The Savage Hunters, as17751020, but Blurton

Event Comment: Fanny first time Miss P. Hopkins-very well and great applause (Hopkins Diary). The altered Comedy of Old City Manners, which was to have been performed this evening, for the author, is oblig'd to be deferr'd till Monday next on account of Mr Dodd's illness, when tickets deliver'd for this night will be taken. Receipts: #154 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Queen Mab

Dance: I: The Savage Hunters, as17751118

Event Comment: By Command. [No mention of the King and Queen in Treasurer's Book.] Paid Mr Grist on act by order #10. Receipts: #280 1s. (Treasurer's Book)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Queen Mab

Performance Comment: As17751117, but Parts-Cubitt, _Messink (playbill) but $Messink remains in the Public Advertiser.

Dance: II: The Savage Hunters, as17751118

Event Comment: Benefit for the Author of the Alterations (Hopkins Diary). [On this day Garrick wrote to Mrs Abington, relative to his practice in casting new plays: "That I may hear no more of this or that part in Mr Murphy's play, I now again tell you that every author since my management distributed his parts as he thinks will be of most service to his interest, nor have I ever interfered, or will interfere, unless I perceive that they would propose something contrary to common sense" (Harvard Theatre Collection, Autograph Letter Signed). Charges: #84 (Treasurer's Book)

Performances

Mainpiece Title: Old City Manners

Afterpiece Title: The Deserter

Dance: II: The Merry Peasants, as17751018

Event Comment: Miss Hopkins first time Maria --well receiv'd Mrs Abington Spoke a New Epilogue in Character of Philly Nettletop great Applause (Hopkins Diary). Paid Mr Bate's bill for composing The Theatrical Candidates #32 11s. Receipts: #124 19s. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: Old Groveby-King; Oldworth-Aickin; Sir Harry-Brereton; Druid-Bannister; Hurry-Parsons; Painter-Moody; Dupeley-Dodd; Maria-Miss P. Hopkins; Lady Bab Lardoon-Mrs Abington; in the course of the Piece will be introduced A Fete Champetre-; the music-Barthelemon; the Vocal Parts-Davies, Fawcett, Legg, Kear, Cubitt, Carpenter, Mas. Blanchard, Mrs Scott, Mrs Jewell, Mrs Wrighten; the Dances-Slingsby, Fontaine, Como, Giorgi, Blurton, Sga Crespi, Mrs Sutton, Sga Paccini; with a New Epilogue-Mrs Abington.

Afterpiece Title: The Lyar

Performances

Mainpiece Title: Braganza

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Padlock

Performance Comment: As17751005, but Leander-Davies , first time; Leonora-The Young Lady who performed the Little Gipsy (Miss Abrams); Mungo-Fawcett.

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Lyar

Performances

Mainpiece Title: Matilda

Afterpiece Title: The Sultan

Event Comment: Benefit of the Middlesex Hospital. Paid salary list at #105 3d. per diem, #630 1s. 6d.; Mr Westly #3. Receipts: #96 10s. 6d. Charges: #84. Profit to Hospital: #12 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Miss in Her Teens

Event Comment: Benefit for the Establishment of a Fund, for the Relief of Performers and others retiring from the Theatre. Mr Barry still continues indisposed. Afterpiece: The LAST time of performing it. [The call for this afterpiece must have been remarkable, supposed to closed 6 Nov. it was continued "by desire" on the 24 Nov. on Dec. 1, 8, 15, and 19.

Performances

Mainpiece Title: Edward And Eleonora

Cast
Role: Theald Actor: Clarke
Event Comment: Mainpiece: By Particular Desire. Paid Mr Garrick's note to Dr Arne #50 (Treasurer's Book). [This was an unrecorded benefit night for Bickerstaff as author of the afterpiece. See payment on 27 Feb. 1776.] Receipts: #129 9s. (Treasurer's Book)

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Sultan

Dance: V: The Sailors Revels, as17751220

Event Comment: Milwood Mrs King So, so, Barnwell first time by Mr Brereton very well. The Jubilee is reviv'd with Alterations and Additions in the Pageant It was receiv'd with vast Applause (Hopkins Diary). [The Westminster Magazine for Dec. remarked on The Jubilee: "It appeared with still greater splendor [than in its original performance in 1769] from the introduction of more pageants and characters. Romeo and Juliet made a different appearance in this procession, and their was likewise a new Pageant for the Tragedy of Coriolanus, which was not introduced before. The scenes were either all new painted, or quite new."] Receipts: #242 6s. (Treasurer's Book)

Performances

Mainpiece Title: The London Merchant Or The History Of George Barnwell

Afterpiece Title: The Jubilee

Performance Comment: Dramatic Entertainment in honor of Shakespeare in two parts- Dancing-; Dramatic Entertainment-[, introducing a pageant. [No cast listed in playbill but each of the subsequent thirty-three bills mentions "In Honour of Shakespeare."]
Related Works
Related Work: London's Great Jubilee Author(s): Matthew Taubman