SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr The Cibber"/1) | (@(roleclean,performerclean) "Mr The Cibber")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4554 matches on Event Comments, 3633 matches on Author, 3064 matches on Performance Comments, 534 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Farewell Folly Or The Younger The Wiser

Performance Comment: Edition of 1707 lists: Old Mr Holdfast-Estcourt; Young Holdfast-Wilks; Richly-Fairbank; Townly-Mills; Mimick-Cibber; Sharp-Pinkeman; Digger-Norris; Squire Lubbard-Bullock; Salathiel-Cross; Shab-Kent; Mariana-Mrs Oldfield; Jenny-Mrs Lucas; Isabella-Mrs Smith; Mrs Lodgem-Mrs Powell.
Cast
Role: Mimick Actor: Cibber
Event Comment: Written by the late Mr Congreve. [According to the Craftsman, 29 March, Cibber removed this passage from the play: Foresight , 'Pray what will be done at Court?' Valentine , 'Scandal will tell you; I am Truth, I never come there.'

Performances

Mainpiece Title: Love For Love

Cast
Role: Tattle Actor: Cibber
Role: Prue Actor: Mrs Cibber

Dance: Essex, Miss Robinson Sr, Miss Robinson Jr, Young Lally, Miss Brett

Event Comment: By Desire. Mainpiece: Written by Shakespear. Afterpiece: With a Scene representing the Drawing of the Lottery at Guildhall

Performances

Mainpiece Title: King Henry Viii

Cast
Role: Surrey Actor: Cibber
Role: Queen Katherine Actor: Mrs Thurmond

Afterpiece Title: The Lottery

Performance Comment: Jack-Stocks-Cibber; Chloe-Mrs Clive; Mr Stocks-Harper; Lovemore-Salway .
Cast
Role: Jack Actor: Stocks-Cibber
Role: Stocks Actor: Cibber
Event Comment: Mainpiece: Written by the late Mr Congreve. [For a long comment on Cibber Sr as actor, see Prompter, 19 Nov.]

Performances

Mainpiece Title: The Mourning Bride

Cast
Role: Garcia Actor: Cibber

Afterpiece Title: The Intriguing Chambermaid

Dance: I: Drunken Peasant by Le Brun. II: Dutchman and his Frow by Le Brun and Miss Brett. V: Revellers, as17341116

Event Comment: Benefit Quin. Written by Shakespear. In which will be restor'd Scenes, Soliloquies, and other Circumstances, originally in the Part of Falstaff, which have been for many Years omitted. [Daily Advertiser lists Prologue as representing the Ghost of Falstaff.]

Performances

Mainpiece Title: Henry The Fourth Part Ii

Performance Comment: Falstaff-Quin, being the first time of his performing that character in this play; King-Mills; Prince-W. Mills; Lancaster-Salway; York-Milward; Justice-Boman; Pistol-Cibber; Shallow-Johnson; Silence-Miller; Feeble-Griffin; Bardolph-Shepard; Poins-Oates; Falstaff's Boy-Miss Cole; Hostess-Mrs Cross; Doll Tearsheet-Miss Mann. A Prologue, by Mr Betterton, representing the Genius of Falstaff 40 Years ago, at the Revival of this Play, will be (by particular Desire) spoke by Quin .

Dance: I: By Mlle Anne Roland. III: English Maggot by Villeneuve and Mrs Walter. V: Revellers by Essex, Mrs Walter, &c

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Cibber; Johnson-Ryan; Smith-Delane; others-Hippisley, Rosco, Bridgwater, Hallam, Hale, Stephens, Roberts, Arthur, James, Neale, Mullart, Bencraft, Mrs Cross, Miss Burgess, Miss Brunette; with Vocals-Leveridge, Salway, Bencraft, Mrs Lampe, Miss Young; Also the Additional Reenforcements of Mr Bayes's new rais'd Troops-.
Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Afterpiece Title: The Dragon of Wantley

Dance: MMiller and Wife, The Swiss-M Michel, Mlle Michel (the French Boy and Girl); Villeneuve, Miss Oates

Event Comment: At the Desire of Several Persons of Quality. Receipts: #150

Performances

Mainpiece Title: The Constant Couple

Performance Comment: Sir Harry Wildair (By Desire)-Mrs Woffington; Col Standard-Delane; Beau Clincher-Cibber Jun.; Clincher Jun-Neale; Vizard-Havard; Lady Lurewell-Mrs Clive; Angelica-Mrs Mills; Pearly-Mr Macklin; Smuggler-Johnson; Dicky-Ray; Tom Errand-Leigh; Constable-Turbutt; Lady Darling-Mrs Cross.
Cast
Role: Beau Clincher Actor: Cibber Jun.

Song: As17420101

Dance: II: Le Boufon, as17411030; IV: Les Jardiniers Suedois, as17411128

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Garrick; Johnson-Mills; Smith-Berry; other characters-Macklin, Havard, Yates, Blakes, Neale, Morgan, Arthur, Green, Turbutt, Winstone, Mrs Cross, Miss Minors, Miss Cibber, Mrs Ridout, Wright, Woodburn, Gray, Leigh; Vocal Parts-Beard, Lowe, Raftor, Ray; With the Additional Reinforcement of Mr Bayes's New Rais'd Troops-.
Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Song: I: Songs-Beard

Music: III: Concerto-Veracini

Dance: II: Peasant Dance, as17420921; IV: Tyrolean Dance, as17420921

Event Comment: The New Theatre in the Haymarket will speedily be open'd with Shakespeare's Romeo and Juliet, by Permission, according to Act of Parliament. This Piece, it's said, has not been played these hundred years. The character of Juliet is to be acted by Miss Jenny Cibber, a young daughter of Mr Cibber, by his first wife....A new Comedy, call'd the Prodigal; or, Recruits for the Queen of Hungary, will soon after be brought on that Stage.-Daily Advertiser

Performances

Event Comment: t foot of Bill]: Whenever a Pantomime or Farce shall be advertised, the advanced prices shall be returned to those who do not choose to stay; and on Thursday next will be published the Manager's reasons for his conduct in the present dispute. Winston MS.: Fleetwood, the manager, and servants driven from doors & all rushed in. Genest, IV, 137-38: A country gentleman was taken from an upper box and carried before a magistrate. This step when known by the audience occasioned much mischief. Acting the play not allowed. General Advertiser, 22 Nov.: An Address to the Public, dl Theatre 20 November. As the extraordinary disturbances which have lately happened at this theatre greatly affect the diversions of the publick, as well as the property of the manager, he thinks it incumbent on him to justify his conduct by giving a fair statement of the case....The reasons of complaint assigned, he apprehends, are the exhibition of Pantomimes, Advanced Prices, and Insults on the audience--as to the first, he submits it to be considered that however distasteful such pieces may be to the delicacy of some judgments, yet there are others to whose taste they are suited; as the playhouse may be considered as the general mart of pleasure, it is only from the variety of entertainment, the different tastes of the public can be supplied--of this the receipts of the house are a sufficient evidence, it being notorius, how necessary the addition of such pieces is towards procuring the best play a numerous audience. With regard to the advanced prices, the Manager hoped he should in some measure be justified by the great increase of the charges of the theatre which, notwithstanding any reduction that has been made, are still at least a fourth part greater than usual--but as in this point he has already submitted, he conceives it can no longer remain the subject of their displeasure, especially as by an advertisement handed about the theatre it was said that every objection would cease, when the manager consented to return the advanced prices to those, who did not choose to be tortured with entertainments. As to insults on the audience...last week upon some persons flinging the sconces and candles on the stage a quarrel arose, in the confusion of which a Gentleman was secured, but by whom the Manager knows not, nor ever gave any order, or was any acquainted with the affair till after he was discharged, for the truth of which he refers to the affidavit annexed. As to the accusation of several bruisers (as they are termed) being employed on Saturday night to insult Gentlemen, the Manager declares, that there was none but the Peace Officers, Carpenters, and Scene-men (which on account of the Entertainments are very numerous) and other servants belonging to the theatre; nor did they appear till urged by the tumult, by tearing up benches and threat'ning to come on the stage and demolish the scenes; nor could the Manager apprehend this legal precaution to prevent mischief and defend his property would ever be construed as an infringement on the liberty of an audience, especially when it is considered, what great damages he sustained some years ago on an attempt of the like nature--if any such persons appeared in the pit, the Manager presumes, they must have come in with the multitude, after his doorkeepers were drove from their posts, and the house was open to all; which was evident from several hundred persons more being present at the disturbance than were at the performance that night, who then came to a determination to prevent any performance on the Monday. After this impartial account of his conduct, the manager appeals to the judgment of the publick what foundation he has given for the outrageous disturbance on Monday night; and cannot help thinking, the real injuries he has sustained, too severe a punishment for an imaginary offence, having lost several hundred pounds already, by people being terrified from frequenting the theatre. A total exclusion is now insisted on, the Manager to resign his property, the Publick to be deprived of their diversions and the players of their subsistence; And all this after every concession, becoming one gentleman to ask, or another to make, has been submitted to. [Affidavit of Constable followed. See Genest, IV, 139-40.] The following three pamphlets came out expressing points of view concerning Fleetwood and his policy and management: I. The Disputes between the Director of d.l. and the Pit Potentates, 20 Nov. As a Letter to a Friend it tells the resolution: not to have old Pantomimes (so execrably bad that they were damn'd when new) imposed on them, unless the manager would take no more than common prices; reports how Fleetwood stocked the pit with Men of doughty valor...disguised in the habits of Gentlemen, to throw out all who protested; protests the system of casting employed whereby 2nd rate actors appeared in good parts; discusses hardship cases of certain actors (Mrs Roberts, Mrs Horton, Mrs Mills) and asks why Theophilus Cibber is not on the stage. 2. An Impartial Examen of the Present Contests, by Mr Neitherside, 1744: harks back to Fleetwood's finacial policies of the previous year, deploring his relations with the actors and with manager of cg; scourges him for miscasting his plays around one prominent actor, rather than giving a balanced performance; deplores his paying Mrs Cibber, Mrs Clive so much; revives the 1743 dispute which led to secession; dislikes the casting for 2 Nov. of Love's Last Shift; suggests better casts for many plays; scores the Licensing Act for reducing players to slavery; hopes for resumption of balanced performances. 3. Stage Policy Detected, or some Selcet Pieces of Theatrical Secret History Laid Open, in a Letter to a Certain Manager, 1744: takes apart Fleetwood's Defense, statement by statement, giving him the lie at each point. Suggests the real money from the house comes from Pit and Box, which are protesting his pantomimes; shows full attendance at Rehearsal and Macbeth with no afterpieces. Especially dislikes the hired bruisers, and the cast of the Alchemist for 6 Nov

Performances

Mainpiece Title: The Provoked Wife

Dance: Muilment

Event Comment: Benefit Ryan. Mainpiece: At the desire of several persons of Quality. Tickets at Ryan's Lodgings in Great Queen St

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock (By particular Desire)-Ryan; Antonio-Cashell; Bassanio-Hale; Gratiano-Cibber; Lorenzo-Beard (with the usual songs in the character, likewise the song of Diana from Dryden's Secular Masque, set to music by Mr Boyce); Lancelot-Chapman; Solarino-Ridout; Morochius-Carr; Leonardo-Anderson; Gobbo-Arthur; Balthazar-Hayman; Salanio-Gibson; Duke-Marten; Tubal-Stoppelaer; Jessica-Mrs Vincent; Nerissa-Miss Hippisley; Portia-Mrs Pritchard; 1st time. 1st time.
Cast
Role: Gratiano Actor: Cibber

Afterpiece Title: Phebe

Dance: DDrunken Tyrolese-Sodi; Peasant-Cooke

Event Comment: Ladies desired to send servants by three o'clock to keep places. [This note repeated for each performance of this play.] Paid Mr Smart the lace man on account #50. Paid Mrs Cleater (Mrs Cibber's Dresser) 5 days last week, 7s. 6d. Receipts: #178 14s

Performances

Mainpiece Title: The Fair Penitent

Cast
Role: Fair Penitent Actor: Mrs Cibber
Event Comment: Paid Mrs Furnival for her performing the part of Alicia this night, Mrs Cibber being ill...#5 5s. (Account Books, Egerton 2268) [Mrs Cibber's name was in the General Advertiser notice.] Receipts: #156 17s. We hear that there is now in Rehearsal a new Comedy called The Rake, which Character is to be represented by Mr Garrick

Performances

Mainpiece Title: Jane Shore

Event Comment: TThe Suspicious Husband deferr'd on account of Garrick's Indisposition (General Advertiser). Paid Quin on Acct. #42; Mrs Cibber on acct. #42. Paid Mr Wainwright [apothecary] in full of a Bill #41 17s. Receipts: #162 19s

Performances

Mainpiece Title: The Country Wife

Cast
Role: Country Wife Actor: Mrs Cibber

Afterpiece Title: Orpheus and Eurydice

Dance: As17461231

Performances

Mainpiece Title: The Spanish Fryar Or The Double Discovery

Afterpiece Title: Miss in Her Teens

Performance Comment: Fribble-Cushing (who performed Wagtail in Mr Foote's Farce); Flash-Cibber; Biddy-Miss Mattocks her 1st appearance on any stage; Sir Simon-Collins; Jasper-Morgan; Capt Loveit-Anderson; Puff-Dunstall; Tag-Mrs Bland.
Cast
Role: Flash Actor: Cibber
Event Comment: Benefit for Leviez, Ballet Master. Tickets deliver'd for Romeo and Juliet will be taken. Mr Leviez is oblig'd to change the play on account of Mrs Cibber's illness. Romeo advertis'd but Mrs Cibber's illness chang'd it (Cross). Tickets to be had of Leviez at his house in Great Queen St., and of Hobson at the Stage Door. Receipts: #180 (Cross); house charges, #63 (Powel)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Miss in Her Teens Ye Scene of Peace

Performance Comment: As17490410 but Fribble-Garrick; rest omitted; To conclude with the Last Grand Scene of The Triumph of Peace-; (see17490221) in which will be a Grand Dance-Cooke, Anne Auretti, Mathews, Mrs Addison.

Dance: III: Hornpipe-the Little Swiss; IV: Scotch Dance, as17490118; V: Savoyards, as17480920

Event Comment: The Dirge (from the General Advertiser).@ Ah, hapless Maid doom'd to the gaping Jaws@Of a Cold and Comfortless and Dreary Tomb.@Thy Marriage song is chang'd to mournful Dirge@Thy bridal bed to a black Fun'ral Hearse.@Hark, how with awful Pause the solemn Bell@In Death-like Sounds tolls her untimely Knell.@She was her Parents' sole delight@They had but one and only child.@Since Death has torn her from their Arms@With Grief and Sorrow they are wild.@Their Grief and Sorrow ev'ry Bosom shares@Witness our sighs and Groans and falling Tears.

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Barry his 1st time of appearing on that stage; Capulet-Sparks; Montagu-Bridgwater; Escalus-Anderson; Paris-Lacey; Benvolio-Gibson; Lady Capulet-Mrs Barrington; Friar Lawrence-Ridout; Gregory-Arthur; Sampson-Collins; Abram-Dunstall; Balthazar-Bransby; Mercutio-Macklin; Tybalt-Dyer; Nurse-Mrs Macklin; Juliet-Mrs Cibber; An Additional Scene will be introduced representing the Funeral Procession of Juliet-; which will be accompanied by a Solemn Dirge never performed before-; The Music by Mr Arne-; Occasional Prologue-Barry.
Cast
Role: Juliet Actor: Mrs Cibber

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Barry; Capulet-Sparks; Montague-Bridgwater; Escalus-Anderson; Benvolio-Gibson; Paris-Usher; Lady Capulet-Mrs Barrington; Friar Lawrence-Ridout; Gregory-Cushing; Sampson-Collins; Abram-Dunstall; Balthazar-Bransby; Mercutio-Macklin; Tibalt-Dyer; Nurse-Mrs Macklin; Juliet-Mrs Cibber; With a Masquerade Dance-proper to the play; And an Additional Scene representing the Funeral Procession of Juliet-; which will be accompanied by a Solemn Dirge-. The Music composed by Mr Arne.
Event Comment: Benefit for Barry. Eight rows of the Pit will be rail'd into the Boxes, where servants will be allow'd to keep places. Ladies send sevants by 3 p.m. And for their better accommodation the Stage will be form'd into an Amphitheatre, where servants will likewise be allow'd to keep Places

Performances

Mainpiece Title: Theodosius Or The Force Of Love

Performance Comment: Varanes-Barry; Theodosius-Ryan; Leontine-Ridout; Marcian-Sparks; Aranthes-Usher; Pulcheria-Mrs Vincent; Athenais-Mrs Cibber 1st time; With the songs- incident to the play set to music by Mr Arne.

Afterpiece Title: The Contrivances

Dance: GGrand Dutch Dance, as17511021

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Cibber; Johnson-Ridout; Smith-Sparks; Two King of Brentford-Costollo, Stoppelaer; Drawcansir-Dunstall; General-Wignell; Thunder-Barrington; Lightening-Miss Mullart; Prince Volscius-Dyer; Prince Prettyman-Gibson; Player-White; Tom Thimble-Collins; Gentleman Usher; Physician-Arthur; Sun-Bencraft; Moon-Howard; Earth-Baker; Pallas-Cushing; Armarillis-Mrs Baker; Cloris-Mrs Griffiths; Two Sing@song Dancing Spirits-Mrs Lampe, Miss Young; Soldiers horse, foot, Cardinals, Judges, Lord Mayor, Lords, Ladies, Mourners-the rest of the Comedians; With all the Music-; Songs-; Dances-, Scenes, Machines, other Decorations proper to the Play; Also an additional Reinforcement of Mr Bayes new@Rais'd troops-.
Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Afterpiece Title: The Schoolboy

Dance: As17541203

Performances

Mainpiece Title: Oroonoko

Performance Comment: Oroonoko-Garrick1st time; Aboan-Holland; Blandford-Palmer; Imoinda-Mrs Cibber; Stanmore-Packer; Driver-Bransby; Governor-Burton; Planters-Moody, Perry, Scrase, Atkins, Mrs Bradshaw; Hotman-Blakes; Slaves-Ackman, Clough, Fox; In Act II will be introduc'd an Entertainment of Singing-Champnes, Reinhold, Miss Young; The Music by Mr Stanley, with a proper Dance of the Slaves-Grimaldi, Noverre, Matthews.
Related Works
Related Work: Oroonoko Author(s): Thomas Southerne

Afterpiece Title: The Anatomist

Event Comment: Jan. 30, 1766, died Mrs Cibber. Was Miss Arne, born 1715. Married Theo Cibber 21 April 1734. Brought to bed of a son 5 April 1736. Left stage 1738 with Mr Sloper, who was charged with damages. Acted Dublin 1741. Returned to Covent Garden and performed till 1747. Joined Garrick till 1750. Returned to cg till 1753. Returned to dl and remained till she died (Winston MS 9 from Burney's Actor's MS)

Performances

Mainpiece Title: None

Event Comment: The United Company. This performance is on the L. C. list, 5@151, p. 369: ye Q a Box & a Box for ye Maids of Honr double dealer. [See also Nicoll, Restoration Drama, p. 352.] Cibber relates an incident which may pertain to this performance, Apology, I, 185-86: Queen Mary having commanded the Double Dealer to be acted, Kynaston happen'd to be so ill that he could not hope to be able next Day to perform his Part of the Lord Touchwood. In this Exigence, the Author, Mr Congreve, advis'd that it might be given to me, if at so short a Warning I would undertake it. The Flattery of being thus distinguish'd by so celebrated an Author, and the Honour to act before a Queen, you may be sure made me blind to whatever Difficulties might attend it. I accepted the Part, and was ready in it before I slept; next Day the Queen was presented at the Play, and was received with a new Prologue from the Author, spoken by Mrs Barry, humbly acknowledging the great Honour done to the Stage....After the Play, Mr Congreve made me the Compliment of saying, That I had not only answer'd, but had exceeded his Expectations, and that he would shew me he was sincere in his saying more of me to the Masters.--He was as good as his Word, and the next Pay-day I found my Sallary of fifteen was then advanced to twenty Shillings a Week

Performances

Mainpiece Title: The Double Dealer

Event Comment: SSt. James's Evening Post, 2 June, quoted in Grub St. Journal, 7 June: Sir, As Mr Cibber has had various ill-natured reflections cast upon him, for selling his share of the patent for Drury-Lane house, and for not making it over to his son; it will be a piece of justice to inform the publick, that the reason which he gave for such a conduct was, that he chose to convert it into ready money, that he might make a proportionable division of what fortune he may happen to have among all his children. Craftsman, 2 June: We have likewise received undoubted Intelligence from [dl], that a considerable Body of malcontent Players, under the Command of that puissant Captain, Mr The@@lus C@@r, have lately enter'd into a mutinous Association against their Masters, the Patentees, and still continue in a State of Hostility; which hath prevented any Plays being acted there this Week

Performances

Mainpiece Title: Griselda

Event Comment: At the Desire of several Persons of Quality and Distinction. Mainpiece: Written by Sir John Vanbrugh and Mr Cibber. Afterpiece: Written by Mr Carey

Performances

Mainpiece Title: The Provokd Husband

Performance Comment: As17350718 but Manly-a Citizen of London, the first Time of his Appearance on any Stage; Poundage-Gray; Mrs Motherly-Mrs Egerton; Mrs Trusty-Miss Jones; Myrtillo-Miss J. Jones .

Afterpiece Title: The Honest Yorkshireman