SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Tate"/1) | (@(roleclean,performerclean) "Mr Tate")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4242 matches on Event Comments, 1142 matches on Performance Comments, 528 matches on Performance Title, 354 matches on Author, and 4 matches on Roles/Actors.

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: Alexander the Great

Performances

Mainpiece Title: Alexanders Feast Grand Selection 0

Afterpiece Title: A Grand Miscellaneous Act

Performances

Mainpiece Title: Aci E Galatea

Dance: king's As17950324

Performances

Mainpiece Title: Mrs Doggrell In Her Altitudes Or The Effects Of A West India Ramble

Afterpiece Title: The Clandestine Marriage

Afterpiece Title: The Author

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Sailors Festival or All Alive at Portsmouth

Afterpiece Title: Netley Abbey

Performances

Mainpiece Title: Speculation

Afterpiece Title: Lord Mayors Day

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Adopted Child

Song: As17950929

Event Comment: Mainpiece [1st time; MD 3, by Prince Hoare. Larpent MS 1126; not published; synopsis of plot in Monthly Magazine, May 1796, p. 320]: With new Scenes, Dresses, Decorations, &c. The Musick principally composed by the late Mr Storace [who had died on 19 Mar.], with a few Selections from Paisiello, Haydn and Sarti. [Grove, under Storace, states that the music was completed and prepared for the stage by Kelly and Sga Storace.] The Scenes designed and executed by Marinari and assistants. The Dresses by Johnston, Gay and Miss Rein. Books of the Songs to be had in the Theatre. "It was exceedingly tedious the first night, not being over till eleven o'clock. Since, it has been prudently cut down, and yet has lost nothing. A prologue, written on the very morning of representation, deploring the loss of the composer, was spoken (perfectly) by the last unfortunate Benson [for whom see 9 June. It was written by Hoare (Universal Magazine, May 1796, p. 362), and Was perhaps spoken only on the 1st night; it is not listed on any playbill]" (Monthly Magazine, May 1796, p. 320). "In short, possessing all the science of Harrison, the melody of Incledon, and the pleasing articulation of the late Mrs Kennedy, we have no hesitation in pronouncing [Braham] the first public singer of the present day. He was three times encored. His action is indifferent, and his dialogue scarcely audible" (Morning Herald, 2 May). Receipts: #297 14s. (258.10.6; 38.19.6; 0.4.0)

Performances

Mainpiece Title: Mahmoud Or The Prince Of Persia

Afterpiece Title: All the Worlds a Stage

Performances

Mainpiece Title: Mahmoud

Afterpiece Title: My Grandmother

Performances

Mainpiece Title: Love And Money

Afterpiece Title: First Love

Afterpiece Title: My Grandmother

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Harlequins Treasure 0

Afterpiece Title: Harlequins Treasure 1

Afterpiece Title: Harlequins Treasure 2

Entertainment: MonologueEnd: The Barber's Petition, as17960506; with Wigs, as17960506

Performances

Mainpiece Title: The Belles Stratagem

Afterpiece Title: The Sultan

Song: End I: Whither my Love, Ah! Whither art thou fled? (from The Haunted Tower)-Sga Storace; From Shades of Night-Braham; This fond Sorrow-Braham, Sga Storace (both from Mahmoud); End II: the celebrated Harp Song Ah che nel petto io sento, from Idalide,-Mme Mara; In IV: a Masquerade Scene, in which Ally Croker-Miss Leak, Master Welsh

Entertainment: MonologueEnd: a new Occasional Address-Mrs Jordan

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Wicklow Mountains

Event Comment: The Publick is most respectfully informed that on account of the sudden Indisposition of a Principal Performer, the new Tragedy of The Conspiracy [advertised on playbill of 11 Nov.] is obliged to be deferred. "A new tragedy, entitled The Conspiracy, written by Mr Jephson, was announced for representation on Saturday evening; but (as the apology stated) on account of the indisposition of a principal performer, The Grecian Daughter was substituted in its room. All the principal performers advertised for the new play having, however, appeared in The Grecian Daughter, it is supposed, and generally understood, that it was the interference of the Lord Chamberlain's interdiction (who, by the mighty virtues of his white wand, valiantly frustrated the meditated Conspiracy), that produced the sudden change of performance" (Morning Herald, 14 Nov.), Receipts: #256 7s. 6d. (167.6.6; 84.11.0; 4.10.0)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: My Grandmother

Ballet: End: The Scotch Ghost. As17961108, but Glaude-Grimaldi

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Robinson Crusoe or Harlequin Friday

Performances

Mainpiece Title: La Modista Raggiratrice

Dance: End I: Divertissement-, as17970103; End Opera: Flore et Zephire, as17961126

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: The Spoild Child

Entertainment: MonologueEnd: Address (written for the Occasion)-Mrs Yates

Performances

Mainpiece Title: The Tempest Or The Enchanted Island

Afterpiece Title: My Grandmother

Song: Mainpiece: Vocal Parts-Sedgwick, Dignum, Caulfield, Cooke, Master Welsh, Miss Leak, Miss D'Evelyn

Monologue: V: The Masque of Neptune and Amphitrite. Neptune-Sedgwick; Amphitrite-Miss D'Evelyn

Performances

Mainpiece Title: The Tatlers

Afterpiece Title: Cross Purposes

Afterpiece Title: Netley Abbey

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: The Midnight Hour

Song: Admiral Benbow-Incledon

Entertainment: Imitations The Beggar-Townsend

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: The Waterman

Afterpiece Title: Harlequin and Oberon

Entertainment: Vaudeville. In 3rd piece: (for that Night only) a Leap through a Wheel of Fire@Works and a Hoop of Daggers-Simpson

Performances

Mainpiece Title: The Tempest Or The Enchanted Island

Afterpiece Title: Whos the Dupe

Song: Mainpiece: Vocal Parts-Sedgwick, Dignum, Caulfield, Danby, Brown, Fisher, Evans, Phillimore, Ms Leak, Ms Arne, Ms Wentworth, Ms Butler, Ms Jackson, Ms Benson, Ms Menage, Ms Roffey, Ms Gaudry

Monologue: V: The Masque of Neptune and Amphitrite. Neptune-Sedgwick; Amphitrite-Miss Dufour

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End I: concerto on violin-Master Pinto; End II: concerto on the Piano Forte-Dussek

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Raft or Both Sides of the Water

Afterpiece Title: Lovers Quarrels

Song: In III 1st piece: a song-Incledon

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Raymond and Agnes

Dance: In III: Hornpipe in Fetters, as17971025; Afterpiece to conclude: Spanish Fandango-; Finale- as17971009