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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr T"/1) | (@(roleclean,performerclean) "Mr T")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7760 results for: Keyword - Mr T.
We found 4812 matches on Roles/Actors, 4224 matches on Event Comments, 1138 matches on Performance Comments, 528 matches on Performance Title, and 18 matches on Author.

7651
25 September 1779 @ Drury Lane Theatre

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Harlequin's Invasion

7652
14 March 1780 @ Covent Garden

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: An Ode by Garrick

Dance: As17790922

7653
21 April 1780 @ Covent Garden

Performances

Mainpiece Title: A Gazette Extraordinary; Or, The Illumination

Afterpiece Title: The Pilgrim

Afterpiece Title: The Elders

Dance: IV: The Bedlamites-

7654
01 December 1780 @ Drury Lane Theatre

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: Harlequin's Invasion

7655
15 February 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Robinson Crusoe

Dance: As17810203

7656
07 May 1781 @ Covent Garden

Performances

Mainpiece Title: The Farmer's Return From London

Afterpiece Title: All for Love

Afterpiece Title: Phusimimesis; or, Resemblances of Nature

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Song: End II 2nd piece: The Huntsman's Sweet Halloo, as17810226; 4th piece: The Early Horn-Cubitt; Scene I: When Phoebus the tops of the hills, as17810425

7657
01 September 1781 @ Haymarket Theatre

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

7658
29 October 1781 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; past 2, by Richard Tickell]: Altered from [the same, by] Allan Ramsay. [MS not in Larpent; not published.] With the original Airs, new Accompaniments, and a new Overture [by Thomas Linley, Sen.]. Books of the Songs to be had at the Theatre. "The above Opera, written by Allen Ramsay, has been long and justly admired, but by those only whose knowledge of the Scottish dialect has enabled them to judge of its excellencies. That an English audience might become partakers of this entertainment seems to have been the laudable design of the Dramatist, Mr Tickel, in now divesting it of its numerous provincialities, grown almost obsolete, even in Scotland, at this distant period . . . The characters were drest with a rustic simplicity, which, tho' not exactly characteristic of the Highland manner, were perfectly Pastoral" (Universal Magazine, Nov. 1781, p. 237). Receipts: #202 9s. 6d. (167/18/0; 33/3/0; 1/8/6)

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Gentle Shepherd

Dance: End of Act I of afterpiece a Highland Reel by Blurton and the two Miss Stageldoirs. [This was danced, as here assigned, in all subsequent performances.]

7659
28 November 1781 @ Covent Garden

Performances

Mainpiece Title: The Banditti; Or, Love's Labyrinth

Afterpiece Title: The Apprentice

7660
01 August 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: A Fete

Afterpiece Title: The Dead Alive

7661
30 September 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Quaker

7662
03 October 1783 @ Covent Garden

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Padlock

7663
10 May 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: A Medley

Afterpiece Title: Duke and No Duke

Dance: End of Act I of mainpiece, as17840311athi

7664
28 September 1784 @ Covent Garden

Performances

Mainpiece Title: Zara

Afterpiece Title: Catherine and Petruchio

7665
09 November 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Bon Ton

Dance: In Act I of mainpiece a Dance of Spirits by Miss Hamoir, &c.; In Act III a Dance of Fantastic Spirits (performers not listed); In Act IV a Dance by Mr and Miss Hamoir. [All these were danced, as here assigned, in all subsequent performances.]

7666
10 February 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Fair Refugee; Or, The Rival Jews

Afterpiece Title: A Musical Interlude

Afterpiece Title: The Author

Song: End of Act I of 3rd piece How sweet's the love that meets return by Mrs Henley

7667
18 April 1785 @ Covent Garden

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Land of Enchantment

Afterpiece Title: Barataria

Dance: In 2nd piece, by Harris, Miss Besford, Mrs Goodwin, Mrs Ratchford, Miss Matthews

Song: As17841025, but omitted: names of singers

7668
25 April 1785 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Deserter

Dance: End of mainpiece The fancy Races {performers not listed]

Song: End of Act I of mainpiece Tantivy, the welkin resounds (the Music by Hook); End of Act II a new song, The New Blown Rose (the Words by Mrs Cumyns, the Music by Dale), both by Mrs Martyr

7669
08 November 1785 @ Covent Garden

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: Rosina

Dance: As17851103

7670
25 February 1786 @ Covent Garden

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Three Weeks after Marriage

7671
08 August 1786 @ Windsor Castle Inn, King Street, Hammersmith

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Romp

Afterpiece Title: The Elopement

7672
27 November 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Chances

Afterpiece Title: Richard Coeur de Lion

7673
31 January 1787 @ Covent Garden

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Three Weeks after Marriage

Dance: End: The Wapping Landlady-Blurton, Rayner, Miss Cranfield

7674
29 March 1787 @ Red-Lion Inn, Lordship Road, Stoke Newington

Performances

Mainpiece Title: She Stoops To Conquer; Or, The Mistakes Of A Night

Afterpiece Title: Bon Ton; or, High Life above Stairs

Entertainment: Monologue. Entertainments: An Epilogue describing the Furor Dramatica, Epilogue to The Lying Valet [by David Garrick], Paul Prigg's Description of his Journey thro' Gravesend Rochester Boulogne Amiens and Chantilly, Prologue to Bon Ton [describing the Folly and Fashions of the Times by George Colman elder], Bucks have at Ye all, An Occasional Address of Thanks to the Ladies and Gentlemen [by Marriot, Johnny Gilpin's Account of his Journey thro' Stoke Newington Edmonton to Ware shewing how he went farther than he intended and arrived safe Home at last-Marriot

7675
31 March 1787 @ Red-Lion Inn, Lordship Road, Stoke Newington

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Dr Last's Examination before the College of Physicians

Afterpiece Title: The Padlock

Song: V: a Grand Funeral Procession-; Solemn Dirge-; Vocal Parts-Wilson, Mrs Fowler, Miss Fowler, Mrs Marriot; Between the Acts: Singing-Wilson