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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Stanley"/1) | (@(roleclean,performerclean) "Mr Stanley")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5893 results for: Keyword - Mr Stanley
We found 4243 matches on Event Comments, 1333 matches on Performance Comments, 577 matches on Performance Title, 62 matches on Author, and 0 matches on Roles/Actors.

1226
19 March 1785 @ Covent Garden

Performances

Mainpiece Title: The Follies Of A Day

Afterpiece Title: Midas

1227
28 December 1792 @ Drury Lane Theatre

Performances

Mainpiece Title: At King's Othello

Afterpiece Title: The Patron

1228
29 January 1793 @ Covent Garden

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Farmer

1229
15 September 1794 @ Covent Garden

Performances

Mainpiece Title: The Rival Queens; Or, Drury-lane And Covent-garden

Afterpiece Title: The Suspicious Husband

Afterpiece Title: Sprigs of Laurel

1230
09 June 1757 @ Ranelagh Gardens

Performances

Mainpiece Title: Acis And Galatea

Performance Comment: Conducted by Stanley.

1231
12 March 1760 @ Covent Garden

Event Comment: Set by Stanley. Oratorio published at 1s. for R. Griffith. Charges #35. Slept in at the Upper Gallery tonight, where I see Fuller and Hastings, then went to the Bedford (Hailey, Brietzcke Diary, Vol. 197, p. 142)

Performances

Mainpiece Title: Zimri

Music: As17600229

1232
17 November 1760 @ Drury Lane Theatre

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Tears and Triumphs of Parnassus

Dance: II: Reviv'd the Pantomime Dance, call'd The Prussian Camp The Prussian Soldiers by the Comedians, the Characters of the Dance-Grimaldi, Miss Baker

Music:

Song: n Ode for Music, call'dThe Tears and Triumphs of Parnassus-. The Music compos'd by Stanley

Performance Comment: The Music compos'd by Stanley.

1233
10 April 1767 @ Covent Garden

Event Comment: By Command of their Majesties. Rec'd from Stanley and Smith for use of the organ #21, and for coals burnt at the oratorios #2 2s. (Account Book). Charges: #35 (Account Book)

Performances

Mainpiece Title: The Messiah

Music: As17670306

1234
02 March 1768 @ Covent Garden

Event Comment: By Command of their Majesties. House Charges received from Stanley and Smith #35 (Account Book)

Performances

Mainpiece Title: Joseph

Music: As17680219

1235
09 April 1768 @ Covent Garden

Event Comment: Benefit for Mrs Bulkley. Mainpiece: By Particular Desire. Charges #66 5s. 6d. Balance to Mrs Bulkley #49 10s. 6d. plus #116 19s. in tickets (Box 316; Pit 217; Gallery 54). Received of Stanley and Smith #21 for use of the Organ (Account Book). Receipts: #115 16s. (Account Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Citizen

Dance: II: Minuet-Fishar, Mrs Bulkley; End: The Highland Reel, as17680307

1236
17 March 1769 @ Covent Garden

Event Comment: By Command of their Majesties. Receiv'd from Stanley and Smith for use of the Organ this season #21; for coals burnt at Oratorios #2 2s. Charges: #35 (Account Book)

Performances

Mainpiece Title: The Messiah

Music: Serenata Geminiane, Third Opera,-Sg Paganini

1237
13 April 1773 @ Drury Lane Theatre

Event Comment: Benefit for Love. Recd Messrs Stanley & Smith 11 Oratorio Nights at #28 per night Candles Oyl &c. #347 12s.; Paid 11 nights Rent for Oratorios #88 (Treasurer's Book). [The Apology for Apologies is Larpent MS 351. Satire upon "Indispositions" of principal performers, suggests what would happen if other professions (law, medicine) substituted stand-ins with no other apology than is made in the theatrical profession.] Receipts: #168 8s. Charges: #64 12s. Profits to Love: #103 16s. (Treasurer's Book)

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Intriguing Chambermaid

Entertainment: After: (For that Night only) An Apology for Apologies-King

Dance: The Sailors Revels, as17720919

1238
10 April 1778 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. Account-Book, 22 Apr.: Received from Stanley & Co. Oratorio Acct. #334 2s. 6d

Performances

Mainpiece Title: The Messiah

Music: As17780306

1239
26 March 1779 @ Drury Lane Theatre

Event Comment: Paid Norris #105; Mrs Kennedy #115; Webster #80 17s.; Boy's Choir #52 10s.; David Richards #40; Parke #20; Advertisements in Public Advertiser #9 5s.; Band #354 9s. 6d.; Chorus Singers #174 19s. 6d.; Cramer, Cervetto, Crosdill #5 5s. a performance. Received from Stanley for Oratorio rent of theatre #308. Receipts: #206 3s. (204.10; 1.13)

Performances

Mainpiece Title: The Messiah; Judas Maccabaeus

Music: As17790303

1240
17 March 1780 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. Account-Book: Received Oratorio Acct. from Stanley #338 18s

Performances

Mainpiece Title: The Messiah

Music: As17800211

1241
15 February 1782 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. [Public Advertiser, 18 Feb., refers to the Overture to Rodelinda, which opened the performance, and to Street Bird, sung by Miss Linley, accompanied on the organ by Stanley; Oft on a plat of rising ground by Miss Prudom; Hide me from day's garish eye by Miss Linley; Horn and Morn by Reinhold.] 2nd piece: Set to Music by Handel. Tickets to be had and Places for the Boxes to be taken of Fosbrook at the Stage Door of the Theatre, at half a guinea each. Pit 5s. 1st Gallery 3s. 6d. 2ndGallery 2s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Performances

Mainpiece Title: L'allegro Ii Penseroso

Afterpiece Title: The Choice of Hercules

Music: End of Part I of oratorio concerto on the violoncello by Crosdill; End of Part II concerto on the hautboy by Parke

1242
21 March 1782 @ Haymarket Theatre

Performances

Mainpiece Title: Love At A Venture; Or, The Rake Reclaim'd

Performance Comment: Principal Characters by performers engaged from different Theatres: Morris, Barrett, Money, Whitely, Jameson, Sheene, Lewis, Jackson, Middleton, Stanley, Dancer; Miss Fitzherbert, Mrs Sauley, Mrs Waite, Miss Anderson, Miss Brice. Cast not listed. A new Prologue and Epilogue .

Afterpiece Title: The Tobacconist

Monologue: 1782 03 21 End of mainpiece (never performed here) Phelimoguffinocarilocarneymacframe's Description of a Man of War and a Sea Fight, with Explanations, by Mrs Kennedy

1243
02 April 1784 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. Account-Book, 15 Apr.: Received Stanley's Oratorio Acct. #294 10s

Performances

Mainpiece Title: The Messiah

Music: As17840312athi

1244
18 March 1785 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. Account-Book, 30 Mar.: Received Oratorio Account 8 nights #235 16s.; one night more to be settled by Linley with Stanley

Performances

Mainpiece Title: The Messiah

1245
04 October 1785 @ Drury Lane Theatre

Event Comment: Paid Stanley for organ #210. Receipts: #162 18s. 6d. (112/19/0; 49/4/0; 0/15/6)

Performances

Mainpiece Title: The Natural Son

Afterpiece Title: The Critic

1246
28 March 1787 @ Drury Lane Theatre

Event Comment: The oratorio conductors do not receive the applause Stanley used to receive "owing to their being concealed by the boys, who are placed on high benches between the audience and the conductor, whose respects, though duly paid, have been scarely visible to the greater part of the house" (Public Advertiser, 28 Mar.)

Performances

Mainpiece Title: Judas Maccabaeus; Redemption 0

Song: End II: an Italian Air-Mme Mara

1247
24 August 1661 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

1248
16 December 1661 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Cutter Of Coleman Street

1249
22 December 1663 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Henry Viii

1250
26 March 1668 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Man's The Master