Event Comment: [The Westminster Magazine for October presented brief critical comments upon eight new actors at Covent Garden who performed this month: Mr and Mrs Whitefield, Young, Clinch, a young Lady (Mrs Armstead), Lee, Melmoth and Mrs Hunter.

Event Comment: [The Gentleman in the mainpiece under the pseudonym of Melmoth was the voluminous writer Samuel Jackson Pratt. Identification by Hopkins MS Notes. He had acted first in Dublin, 1772-73.

Event Comment: Rec'd Stopages #18 3s.; Paid salary list #567 6s.; Mr Vascour and Wife, 3 days not on list #1 5s.; Mrs Hartle, 12 days not on list #2; J. French on account #5 5s. Receipts: #104 1s. 6d. (Treasurer's Book)

Event Comment: Paid Mr Park 12 nights in Chorus #3; half year Land & Window tax St Martin's #38 14s. 1d. Receipts: #233 11s. (Treasurer's Book)

Event Comment: By Command of their Majesties. 2nd night (Treasurer's Book). Paid Tabor & Pipes 3 nights (this incl.) #1 11s. 6d.; Mr Cooke's 4 boys, 5 Oct., #1 10s. Receipts: #245 7s. 6d. (Treasurer's Book)

Event Comment: Miss Robins made her first appearance upon the Stage in the part of the Country Girl an agreeable figure as a Woman & also in Breeches-she has a particular Cuddenish wa with her wch is not amiss in this Character, but I am afraid it will be a disadvantage to her in any other. Mr G. took great pains with her, & a long time in Training her before he brought her out he wrote & introduc'd a Song in the part and a New Prologue to introduce her & alter'd the Epilogue. all which & the Lady were very well receiv'd (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] The Songs introduced in the Comedy [mainpiece] will be printed, and given at the doors of the Theatre. [The Westminster Magazine for December remarked of Miss Robbins' performance and reception, "The first was spirited and characteristic; the latter very favorable, and in our opinion deservedly so. She is no beauty but has strong expression. Her voice is pleasing, and her articulation was extremely distinct and proper."] Receipts: #149 16s. 6d. (Treasurer's Book)

Event Comment: Rec'd stopages #13 10s.; Paid salary list #565 1s.; Ph. Butler's gratuity 10s. 6d.; J. French on Acct #5 5s.; Mr Baddeley's Law Bill #4 7s. 3d. (Treasurer's Book). [Butler's gratuity occurs weekly from now to end of season. It amounted to #13 11s. 6d. for the season. Butler was a sceneman or carpenter. No further itemization in this matter will be noted.] Receipts: #109 12s. 6d. (Treasurer's Book)

Event Comment: New Scenes and Dresses for the Mainpiece. Paid Mr Dibdin in part of #100 allowed for his Benefit for the Cobler (remitting #50 in part of his debt), #50. Receipts: #124 8s. (Treasurer's Book)

Event Comment: Afterpiece: By Particular Desire. Twelfth Night oblig'd to be deferred on account of Mrs Baddeley's Indisposition. Paid Insurance on 2 policies: #15 and #50 (Wardrobe and Buildings); Mr Wright's Debt & charges, #7 3s.; Widow Hunter, as usual, #2 2s. Receipts: #235 3s. 6d. (Treasurer's Book)

Event Comment: Mainpiece: A New Comedy [by R. B. Sheridan] never perform'd. New Scenes and Dresses. [Gentleman's Magazine for Jan. states: "Tuesday 17, Was performed for the first time at Covent Garden a comedy call'd The Rivals, said to be written by Mr Sheridan. Some objections being made both to language and character, the author has thought proper to withdraw his piece for correction, and it has since been played with applause." See 18 and 28 Jan. The Westminster Magazine, Jan., remarked: "This comedy was acted so imperfectly, either from the timidity of the actors on a first night's performance, or from an improper distribution of parts, that it was generally disapproved....The author promised some alterations, which implied that he would be glad the Town would suspend judgment till a farther hearing" See 28 Jan. John Hampden quotes from Lloyd's Evening Post, 18 Jan., the Morning Chronicle and Morning Post of the same date, and the London Chronicle of 19 Jan. articles damning the casting and the imperfectness of the actors, the impudence of Shuter in particular, and the fatigue of the audience.