SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Sarjant"/1) | (@(roleclean,performerclean) "Mr Sarjant")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4281 matches on Event Comments, 1144 matches on Performance Comments, 529 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Beard. Mainpiece: By Particular Desire; Last time of performing it this season. Afterpiece: Not acted these two years. Pit and Boxes laid together at 5s. First Gallery 2s. Upper Gallery 1s. Stage 5s. Those who have places either in the Boxes or the Pit are requested to come thro the Box-Lobby, as at an Oratorio; and to send their servants to keep places by 3 o'clock. Tickets to be had of Mr Beard, at his house next Old Slaughter's, St Martin's Lane; and of Mr Sarjant at the Stage Door where places for the Boxes may be taken. Receipts: #129 1s. plus #246 from tickets (Boxes and Pit 984). Total income #375 1s. Charges #63. [Beard found his own wax candles]

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Country House

Dance: CCountry Dance-Characters of the Opera; A Hornpipe-Miss Dawson; End II: A New Dance call'd The Shepherdess-Miss Wilford

Event Comment: Benefit for Ross. Mainpiece: Never acted there. Afterpiece: Not acted this season. No Building on Stage. Tickets and Places to be had of Mr Ross in the Little Piazza, Covent Garden; and of Mr Sarjant, at the Stage Door

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Florizel and Perdita

Dance: TThe Pleasures of Spring, as17620212

Event Comment: Benefit for Mrs Ward. Mainpiece: By Particular Desire. No Building on Stage. Tickets deliver'd out for Macbeth will be taken. Tickets to be had of Mrs Ward, at Mr Trouton's in Surry-Street in the strand; and of Mr Sarjant at the stage Door where places for the Boxes may be taken

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Contrivances

Dance: TThe Pleasures of Spring, as17620212

Event Comment: Benefit for Mrs Ward. To prevent any interruption in the performance, there will be No Building on Stage. N.B. Tickets to be had of Mrs Ward, at Mr Dean's in Queen St., Soho; and of Mr Sarjant, at the Stage Door, where Places may be taken

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Englishman in Paris

Dance: I: The Jealous Woodcutter, as17621023

Event Comment: Return'd by two persons who came in the 4th inst. with an Order wrote by Mr Sarjant for Mr Barber, and went out and took the money for it at the Pitt door-6s. (Account Book). Receipts: #188 6s. 6d. (Account Book)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Apprentice

Dance: II: The Garland, as17661023

Event Comment: Mainpiece: Not acted this season. Benefit for the Increase of a Fund Establish'd by the Performers at the Theatre Royal Covent Garden, for the support of such actors, and their families, who from age or infirmities shall be incapable of their business. Such of the Nobility, Gentry, &c., who are pleased to favour this undertaking, are desir'd to send for places, Box or Pit tickets to Mr Sarjant at the Stage-Door. Charges #65. Profits to the Fund #13617s., plus #22 6s. from tickets (Box 82, Pit 12). Paid Mr Weller as per bills for property and machinery in Faustus #14 13s. (Account Book). Receipts: #201 17s. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Englishman in Paris

Dance: II: The Village Romps, as17661008

Entertainment: OOccasional Prologue-Ross; The London Cries-Shuter

Event Comment: Benefit for Smith. Tickets sold at the doors will not be admitted. Tickets and Places to be taken of Mr Smith at his house in Beaufort Buildings, Strand; and of Mr Sarjant at the stage-door of the Theatre. Charges: #70 19s. 6d. [Profit to Smith #79 10s. 6d. plus #136 16s. from tickets (Box 388; Pit 198; Gallery 101).] Receipts: #150 10s. (Account Book)

Performances

Mainpiece Title: The Rival Queens Or The Death Of Alexander The Great

Afterpiece Title: The Citizen

Dance: III: The Village Romps, as17661008; End: The Female Archer, as17661215

Event Comment: Benefit for Shuter. Tickets to be had of Shuter at Number 2, in Martlet Court, Bow St. Covent Garden; and of Mr Sarjant, Book-Keeper. Charges: #65 2s. [Profits to Shuter #150 6d., plus #70 11s. from tickets (Box 233; Pit 82).] Paid Miss Elliott the balance of her two nights Jan. 13 and Feb. 18, #90 13s. 6d. and gave her as a present from the managers by deducting the charge of the Farce for her 2nd night, Feb. 18th, #21 (Account Book). Receipts: #215 2s. 6d. (Account Book). About 5 with great difficulty got into the Pit at Covent Garden to see...the benefit for Mr Shuter. Stood all night at the bottom of the Pit in a most disagreeable situation, though I saw very well and heard too, unless when prevented by the noise on occasion of which Shuter very smartly applied the Passage, But if we all speak together, how shall we hear one another," and again when a great noise was made about someone in the Gallery, he cried 'Give him a knock o' the head and make him quiet,' and another bawling Silence," he cried Silence, Silence why don't you be quiet.'At the end of Act II, the Cries of London', with additions by Shuter. In going off he shook his head on hearing it encored, but was oblig'd to comply by repeating the greater part. End of Opera Shuter entertained us with his Serious, Comic Post-Haste Observations in his Journey to Paris, to hear which was a principal reason of my not dining at Holliss's. The Barber in the Upholsterer inimitably played by Woodward (Neville MS Diary)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Upholsterer

Dance: TThe Female Archer, as17661215

Event Comment: Benefit for Mr and Mrs DuBellamy. Tickets to be had of DuBellamy in Wild-Court, Great Wild-Street, at the Rainbow Coffee House, Cornhill and of Mr Sarjant at the stage door. Charges #64 10s. Deficit to the DuBellamy's #20 12s., cover'd by income from tickets #189 14s. (Box 449; Pit 475; Gallery 62) (Account Book). Receipts: #43 18s. (Account Book)

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Padlock

Song: II: By Particular Desire The Rapture-DuBellamy

Event Comment: Boxes 10s. 6d. Pit 4s. 1st Gallery 3s. 2nd Gallery 2s. Places for the Boxes to be taken of Sarjant (only) at the Stage Door. Books of the Oratorio to be had at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season. The Account-Book notes that the director of the oratorios this season was James Hook.

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Sacred Canons

Music: End Part I: concerto on the German flute-Florio; End of Part III: concerto on the piano forte-Miss Weichsel; concerto on the hautboy-LeBrun; concerto on the violin-Master Weichsel

Event Comment: Benefit for Miss Hilliard. Tickets to be had, and places to be taken of Mr Sarjant, at the Stage Door

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Honest Yorkshireman

Dance: I: The Roast Beef of Old England-Miss Hilliard; III: The Fingalian Dance, as17581111; End: A Dance (never perform'd before) call'd The Milkmaid's Holiday-Miss Hilliard

Event Comment: Benefit for the Unhappy Sufferers by the late Dreadful Fire that happened in King Street, Covent Garden. Places for boxes to be taken, and tickets to be had of Mr Sarjant, at the Stage Door of the Theatre; where, if any persons are so charitably disposed as to send more than the price of the ticket, a receipt will be given him to the person who brings it. And the profits arising from such Benefit Play, will be paid into the hands of the Church Wardens of St Paul's, cg, and St Martins in the Fields, to be distributed by them for the purposes intended. And as there has been no interest made for this benefit, more than arose from the Advertisements in the public Play-Bills, it is hop'd the Inhabitants of the above parishes will favour this charity with their personal appearances at the said Theatre this Night. Receipts: #128 13s. in cash plus #42 5s. (169 Box tickets). Total Income #170 18s. Charges #64

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: A Duke and no Duke

Dance: TThe Plowman, as17591121; a Comic Dance-Granier, Miss Hilliard

Event Comment: To begin exactly at 6 o'clock. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant, at the Stage-Door of the Theatre. No Money to be return'd after the Curtain is drawn up. [Customary notice each night during the season. Significant changes only will be recorded hereafter.

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Mock Doctor or The Dumb Lady Curd

Event Comment: Benefit for Smith. Mainpiece: By Particular Desire. Tickets and Places to be had of Smith, at his house, opposite the concert room in Dean Street, Soho, and of Mr Sarjant at the Stage Door of the Theatre. Part of the Pit will be laid into the Boxes, where servants will be allowed to keep places. N.B. No building on the Stage

Performances

Mainpiece Title: Comus

Afterpiece Title: Catherine and Petruchio

Entertainment: fter the Masque will be presented the Humours of the Age-in imitation of Shakespeare's STAGES by Smith

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant at the Stage-Door of the Theatre. No Persons to be admitted behind the Scenes. Nor any Money to be return'd after the Curtain is drawn up. To begin exactly at six o'clock. [Usual note unless otherwise stated.

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Old Maid

Event Comment: Benefit for City of London Lying-In Hospital, Aldersgate St. No building on Stage. Tickets to be had at the Hospital, and of Mr Sarjant at the Stage-Door

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Contrivances

Dance: II: Pleasures of Spring, as17621202; End: The Jealous Woodcutter, as17621023

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant at the Stage Door of the Theatre. No money to be return'd after the curtain is drawn up. To begin at 6 o'clock. No persons to be admitted behind Scenes. [Customary notice on each bill. Only significant differences will be noted hereafter. Special notice appeared on all Bills this season from 19 Sept.-19 Nov. 1763]: Whereas many Complaints have been made of Interruptions, in the performances at this theatre, occasion'd, by the Admission of Persons behind the Scenes; in Order to prevent the Like for the Future, it is humbly hop'd, no Nobleman or Gentleman, will insist on a Privilege so displeasing to the AUDIENCE in General; whose APPROBATION it is the DUTY, as well as the INTEREST, of the Managers, to endeavour, on all Occasions, to deserve

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Devil to Pay

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places for boxes to be taken of Mr Sarjant at the Stage Door of the Theatre. No money to be receiv'd at the Stage Door, nor any returned after the curtain is up. To begin exactly at 6 o'clock. [Customary notice on all subsequent bills.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Devil to Pay

Event Comment: Benefit for Miss Brent. Part of the Pit will be railed into the boxes. Ladies and Gentlemen, who have taken Boxes, or Places, before Miss Brent's Benefit was advertised, are requested to send for their tickets, otherwise such Boxes or Places cannot be insured. Tickets deliver'd for the 21st of March will be taken. No Person can be admitted behind the Scenes, Nor any money retuned after the curtain is drawn up. Books of the Opera to be sold at the Theatre. Tickets to be had of Miss Brent, in the Piazza, next the Church, Covent Garden; and of Mr Sarjant, at the stage-door of the theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: Artaxerxes

Dance: II: A Tambourine, as17641015

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant (ONLY) Book-Keeper, at the Stage-Door of the Theatre. No Person can be admitted behind the Scenes. Nor any money returned after the curtain is drawn up. To begin exactly at 6 o'clock. [Customary note repeated on each bill.

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Devil to Pay

Event Comment: Benefit for Woodward. Mainpiece: Not acted these 20 years. To prevent mistakes, Ladies are desired to send their servants by 3 o'clock. Tickets and places to be had of Mr Sarjant, at the Stage Door and NO WHERE ELSE

Performances

Mainpiece Title: The Man Of Mode Or Sir Foppling Flutter

Afterpiece Title: The Old Maid

Dance: End: The Village Romps, as17651019

Event Comment: Benefit for Smith. Part of Pit will be railed into the Boxes. Places for Boxes to be taken of Mr Sarjant (only) Book-Keeper at the Stage Door. Tickets sold at the Doors will not be admitted

Performances

Mainpiece Title: All For Love Or The World Well Lost

Afterpiece Title: Thomasand Sally

Dance: End: Rural Love, as17651115

Event Comment: Benefit towards the Increase of a Fund, established by the Performers of the Theatre Royal Covent Garden for the Support of Decayed Actors and their Families. This Fund having been begun by voluntary contributions among the performers, improved by a proportionable Weekly Deduction on their salaries, and intended as a reciprocal Provision for them their widows and children, in sickness and infirmity, it is humbly hoped and appeal to the Generosity of the Public will not be taken amiss. Such of the Nobility, Gentry, &c. who are pleas'd to favour this Undertaking, are desired to send for places, Box or Pit tickets, to Mr Sarjant, at the Stage Door. Mainpiece [by John Banks]: Not acted these 20 years. Occasional Prologue, written by Hull [printed in the Jester's Magazine, May 1766, p. 241]

Performances

Mainpiece Title: The Albion Queens Or The Death Of Mary Queen Of Scots

Afterpiece Title: Perseus and Andromeda

Event Comment: Benefit for Woodward. Mainpiece: Not acted these 10 years. Places (with Tickets) to be had of Mr Sarjant at the stage Door. [See 31 Jan. 1760.] Charges: #68 9s. Profit to Woodward of #123 3s. 6d. plus #61 income from tickets (Box 244) (Account Book). [The House launched the benefit season with a profitable balance of #9616 5s. 5d. on the books.] Receipts: #191 12s. 6d. (Account Book)

Performances

Mainpiece Title: The Humorous Lieutenant

Afterpiece Title: Harlequin Dr Faustus

Event Comment: Benefit for Mrs Pinto. Tickets to be had of her in Charlotte Street, Rathbone Place; and of Mr Sarjant, at the stage-door (playbill). Charges #65 15s. [Profit to Mrs Pinto #103 8s. 6d., plus #78 11s. from tickets (Box 229; Pit 110; Gallery 48)] (Account Book). Receipts: #169 3s. 6d. (Account Book)

Performances

Mainpiece Title: Comus

Afterpiece Title: The Citizen