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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Samuel French"/1) | (@(roleclean,performerclean) "Mr Samuel French")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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9740 results for: Keyword - Mr Samuel French
We found 4557 matches on Event Comments, 3489 matches on Author, 1468 matches on Performance Comments, 1065 matches on Performance Title, and 0 matches on Roles/Actors.

5476
18 September 1779 @ Drury Lane Theatre

Event Comment: Mainpiece: With alterations [by David Garrick]. "The managers, to our astonishment, continue to play with Garrick's alterations. [The original play] is materially injured by those which Garrick adopted in compliance to the French criticks" (Morning Chronicle, 20 Sept.). [For a summary of these alterations see my Shakespeare in the Theatre, II, 188-89.] Boxes 5s. Pit 3s. Ist Gallery 2s. Upper Gallery 1s. Places for the Boxes to be had of Fosbrook, at the Stage-door. No Money to be taken at the Stage-Door, nor any Money returned after the Curtain is drawn up. The Doors to be opened at 5:30. To begin at 6:30 [see 30 Oct.]. Receipts: #174 6s. 6d. (135.1.0; 38.17.6; 0.8.0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Comus

5477
19 October 1781 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 6 years [not acted since 28 Apr. 1773]. With new Scenes [by French and Carver (text)] and Dresses. [In the Vocal Parts the playbill lists Sga Prudom, but "at the end of the second act, Smith came forward and apologized for the absence of Signora Prudom, and begged that Mrs Wrighten might be permitted to take her part . . . Mrs Wrighten was received with applause" (London Chronicle, 20 Oct.). Sga Romanzini was from the Royal Circus.] Receipts: #123 8s. 6d. (92/15/0; 29/11/0; 1/2/6)

Performances

Mainpiece Title: King Arthur; Or, The British Worthy

Afterpiece Title: Who's the Dupe

Dance: In mainpiece by Zuchelli, Henry, Miss Armstrong, Miss M. Stageldoir. [This was the same, as here assigned, in all subsequent performances, but beginning with 11 Dec. Henry is omitted.]

Song: In mainpiece the Vocal Parts by Du-Bellamy, Williams, Fawcett, Chaplin, Phillimore, &c.; Miss Phillips, Miss Collett, Miss Wright, Miss Stageldoir, Mrs Wrighten

Related Works
Related Work: The Enchanted Wood Author(s): Samuel Arnold
Related Work: The Gnome; or, Harlequin Underground Author(s): Samuel Arnold

5478
18 March 1784 @ King's Theatre

Event Comment: Benefit for D'Auberval, ballet-master. Opera: An entirely new Species of Entertainment, after the French style [1st time; ser 3, by Antonio Andrei]. The Music entirely new, composed by Rauzzini. [Libretto (H. Reynell, 1784) is entitled Alina; o sia, La Regina di Golconda.] The Scenery and Decorations devised and painted by Novosielski. The Dresses in character, and entirely new by Lupino. Tickets, half a guinea each, to be had of D'Auberval, No. 5, Great Pultney-street, Golden-square. To prevent all manner of confusion, the Subscribers are most respectfully entreated to give early notice, addressed as above, of their intention concerning their Boxes

Performances

Mainpiece Title: La Regina Di Golconda

Dance: Three new ballets composed by D'Aubcrval. End of Act I Ballet [of Warriors] by Lepicq, Henry, Zuchelli, the two Miss Simonets, Mme Theodore; End of Act II Dance [of Shepherds] by Lepicq, Mme Simonet, D'Aubcrval (1st appearance), Mme Rossi, Vestris [Jun.], Mme Theodore; End of Opera The Four Ages of Man, in which a Pas de Trois of Chinese by Henry, Zuchelli, Blake. Childhood-the two Miss Simonets; Youth-Slingsby and Mme Theodore; Manhood-Lepicq, Mme Rossi, Vestris [Jun.]; Old Age-D'Auberval and Mme Simonet, who will dance to the celebrated Musette of Handel. To conclude with a Pas de Huit, in a stile entirely new, by the Couples who represent the Four Ages

5479
25 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a new ballet, composed for the occasion by D'Auberval, Pygmalion (taken from the Mono-drama of that name by Jean-Jacques Rousseau, with the original music composed by that very celebrated writer; the story founded on the fabulous account of Pygmalion animating his statue) by Lepicq, Vcstris (Jun.], Mme Rossi, Mme Theodore; End of Opera will be revived Le Tuteur Trompe (composed by Lepicq) in which the following new dances: A new Pas de Deux by Lepicq and Mme Rossi, the latter in the character of Niaise; a Pas Seul by Mme Theodore; a Pas de Troit by Lepicq, Mme Rossi, Zuchelli; an entirely new Pas de Deux by Vestris [Jun.] and Mme Theodore; a Pas Seul by Slingsby; a Pas Seul, entirely new, by Vestris [Jun.]; to conclude with the Sequdilla and Fandango by Lepicq and Mme Rossi. N. B. In the same ballet will be introduced a Minuet, composed by Barthelemon for the Prince of Wales, and an Allemande in the French stile, both by Lepicq and Mme Rossi

Performance Comment: ], Mme Rossi, Mme Theodore; End of Opera will be revived Le Tuteur Trompe (composed by Lepicq) in which the following new dances: A new Pas de Deux by Lepicq and Mme Rossi, the latter in the character of Niaise; a Pas Seul by Mme Theodore; a Pas de Troit by Lepicq, Mme Rossi, Zuchelli; an entirely new Pas de Deux by Vestris [Jun.] and Mme Theodore; a Pas Seul by Slingsby; a Pas Seul, entirely new, by Vestris [Jun.]; to conclude with the Sequdilla and Fandango by Lepicq and Mme Rossi. N. B. In the same ballet will be introduced a Minuet, composed by Barthelemon for the Prince of Wales, and an Allemande in the French stile, both by Lepicq and Mme Rossi .

5480
13 May 1784 @ King's Theatre

Event Comment: Benefit for Mme Theodore. Tickets made out and delivered for the 1st of April will be admitted, and may be had of Mme Theodore, No. 5, Great Pultney-street, Golden-square. Public Advertiser, 15 May: The Ballet was founded on the French piece of Le Deserteur, of which there was retained a good deal of the

Performances

Mainpiece Title: I Rivali Delusi

Music: The Dancers, incomparably the best Groupe in Europe, exerted themselves very successfully; D'Auberval's Drunkenness was well managed; Rossi's Fainting Fit, her Agitation preceding it, and her Revival from it; Lepicq's hovering over Rossi, when in the Swoon, and in his Separation from her, were all told very expressively indeed. Lepicq is the most graceful dancer in Europe, and excells every Competitor in the Narrative and Pathos of Gesticulation

Dance: End of Act I Le Reveil du Bonheur, as17840203, but D'Auberval in place of Slingsby; End of Opera an entirely new grand Ballet, or Tragi-Comic Dancing Pantomime, composed by D'Auberval, Le Deserteur; ou, La Clemence Royale (taken from the well-known comic opera, The Deserter). The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque

Related Works
Related Work: Albert and Adelaide; or, The Victim of Constancy Author(s): Samuel Birch

5481
29 August 1786 @ Haymarket Theatre

Event Comment: Benefit for Palmer. Mainpiece [1st time; C 3, by George Colman, the elder, altered from The Mutual Deception, by Joseph Atkinson, which was based on Le Jeu de l'Amour et du Hasard, by Pierre Carlet de Chamblain de Marivaux, and 1st acted at the Smock Alley Theatre, Dublin, 2 Mar. 1785. Prologue by the author (.European Magazine, Sept. 1786, p. 166). Author of Epilogue unknown]. Afterpiece: Never acted at this Theatre. [Prologue and Epilogue by David Garrick.] "This play, originally French, was translated by an Officer (the plot of which may be found in The Man's the Master, as well as in many other English plays and farces) who, with some few additions, changed it into five acts, and called it The Mutual Deception (which is now in print), but was represented in Ireland with little or no success. This Comedy, however, has undergone many very masterly alterations, and received many additions by the able hand of the attentive Manager of this Theatre" (Public Advertiser, 30 Aug.). Public Advertiser, 6 May 1788: To be published May 7, Tit for Tat (1s.)

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: A Peep behind the Curtain; or, The New Rehearsal

Dance: As17860706

5482
03 October 1786 @ Drury Lane Theatre

Event Comment: "[Mrs Siddons's] dress was a French grey satin gown, trimmed with dark sage coloured ribbon, edged with steel, white satin petticoat covered With tiffany, and trimmed With the same as the gown, a girdle of the same colour, a dark sage coloured cane hat ornamented with feathers and edges with gold, with a band of gauze and large bows, the ends fastened to the waist" (Daily Universal Register, 4 Oct.). Receipts: #302 2s. (281.18.0; 19.6.6; 0.17.6)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Catherine and Petruchio

5483
16 October 1786 @ Covent Garden

Event Comment: Mainpiece [1st time; CO 3, by Leonard Macnally, adapted from the same, by Michel Jean Sedaine. Not in Larpent MS; not published; synopsis of plot in Morning Chronicle, 17 Oct. For text of abridged version see 21 Oct.]: Taken from the celebrated French Opera of that Name. With the original Overture, Airs, Duetts, Trios, Chorusses and Finale, by the celebrated Gretry. To which are added Compositions by the following Masters; Anfossi, Bertoni, Duni, David, Rizzio, Carolan, Tenducci, and Shield. With new Dresses, Scenery and other Decorations. Books of the Songs to be had at the Theatre. [The printed score (Longman & Broderip, c. 1786) indicates that the music was adapted by Shield; it does not refer to Duni, Rizzio or Tenducci, but includes Philip Hayes and John Wilson. After the 1st 4 performances the mainpiece was reduced to an afterpiece of 3 short acts; see 21 Oct.] Account-Book, 28 Nov.: Paid Macnally in full for Coeur de Lion #121 18s. 6d. "Inchbald we thought [was] rather hardly dealt with. His voice happened to fail him in a particular turn of the tune he was singing, and some of the audience were ungenerous enough to disconcert him so far that he made a modest bow and retired [leaving his part unfinished. In consequence of this] a duet that was to have been sung by the King from the battlements of the castle, and Blondel without the walls, on which the turn of the fable hinged, was omitted; a circumstance that could not but materially affect the intrinterest, as it destroyed the connexion of the fable" (Morning Chronicle, 17 Oct.). [The following day Inchbald withdrew from his engagement at cg.] Receipts: #249 12s. 6d. (247.11.6; 2.1.0)

Performances

Mainpiece Title: Richard Coeur De Lion

Afterpiece Title: The Romp

Related Works
Related Work: Love and Money; or, The Fair Caledonian Author(s): Samuel Arnold

5484
24 October 1786 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; MD 3, by John Burgoyne]: From the French of Michel Jean? Sedaine. With new Scenery, Dresses and Decorations. The Music by the celebrated Gretry [adapted by Linley Sen.]; and the Paintings by Greenwood. Books of the Dialogue & also of the Songs to be had at the Theatre. Morning Chronicle, 25 Oct 1786: This Day is published Richard Coeur de Lion (1s. 6d.). Receipts: #226 (191.3; 32.14; 2.3)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: Richard Coeur de Lion

Dance: In III afterpiece: Dance-the two young D'Egvilles, Miss DeCamp. [This was danced, as here assigned, in all subsequent performances.

5485
24 April 1787 @ Covent Garden

Event Comment: Benefit for Mrs Martyr. 2nd piece [1st time; O 1, by John Wolcot. Larpent MS 770; not published]: Being a Translation from the French Opera of that name [Nina; ou, La Folle par Amour, by Benoit Joseph Marsollier des Vivetieres], now performing at Paris with universal applause. With the original Music [by Nicolas Dalayrac, adapted by William Shield and William Thomas Parke. Two other versions of this opera, both unacted, were published this year: one anonymous, and one by George Monck Berkeley]. Receipts: #300 8s. 6d. (150.0.0; 2.18.0; tickets: 147.10.6)

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: Nina

Afterpiece Title: The Intriguing Chambermaid

Song: Between acts 1st piece: an entire new song, The Nymph's Refusal-Mrs Martyr

5486
16 May 1787 @ Haymarket Theatre

Event Comment: Mainpiece: Not performed these 5 years. In 3 acts; altered from Dryden. [Both Kemble and Moss were from the Edinburgh theatre. Address by George Colman elder (European Magazine, ibid).] Afterpiece [1st time; CO 2, by Charles Dibdin. London Chronicle, 17 May, refers to it as "from the French"]: The Musick composed by Dibdin. Books of the Songs to be had at the Theatre. Public Advertiser. 7 July: This Day is published Harvest Home (1s.). Places for the Boxes to be taken of Rice, at the Theatre. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s

Performances

Mainpiece Title: The Spanish Friar

Afterpiece Title: Harvest Home

Entertainment: Monologue End: Occasional Address (in character)-Young Sestini (European Magazine, July 1787, p. 63)

5487
17 August 1787 @ Haymarket Theatre

Event Comment: Benefit for Miss Farren. Afterpiece [1st time; MF 2, "taken from the French" (see Songs), by @@ Robinson. Larpent MS 783; not published. Music selected by John Edwin, ynger (Town and Country Magazine, Sept. 1787, p. 414). Author of Prologue unknown]

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Test of Love

Dance: In II: a Masquerade Dance-Byrn, the two Simonets, young D'Egville, Miss DeCamp

5488
08 November 1787 @ Drury Lane Theatre

Event Comment: Paid Pugh, oilman, #92 3s. Afterpiece: From the French of Sedaine. The Music by the celebrated Gretry; and the Paintings by Greenwood. Receipts: #180 9s. 6d. (129.12.0; 48.9.0; 2.8.6)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Richard Coeur de Lion

Dance: In III afterpiece: Dance-the two young D'Egvilles, Miss DeCamp. [This was danced, as here assigned, in all subsequent performances.

5489
04 March 1788 @ King's Theatre

Event Comment: A new Comic Opera [1st time; COM 2, librettist unknown]; the Music composed by Storace. "Signor Storace does not appear to have studied that art [of music] much in Italy; for he has entirely deviated from the usual plan of Italian authors...The overture anneunces entirely a French author, and the finales are in the German style of Gluck, loaded with harsh, terrifying music of trumpeting and drumming" (Public Advertiser, 6 Mar.). Receipts: !162 [non-subscription]

Performances

Mainpiece Title: La Cameriera Astuta

Dance: End Opera: Les Fetes de Tempe, as17880301End I: New Dance, as17880226; Pas de Bernois, as17880226; Pas de Trois, as17880226; Pas Seul, as17880226; Pas de Russe, as17880226; Pas de Cinq, as17880226; Pas de Sept, as17880226; General Dance, as17880226

5490
29 April 1788 @ Covent Garden

Event Comment: 2nd piece [1st time; C 3, by Elizabeth Inchbald, said to be translated from a French comedy. Prologue by Henry Sampson Woodfall (World, 30 Apr.). Text 1st published, Dublin: C. Lewis, 1789; it assigns no parts]. [3rd piece in place of The Guardian, advertised on playbill of 28 Apr.] Receipts: #158 0s. 6d. (149.14.6; 8.6.0)

Performances

Mainpiece Title: Rosina

Afterpiece Title: Animal Magnetism

Afterpiece Title: Omai

5491
16 March 1789 @ Covent Garden

Event Comment: 2nd piece [1st time; ball. P 3, adapted by Sir George Collier from La Mort du Capitaine Cook a son Troisieme Voyage au Nouveau Monde, by Jean Francois Mussot, dit Arnould. For a detailed synopsis of the action, see 13 Apr.]: As now representing in Paris with uncommon Applause. With the original French Music. New Dresses, Scenery, Machinery and Decorations. Books, containing a description of the Ballet [by James Byrne (World, 23 Mar.)], to be had at the Theatre. Receipts: #257 16s. 6d. (247.16.0; 10.0.6)

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The Death of Captain Cook

Afterpiece Title: The Poor Soldier

5492
21 September 1789 @ Covent Garden

Event Comment: Afterpiece: As now representing in Paris with uncommon Applause. With the original French Music, new Dresses, Scenery, Machinery, and Decorations. Receipts: #229 19s. 6d. (228.13.0; 1.6.6)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Death of Captain Cook

Song: As17890914, but Vocal Parts-Lee, W. _Thompson, Miss +MacGeorge, Mrs +Lefevre

5493
01 October 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: King Henry The Fifth; Or, The Conquest Of France

Performance Comment: English: King Henry-Kemble; Exeter-Aickin; Westmorland-R. Palmer; Duke of Bedford-Dignum; Duke of Gloucester-Benson; Pistol-Suett; Erpingham-Waldron; Bardolph-Alfred; Williams-Whitfield; Nym-Burton; Gower-Williames; Archbishop of Canterbury-Maddocks; Ely-Jones; Grey-Lamash; Scroop-Wilson; Cambridge-Webb; Bates-Banks; Boy-Master Gregson; Fluellen-Baddeley; Hostess-Mrs Booth; French: King-Packer; Duke of Burgundy-Phillimore; Constable-Fawcett; Montjoy-Haymes; Governor-Hollingsworth; Dauphin-Barrymore; Princess Catharine-Miss Collins; Queen of France-Mrs Ward.

Afterpiece Title: The Virgin Unmask'd

5494
27 May 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: The Belle's Stratagem

Performance Comment: As17900407, but Whitfield's and Phillimore's names listed in playbill Villers-Phillimore; Letitia Hardy-Mrs Goodall; Gentlemen-_; Mountebank-_; French Servant-_; Porter-_; Dick-_; Gibson-_; Saville's Servant-_; Tradesman-_.

Afterpiece Title: Piety in Pattens

Related Works
Related Work: A Sentimental Comedy; or, Piety in Pattens Author(s): Samuel Foote

Afterpiece Title: Miss in her Teens

Song: In course: a song-Miss Barnes; The Greenwich Pensioner-Dignum

Entertainment: Vaudeville. End: an Epilogue in the character of Harlequin-Banks

5495
06 November 1790 @ Covent Garden

Event Comment: 1st piece: Taken from Moor's Comedy of Gil Blas. 3rd piece: With the Original French Music, Dresses, Scenery, Machinery, and Decorations. [For a detailed synopsis of the action, see 16 Nov.] Receipts: #122 5s. 6d. (118.9.6; 3.16.0)

Performances

Mainpiece Title: The Female Pursuit; Or, Stop Her Who Can

Afterpiece Title: The Fugitive

Afterpiece Title: The Death of Captain Cook

5496
20 December 1790 @ Covent Garden

Event Comment: [Fennell had acted Douglas at Edinburgh on 5 July 1788, and perhaps Previously.] Afterpiece [1st time: P 2, by Charles Bonnor and Robert Merry. Larpent MS 886; not published. Synopsis of action in Universal Magazine, Dec. 1790, pp. 321-23. Author of Prologue unknown]: Interspersed with Dialogue, Airs, Duettos, Chorusses, Dances, &c. &c. &c. The Scenery, Machinery, and Decorations entirely new, and painted by Richards, Carver, Hodgins, Pugh, Malton, with many Assistants [including W. Hamilton (European Magazine, Dec. 1790, p. 468]. Among others will be exhibited the following Scenes taken from accurate Drawings made on the Spot: The Jacobines Convent, Rue St. Honorie; Places de Greve; Inside of the Hotel de Ville; View of the New Bridge called Pont Louis Seize; Fountain des Innocens; Palais Bourbon; View of the Champ de Mars, with the Grand Pavillion preparatory to the Festival; A Grand Assembly; View of the Triumphal Arch, prepared for the Procession to the Champ de Mars; Perspective View of the Champ de Mars, with the Bridge of Boats. With an exact Representation of the Banners, Oriflammes, &c. &c. in the Grand Procession to the Champ de Mars. The Whole to conclude with a Representation of the Grand Illuminated Platform, as prepared by the City of Paris, on the Ruins of the Bastille, for the Entertainment of the Provincial Deputies, and the Public. [The above has reference to the "Grand National Fete" held in Paris, 14 July 1790, in commemoration of the first anniversary of the fall of the Bastille. It is included in all subsequent playbills.] The Dances [composed] by Byrn. The Music composed and compiled [from Reeve and Naumann] by Shield. The Dresses all Characteristically French and New. Books of the Songs, &c. with a short Description of the Performance [T. Cadell, 1790] to be had at the Theatre. Nothing under Full Price will be taken. Account-Book, 11 Jan. 1791: Paid Bonnor #200. Receipts: #316 16s. (296.14; 20.2)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Picture of Paris, Taken in the Year 1790

5497
23 March 1793 @ Covent Garden

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: The Relief of Williamstadt; or, The Return from Victory

Performance Comment: Vocal Parts-Incledon, Darley, Gray, Linton, Mrs Clendining; SCENE I. A Camp. How stands the glass around-Incledon; Good subjects with jolly full bottle-Incledon, Darley, Gray; Scene II. A View of the Scheldt. Gentle Soldier oft you've told me (composed by Dr Arne)-Incledon, Mrs Clendining; Scene III. The French Troops preparing for the Siege. With a View of the Fort. Scene IV. The Storming of the Fort by Figures in Perspective; and the Repulse of the Enemy. Oh what a charming thing's battle-Incledon (1st time); Scene V. The Temple of Mars, with the Return from Victory. Great Britain still her charter boasts-(composed by Shield).

Afterpiece Title: Hartford Bridge

Dance: In 2nd piece: Byrn, Holland, Mrs Watts, Mme Rossi

Entertainment: Monologue. A new Occasional Address in the character of Goldfinch ,-Lewis

5498
17 October 1793 @ Haymarket Theatre

Performances

Mainpiece Title: Ways And Means

Performance Comment: As17931008, but Palmer Jun.'s name listed in playbill; French Waiter-_; English Waiter-_.

Afterpiece Title: All the World's a Stage

Afterpiece Title: The Prize

5499
06 November 1793 @ Covent Garden

Event Comment: 1st piece: Taken from Moor's Comedy of Gil Blas. 3rd piece: With the Original French Music, Dresses, Scenery, Machinery, and Decorations. [For a detailed synopsis of the action, see 16 Nov.] Receipts: #122 5s. 6d. (118.9.6; 3.16.0)

Performances

Mainpiece Title: The Female Pursuit; Or, Stop Her Who Can

Afterpiece Title: The Fugitive

Afterpiece Title: The Death of Captain Cook

5500
20 December 1793 @ Covent Garden

Event Comment: [Fennell had acted Douglas at Edinburgh on 5 July 1788, and perhaps Previously.] Afterpiece [1st time: P 2, by Charles Bonnor and Robert Merry. Larpent MS 886; not published. Synopsis of action in Universal Magazine, Dec. 1790, pp. 321-23. Author of Prologue unknown]: Interspersed with Dialogue, Airs, Duettos, Chorusses, Dances, &c. &c. &c. The Scenery, Machinery, and Decorations entirely new, and painted by Richards, Carver, Hodgins, Pugh, Malton, with many Assistants [including W. Hamilton (European Magazine, Dec. 1790, p. 468]. Among others will be exhibited the following Scenes taken from accurate Drawings made on the Spot: The Jacobines Convent, Rue St. Honorie; Places de Greve; Inside of the Hotel de Ville; View of the New Bridge called Pont Louis Seize; Fountain des Innocens; Palais Bourbon; View of the Champ de Mars, with the Grand Pavillion preparatory to the Festival; A Grand Assembly; View of the Triumphal Arch, prepared for the Procession to the Champ de Mars; Perspective View of the Champ de Mars, with the Bridge of Boats. With an exact Representation of the Banners, Oriflammes, &c. &c. in the Grand Procession to the Champ de Mars. The Whole to conclude with a Representation of the Grand Illuminated Platform, as prepared by the City of Paris, on the Ruins of the Bastille, for the Entertainment of the Provincial Deputies, and the Public. [The above has reference to the "Grand National Fete" held in Paris, 14 July 1790, in commemoration of the first anniversary of the fall of the Bastille. It is included in all subsequent playbills.] The Dances [composed] by Byrn. The Music composed and compiled [from Reeve and Naumann] by Shield. The Dresses all Characteristically French and New. Books of the Songs, &c. with a short Description of the Performance [T. Cadell, 1790] to be had at the Theatre. Nothing under Full Price will be taken. Account-Book, 11 Jan. 1791: Paid Bonnor #200. Receipts: #316 16s. (296.14; 20.2)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Picture of Paris, Taken in the Year 1790