SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Row"/1) | (@(roleclean,performerclean) "Mr Row")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4343 matches on Event Comments, 1141 matches on Performance Comments, 552 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Lottery

Dance: II: The Savage Hunters, as17751118

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Genii

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Jubilee

Dance: III: The Merry Peasants, as17751018

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: Old City Manners

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: The Fair Penitent

Related Works
Related Work: The Fair Penitent Author(s): Nicholas Rowe

Afterpiece Title: The Jubilee

Dance: I: A New Comic Dance call'd The Gardeners-Sg Martini, first appearance on the English Stage, and Sga Paccini

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Jubilee

Dance: II: The Jealous Harlequin, as17760117

Performances

Mainpiece Title: The Discovery

Afterpiece Title: The Lottery

Dance: II: The Gardeners, as17760116

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Jubilee

Dance: I: The Savage Hunters, as17760210

Performances

Mainpiece Title: Acis And Galatea, With Dryden's ode

Music: Concerto on Organ-Stanley

Performances

Mainpiece Title: Zara

Afterpiece Title: The Spleen; or, Islington Spa

Dance: V: The Sailors Revels, as17751220

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Spleen

Performances

Mainpiece Title: A Lyric Ode; Alexander's Feast, And The Coronation Anthems

Music: After the Ode: A Miscellaneous Act-; New Overture-; Song-a Gentleman (his first appearance in Public); Concerto on Oboe-Fischer; Song-Miss M. Linley (composed by Bach); Concerto on violin-Linley Jr; Song-Miss Linley (composed by Sacchini); Duetto-the Two Miss Linley's (composed by Piccini); Chorus

Performances

Mainpiece Title: Samson; Alexander's Feast, And The Coronation Anthems

Music: I: Concerto on Organ-Stanley

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: Matilda

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Loves Metamorphoses

Dance: End: A Comic Dance-the two Miss Stagledoirs, scholars to M. LaRiviere

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Spleen

Event Comment: House (Hopkins Diary). Afterpiece: For the last time this season. [Public Advertiser, 20 April: The following Accident happened at Drury Lane on Thursday in the Entertainment of the Jubilee. As Mr Hurst and Mr Palmer were representing the characters of Posthumus and Iachimo in the Fighting Scene where they were engag'd with extreme violence, the former narrowly escaped losing his eye from a severe wound in the temple."] Paid Richard Barnard for detecting a pickpocket 10s. 3 extra trumpets #1 2s. 6d. Receipts: #121 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: The Waterman

Song: V: (By Desire) The Soldier Tir'd-Miss Abrams

Performances

Mainpiece Title: Hamlet

Afterpiece Title: May Day

Cast
Role: Farmer Furrow Actor: Parsons for Waldron.
Role: Furrow Actor: Parsons.

Performances

Mainpiece Title: Eldred; Or, The British Freeholder

Afterpiece Title: The Two Misers

Dance: End: Mirth and Jollity, as17760102

Event Comment: Benefit for Mrs Abington. Mainpiece: By Particular Desire. Garrick's last time of performing Archer . Pit and Boxes will be laid together. Ladies and Gentlemen most earnestly requested to come early (playbill). Mrs Abington having wrote to Mr Garrick that she intended to quit the Stage at the End of the Season never to return to it again, he very kindly play'd for her Benefit (Hopkins Diary). Tickets deliver'd for Much Ado will be taken. Attempted to get into Drury Lane Theatre to see Mr Garrick in the character of Archer, but the crowd was so great that after suffering thumps, squeezes and almost suffocation for two hours, I was oblig'd to retire without effecting it (Hampden, Journal). Receipts: #129 19s. 6d. Charges: #65 7s. 6d. Profits to Mrs Abington: #64 12s. (Treasurer's Book)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Man of Quality

Dance: IV: The Irish Fair, as17751003

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Waterman

Dance: I: The Sailors Revels, as17751220

Event Comment: The People flock'd about the doors by Two o'clock. there never was a greater Overflow-Mr G. was never happier in Lear -the Applause was beyond description 3 or 4 loud Claps Succeeding one another at all his exits and many Cry'd out Garrick for Ever &c., &c. House (Hopkins Diary). [Kemble's note differs slightly.] Paid Mr Short, Chorus Singer #1 10s. (Treasurer's Book). Hannah More wrote to Mrs Gwatkin: The eagerness of the people to see Garrick is beyond anything you can have an idea of. You will see half a dozen duchesses and countesses a night in the upper boxes: for the fear of not seeing him at all, has humbled those who used to go, not for the purpose of seeing but being seen; and they now courtsy to the ground for the worst places in the house" (Hampden, Journal). [Letter to David Garrick, Esq on his appearance in Lear last night 13 May: The correspondent who signs himself Stock Fish and who claims to have been one of the survivors of the Black Hole of Calcutta, and who took a young lady from the country to see Garrick's last performance, blames him for endangering the lives of his majesties subjects for not providing proper bars, lanes, and queue lines to handle the crowds: "I went with intention to get into the Pit as the most eligible Part of the House (for your Boxes are always engag'd) and we got to the Door in Vinegaryard about five o'clock. Here the Passage to the first Door was too full for me to entertain any Hopes of getting in that Way, we therefore made for Catharine-street but the Multitudes of People waiting for the Opening of the Gallery-doors, rendered it impossible for us to get along through the Court; we therefore made a Circuit, and at length arrived opposite the Door in Catharine-street, where it was with Difficulty we could keep our Stands on a Foot Pavement....You will be absolutely inexcusable, if after this Warning you neglect to adopt some Method for the Security of the Lives of his Majesties Subjects on similar Occasions.--What think you of the following Scheme, viz. To keep the outer Doors next the Street shut, till the inner ones are opened ; and then, by a Proper bar, to prevent more than one at a Time entering, who shall there pay Entrance-money, and receive the Tickets of Admission through the inner Doors' (Public Advertiser 18 May).] Receipts: #308 1s. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Spleen

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as17751003