SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Row"/1) | (@(roleclean,performerclean) "Mr Row")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 4343 matches on Event Comments, 1141 matches on Performance Comments, 552 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Anatomist

Dance: II: New Comic Dance call'd The Savoyards-Matthews

Event Comment: CCross: There was a report, that my Lord Hubbard had made a party this night to hiss The Foundling off Stage, that ye Reason was it ran too long, & they wanted variety of Entertainments. Mr Garrick was sent for, he met 'em, & so far prevail'd that they promis'd peace 'till after the 9th night. However there was an attempt made by one Catcall, & an apple Thrown at Macklin & some other Efforts made by a few but without effect--Greatly hiss'd wn given out I believe the main cause of this anger, in spite of their Excuses, was their being refus'd admittance behind the Scenes. Receipts: #170 (Cross); #184 1s. 6d. [Powel)

Performances

Mainpiece Title: The Foundling

Performances

Mainpiece Title: The Foundling

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: Miss in Her Teens

Dance: Cooke, Anne Auretti

Performances

Mainpiece Title: The Rover; Or, The Banish'd Cavaliers

Afterpiece Title: The Muses Looking-Glass

Song: Singing In Italian and English-Miss Faulkner [Songs unspecified]

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Double Disappointment

Song: III: Sullivan

Dance: V: Comic Dance, as17480314

Performances

Mainpiece Title: Auction Of Pictures

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The King and Miller of Mansfield

Dance: I: Savoyards, as17471215

Performances

Mainpiece Title: Busiris, King Of Egypt

Song: IV: A Cantata-Doorsming, who never appeared in public

Dance: V: Drunken Peasant-Matthews

Event Comment: [See Occasional Prologue spoken at cg by Mr Barry (28 Sept. 1750): @When vice and folly overruns the state,@Weak politicians lay the blame on fate...@If Shakespeare's Passion, or if Johnson's art@Can fire your fancy, or can warm your heart,@That task be ours;--but if you damn, their scenes@And heroes must give way to Harlequins.@We too can have recourse to Mime and Dance@Nay there I think we have the better chance;@And should the town grow weary of the Mute@Why--we'll produce--a Child upon the flute@ This infant piper referred to again satirically in a Guide to the Stage, 2nd ed., 1751, p. 7.] Rec'd of Mr Warner for arrears at his Benefit 16 May last, #5 14s. As this belong'd to last season's Account, I shall make an allowance, and accordingly subtract it from the sum total (Powel). Receipts: #70 (Cross); #92 12s. (Powel)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Imposter

Afterpiece Title: The Lottery

Music: I: Concerto on Flute-a Child five years of age (1st time of his appearing on any stage); III: Another piece of music-the Child

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Lethe

Event Comment: To be seen a Person who performs the most surprizing Things...he presents you with a common Wine bottle, which any of the Spectators may first examine; this Bottle is plac'd on a Table in the Middle of the Stage, and he (without any Equivocation) goes into it in Sight of all the Spectators, and sings in it; during his Stay in the Bottle, any Person may handle it, and see plainly that it does not exceed a common Tavern Bottle. The Performance continues about Two Hours and a Half. These Performances have been seen by most of the Crowned Heads of Asia, Africa, and Europe, and never appear'd anywhere Public but once. Stage 7s. 6d. where Masks may be worn. Boxes 5s. Pit 3s. Gallery 2s. [The famous Bottle Conjurer hoax.] Theatre was crowded...by five o'clock; at seven the house was lighted up [but not music]...a Person came before the Curtain, and, bowing, promis'd if Mr Conjurer did not arrive in half an Hour, their Money should be return'd...after near an Hour...a Gentleman in the Box snatch'd a Candle lighted, and in Violence threw it on the Stage; this was the Signal for the Onset of Battle...the Boxes, Seats, Glasses, Scenes, Chairs, Machinery, and all the Furniture of the Play House, were in less than ten Minutes carried into the Street...an excellent Bonfire was made of Mr Foote's Auction Room...it may put a [pe]riod to the Auction, till the Theatre can be refitted.--Charles Adams to John Gilbert-Cooper, Theatre Notebook, XI (1957) p. 139. [Potter was still owner of this theatre.] Those opposed to a recent late book would have been gratified had the Conjurer jumped into the bottle and proved that miracles had not yet ceased."--Daily Advertiser, 17 Jan. Last Night a numerous Audience, among whom were several Persons of Quality, was at the New Theatre in the Haymarket, in wonderful Expectation of seeing the Miraculous Man creep into a Bottle, and do several other Miracles; but the only one he perform'd was, that he render'd himself invisible (without any Equivocation) to the no small Disappointment of the gaping Multitude; who, being told from behind the Curtain that the Performer had not yet appear'd, but that if they would stay until the next Night, instead of a Quart Bottle he should creep into a Pint, immediately grew outrageous, and in a Quarter of an Hour's Time broke to Pieces all the Boxes, Benches, Scenes, and everything that was in their power to destroy, leaving only the Shell of the House remaining. Surely this will deter anyone from venturing to impose on the public in the like manner for the future.--General Advertiser, 17 Jan. [See also dl Comment 18, 19, 20, 27 Jan.

Performances

Mainpiece Title: None

Performances

Mainpiece Title: None

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Triumph of Peace

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Triumph of Peace

Performances

Mainpiece Title: Othello

Afterpiece Title: The Devil to Pay

Dance: Cooke, the Aurettis

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Anatomist

Dance: In I: a Dutch Dance, as17481203; Savoyards, as17480920

Performances

Mainpiece Title: Don Sebastian

Afterpiece Title: The Lying Valet

Dance: J. Granier, J. Granier's sister; by Particular Desire the Drunken Peasant-Phillips

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: The Intriguing Chambermaid

Dance: II: Savoyards, as17480920; IV: The Gondoliers-Cooke

Music: III: Concerto on Flute-the Child

Song: V: Mad Bess-Beard

Event Comment: Benefit of Sga Frasi. The breakfasting in the Haymarket is deferred till Saturday morning on account of the [benefit for] Sga Frasi; and Mr Foote has promised to give his first entertainment tomorrow at Covent Garden for the Benefit of Mr Bencraft and Mrs Hale

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: A Concert Of Musick

Performances

Mainpiece Title: Acis And Galatea

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Damon and Phillida

Dance: Master J. Granier, Master J. Granier's Sister