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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Row"/1) | (@(roleclean,performerclean) "Mr Row")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5761 results for: Keyword - Mr Row
We found 4343 matches on Event Comments, 1141 matches on Performance Comments, 552 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

1426
13 August 1783 @ Haymarket Theatre

Event Comment: Benefit for Wilson. 1st piece: Taken from Beaumont and Fletcher. 2nd piece [1st time; F 2, by John Dent. Prologue by Turner (see text)]. 4th piece: A Tragical, Comical, Operatical, Pastorical, Pantomimical, Farcical, Burlettical, Preludical, Interludical, Whimsical, Rhetorical, Diabolical, Oratorical Representation, being the most Comical Tragedy that ever was Tragedized by any Comical Company of Tragedians. With the Triumphal Entry of Chrononhotonthologos into Queerumania, attended with Drums, Trumpets, Fiddles, Flutes, Fifes, Flagelcts, Lutes, Bag-Pipes, Tabours and Pipes, Marrowbones and Cleavers, Post-Horns, French-Horns, Salt Box, Broomstickados, &c

Performances

Mainpiece Title: The Triumph Of Honour

Afterpiece Title: The Receipt Tax

Afterpiece Title: The Dead Alive

Afterpiece Title: Chrononhotonthologos

Performance Comment: Chrononhotonthologos (King of Queerumania)-Wilson; Aldiborontiphoscophornio-Wewitzer; Bombardinian-Blissett; Herald-Riley; Captain of the Guards-Massey; Doctor-Painter; Cook-Barrett; King of the Fiddlers-Gaudrey; King of the Antipodes-Rayman; Rigdum-Funnidos (the Tragical Comical Courtier)-Parsons; Tatlanthe (the Queen's Favourite)-Mrs Brett; Venus-Miss Rowson; Cupid-Miss Painter; Maids of Honour-Miss Morris, &c.; Fadladinida (Queen of Queerumania)-Mrs Lefevre .
Cast
Role: Venus Actor: Miss Rowson

Monologue: 1783 08 13 End of 2nd piece Joe Haynes's Epilogue by Wilson, riding on an Ass

1427
27 November 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Comus

1428
09 February 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: Wit's Last Stake

Performance Comment: Linger-Ryder; Savell [Saville]-Bland; Cavet [Caveat]-Aberdein; Itam [Item]-Brown; Boy-Middleton; Martin Sly-Smith; Mrs Watch [Mrs Watchly]-Mrs Reid; Mira [Myra]-Miss Bouton; Lucata [Lucetta]-Mrs Lefevre .
Cast
Role: Item] Actor: Brown

Dance: End of Act III of mainpiece a new composed Reel (performers not listed); In Act IV a Hornpipe by Middleton

Monologue: 1784 02 09 The Edinburgh Buck by a Genleman [unidentified]

1429
01 May 1784 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Rosina

Dance: In Act III of mainpiece, as17831014; End of mainpiece The Poney Races, as17840428

Song: End of Act I of mainpiece a favourite song by Leoni; End of Act II When Phoebus the tops of the bills does adorn by Leoni and Brett

1430
25 November 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Arthur and Emmeline

1431
24 January 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: The Double Amour

Song: End of Act III of mainpiece the Sbeep shearing Song [Come, come, my good shepherds] by Mrs Raeburn; End of mainpiece, by Permission of the Caledonian Society, their Constitution Song, set to music by an eminent Master, by a Gentleman [unidentified]. imitations. Following 2nd song, a variety of Imitations by a Gentleman who performed for Bannister's Benefit [on 26 Aug. 1784], and others, with universal applause, being his 4th appearance [Kean]

1432
25 July 1785 @ Windsor Castle Inn, King Street, Hammersmith

Performances

Mainpiece Title: The Follies Of A Day; Or, The Marriage Of Figaro

Afterpiece Title: The Poor Soldier

Afterpiece Title: Harlequin Skeleton

1433
04 August 1785 @ Haymarket Theatre

Performances

Mainpiece Title: I'll Tell You What

Afterpiece Title: The Author

1434
14 January 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Quaker

Song: In Act II a song in character by Mrs Crouch. [This was For tenderness formed, adapted by Linley Sen. from Saper bramate in; Barbiere di Siviglia by Paisiello. It was sung, as here assigned, in all subsequent performances.]

1435
11 May 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: Isabella

Afterpiece Title: Who's the Dupe

Song: As17860223

1436
28 September 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Gentle Shepherd

Dance: End I afterpiece: Highland Reel-Mills, the Miss Stageldoirs. [This was danced, as here assigned, in all subsequent performances.

Song: II: song (in character)-Mrs Crouch. [This was sung, as here assigned, in all subsequent performances.

1437
28 October 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Richard Coeur de Lion

1438
20 October 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Comus

Song: II: song in character-Mrs Crouch. [This was sung, as here assigned, in all subsequent performances.

1439
05 January 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Minor

Dance: End III: As17870920; End IV:a Scotch Dance, The Lucky Return-Mills, the Miss Stageldoirs

1440
14 April 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Afterpiece Title: (End of Act I of mainpiece) Jewish Education

Afterpiece Title: 'Tis an Ill Wind Blows Nobody Good; or, The Road to Odiham

Dance: End: a Minuet-Master D'Egville, Miss Blanchet

1441
02 August 1788 @ Haymarket Theatre

Performances

Mainpiece Title: Ways And Means

Afterpiece Title: A Quarter of an Hour before Dinner; or, Quality Binding

Afterpiece Title: Peeping Tom

1442
09 August 1788 @ Haymarket Theatre

Performances

Mainpiece Title: The Sword Of Peace; Or, A Voyage Of Love

Afterpiece Title: The Mayor of Garratt

1443
15 August 1788 @ Haymarket Theatre

Performances

Mainpiece Title: The Election

Afterpiece Title: Inkle and Yarico

Afterpiece Title: The Minor

Dance: End 2nd piece: The British Soldier Triumphant-Byrn, Ratchford, Miss DeCamp, Mrs Goodwin

1444
09 October 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Arthur and Emmeline

Song: In II: song in character-Mrs Crouch [who sang it in all subsequent performances]

1445
29 October 1788 @ Covent Garden

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Poor Soldier

1446
05 November 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Doctor and the Apothecary

1447
07 February 1789 @ King's Theatre

Performances

Mainpiece Title: Ifigenia In Aulide

Dance: As17890131 Les Fetes Provencales here called A Divertissement

Song: II: song-Marchesi

1448
08 May 1789 @ Covent Garden

Performances

Mainpiece Title: A School For Widows

Afterpiece Title: The Highland Reel

1449
14 May 1789 @ Covent Garden

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Feast of Anacreon

Cast
Role: Charlotte Actor: Miss Rowson

Afterpiece Title: The Intriguing Chambermaid

Cast
Role: Charlotte Actor: Miss Rowson

Entertainment: Monologue. End IV: A Comic Description of the Curiosities in the Tower of London-Edwin

1450
25 May 1789 @ Haymarket Theatre

Performances

Mainpiece Title: The Miser

Afterpiece Title: Ut Pictura Poesis

Afterpiece Title: Half an Hour after Supper

Dance: End 2nd piece: The Graces-the Miss Simonets