Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Row"/1) | (@(roleclean,performerclean) "Mr Row")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
5761 results for: Keyword - Mr Row
We found 4343 matches on Event Comments, 1141 matches on Performance Comments, 552 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

401
25 September 1770 @ Drury Lane Theatre

Performances

Mainpiece Title: The Maid Of The Mill

Related Works
Related Work: The Maid of the Mill; or, The Country Revels Author(s): William Rowley
Related Work: The Maid in the Mill Author(s): William Rowley

Afterpiece Title: A Trip to Scotland

Dance: I: A Dance-Daigville, Sga Vidini

402
27 January 1772 @ Covent Garden

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Fairy Prince

Cast
Role: Principal Fairies Actor: Mas. Wood, Miss Brown

403
11 January 1773 @ Covent Garden

Performances

Mainpiece Title: Elfrida

Cast
Role: Chorus of British Virgins Actor: Mrs Mattocks, Mrs Baker, Miss Twist, Miss Brown, Miss Valois, Miss Wewitzer, Miss Catley, others.

Afterpiece Title: Harlequin Sorcerer

Monologue: Before the Play: (By desire) New Occasional Prelude. As 27 Oct. 1772

404
17 February 1773 @ Drury Lane Theatre

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Musical Lady

405
15 November 1773 @ Drury Lane Theatre

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Mayor of Garratt

Dance: V: The Mountaineers, as17730930

406
24 February 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: Sethona

Afterpiece Title: The Note of Hand

407
22 September 1774 @ Drury Lane Theatre

Event Comment: Mr Smith from Covent Garden Theatre made his first appearance upon this Stage in K. Richd the 3d & was receiv'd with great Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording. Kemble also refers to borrowing Smith from cg 29 May 1759, which was actually his first appearance at dl.] Paid a Tow Bill 10s. (Treasurer's Book). [This is the customary monthly charge for tow for wicks. It came to #4 10s. for the whole season. No further itemizing of it will be made.] Receipts: #239 8s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Meeting of the Company

Afterpiece Title: Miss in Her Teens

408
11 October 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: The Deserter

409
06 March 1775 @ Drury Lane Theatre

Event Comment: Mr Reddish being a little out of his Senses he could not play Morcar in Matilda therefore notwithstanding the Bills were up for it we were oblig'd to change it to the West Indian & about Two o'clock we put up fresh Bills for West Indian and as Mrs Abington was not in humour to play at so Short Notice we were oblig'd to borrow Miss Barsanti to play Miss Rusport (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Rec'd Mrs Johnson's rent one year to Lady Day 1774 #6 (Treasurer's Book). Tragedy of Braganza is oblig'd to be deferr'd till Thursday on account of Mrs Yates's indisposition. Receipts: #161 17s. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Harlequin's Jacket

Dance: II: Grand Provencalle Dance, as17750202

410
17 October 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: Othello

Afterpiece Title: The Elopement

411
19 October 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: Othello

Afterpiece Title: The Elopement

Dance: II: The Merry Peasants, as17751018

412
25 October 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: Zara

Afterpiece Title: The Rival Candidates

413
21 November 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: May Day

Performance Comment: As17751118, but Farmer Furrow-Parsons for Waldron.
Cast
Role: Farmer Furrow Actor: Parsons for Waldron.
Role: Furrow Actor: Parsons.

Dance: II: The Merry Peasants, as17751018

414
05 December 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Devil to Pay

415
08 December 1775 @ Covent Garden

Performances

Mainpiece Title: The Roman Father (with Alterations)

Afterpiece Title: Orpheus and Eurydice

Cast
Role: Eurydice Actor: Miss Brown

416
10 February 1789 @ King's Theatre

Performances

Mainpiece Title: La Cosa Rara

Dance: End I: New Divertissement, as17890110, but _Didelot; End Opera: Les Fetes Provencales, as17890207, but _Didelot, Mlle _Normand

417
15 December 1798 @ Covent Garden

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Albert and Adelaide

Dance: As17981211

Song: Mainpiece: Vocal Parts-Incledon, Johnstone, Townsend, Hill, Linton, Blurton, Street, Gray, Little, Lee, Sawyer, Tett, Dyke, Mrs Chapman, Miss Mitchell, Miss Wheatley, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follett, Miss Leserve, Mrs Castelle, Mrs Norton, Mrs Gilbert, Mrs Masters, Mrs Lloyd, Mrs Blurton, Miss Walcup, Miss Gray, Miss Burnett, Mrs Martyr

Related Works
Related Work: The Tragedy of Lady Jane Grey Author(s): Nicholas Rowe

418
26 June 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: Pizarro

Afterpiece Title: My Grandmother

Song: As17990529

419
29 June 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: Pizarro

Afterpiece Title: The Lying Valet

Ballet: The Scotch Ghost. As17990628

Song: As17990628

420
23 April 1782 @ Covent Garden

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: Barnaby Brittle

Song: End of mainpiece Four and Twenty Fidlers all on a Row by Edwin

Monologue: 1782 04 23 After the song A Prologue on Everybody, to be spoken by Somebody in the Character of No-body

421
28 August 1782 @ Haymarket Theatre

Performances

Mainpiece Title: Summer Amusement

Afterpiece Title: The Son-in-Law

Dance: As17820606

Song: End of mainpiece Four-and-twenty Fidlers all on a Row, by Edwin

Monologue: 1782 08 28 End of Act I of afterpiece A Description of the Tombs in Westminster-Abbey, by Edwin

422
26 August 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Good-natured Man

Afterpiece Title: Midas

Song: End of mainpiece Four-and-Twenty Fidlers all on a Row, by Edwin

Monologue: 1783 08 26 End of Act I of afterpiece A Description of the Tombs in Westminster Abbey, by Edwin

423
26 April 1784 @ Covent Garden

Performances

Mainpiece Title: Epicoene; Or, The Silent Woman

Afterpiece Title: M id as

Song: End of Act II of mainpiece A Description of the Curiosities of the Tower of London; End of mainpiece Four and Twenty Fiddlers all on a Row, both by Edwin

424
24 August 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The Good-natur'd Man

Afterpiece Title: The Deserter

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by Edwin

Monologue: 1784 08 24 End of mainpiece A Description of the Curiosities of the Tomer of London by Edwin, in the Character of a Warden

425
17 September 1784 @ Haymarket Theatre

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Apprentice

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by a Gentleman [unidentified]; End of afterpiece a Mad Song in character by Lyons. imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes

Performance Comment: imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .