SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Ross"/1) | (@(roleclean,performerclean) "Mr Ross")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4265 matches on Event Comments, 1610 matches on Performance Comments, 552 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: A Tragedy [by Hugh Kelly] never perform'd. The performance of Mrs Yates alone could have counteracted, for nine nights, its natural tendency towards damnation....A gentleman being asked, after one of the representations of this play, if he did not hiss it, replied "How could I? A Man can't hiss and yawn at the same time." (Biographia Dramatica.) [The advertisement to the 1771 edition thanks Mrs Yates, Bensley, Wroughton, "for their great good nature in undertaking their respective characters at the short notice of a week, when Mr Ross unexpectedly returned the part of Anselmo, which had been in his possession above a fortnight." This circumstance, continues the advertisement oblig'd Mr Bensley, cast for Palermo to undertake Mr Savigny's part, orginally Granville, Savigny taking Anselmo, and Wroughton Palermo." The play was brought on anonymously to avoid political repercussions associated with the name of the author.

Performances

Mainpiece Title: Clementina

Afterpiece Title: Thomasand Sally

Event Comment: Benefit for Legg, Bennet, and White, Mr Barry's sudden indisposition rendering him incapable of performing, Mr Ross will do his part [i.e., Essex]

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: Lethe

Song: III, V: Legg

Dance: IV: Comic Ballet, as17580502

Event Comment: Wth Shakespear's ode (by Havard). Mrs Cibber ill, she came tho', and went thro' Ye two first Acts & then Miss Haughton finish'd the Part (Cross). For bt. of Ross, but Ross did not act. Receipts: #180 (Cross)

Performances

Mainpiece Title: Jane Shore

Performance Comment: As17551106, but Shore-Ross (Playbill); Havard (Public Advertiser); Catesby-Mozeen; Alicia-Miss Haughton.
Cast
Role: Shore Actor: Ross

Afterpiece Title: Catherine and Petruchio

Dance: IV: New Dance-

Song: Anniversary Ode in Commemoration of Shakespeare, as17560401

Event Comment: Benefit for Ross. Tickets of Ross at his house in Bow Street, Covent Garden. Receipts. #200 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: As17560923, but Frankly-Ross.
Cast
Role: Frankly Actor: Ross.

Afterpiece Title: The Author

Performance Comment: Cadwallader-Yates; Young Cape-Ross; Mrs Cadwallader-Mrs Clive, the only parts listed.
Cast
Role: Young Cape Actor: Ross
Event Comment: Benefit for Ross. No building on Stage. Receipts: #112 in cash, plus #71 1s. from tickets (Boxes 208; Pit 127). Charges #63. [Ross found his wax candles.] Total income #183 1s

Performances

Mainpiece Title: The Rival Queens

Performance Comment: Alexander-Ross; Lysimachus-Smith; Hephestion-Dyer; Polyperchon-Gibson; Thessalus-Anderson; Perdiccas-Davis; Aristander-Perry; Cassander-Ridout; Clytus-Sparks; Sysigambis-Mrs Vincent; Parisatis-Mrs Baker; Eumenes-Bennet; Slave-Wignel; Roxana-Mrs Hamilton; Statira-Mrs Ward. Into which will be introduced The Triumphal Entry of Alexander into Babylon.
Cast
Role: Alexander Actor: Ross

Afterpiece Title: Catherine and Petruchio

Dance: I: The Dutch Skipper, as17591017; End: The Lamp Lighters, as17600318

Event Comment: Benefit for Ross. Charges #65 15s. 6d. [Profit to Ross #54 1s. plus #79 from Tickets (Box 280; Pit 60)] (Acount Book). Receipts: #119 16s. 6d. (Account Book)

Performances

Mainpiece Title: Cato

Performance Comment: Cato-Ross, 1st time; Sempronius-Clarke; Juba-Smith; Syphax-Gibson; Portius-Davis; Marcus-Dyer; Lucius-Anderson; Decius-Gardner; Lucia-Mrs Mattocks; Marcia-Mrs Bellamy; Original Prologue-Gardner.
Cast
Role: Cato Actor: Ross, 1st time

Afterpiece Title: Thomasand Sally

Dance: End: The Female Archer, as17661215

Event Comment: MMr Ross from Ireland play'd Y. Bevil & was receiv'd with great applause (Cross). Person engaging; voice musical; countenance expressive; judgment correct in general, but he lacks a certain easiness of carriage, and gracefulness of deportment...appeared better his second night than his first (Inspector No 184, in Daily Advertiser and Literary Gazette). Receipts: #100 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Ross first time on English stage; Tom-Woodward; Myrtle-Palmer; Indiana-Mrs Pritchard; Phillis-Mrs Clive; Daniel-Vaughan; Cimberton-Taswell; Sealand-Berry; Mrs Sealand-Mrs Cross; Isabella-Mrs Bennet; Lucinda-Mrs Mills; Sir John Bevil-Winstone; Humphrey-Blakes.

Afterpiece Title: The Chaplet

Dance: II: Mattocks

Event Comment: Benefit for Ross. Upon Account of the Triumphal Entry there will be no building on the stage. Receipts: #65 15s. 6d. plus tickets #84 9s. (boxes 228; Pit 183). Charges #63 (Account Book)

Performances

Mainpiece Title: The Rival Queens

Performance Comment: As17571220, but Alexander-Ross.
Cast
Role: Alexander Actor: Ross.

Afterpiece Title: The Knights

Dance: SSicilian Peasants, as17571217

Event Comment: Benefit for Ross. By Particular desire. Tickets for Venice Preserv'd will be taken. Ladies send servants by 3 o'clock. Afterpiece: Never acted before. Tickets sold at the Door will not be admitted

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17590129, but Macheath-Ross, 1st time; Peachum-Sparks, 1st time; Ben-Gibbs; Beggar-Bennett; Filch-Holtom; Drawer-Perry.
Cast
Role: Macheath Actor: Ross, 1st time

Afterpiece Title: The She Gallant or Recruits for the King of Prussia

Dance: The usual Country Dance, as17581009; Hornpipe, as17581009

Ballet: TThe Feast of Bacchus. As17581116

Event Comment: Benefit for Ross

Performances

Mainpiece Title: Comus

Performance Comment: As17640104, but Bacchanals-Mattocks; Comus-Ross; First Spirit-Dyer; Euphrosyne-Miss Poitier; The Chorusses-Miss _Davis.
Cast
Role: Comus Actor: Ross

Afterpiece Title: The Upholsterer

Event Comment: [R$Ross this month wrote to Colman (Harvard Theatre Collection A.L.S.) inquiring about an intended new theatre at Bath, and opened his heart as follows: "My present situation is most irksome to me and must be to any gentleman or man of merit in his profession to have such an ignorant and now ill-bred fellow as Beard? presume to conduct the business of a theatre Royal, of which he is totally ignorant, and oblig'd to apply to the great Gibson, who naturally wishes to lower every man to his own standard, while the other despises every degree of merit that is not compris'd in Sol fa and wishes the theatre only to substitute as an Opera house." Ross wanted to be nominated for the manager's postition in the new theatre at Bath. N.B. He had already acted 23 times this season in his best parts.

Performances

Mainpiece Title: She Woud And She Woud Not Or The Kind Imposter

Performance Comment: Manuel-Shuter; Philip-Ross; Octavio-Gardner; Soto-Dunstall; Trappanti-Woodward; Lewis-Davis; Corrigidor-Wignel; Diego-Costollo; Rosara-Mrs Mattocks; Flora-Mrs Vincent; Viletta-Mrs Pitt; Hypolita-Miss Macklin.
Cast
Role: Philip Actor: Ross

Afterpiece Title: The Royal Chace

Event Comment: Benefit for Ross

Performances

Mainpiece Title: Comus

Performance Comment: As17651022, but Comus-Ross; First Spirit-Dyer; Elder Brother-Clarke; Second Spirit-R. Smith; Bacchanals-Mattocks; 3rd Spirit-Mrs Weichsel; The Chorusses-Mrs _Weichsel.
Cast
Role: Comus Actor: Ross

Afterpiece Title: The Upholsterer

Event Comment: Afterpiece: A Musical Entertainment in two Interludes. Someday this week, Mr Ross, will perform the part of Young Bevil in the Conscious Lovers, at Drury Lane, being the first time of his appearance on the English Stage. Receipts: #180 (Cross)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Chaplet

Event Comment: Receipts. #100 (Cross). General Advertiser: The tragedy of the Revenge is reviving at Drury Lane, and will be played there sometime next week, in which Mossop will play the part of Zanga. A Poem To Mr Ross, on his first appearance in the Character of Bevil : @Who can resist to pour the raptur'd praise@When such deserts as thine attention raise...@Bevil whose words still fire the Noble mind@Shines with new lustre to thy Merits joined...

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Intriguing Chambermaid

Event Comment: Benefit for ye Author (Cross). Tickets to be had of the Author at his lodgings the Angel in King's Street, Covent Garden; A Millar, over-against Catharine Street, in the Strand; and at the Stage Door of the theatre, where places may be taken (playbill). We hear Mr Ross is to perform the part of Romeo in the Play Romeo and Juliet for his benefit, which is to be on Thursday, the 31st of March (General Advertiser). Receipts: #200 (Cross)

Performances

Mainpiece Title: Eugenia

Event Comment: Benefit for Condell, box-keeper, and Charles Sarjant, book and house-keeper. Mr Ross having, by a fall from his horse, hurt himself so much as to be incapable of performing, the Play is oblig'd to be chang'd; and the Tickets deliver'd out for King Lear will be taken this night

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Apprentice

Dance: III: A Hornpipe-Miss Pitt; End: Venus Reveng'd, as17631222

Performances

Mainpiece Title: Title Unknown

Performances

Mainpiece Title: Calisto Or The Chaste Nimph

Afterpiece Title: Calistos Additional performers

Event Comment: Mainpiece [1st time; C 5]: By the celebrated Henry Fielding; and never yet performed or published. With new Scenes, Dresses, &c. [and incidental music by Michael Arne. Prologue by David Garrick. Epilogue by the same (see text)]. Public Advertiser, 12 Dec. 1778: This Day is published The Fathers (1s. 6d.). "This play was written by Mr Henry Fielding, some years before his death. Mr Garrick saw it at that time. Mr Fielding gave the only fair copy he had of it to his friend Sir Charles Williams, of whose judgment he entertained a high opinion. Sir Charles soon after went abroad, and the comedy was mislaid. Mr. Fielding communicated this circumstance to his family on his death-bed; and enquiry was made for it, but without effect. At length Mr Thomas? Johnes, Member for Cardigan, looking over Sir Charles's books, found a comedy in manuscript, which he read, and, approving, had it transcribed and sent to Mr Garrick for his opinion, who, like Archimedes, cried out, 'This is the lost sheep! This is Mr Henry Fielding's play!' Mr Garrick communicating it to Mr Johnes, Mr Johnes immediately sent the original manuscript, which was in Mr Fielding's hand-writing, to the family, with his best wishes for its success, promising to assist it to the utmost of his power" (Gentleman's Magazine, Dec. 1778, p.586). See also, for corroboration of the above and for other details, Wilbur L. Cross, The History of Henry Fielding, 1918, III, 99-104. Receipts: #210 11s. 6d. (186.6.0; 23.19.6; 0.6.0)

Performances

Mainpiece Title: The Fathers Or The Good Naturd Man

Afterpiece Title: The Irish Widow

Dance: As17780919

Performances

Mainpiece Title: The Committee Or The Faithful Irishman

Afterpiece Title: The Waterman

Performances

Mainpiece Title: The Anatomist Or The Sham Doctor

Afterpiece Title: The Loves of Mars and Venus

Performances

Mainpiece Title: The Island Princess Or The Generous Portuguese

Performance Comment: The performers are listed in Add. MSS. 15, 318, and in a printed version, The Four Seasons; or, Love in every Age (1699). These two sources are essentially similar, but as they occasionally supplement each other, the following is a composite of the two sources: Prologue-Mr Powell; The Epilogue-Penkethman, Mrs Rogers; Prologue to The Four Seasons-Mr Leveridge; Armusia-Powell; Ruidias-Mills; Piniero-Thomas; King of Tidero-Evans; Governor or Tyrant-Johnson; King of Bokam-Bullock; Prince of Syana-Mrs Kent; Quisara-Mrs Rogers; Panura-Mrs Wilkins; Act II: A Masque The Music by Daniel Purcel. The Words fitted to the Notes by the Author-Leveridge, Freeman, Pate, Miss Campion, Magnus's Boy, Miss Lindsey; Act III: A Song set by Daniel Purcell-; Act IV: A Dialogue between a Clown and his Wife set by Leveridge-Pate, Leveridge; An Incantation set by Mr D. Purcell-Bowen, Freeman, Pate; The Enthusiastick Song Set by Mr Leveridge-Mr Leveridge; Act V: The Four Seasons Set by Mr Jeremy Clarke-Leveridge, Freeman, Miss Campion, Magnus's Boy, Miss Lindsey, Pate, Crossfield.

Performances

Mainpiece Title: Achilles Or Iphigenia In Aulis

Performances

Mainpiece Title: The Marriage hater Matched

Performances

Mainpiece Title: The Citizen Turned Gentleman