SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Robert Streeter"/1) | (@(roleclean,performerclean) "Mr Robert Streeter")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4453 matches on Event Comments, 2165 matches on Performance Comments, 942 matches on Author, 619 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Afterpiece Title: The Gentleman Gardiner

Dance: Mr J. Granier, J. Granier's sister

Performances

Mainpiece Title: Jane Shore; Or, The Penitential Fair

Afterpiece Title: Mr Foote's Tit for Tat

Dance: HHornpipe-Atkins from Covent Garden; Equilibres on the Slack Rope-Lort

Performances

Mainpiece Title: The Recruiting Officer

Song: Mr and Mrs Dennis, Platt

Dance: Mr and Mrs Dennis, Platt

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Mr Foote Gives Tea

Dance: NNew Dutch Dance, as17531117

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Mr Foote's Tea

Dance: I: A New Dutch Dance, as17531117

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Heiress; or, The Antigallican

Dance: I: Hornpipe-Harrison, a Young Gentleman Harrison's Scholar; End: A Minuet-Two of Harrison's Scholars

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Old Maid

Dance: I: A Dance incident to the Opera-Fishar, Arnauld, Sga Manesiere, Miss Valois

Performances

Mainpiece Title: Mahmoud

Afterpiece Title: A Dramatic Cento

Afterpiece Title: The Sultan

Dance: End I: (by permission of the Proprietor of the king's Theatre) the new favorite Ballet, in the Scots' Stile, Little Peggy's Love- The Pantomime, Principal Steps by Didelot; the Principal Characters the Dancers of the Opera House: Didelot, Gentili, Ms Vidi, Ms Bossi, Ms Barre, Ms Parisot, Ms Hilligsberg, Ms Rose

Song: End 3rd piece: the Finale to The Iron Chest, Harmony Harmony- being the last Composition of Storace

Performances

Mainpiece Title: Concert

Afterpiece Title: Britain's Happiness

Music: Singing in Italian and English-Mrs Tofts

Dance: As17040222

Performances

Mainpiece Title: Cato

Afterpiece Title: La Guinquette

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: La Guinquette

Dance: A new Italian Night Scene-Sorin, Baxter; La Caprice, as17160411

Performances

Mainpiece Title: The Northern Lass

Afterpiece Title: La Guinquette

Dance: As17160420

Performances

Mainpiece Title: The Funeral

Afterpiece Title: La Guinquette

Afterpiece Title: Dido and Aeneas

Performances

Mainpiece Title: The Royal Shepherd

Dance: TThe Faggot Binders, as17640301 Dance, as17640301

Performances

Mainpiece Title: The Royal Shepherd

Dance: TThe Faggot Binders, as17640301 Dance, as17640301

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: New Dance call'd The Sheep Shearers-Grimaldi, Miss Baker; II: The Faggot Binders, as17640224; End Opera: A Dance, as17640224

Performances

Mainpiece Title: The Royal Shepherd

Dance: The Sheep Shearers, as17640308 The Faggot Binders, as17640308 Dance, as17640308

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: The Sheep Shearers, as17640308 but _Grimaldi, Lauchery; II: The +Shepherdesses, as17640113; End Opera: A Dance, as17640301 but _Grimaldi, Tassoni

Performances

Mainpiece Title: At Hay The Jealous Wife

Performance Comment: Mr Oakly-Kemble; Major Oakly-Palmer; Charles Oakly-Barrymore; Russet-Aickin; Sir Harry Beagle-R. Palmer; Lord Trinket-Dodd; Captain O'Cutter-Moody; Paris-Wewitzer; William-Maddocks; John-Hollingsworth; Tom-Alfred; Robert-Lyons; Mrs Oakly-Mrs Siddons; Lady Freelove-Mrs Hopkins; Harriet-Mrs Kemble; Toilette-Mrs Edwards; Chambermaid-Mrs Heard.
Cast
Role: Robert Actor: Lyons

Afterpiece Title: Ozmyn and Daraxa

Dance: As17930307

Event Comment: Robert Shirley to Thomas Coke, Chartly, 21 Jan. 1695@6: I must agree with you that Wit and Sense seem this winter to have suffered an eclipse, and the dramatic writers more especially have showed how little they consulted either. I do assure you, I have not of late met with more of both than in your ingenious diverting letter to me, so that I am satisfied Wit is not retired out of town, but has only forsaken the stage. We that live in these northern parts are forced to range over fields and woods to find subjects of diversion, for in the frozen season of the year, there is nothing that is more so in the country than conversation. In my last ramble, either my own innate fancy, or the aversion I had to see such plays wrote in English as would hardly bear the reading, made me imagine I met with one of the Muses that had left the town, and by her discourse seemed to be Patroness of Dramatic Poetry. You know, Sir, to meet with a Nymph in the desert was no rarity in some countries heretofore, but yet I vow and swear between us, I asked her the occasion of her leaving the town, to which she made this sudden answer: @Neglected Wit is silent at a time@When puns, or bombast, stuff each doggrill rhyme.@In comic strain when they'd describe a fool,@The author proves the only ridicule.@In tragic verse while others fain would boast,@Landing some thousand Romans on the coast,@In what they would express themselves are lost,@Make Romans cowards, and make English great,@And make Bonduca valiant, to be beat.@Would Congreve or would Blackmoor now engage,@They might with manly thoughts reform the stage:@ ... As for Mr Southern's play, I have not yet seen it, so that I cannot at present give you my thoughts on it (HMC, 12th Report, Appendix, Part II, Cowper MSS., II, 359-60)

Performances

Event Comment: Robert Jennens to Thomas Coke, 19 Nov. 1696: There has been for four or five days together at the play house in Lincolns Inn Fields acted a new farce translated out of the French by Mr Monteux called the Shame Sham? Doctor or the Anatomist, with a great concert of music, representing the loves of Venus and Mars, well enough done and pleases the town extremely. The other house has no company at all, and unless a new play comes out on Saturday revives their reputation, they must break (HMC, 12th Report, Appendix, Part II, Cowper MSS., II, 367)

Performances

Mainpiece Title: The Anatomist

Afterpiece Title: The Loves of Mars and Venus

Performances

Mainpiece Title: Alonzo

Afterpiece Title: A Peep behind the Curtain

Event Comment: Robert Hooke was at the Duke's Theatre but did not name the play (The Diary of Robert Hooke. p. 54)

Performances

Event Comment: Robert Hooke attended the Duke's Theatre, but again did not name the play (The Diary of Robert Hooke, 21 Aug. 1673)

Performances

Performances

Mainpiece Title: All In The Wrong

Performance Comment: Robert-Parsons; Sir Wm. Belmont-Burton; Blandford-Bransby; Sir John Restless-Yates; Beverly-OBrien; Lady Restless-Miss Haughton; Clarissa-Mrs Palmer; Belinda-Mrs Yates; Tattle-Mrs Bradshaw; Belmont-Packer.
Cast
Role: Robert Actor: Parsons

Afterpiece Title: Love at First Sight

Dance: III: The Irish Lilt, as17630922