SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Richard Sheridan"/1) | (@(roleclean,performerclean) "Mr Richard Sheridan")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4663 matches on Event Comments, 2077 matches on Author, 1836 matches on Performance Comments, 1224 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Purse

Afterpiece Title: The Merry Wives of Windsor

Afterpiece Title: The Gentle Shepherd

Related Works
Related Work: The Gentle Shepherd; or, Patie and Roger Author(s): Richard Tickell

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Prisoner

Ballet: End: The Scotch Ghost. As17961029, but Villagers-Mrs _Thompson

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Wedding Day

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Deserter

Ballet: The Scotch Ghost. As17961221

Performances

Mainpiece Title: Wives As They Were And Maids As They Are

Afterpiece Title: The Wicklow Mountains

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: An Entremets

Afterpiece Title: Peeping Tom

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: The Irishman in London

Afterpiece Title: The Liar

Performances

Mainpiece Title: The Rival Soldiers

Afterpiece Title: Rule a Wife and Have a Wife

Afterpiece Title: Three Weeks after Marriage

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Chimney Corner

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Wedding Day

Afterpiece Title: A Trip to the Nore

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: The Irishman in London

Song: As17980705

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Wedding Day

Afterpiece Title: Feudal Times

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Feudal Times

Performances

Mainpiece Title: The Secret

Afterpiece Title: Feudal Times

Performances

Mainpiece Title: Zorinski

Afterpiece Title: The Irishman in London

Song: End II: Crazy Jane-Mrs Bland; End: a favorite Mock Italian Song-Fawcett

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Prize

Performances

Mainpiece Title: The Secret

Afterpiece Title: The Pavilion

Performances

Mainpiece Title: The Egyptian Festival

Afterpiece Title: The Wedding Day

Performances

Mainpiece Title: What A Blunder

Related Works
Related Work: Captain O'Blunder; or, The Brave Irishman Author(s): Thomas Sheridan

Afterpiece Title: The Irishman in London

Event Comment: Edition of 1660: The Royal Oake, with Other various and delightfull Scenes presented on the Water and the Land, Celebrated in Honour of the deservedly Honoured Sir Richard Brown, Bar. Lord Mayor of the City of London, The 29th day of October...and performed at the Costs and Charges of the Right Worshipfull Company of Merchant-Taylors. [Tatham refers to Dyamond, a Lightfoot, Paynter; Thomas Whitein, Joyner; and Richard Cleere, Carver.] Pepys, Diary: And I...at the Key in Cheapside; where there was a company of fine ladies, and we were very civilly treated, and had a very good place to see the pageants, which were many, and I believe good, for such kind of things, but in themselves but poor and absurd. Evelyn, Diary: My Lord Majors shew stop'd me in cheape-side: one of the Pageants represented a greate Wood, with the royal Oake, & historie of his Majesties miraculous escape at Bosco-bell &c

Performances

Mainpiece Title: The Royal Oake

Event Comment: Edition of 1662: Being a True Relation of the Honourable the City of Londons Entertaining Their Sacred Majesties Upon the River of Thames, and Welcoming them from Hampton-Court to White-Hall. Expressed and set forth in several Shews and Pageants, the 23 day of August 1662. According to the printed version, the management of the pageant was under the care of Peter Mills, Surveyor; Malin, Water Bayliff; Thomas Whiting, Joyner; Richard Cleere, Carver. The songs were set by John Gamble, one of His Majesty's Servants. Evelyn, Diary: I this day was spectator of the most magnificent Triumph that certainly ever floted on the thames, considering the innumerable number of boates & Vessels, dressed and adorned with all imaginable Pomp: but above all, the Thrones, Arches, Pageants, & other representations, stately barges of the Lord Major, & Companies, with various Inventions, musique, & Peales of Ordnance both from the vessels & shore, going to meete & Conduct the new Queene from Hampton Court to White-hall, at the first time of her Coming to Towne.... his Majestie & the Queene, came in an antique-shaped open Vessell, convered with a State or Canopy of Cloth of Gold, made in forme of a Cupola, supported with high Corinthian Pillars, wreathd with flowers, festoones & Gyrlands: Pepys, Diary: We got into White Hall garden, and so to the Bowling-green, and up to the top of the new Banqueting House there, over the thames, which was a most pleasant place as any I could have got; and all the show consisted chiefly in the number of boats and barges; and two pageants, one of a King, and another of a Queen, with her Maydes of Honour sitting at her feet very prettily; and they tell me the Queen is Sir Richard Ford's daughter. Anon come the King and Queen in a barge under a canopy with 10,000 barges and boats, I think, for we could see no water for them, nor discern the King nor Queen. And so they landed at White Hall Bridge, and the great guns on the other side went off

Performances

Mainpiece Title: Aqua Triumphalis

Performances

Mainpiece Title: The Duchess Of Malfy

Performance Comment: Downes (Roscius Anglicanus, p. 25): Duke Ferdinand-Harris; Bosola-Betterton; Antonio-Smith; Cardinal-Young; Dutchess of Malfey-Mrs Betterton [Mrs Saunderson]; Julia-Mrs Gibbs; [The edition of 1678 lists other performers who could have acted on this occasion: Delio-Midburn? [Medbourne]; Castruchio-Richards?; Sylvio-Cademan?; Pescara-Norris?; Molateste-Price?; Cariolo=-Mrs Norris?.
Cast
Role: Castruchio Actor: Richards?

Performances

Mainpiece Title: Mustapha The Son Of Solyman The Magnificent

Performance Comment: Downes (Roscius Anglicanus, pp. 25-26): Solyman-Betterton; Mustapha-Harris; Zanger-Smith; Rustan-Sandford; Pyrrhus-Richards; Cardinal of Veradium?-Young; Haly-Cademan; Roxolana-Mrs Davenport [presumably an error for Mrs Betterton, who is named for this role in the edition of 1668 and who is referred to (Ianthe) by Pepys on this day]; Queen of Hungaria-Mrs Davies. [Edition of 1668 adds: Achmat-$James Noke; Thuricus-$Medborn; Viche-$Aingel; Zarma-$Mrs Long; Mitza-$Mrs Norris; Cleora-$Mrs Shadwel.
Cast
Role: Pyrrhus Actor: Richards

Performances

Mainpiece Title: The Duchess Of Malfi

Performance Comment: The edition of 1678 contains a cast which corresponds to the Duke's Company at this time: Ferdinand-Harris; Cardinal-Young; Antonio-Smith; Delio-Midburn [Medbourne]; Bosola-Betterton; Castruchio-Richards; Sylvio-Cademan; Pescara-Norris; Malateste-Price; Roderigo-Cogun; Grisolan-Percival; Dutchess of Malfey-Mrs Betterton; Cariola-Mrs Norris; Old Lady-Mrs Osborn; Julia-Mrs Shadwell.
Cast
Role: Castruchio Actor: Richards

Performances

Mainpiece Title: Abdelazer Or The Moors Revenge

Performance Comment: Edition of 1677: Ferdinand-Harris; Philip-Smith; Abdelazer-Betterton; Mendozo-Medburne; Alonzo-Crosbie; Roderigo-Norris; Sebastian-John Lee; Osmin-Percivall; Zarrack-Richards; Isabella-Mrs Mary? Lee; Leonora-Mrs Barrer; Florella-Mrs Betterton; Elvira-Mrs Osborne; Epilogue-little Mis. Ariell [Anne Bracegirdle?].Anne Bracegirdle?].
Cast
Role: Zarrack Actor: Richards