Event Comment: The tragedy of King Richard III is (by desire) deferr'd till Friday next

Event Comment: Benefit Stede, Hayman, and Richard Neale. Tickets deliver'd out by Miss Ferguson and Miss Morrison will be taken

Event Comment: Containing an account of that notorious Pretender in the Reign of Henry VIII. Aith a short account of Lambert Simnel, a Pretender to the Crown, fostered in like manner by Richard Simon, a Priest of Oxfordshire, with many other Historical passages, similar to the present times [and a synoptic account of the play follows]. A reviv'd Historical Play (not acted in the Memory of Man, and written by an anonymous author, in Shakespeare's Style).--Daily Advertiser, 18 Dec. Prices, Boxes 2s. 6d. Pit 2s. First Gallery 1s. 6d. Upper Gallery 1s. [These prices continue.

Event Comment: Mainpiece written by Sir Richard Steele. Benefit Yates. Not acted in 40 years [see 8 Dec. 1703]

Event Comment: Benefit Richard Starkey, late of Goodman's Fields Wells, now a Prisoner in the Fleet, and having not the Opportunity to wait on his Friends

Event Comment: Receipts: #59 18s. Paid Meares, Taylor, a bill for making Richard's Dress for Lee...#3 0s. 11d. (Account Book)

Event Comment: Afterpiece: A Dramatick Piece of Two Acts (taken from Sir Richard Steele's Accomplished Fools)

Event Comment: Mainpiece: By Desire. Last Time of performing it. Receipts: #153 14s. 6d. Barry's 113 of surplus came to #24 11s. 6d. Paid George Lambert (scene painter) 3 months' salary #25. The following additional Renters came in this night at 1 share each: Thomas Fludyer, John Calcraft, Charles Lanoe, and Samuel Berkeley. Richard Vincent Sr bought in at 2 shares (Account Book)

Event Comment: Benefit for increasing the Fund for Support of Decay'd Musicians, or their Families. Pit and Boxes to be put together at Half a Guinea each. Gallery 5s. Doors open at Five. Gallery at Four, to begin at Half an Hour after Six. None to be admitted without tickets. Tickets delivered to Subscribers to this Charity will admit one person into any part of the House. Subscribers tickets may be had of Richard Dawson at his house near Henry the VII's Chapel, Westminster, who is empower'd by the Society to deliver them, and to receive the subscriptions. The Governors beg leave to inform the Nobility and Gentry to whom this Charity is so much oblig'd, that from June 1756 to June 1757 they have necessarily laid out for decay'd musicians and their families, widows of decay'd musicians, and in maintaining and educating orphans who are left in distress, and in putting them Apprentice, and for Physic, Burials, and other incidental charges #532 13s. 7d. The Books are open and may be inspected by subscribers the first Sunday in every month at a meeting of the Governors, at the Turk's Head in Greek Street, Soho. All expenses attending the meetings of the Governors, Court of Affidavits Committee for managing of this Concert, are defrayed by themselves

Event Comment: Receipts: #97 2s. Paid Mrs Ward on acct of her salary, enter'd 3rd inst. inclusive, #16. Paid Richard Stone (frame maker), #7 13s

Event Comment: Benefit for Marten, Anderson, R. Smith. Receipts: #27 2s. plus income from tickets: Marten #83 7s. (Box 59; Pit 326; Gallery 197); Anderson #64 3s. (Box 14; Pit 343; Gallery 92); Richard Smith #50 3s. (Box 13; Pit 206; Gallery 160) (Account Book). Charges: #63 (Account Book)

Event Comment: Income from Boxes #70 13s. 6d. Paid Performers' salary [50]-#181 5s. 10d.; Servants [50] #20 14s. 6d. [Six new actors were entered.] Paid scenemen #10 17s. this night, and for incidentals #8 6s. 3d., and to Richards for painting a scene #5 5s. [Detailed pay scale listed by Winston.] Receipts: #153 17s. (Winston Theatrical Record)

Event Comment: Income from Boxes #36 2s. 6d. Paid Richard Vincent on account for the Trumpeter's clothing to be used in Coronation, #105. Receipts: #130 4s. 6d. (Winston Theatrical Record)

Event Comment: The New English Opera oblig'd to be deferr'd till Friday on account of the Indisposition of Sga Cremonini. Tomorrow, by Particular Desire. Richard III, with a Pantomime (Not perform'd this season) call'd The Genii

Event Comment: Mainpiece: Not acted these 3 years. [See 30 Dec. 1762.] Paid Richard Highland a bill of #3 5s. 5d. for the Wardrobe Dinners (Account Book). Receipts: #222 (Account Book)

Event Comment: Benefit for Condell, Potter and Eddis (playbill). [Account Book lists only Condell and Potter.] Charges #81 10s. Deficit to Condell and Potter #49 10s. 6d. covered by #97 10s. to Condell from tickets (Box 248; Pit 194; Gallery 64) and #73 14s. to Potter from Tickets (Box 159; Pit 157; Gallery 104). Paid Richard Richardson for the Purchase of the Fee Farm of three Houses on the West Side of Bow St. subject to 40s. a year payable to the Duke of Bedford...#1800. Receipts: #31 19s. 6d. (Account Book)

Event Comment: Paid Messrs Richards and Dall for their expenses to Stratford #14 14s. (Account Book). [Apparently for gathering material for painting appropriate scenes for Harlequin's Jubilee (see 27 Jan. 1770) or for Man & Wife, 7 Oct.] Receipts: #91 8s. 6d

Event Comment: marly Benefit for Richards. [Vocal parts in concert as 16 Aug. plus Bannister's musical imitations, by desire.]

Event Comment: Mainpiece: Not acted in two years.[See 27 April 1768.] Afterpiece: Altered from Richard Brome's Jovial Crew by James Love. [Dance.

Event Comment: Mainpiece: Acted but once these 20 years. Rec'd of Condell on Acct of Fruit Rent #20; Paid Richards (painter) as per bill #115 15s.; Paid Partridge & Franks (hosiers) #60 5s.; Paid Lowe & Lewis (woolen drapers) #35 15s. (Account Book). Receipts: #207 10s. (Account Book)

Event Comment: Benefit for Condell, Potter and Evans (box-keepers). Charges #81 5s. Deficit to the Box Keepers #14 7s. 6d. apiece, cover'd by income from tickets: Condell #67 3s. (Box 169; Pit 116; Gallery 75); Potter #56 (Box 116; Pit 102; Gallery 117); Evans #83 13s. (Box 151; Pit 228; Gallery 117). Paid Cooper (printer) #33 10s. 6d.; Paid Richards (painter) as per bill #6 16s. 6d.; Paid Dr Arne for composing two songs one in Comus, the other in Twelfth Night #6 6s. (Account Book). Receipts: #38 2s. 6d. (Account Book)

Event Comment: King Richard III oblig'd to be deferr'd on account of Indisposition of Miss Miller. Receipts: #139 11s. (Account Book)

Event Comment: Cash advanc'd Clarke as per bond #400. Paid Richards (scene painter) as per Bill #190. Receipts. #230 6s. (Account Book)

Event Comment: Mainpiece: In three acts altered from Shakespeare. Afterpiece, a New Pastoral Masque and Pantomime interspersed. The Music composed by Fisher. The scenes painted by Messrs Dahl, Richards and Carver. Nothing under Full Prices will be taken. Books of Songs, &c. sold in Theatre. The words of the Masque taken chiefly from Ben Johnson (playbill). [DNB s.v. "Jonson," suggests The Haddington Masque, 1608, with the "Hue and Cry after Cupid" material as the source. The reviewer for the Westminster Magazine commented on the performance of 25 November, after outlining the story: "Such are the outlines of The Druids, whick is a hetereogeneous jumble of monstrous absurdities; and if considered merely as a vehicle for music, dances, and decorations, is, in our opinion, far inferior to the dramatic monstrum horrendum of the other House [The Maid of the Oaks]. Both pieces, however, are equally an insult on the understanding and judgments of the Public, and exhibit striking proofs of the miserably depraved state of the English theatre, whose entertainments are at present conducted by Managers either destitute of taste and abilities or actuated by no other than the paltry, despicable motives of vanity, prejudice, and avarice,"]

Event Comment: Benefit for Carlton Jr, Berrisford and Kaygill. Tickets delivered by Burroughs, The Widow Veal, and for King Richard III, will be taken. Receipts: #211 16s. Charges: #84. Profits to beneficiaries: #127 16s. (Treasurer's Book)