SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Richard Cross"/1) | (@(roleclean,performerclean) "Mr Richard Cross")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6756 matches on Event Comments, 2923 matches on Performance Comments, 2144 matches on Author, 1450 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Provocation

Performance Comment: Principal Characters-Byrne, Boyce, Cubitt, Farley, Follett, Cranfield, Cross, Milburne, Thompson, Rock, Rayner, Evatt, Ledger, Lee, Letteney, Ratchford, Blurton, Platt, King, Jackson, Mrs Goodwin, Mrs Ratchford, Miss Rowson, Mrs Lloyd, Miss Francis.
Event Comment: At Barnes and Finley Booth, between the Hospital Gate and the Crown Tavern, opposite the Cross Daggers

Performances

Mainpiece Title: Rope Dancing

Entertainment: The most famous Rope/dancers; in Europe; As1st Dance with and without a Pole-2 young Maidens , lately arriv'd from France, to admiration; 2. Dance with 2 Children at his Feet, Dance with Boots and Spurs The Famous-M Barnes of whose performances this Kingdom is so sensible. 3.; Dancing-Mrs Finley; distinguished by the Name of Lady Mary for her incomparable Dancing, has much improved herself since the last Fair; You will likewise be entertained with such variety of Tumbling-Mr Finley andCo as never was in the Fair before

Event Comment: Receipts: #150 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Lottery

Song:

Event Comment: Mainpiece: By Particular Desire. Afterpiece: Not acted these two years. [See 30 Nov. 1749. Inspector No 191 analyzes and discusses The Orphan (Daily Advertiser and Literary Gazette).] Receipts: #120 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Lottery

Event Comment: TTancred and Sigismunda is oblig'd to be deferr'd on account of the Indisposition of a principal performer. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Queen Mab

Song: II: Haughty Strephon-Master Vernon[, as17520124

Event Comment: By order of the Town. None to be admitted without tickets at 2s. 6d. each. The Roarings of the Lion disturbing some of the inhabitants of Covent Garden, his Leonic Majesty has adjudged it necessary to remove from that end of town to the place of performance. To begin at 7 p.m. [See Cross, History of Henry Fielding, II, 409, for an account of this piece and the way it was stopped by officers while the performance was in progress.

Performances

Mainpiece Title: Grand Composition Of Fun And Music

Event Comment: MMr Woodward said--I have been getting you (to Bayes) a fine parcel of Monsters, & they have knock'd me down & taken 'em from me--(thinking of the late Dispute) a little hissing &c. but it went off--Great Applause all thro'. Receipts: #220 (Cross)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Devil to Pay

Dance: Concluding: Devisse, Mad Auguste

Event Comment: Receipts: #200 (Cross)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The King and the Miller of Mansfield

Event Comment: Receipts: #170 (Cross)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Author

Event Comment: Receipts: #180 (Cross); #134 17s. 6d. (Winston MS 8)

Performances

Mainpiece Title: Isabella Or The Fatal Marriage

Afterpiece Title: The Lottery

Dance: IV: Spanish Dance, as17581014

Event Comment: Benefit for Wilkinson. Receipts: #130 [Cross); charges #63 (Winston MS 8)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Diversions of the Morning

Dance: NNew Grand Dance, as17590509

Event Comment: Doors opened at 6 o'clock. To Begin (By Particular Desire) exactly at Seven. Mainpiece: By Particular Desire. King of Denmark. Lusignan-Mr Garrick (Cross Diary). For the King of Denmark.--At a Quarter after seven, an Apology was made by Mr Holland--viz.--"The King, being detained longer than he expected, sent word to desire the play might begin as he would not by any means make the publick wait, and he would come as soon as he possibly could,--and he [Holland] desired to know the audience's pleasure whether it should begin before he came."--A great clap and cry'd "No,"--not begin till he comes"--At thirty-five minutes after seven he came, and the play began (Hopkins Diary)

Performances

Mainpiece Title: Zara

Afterpiece Title: Queen Mab

Event Comment: SSir John Brute, Mr Garrick (Cross Diary). The Fair Penitent was advertised for Wednesday the 11th: a Rehearsal was call'd on Tuesday the 10. About nine o'clock in the morning Mr Barry sent for & told me he was so ill that would be impossible for him to play for sometime & that he would give up his salary till he was able to play (Hopkins MS Memorandum Book)

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: The Register Office

Event Comment: Command. Mrs Barry being Ill Mrs Abington play'd Violante (very bad) & disconcerted Mr Garrick very much (Hopkins Diary). K & Q. Felix-Mr Garrick (+Cross Diary)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Daphne and Amintor

Event Comment: Leon, Mr Garrick (Cross Diary). Mr Garrick never Played better (MacMillan). Garrick from ill health did not act till 24 May (Winston MS 10)

Performances

Mainpiece Title: Rule A Wife

Afterpiece Title: The Devil to Pay

Dance: New Comic Dance-Daigueville, Mrs King, Sga Daigueville, Miss Ross

Event Comment: Benefit for Bannister. 1st piece: Not acted these 2 years. Morning Herald, 11 Mar.: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing-cross. Receipts: #316 4s. 6d. (123/16/0; 10/16/0; 1/7/6; tickets: 180/5/0) (charge: #111 15s. 9d.)

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Sons of Anacreon

Afterpiece Title: The Romp

Song: In 2nd piece several capital Catches and Glees, selected from the most eminent Masters; The celebrated Anacreontic Song by Bannister; an Imitative Song by Bannister Jun

Event Comment: Benefit for Bannister. Under the Patronage of His Royal Highness The Prince of Wales. [In mainpiece the playbill retains Mrs Bland as Ariel , but "Ariel was, on account of the sudden indisposition of Mrs Bland, read by Miss Heard" (Diary, 8 May). Miss Heard may also have substituted for Mrs Bland in the afterpiece.] Afterpiece [1st time; F 2, by James Cobb, for whose authorship see Kemble Mem. Larpent MS 982; not published]. Public Advertiser, 2 May: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing Cross. Receipts: #227 8s. (95.17; 7.5; tickets: 124.6) (charge: #90 2s. 6d.)

Performances

Mainpiece Title: At Hay The Tempest

Afterpiece Title: Fortunes Wheel

Song: In: Vocal Parts, as17921213, Sedgwick, _Kelly, Mrs +Crouch; Masque of Neptune and Amphitrite, as17930102 In course of Evening: +The Little Farthing Rushlight-Bannister Jun

Event Comment: The Duke's Company. The date of the premiere is not known, but the fact that play was licensed for printing on 23 Feb. 1676@7 suggests a first performance about this time. The play was entered in the Term Catalogues, May 1677. Langbaine (English Dramatick Poets, p. 36) refers to this play as altered from Richard Brome's The Mad Couple

Performances

Mainpiece Title: The Debauchee Or The Credulous Cuckold

Performances

Mainpiece Title: The Rover

Performance Comment: As17241113, but Pedro-Thurmond; With a new Prologue, Epilogue-Miss Robinson Jr , who acted the Part of Princess Elizabeth by Anna Bullen , and the Duke of York in Richard the Third.

Dance: End I: Polonese-Miss Robinson, Rainton; III: A new Passacaille-Miss Robinson; V: A New Comic Dance-Miss Robinson, Rainton

Music: II: 2d Concerto of Corelli-; IV: Select Piece with Hautboys and Flutes-

Event Comment: Pit and Boxes to be put together; and no persons to be admitted without Tickets, which will be deliver'd this day, at the office, at Half-a-Guinea each. Gallery 5s. Upper Gallery 3s. 6d. Galleries will be open'd at Four, Pit & Boxes at Five, and to begin at half an four after Six o'clock. Tickets delivered out for 25 Jan. will be take. Subscribers tickets may be had of Richard Dawson, at his house near Henry the Seventh's Chapel, Westminster, who is empower'd by the Society to deliver them, and receive the subscriptions. N.B. Tickets deliver'd to subscribers to this charity will admit one person into any part of the House. Benefit for Increase of a Fund establish'd for the support of Decay'd Musicians, or their Families. [The governors report that they have expended from June 1757 to June 1758 #541 8s. 6d. from this fund.

Performances

Mainpiece Title: Alfred The Great

Event Comment: Mainpiece: By Particular Desire. Receipts: #150 13s. 6d. Paid Ledley for 20 dozen Wax Candles #31; Paid Mr Richards for painting the Slaughter House, Ox &c. [See The Fair, 10 Dec. 1759] #10 10s

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Catherine and Petruchio

Dance: As17600108

Event Comment: Paid Mr Richards, Painter as per Bill #74 11s. (Account Book). Receipts: #213 13s

Performances

Mainpiece Title: The Twin Rivals

Afterpiece Title: Harlequins Jubilee

Event Comment: Mainpiece [1st time; CO 3, by John O'Keeffe; MS: Larpent 577; not published. The following season this was altered, and acted successfully as The Castle of Andalusia]: With new Scenes, Dresses and Decorations. A new Overture, and the whole of the Music under the Direction of Dr Arnold. Books of the Songs to be had at the Theatre. Public Advertiser, 29 Nov.: The admirable first scene, the subterraneous Receptacle of the Banditti, is the production of the ingenious Mr Richards. Receipts: #182 10s. (180/12/6; 1/17/6)

Performances

Mainpiece Title: The Banditti Or Loves Labyrinth

Afterpiece Title: The Apprentice

Event Comment: Mainpiece: By Desire of several persons of Quality. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The King and Miller of Mansfield

Event Comment: Receipts: #200 (Cross)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Chaplet