SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Rich"/1) | (@(roleclean,performerclean) "Mr Rich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4555 matches on Event Comments, 1190 matches on Performance Comments, 676 matches on Author, 556 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit for Evans, Letsam, Potter (boxkeepers) and Stede. Tickets delivered out for The Rover will be taken. Receipts: #18 5s. 6d. in cash. Charges #44 2s. 9d. plus 1!2 value of tickets: @Tickets Evans Box 299@Pit 144@Gallery 136@Value #109 19s.@1!2 Value @Tickets Letsam Box 45@Pit 46@Gallery 50@Value #23 3s.@1!2 Value #11 11s. 6d.@Tickets Potter Box 28@Pit 58@Gallery 79@Value #23 12s.@1!2 Value #11 16s.@Tickets Stede Box 12@Pit 94@Gallery 84@Value #25 10s.@1!2 Value #12 15s.@Total Box 384@Pit 342@Gallery 349@Value #182 4s.@1!2 Value #36 2s. 6d.@Evans was charged #25 17s. 3d.@Money #18 5s. 6d.@Rec'd to Rich #80 5s. 3d.@Paid Evans for his attendance #10

Performances

Mainpiece Title: Sir Courtly Nice

Afterpiece Title: Flora

Related Works
Related Work: Flora's Vagaries Author(s): Richard Rhodes

Song: Lowe

Dance: III: A Comic Dance-Granier, Miss Hilliard; End: The Lamp Lighters, as17600318

Event Comment: Benefit for Wilford, Ross (Pit Doorkeepers); Mislebrook, Dimmock, and Trott (Lobby Doorkeepers). Tickets delivered out by Besford, Slater, Clarke, Toten, J. Smith will be taken. Receipts: #29 8s. plus 1!2 value of tickets: @Tickets Wilford Box -@Pit 39@Gallery 45@Value #10 7s.@1!2 Value #5 3s. 6d.@Tickets Ross Box 4@Pit 153@Gallery 60@Value #29 19s.@1!2 Value #14 19s. 6d.@Tickets Mislebrook Box -@Pit 40@Gallery 128@Value #18 16s.@1!2 Value #9 8s. 6d.@Tickets Dymuck Box -@Pit 7@Gallery 41@Value #5 3s.@1!2 Value #2 11s. 6d.@Tickets Trott Box 165@Pit 40@Gallery 11@Value #48 7s.@1!2 Value #20 3s. 4d.@Tickets Besford Box -@Pit 12@Gallery 38@Value #5 12s.@1!2 Value #2 16s.@Tickets Slater Box -@Pit 56@Gallery 81@Value #16 10s.@1!2 Value #8 5s.@Tickets Clarke Box 4@Pit 33@Gallery 52@Value #11 3s.@1!2 Value #5 11s. 6d.@Tickets Toten Box -@Pit 32@Gallery 48@Value #9 12s.@1!2 Value 4 16s.@Tickets Smith Box 1@Pit 25@Gallery 29@Value #6 18s.@1!2 Value #3 9s.@Tickets S. Griffith Box -@Pit 11@Gallery 11@Value #2 18s.@1!2 Value #1 9s.@Tickets Coles Box 9@Pit 45@Gallery 80@Value #17@1!2 Value #8 10s.@Tickets Darby Box -@Pit 150@Gallery 161@Value 38 12s.@1!2 Value #19 6s.@Tickets Clingo Box -@Pit 37@Gallery 39@Value #10 9s.@1!2 Value #5 4s. 6d.@Total Box 187@Pit 681@Gallery 824@Value #231 6s.@1!2 Value #111 12s. 10d.@Money #29 8s.@Total #141 1s.@ Paid Rich on Acct #5

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Contrivances

Dance: End: Comic Dance-Granier, Miss Hilliard

Event Comment: Calculated for the use and entertainment of the town in general, but particularly the admirers of The Minor, and more especially those who have been present at the humorous representations of that piece. 'The plain roast and boiled of the theatres will never do at this table. We must have huge seasoned ragouts, and rich sauces.' Perhaps I may produce something that may hit your palate--What think you of a Mimick? Vide the Introduction of The Minor. Nothing will be taken under full prices. No admittance behind the scenes. Care will be taken to keep the house cool. To begin exactly at Seven

Performances

Mainpiece Title: Comic Lectures

Event Comment: Boxes #52 17s. 6d. Macklin's fifth of the surplus above #63 came to #18 16s. 11d. Bought of Ledlay 23 doz. wax candles at 31s. per doz. #35 13s. Paid Rich on Acct. #10 (Account Book). Receipts: #157 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Refusal

Afterpiece Title: Love a la Mode

Dance: LLes Charboniers, as17601216

Event Comment: Boxes #54. Macklin's fifth above charges came to #21 2s. 9d. Paid J. Rich on Account #800 (Account Book). Receipts: #168 14s. (Account Book)

Performances

Mainpiece Title: The Refusal

Afterpiece Title: Love a la Mode

Dance: Poitier Jr, Mlle Capdeville

Event Comment: Afterpiece: By Desire. [Macklin's fifth above charges came to #15 15s. 8d.] Paid Rich on account #250 (Account Books). Receipts: #141 18s. 5d. (Account Book)

Performances

Mainpiece Title: The Married Libertine

Afterpiece Title: Love a la Mode

Dance: III: As17610202

Event Comment: Boxes #55 17s. 6d. Macklin's fifth above charges came to #20 15s. 6d. Paid Rich on account #421 (Account Book). Receipts: #166 17s. 5d. (Account 8ook)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Love a la Mode

Dance: As17601216

Event Comment: Boxes #19 10s. [Macklin seems to have received nothing for this performance as receipts did not equal the house charges of #63.] Paid Rich on account #100 (Account Book). [The treasurer's balance at beginning of Benefit season, 24 March, was #731 7s. 10d. It had now dropped to #201 17s. 2d.] Receipts: #55 9s. 6d. (Account Book)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Thomasand Sally

Ballet: TThe Hungarian Gambols. As17610309

Event Comment: TThe Jovial Crew, as advertised for this Day cannot be perform'd on account of the indisposition of Miss Brent. Positively the last time of the company's performing this season. Boxes #5 17s. 6d. Paid Younger a bill for writing parts #2 12s. Paid Ross in full to make his sallery #300 for the season: #60. The Account Book indicates a deficit this night of #1240 12s. 4d. after all salaries are paid. This deficit was reduced by #301 18s. 8d. on May 27 by deductions from the annual salaries of 23 actors and dancers for 19 nights on account of "the death of His Late Majesty King George the Second." A little more than 10 per cent was taken from the salary of each: From Miss Macklin's salary of #300, was deducted #31 16s. 10d., &c. The others who were similary taxed were: @Name Salary Deduction@Ross #300 #31 16s. 10d.@Maranesi & Mrs Maranesi[Wife #270 #28 13s. 2d.@Sparks #250 #26 10s. 8d.@Dyer & Mrs Dyer[Wife #250 #26 10s. 8d.@Beard #210 #22 5s. 9d.@Ridout #180 #19 2s. 1d.@Poitier Jr #150 #15 18s. 6d.@Miss Capdeville #150 #15 15s. 5d.@Barrington #100 #10 12s. 3d.@Bencraft #100 #10 12s. 3d.@LaLauze #100 #10 12s. 3d.@Poitier Sr #80 #8 9s. 9d.@Leppie #80 #8 9s. 9d.@Mrs Jansolien #60 #6 7s. 4d.@Mrs Viviez #60 #6 7s. 4d.@Rotchford #50 #5 6s. 1d.@Mrs Marianne #50 #5 6s. 1d.@Hussey #35 #3 14s. 3d.@Mrs Welsch #35 #3 14s. 3d.@Mrs Crawford #35 #3 14s. 3d.@ On 30 May the deficit was further reduced by receipts from 26 actors for advances, one-half value of tickets for their benefit performances, &c., plus #200 from John Rich, in the amount of #506 6s. 5d. (Account Book).] Receipts: #43 7s. 6d. (Account Book)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Rape of Proserpine

Event Comment: Full Prices. There will not be room behind the Scenes for more than the persons acting in the coronation, [Others] cannot possibly be admitted. The coronation of their Majesties was followed by a stage representation of it at both houses...Garrick knew that Rich would spare no expense in the presentation of his show; he knew too that he had a taste in the ordering, dressing, and setting out these pompous processions, superior to his own; he therefore was contented with the old dresses which had been occasionally used from 1721-1761. This show he repeated for near forty nights successively, sometimes at the end of a play, and at other times after a farce. The exhibition was the meanest, and the most unworthy of a theatre, I ever saw. The stage was...opened into Drury Lane; and a new and unexpected sight surprised the audience, of a real bonfire, and the populace huzzaing and drinking porter to the health of Queen Anne Bullen. The Stage in the meantime, amidst the parading of Dukes, duchesses, archbishops, peeresses, heralds &c. was covered with a thick fog from the smoke of the fire, which served to hide the tawdry dresses of the processionalists. During this idle piece of mockery, the actors, being exposed to the suffocations of smoke, and the raw air from the open street, were seized with colds, rheumatisms, and swelled faces. At length the indignation of the audience delivered the comedians from this wretched badge of nightly slavery, which gained nothing to the managers but disgrace and empty benches. Tired with the repeated insult of a show which had nothing to support it but gilt copper and old rags, they fairly drove the exhibitors of it from the stage by hooting and hissing, to the great joy of the whole theatre....Rich...fully satisfied [the publick's] warmest imaginations (Davies, Life of Garrick, I, 365 ff.)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: In the Play will be introducdThe Coronation

Event Comment: Benefit for a Citizen who has suffer'd greatly by Fire. Tickets (Box 24; Pit 178; Gallery 175) brought #50 4s. Money #72 16s. Total income #123. Charges #85; Expenses #33 5s. 6d. On account to Rich #10. Receipts: #85 5s. (Winston Theatrical Record)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Contrivances

Dance: TThe Pedlar Trick'd, as17611001

Event Comment: By Command of Their Majesties. John Rich, Master & Patentee of Covent Garden Theatre died (Winston MS 9)

Performances

Mainpiece Title: Rule A Wife

Afterpiece Title: Arcadia

Event Comment: By Desire. [Afterpiece: Witches, in Rich's Register.

Performances

Mainpiece Title: King Richard Iii

Cast
Role: Richard Actor: Garrick
Role: Richmond Actor: Palmer

Afterpiece Title: The Devil to Pay

Event Comment: TThe Mistake names as mainpiece in Rich's Register (Winston MS 9)

Performances

Mainpiece Title: Philaster

Afterpiece Title: The Witches

Dance: II: New Tambourine, as17640929

Event Comment: [V+Venice Preserved in Rich's Register.

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Deuce is in Him

Event Comment: By Particular Desire. [Rich's Register lists The Genii for afterpiece.

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Deuce Is in Him

Dance: III: A Garland Dance, as17641213; End: A Comic Dance, as17641213

Event Comment: WWay of the World listed in Rich's Register (Winston MS 9)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: Queen Mab

Dance: II: The Medley, as17641120

Event Comment: Benefit for Mrs Pritchard. [The Mourning Bride in Rich's Register.] Part of Pit laid into Boxes. No admittance behind Scenes. Mainpiece: Never performed there

Performances

Mainpiece Title: Mariamne

Related Works
Related Work: The Duke of Milan Author(s): Richard Cumberland

Afterpiece Title: High Life below Stairs

Dance: End: The Irish Lilt, as17641011

Event Comment: fterpiece listed as Daphne & Amintor in Rich's Register.

Performances

Mainpiece Title: The Foundling

Afterpiece Title: Fortunatus

Event Comment: [W+Winston MS 9 notes that Rich's Register names Jane Shore and The Royal Chace for this night. If so, see casts for 9 Oct. (Jane Shore) and 7 Dec. (The Royal Chace). Credence may be given this note by the fact that the next performance of Summer's Tale is listed in playbills as 20 Jan. 1766, the Fifth Day.

Performances

Mainpiece Title: The Summers Tale

Related Works
Related Work: The Summer's Tale Author(s): Richard Cumberland

Dance: As17651209

Event Comment: Mainpiece: By Particular Desire. Almena listed in Rich's Register. Mrs Cibber buried in the Cloister Westminster Abbey in the evening

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Hermit

Event Comment: NNeville MS Diary: To Ranelagh to hear a grand Jubilee Entertainment; it is the most elegant public room in the world and must give foreigners a high idea of the riches of our nation. It is circular and the fireplace is under a circular Portico in the middle, round which are tables at which the company are served with tea and coffee, and there are two sets of boxes at the side one above another for the same purpose. The landing room from the river which projects a little into the water commands a fine view of the river and country...Saw the Tripoline ambassador in the dress of his country. Took notice of a Miss Spencer and a Miss Johnson, two pretty ladies of the town, the latter had one of the prettiest faces I ever saw. Brunswick, Cumberland...Tripolian Ambassador...Miss Spencer and a Miss Johnson, two pretty ladies of ye town... were there...Began to use an Opera glass

Performances

Mainpiece Title: Alexanders Feast

Song: Coronation Anthem-

Event Comment: LLalauze stated he had been 42 years an inhabitant of this country,--retained by Rich 32 years, who promis'd him an annuity of #50 a year whenever he was incapable of performing. This was not in his Will but the Executors allowed it him 3 years. Having sold the property they discontinued it; The new parties engag'd him last year but they would not this season. So Foote gave him the House of 14 Feb. at Haymarket gratis (Winston MS 10). Paid Henry Williams for performing the Bells 4 nights #1 10s. Paid Wm Gard 4 nights in the Lyon 10s.--and Thos Singleton for same 10s. (Account Book). Receipts: #188 13s

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: Harlequins Jubilee

Dance: IV: Dutch Dance, [The Dutch Milk Maid] as17691111

Event Comment: Paid Mrs Rich andCo. one year's rent for House in Bow Passage due Mich. last #40. Receipts: #140 11s. 6d. (Account Book)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Midas

Event Comment: Mainpiece: by Shakespeare, in 5 acts. With New Music, Scenes, Dresses and Decorations. Public Advertiser, 6 Jan.: The Shipwreck, which opened the Piece, was designed and executed under the Direction of DeLoutherbourg. The new Airs and Chorusses are composed by Linley Jun. The Musical Instrument (played behind the Scenes) is the Invention of Merlin. Morning Chronicle, 6 Jan.: Caliban is by much the best performed character in the piece... The dresses were rich, but to our amazement those of Ferdinand, Sebastian, &c. were in the Spanish taste. [Ibid., 8 Jan., remarks that the entire omission of I. i is to be regretted. Miss Field and Mrs Cuyler are identified by MS annotations on Kemble playbill.] Receipts: #231 9s. 6d. (211.19.0; 17.5.6; 2.5.0)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Harlequins Invasion

Dance: I: a Dance of Spirits (composed by Gallet)-Mlle Dupre; III: [a Fantastic Dance-Grimaldi; [Both these dances, as here assigned, except on 14, 25 Apr. and 0 May, were included in all subsequent performances.] End IV: The Double Festival, as17761107, but Giorgi, +Blurton