SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Purcel"/1) | (@(roleclean,performerclean) "Mr Purcel")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4230 matches on Event Comments, 1144 matches on Performance Comments, 533 matches on Performance Title, 18 matches on Author, and 1 matches on Roles/Actors.

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: The Libertine

Performances

Mainpiece Title: Macbeth

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Londons Triumphs

Performances

Mainpiece Title: Musick Or A Parley Of Instruments

Performances

Mainpiece Title: The Debauchee Or The Credulous Cuckold

Performances

Mainpiece Title: The History Of Timon Of Athens The Man hater

Performances

Mainpiece Title: Tunbridge Wells Or A Days Courtship

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: The Female Prelate

Event Comment: The Duke's Company. The date of the first production is not known, but the entry of this play in the Term Catalogues for November 1680 suggests a first offering in September or October 1680. The music for the play was composed by Henry Purcell, his first (according to Downes composing for the stage. Downes (Roscius Anglicanus, p. 38) gives a shortened cast and adds: All the Parts in't being perfectly perform'd, with several Entertainments of Singing; Compos'd by the Famous Master Mr Henry Purcell, (being the first he e'er Compos'd for the Stage) made it a living and Gainful Play to the Company: The Court; especially the Ladies, by their daily charming presence, gave it great Encouragement. Dedication, Edition of 1680: The Reputation that this Play received on the Stage, some few Errors excepted, was more than I could well hope from so Censorious an Age....You [the Duchess of Richmond] brought her Royal Highness just at the exigent Time, whose single Presence on the Poet's day is a Subsistence for him all the Years after. A song, Hail to the myrtle shade, is in Choice Ayres and Songs, The Third Book (dated 2 Nov. 1680)

Performances

Mainpiece Title: Theodosius Or The Force Of Love

Event Comment: The King's Company. The date of the first performance is not known, but its listing in the Term Catalogues, November 1681, suggests late October as a likely latest date for its premiere. If Mithridates was acted in mid-October at the opening of Drury Lane, Sir Barnaby Whigg may well be the first new play offered by the King's Company in the autumn. A Song in Act I, Blow Boreas Blow, with music apparently by Henry Purcell, is in A Third Collection of New Songs...Words by Mr D'Urfey, 1685, and in Dramatic Works of Henry Purcell, Purcell Society, III (1917), xiv-xv

Performances

Mainpiece Title: Sir Barnaby Whigg Or No Wit Like A Womans

Performances

Mainpiece Title: The Heir Of Morocco With The Death Of Gayland