Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Pits"/1) | (@(roleclean,performerclean) "Mr Pits")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
7649 results for: Keyword - Mr Pits
We found 6320 matches on Event Comments, 1175 matches on Performance Comments, 529 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

1576
12 May 1773 @ Covent Garden

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Harlequin Sorcerer

Song: I: A Song-Miss Twist

Dance: I: A Minuet-Aldridge, Miss Twist; II: The Old Ground Young, as17720928; Epilogue. End Opera: The New Occasional Epilogue written by Dr Goldsmith, will be spoken-Lewes

1577
14 May 1773 @ Covent Garden

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Man and Wife

Dance: End: The Irish Lilt, as17721028; End II of Comedy: A Double Hornpipe-Blurton, Miss Besford

1578
15 May 1773 @ Covent Garden

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: The Apprentice

Dance: End: The Old Ground Young, as17720928

1579
20 May 1773 @ Covent Garden

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Citizen

Dance: End: The Whim, as17730426

1580
27 May 1773 @ Covent Garden

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Commissary

Dance: IV: The Irish Lilt, as17721028

1581
14 March 1774 @ Covent Garden

Performances

Mainpiece Title: Herod And Mariamne

Afterpiece Title: Cross Purposes

Dance: End: The Old Ground Young, as17740205; with an Allemande, as17740205

1582
21 April 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: Phaedra And Hippolitus

Afterpiece Title: The Ladies Frolick

Dance: V: The Irish Fair, as17730918

1583
30 April 1774 @ Covent Garden

Performances

Mainpiece Title: King Henry Iv Part I

Afterpiece Title: The Padlock

Monologue: Interlude.End: True Blue. As 26 March, but Principal Parts-_Reinhold, Owenson; Dance-Blurton

1584
04 May 1774 @ Covent Garden

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Mother Shipton

Dance: II: The Whim (1st time this season) [but see17740416-Aldridge, Miss Twist; IV: An Allemande-Aldridge, Miss Twist

Monologue: Interlude.End: True Blue. As 3 May, but Dance-Blurton; Principal Parts-Mrs _Baker, Miss Twist

1585
06 May 1774 @ Covent Garden

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Dragon of Wantly

Dance: End: The Frolick, as17740416

1586
10 May 1774 @ Covent Garden

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Cross Purposes

Dance: End: The Frolick, as17740416 but Miss _Capon, Mrs Stephens nee $Capon

1587
17 May 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: King Lear

Afterpiece Title: Neck or Nothing

Dance: V: The Sailors Revels, as17730928

1588
19 May 1774 @ Covent Garden

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: The Chaplet

Dance: End: The Recruits, as17740513

1589
09 March 1775 @ Haymarket Theatre

Performances

Mainpiece Title: The Sot

Song: Catches and Glees-

Music: Between the several parts: a Favourite Rondeau-a Gentleman; Concerto on Clarinet-Mahon

1590
17 March 1777 @ Covent Garden

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Two Misers

Dance: As17770125

Song: I: song-Mrs Farrell

1591
26 March 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Selima and Azor

1592
02 May 1782 @ King's Theatre

Performances

Mainpiece Title: A Grand Masked Ball With A Supper

Dance: End of Part I a new Dance (1st time; composed by Noverre), Apollon et let Muses by Le Picq (1st appearance in England), Nivelon, Mme Simonet, Mlle Theodore, Sga Crespi, Mlle Baccelli; End of Part 11 a New Dance, demicharacter (composed by Noverre) by Le Picq, Nivelon, Slingsby, Mlle Theodore, Sga Crespi, Mlle Baccelli

1593
27 August 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Son in Law

Monologue: 1782 08 27 End of Act I of 2nd piece Joe Haynes's Epilogue, on an Ass, by Dick Wilson, after the manner of Ned Shuter. imitations. End of 2nd piece, as 9 Aug

1594
23 September 1782 @ Covent Garden

Performances

Mainpiece Title: A New Occasional Prelude

Afterpiece Title: The Busy Body

Afterpiece Title: The Upholsterer

1595
22 August 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Summer Amusement

Afterpiece Title: Seeing is Believing A Dramatic Proverb

Dance: As17830610

1596
22 March 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The English Merchant

Afterpiece Title: The Lying Valet

Monologue: 1784 03 22 End of 2nd piece Shuter's Post-haste Observations on his Journey to Paris by Dutton

1597
28 July 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Spanish Barber

Afterpiece Title: Comus

1598
02 June 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Lord Russel

Afterpiece Title: The Son in Law

1599
29 June 1786 @ Haymarket Theatre

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Fatal Curiosity

Afterpiece Title: The Son in Law

1600
23 June 1787 @ Haymarket Theatre

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Two Connoisseurs

Afterpiece Title: The Agreeable Surprise

Accessibility Report a Concern Careers Privacy Policy About Find People
© University of Oregon. All Rights Reserved.

UO prohibits discrimination on the basis of race, color, sex, national or ethnic origin, age, religion, marital status, disability, veteran status, sexual orientation, gender identity, and gender expression in all programs, activities and employment practices as required by Title IX, other applicable laws, and policies. Retaliation is prohibited by UO policy. Questions may be referred to the Title IX Coordinator, Office of Affirmative Action and Equal Opportunity, or to the Office for Civil Rights. Contact information, related policies, and complaint procedures are listed on the statement of non-discrimination.