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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Pits"/1) | (@(roleclean,performerclean) "Mr Pits")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7649 results for: Keyword - Mr Pits
We found 6320 matches on Event Comments, 1175 matches on Performance Comments, 529 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

501
02 August 1721 @ Haymarket Theatre

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; Vocal Music-a young Woman that never sung in Publick before; Solos-Matthew Dubourg, Kytch

502
01 November 1721 @ King's Theatre

Performances

Mainpiece Title: Arsaces; Or, Amore E Maesta

503
13 December 1721 @ King's Theatre

Performances

Mainpiece Title: Floridante

504
15 February 1722 @ King's Theatre

Performances

Mainpiece Title: Ridotto

Music: Consisting of 24 Songs chosen out of the late Operas-Signor Francisco Bernardi Senesino, Signor Benedetto Baldassari, Mrs Anastasia Robinson, Signora Salvai

505
07 November 1722 @ King's Theatre

Performances

Mainpiece Title: Mutius Scaevola

506
03 November 1730 @ King's Theatre

Performances

Mainpiece Title: Scipio

507
13 November 1731 @ King's Theatre

Performances

Mainpiece Title: Tamerlane

508
29 March 1732 @ Haymarket Theatre

Performances

Mainpiece Title: Amelia

509
15 January 1733 @ Haymarket Theatre

Performances

Mainpiece Title: Concert

510
08 December 1739 @ Haymarket Theatre

Performances

Mainpiece Title: Diana And Endymion

511
15 December 1739 @ Haymarket Theatre

Performances

Mainpiece Title: Concerto

Music: Several Concertos for several Instruments-; Intermix'd with a Variety of Chosen Airs of the best Masters in Italy-; The Whole divided into Three Parts To which (by Desire) will be added, The Famous Salve Regina-Sig Hasse, Sig Carestini

512
11 December 1756 @ King's Theatre

Performances

Mainpiece Title: Alessandro Nell Indie

Dance: With Dances

513
25 April 1763 @ King's Theatre

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

514
01 June 1768 @ Haymarket Theatre

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: Thomasand Sally

Dance: As17680530

515
16 February 1775 @ Haymarket Theatre

Performances

Mainpiece Title: The Sot

Song: Catches and Glees-; Diana's Chace-Miss Jameson

Music: After Comic piece: two Ariettas on the Octave Flute in the Polonese taste-a new performer from that country; After Part II Catches and Glees: Concerto on Clarinet with variations on the Wanton God-Mahon

516
31 October 1775 @ King's Theatre

Performances

Mainpiece Title: La Sposa Fedele

Dance: I: New Pantomime Ballet, Apollon e Daphne-Helm, Mlle Sophie; with new Pastoral Entree-Sga Tinti; End Opera: New Grand Pantomime Ballet, PigmalionAmoureuse de La Statue-Fierville, Helm, Mlle Baccelli, Sga Tinti, Mlle Sophie

Ballet: II: Le Triomphe D'Euthime sur Le Genie de Liba. Euthime-Fierville; La Victime-Baccelli; L'Ombre-Helm; with Pas de Deux-Henery, Mlle Sophie

517
16 September 1789 @ King's Head Inn, Borough High Street, Southwark

Performances

Mainpiece Title: Inkle And Yarico

Entertainment: Vaudeville End Opera: [The Last new Squeeze for St. Paul's [i.e. British Loyalty]-Tunstall; [to conclude with a grand Chorus of God save the King-; [that sublime Soliloquy of Cato on Life Death and Immortality-Pope; [As a Gentleman lately asserted no Person in England could restore a Fowl to Life after its head should be cut off, it will be attempted by Pope. With several other of his tricks, particularly the Writing and Copying-Pope; [which for the Satisfaction of the Audience shall be explained how they are performed, and make every Person capable of doing the same. The whole to conclude with Divertisement Spanish and Venetian Speculums [consisting of Spanish Bull-baiting, and several other Diversions-Pope[, Venetian Processions and several curious Diversions, in beautiful Transparencies, interspersed with a Variety of Strictures, Satiric, Illustrive and Humourous

518
12 November 1707 @ Stationer's Hall

Performances

Mainpiece Title: Concert

Music: the best Masters

519
06 February 1711 @ Clerkenwell

Performances

Mainpiece Title: Timon Of Athens

520
16 January 1734 @ Bloomsbury

Performances

Mainpiece Title: Tony Aston's Medley

521
06 September 1734 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental, by the best Masters from the Operas

Entertainment: And after the Concert is over, at the particular Desire of the King, &c. Mr Topham, from Islington, is to perform all the Experiment of his surprising Strength. With Singing by him, both in Italian and English

522
01 April 1735 @ Swan Tavern

Performances

Mainpiece Title: Concert

Music: By the best Masters. Mr Charles will perform several new Pieces on the French Horn and Clarinet

523
27 January 1772 @ Covent Garden

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Fairy Prince

524
11 January 1773 @ Covent Garden

Performances

Mainpiece Title: Elfrida

Afterpiece Title: Harlequin Sorcerer

Monologue: Before the Play: (By desire) New Occasional Prelude. As 27 Oct. 1772

525
17 February 1773 @ Drury Lane Theatre

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Musical Lady