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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Pits"/1) | (@(roleclean,performerclean) "Mr Pits")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7649 results for: Keyword - Mr Pits
We found 6320 matches on Event Comments, 1175 matches on Performance Comments, 529 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

4576
18 May 1775 @ Covent Garden

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: II: A Minuet-Daguville, Miss Macklin; End: The Vintage Festival, as17741007

4577
23 September 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Miller of Mansfield

4578
22 February 1776 @ Haymarket Theatre

Performances

Mainpiece Title: Phoebe At Court

Song: A collection of Catches and Glees-under the direction of Dr Arne

Music: Between the interludes: Concerts on the Violin-Barthelemon who will lead the orchestra

4579
12 March 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: A Woman Is A Riddle

Afterpiece Title: Bon Ton

Dance: End: The Grand Garland Dance, as17760311

4580
16 March 1776 @ Covent Garden

Performances

Mainpiece Title: Douglas

Afterpiece Title: Comus

4581
18 March 1776 @ Covent Garden

Performances

Mainpiece Title: The Fatal Discovery

Afterpiece Title: Comus

4582
19 March 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Rival Candidates

Dance: II: A Divertissement-; in which will be introduced a Passe Pied-; End: (By Particular Desire, and for the first time this season) The Grande Provencalle-; to conclude with an Allemande-Slingsby, Mrs Sutton, Como, Sga Crespi

4583
13 April 1776 @ Covent Garden

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: II: A Minuet-Dagueville, Miss Macklin; III: The Pilgrim-Harris, Miss Mathews, as17750927; IV: Rural Merriment, as17751220

4584
20 May 1776 @ Haymarket Theatre

Performances

Mainpiece Title: The Bankrupt

Afterpiece Title: The Mock Doctor

Dance: The Merry Lasses-

4585
21 September 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Twelfth Night

Afterpiece Title: Miss in her Teens

4586
23 September 1776 @ Covent Garden

Performances

Mainpiece Title: News From Parnassus

Afterpiece Title: The Recruiting Officer

Afterpiece Title: The Mock Doctor

4587
23 September 1776 @

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: Midas

Song: End: Moderation and Alteration; or a Touch on the Times-Massey

Entertainment: Monologue. Preceding: the celebrated Satyric Lecture on Hearts and Dissertation on Noses, illustrated by Hearts of different colours and Noses of various sizes,-Comerford; End III: Imitations-Master Russell

4588
14 February 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: The Coronation Anthems

Music: End Part I: concerto on the organ-Stanley; End Part II: concerto on the violin-Linley Jun

4589
14 February 1777 @ Covent Garden

Performances

Mainpiece Title: Judas Maccabaeus

Music: End of Part I: concerto on the violoncello-Cervetto; End of Part II: concerto on the violin-Lamotte

4590
10 March 1777 @ Covent Garden

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Jovial Crew

Dance: As17761123

Song: End afterpiece: Push about the Jorum, and an additional Versesuitable to the Night-Miss Catley

4591
11 March 1777 @ Haymarket Theatre

Performances

Mainpiece Title: A Lecture On Heads

4592
22 March 1777 @ Covent Garden

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: End III: Pastoral Dance, as17761123; End IV: Mirth and Jollity, as17761015

4593
31 March 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: [A Favourite Scene from the end of Act II of] The Register Office [and see17770422]

Afterpiece Title: Harlequin's Invasion

Dance: As17761128

4594
03 May 1777 @ King's Theatre

Performances

Mainpiece Title: Telemaco

Dance: As17770419

4595
18 June 1777 @ China Hall, Lower Road, Rotherhithe

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Miss in her Teens

Entertainment: Monologue. An OccasionalPoetical Address-Russell

4596
20 September 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

Afterpiece Title: All the World's a Stage

Dance: I: Dance of Spirits-Miss Armstrong; III: Dance of Fantastic Spirits-; [These were danced, as here assigned, in all subsequent performances.] V: a Ballet, Demie Caractere, composed by Gallet, The Double Festival-Gallet, Slingsby, Miss Armstrong, Sga Dupre

4597
22 September 1777 @ Covent Garden

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Padlock

4598
06 March 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Dryden's Ode

Song: Between: As there are very few songs in Acis and Galatea that can be adapted for Mrs Farrell's voice, she will sing a cantata The rosy morn with crimson dye=-Mrs Farrell

Music: End Part I: concerto on the organ-Stanley; End Part II: concerto on the violin-probably Linley Jun

4599
23 March 1778 @ Covent Garden

Performances

Mainpiece Title: Iphigenia; Or, The Victim

Afterpiece Title: Poor Vulcan

Dance: As17771222

Song: V: will be introduced a Sacrifice-;, with new Music by Fisher-; the vocal parts and chorus-Miss Brown, others

4600
09 April 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Selima and Azor

Dance: End II: Slingsby's grand ballet The Savage Hunters, as17780324but Fitzgerald