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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Phillip Massinger"/1) | (@(roleclean,performerclean) "Mr Phillip Massinger")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6415 results for: Keyword - Mr Phillip Massinger
We found 4339 matches on Event Comments, 1468 matches on Performance Comments, 645 matches on Performance Title, 460 matches on Author, and 0 matches on Roles/Actors.

1651
11 January 1752 @ Drury Lane Theatre

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Taste

Related Works
Related Work: Marforio, being a Comi-Tragical Farce, called The Critick of Taste; or, A Tale of a Tub, with Characters of Singlewit, Drawcansir, Modern, Drapper, Buskin, Propter, the Great Mogul, Dunceada, Prince Prettyman, Common Sense, the Embryo of Common Sense, Lorg Haranguewell, Falarini, Signior Tweedledum, Signior Tweedledee, Prologues, Senators, Patriots, Courtiers, Fidlers, Eunucks, Gentleman Usher, Ghosts, and Chorus of Ghosts Author(s): Edward Phillips

1652
June 1697 @ Dorset Garden Theatre

Performances

Mainpiece Title: The World In The Moon

1653
March 1693 @ Drury Lane Theatre

Performances

Mainpiece Title: The Old Batchelor

1654
18 April 1707 @ York Buildings

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters; viz. A full Piece of Music of the famous Signior Pepusch-Mr Banister, Mr Dean, Mr Lamour; A set of Airs for the Arch/Lute and Violin-the Two Mr Deans, composed on purpose by Mr Dean Jun; A Sonata for the Arch/Lute and Flute Alleman-Mr Dean Jun, Mr Latour; Singing to the Arch/Lute-Mr Hughes; A Solo of the famous Archangelo Corelli-Mr Dean Sen; A Cantata to the Arch/Lute-Mr Newbury; Singing to the Arch/Lute-a Gentleman come on purpose from Worchester

1655
03 June 1782 @ Haymarket Theatre

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of mainpiece a Hornpipe by Master Byrn. [This was danced, as here assigned, in all subsequent performances.]

1656
20 June 1783 @ Haymarket Theatre

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of 2nd piece Hornpipe by Byrn

1657
07 April 1764 @ Drury Lane Theatre

Performances

Mainpiece Title: The Orphan

Afterpiece Title: High Life below Stairs

Dance: End: The Irish Lilt, as17630922

1658
27 October 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Bon Ton

Dance: End: The Merry Peasants, as17751018

1659
08 August 1781 @ Haymarket Theatre

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Dance: III 2nd piece: a Hornpipe-Master Byrn, in girl's clothes (London Chronicle, 9 Aug., and see17810810) This was danced, as here assigned, in all subsequent performances

1660
May 1663 @ no theater listed

Event Comment: It is possible that Katherine Phillips' Pompey, which was given in Dublin in February 1662@3, may have been presented in London in the late spring of 1663. Sir William Davenant's The Playhouse To Be Let, which apparently appeared in London in the late summer of 1663, has in Act V some elements of travesty upon Pompey. It is unlikely that its appearances in Dublin would make satire upon it have much point to London audiences without a performance in London; the spring of 1663 would be the most likely time for a presentation in London

Performances

1661
August 1675 @ Drury Lane Theatre

Performances

Mainpiece Title: Psyche Debauched

Performance Comment: [Edition of 1678: King Andrew-Phillip-$Charleton; Bruine-$Harris; Apollo-$Lyddall; Jeffrey-$Coysh; Costard-$Poell $Powell?">Mrs Corbett; Nicholas-$Mrs Knep; Phillip-$Charleton; Bruine-$Harris; Apollo-$Lyddall; Jeffrey-$Coysh; Costard-$Poell $Powell?]; Justice Crabb-$Wiltshire; Wou'dhamore-$Mrs Rutter; None-so-fair-$Haynes; Redstreak-$Cory; Woossat-$Clarke; Prologue-; Epilogue-.
Cast
Role: Phillip Actor: Charleton

1662
25 June 1695 @ Dorset Garden Theatre

Event Comment: Intelligence Domestick and Foreign, 21-25 June 1695: One Phillips, a Dancer in the Playhouse, is Committed to Newgate for being one of those concerned in the Robbery of the Theatre in Dorset-Garden, and a great many of their Habits are recovered again, but plundered of their Silver and Gold Lace, Fringes, &c. [See also Wilson, Theatre Notes from the Newdigate Newsletters, p. 82.

Performances

1663
02 August 1704 @ Drury Lane Theatre

Performances

Mainpiece Title: The Empress Of Morocco

Performance Comment: Hametalhaz-the young gentleman who played Chamont on 7 July (Phillips); who speaks a new Epilogue-the young gentleman.

Song:

Dance:

1664
06 April 1706 @ Queen's Theatre

Event Comment: [According to the Poetical Courant, 6 April, a private performance of Caius Marius by several Gentlemen for their Diversion" had been acted by this date. A Prologue by Mrs Phillips is printed in that issue of the Poetical Courant.

Performances

Mainpiece Title: The Wonders In The Sun

1665
13 February 1722 @ Lincoln's Inn Fields

Event Comment: [By William Phillips.] Never Acted before. The Characters all new Dress'd. Receipts: #57 10s. 6d

Performances

Mainpiece Title: Hibernia Freed

1666
19 February 1722 @ Drury Lane Theatre

Event Comment: [By Ambrose Phillips.] Never Acted before. With new Habits. [See also Weekly Journal or Saturday's Post, 24 Feb., and Freeholder's Journal, 21 Feb.

Performances

Mainpiece Title: The Briton

Related Works
Related Work: Britons Strike Home; or, The Sailors' Rehearsal Author(s): Edward Phillips

1667
13 January 1725 @ Lincoln's Inn Fields

Event Comment: As 11 Jan. Benefit Cap. Phillips. Receipts: money #37 15s. 6d.; tickets #63

Performances

Mainpiece Title: Every Man In His Humour

1668
03 February 1731 @ Lincoln's Inn Fields

Event Comment: Never Acted before. Written by the Author of The Fall of Saguntum [Phillip Frowde]. Receipts: #61 18s

Performances

Mainpiece Title: Philotas

1669
24 May 1733 @ Drury Lane Theatre

Event Comment: Benefit Phillips (LeBrun) and Mrs Mullart. At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Country Revels

Afterpiece Title: Harlequin Restor'd

Dance: I: Drunken Peasant-LeBrun

1670
29 April 1734 @ Drury Lane Theatre

Event Comment: Benefit Arne and Young Master Arne. At the particular Desire of several Persons of Quality. Afterpiece: a new Masque. Alter'd from the Serenata made on the Joyous Occasion of the Royal Nuptials: With Additions. [See Love and Glory, DL, 21 March, by Phillips and Arne.] Tickets for Tench at othello taken this night

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Britannia; or, Love and Glory

Related Works
Related Work: Love and Glory Author(s): Thomas Phillips

Music: Select Pieces. IV: By particular Desire, Mons Charle will perform a Solo on the French Horn, the first time of his Appearance on this Stage, and the last of his Performance in Publick during his Stay in England

Dance: I: The Pierrots by Poitier and Nivelon. II: English Maggot by S. Lally and Mrs Walter. III: Drunken Peasant by Le Brun

1671
25 April 1735 @ Drury Lane Theatre

Event Comment: Benefit Phillips Le Brun, Harlequin. At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Colombine Courtezan

Dance: I: Dutchman and Frow by Le Brun and Miss Brett. II: Russian Sailor by Denoyer. III: Drunken Peasant by LeBrun. IV: Pierrots by Nivelon and Lalauze

1672
22 March 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: Double Dealer

Afterpiece Title: Lover's Opera

Dance: II: English Maggot by Villeneuve and Mrs Walter. III: Drunken Peasant by Phillips. V: A new dance by Essex, Mrs Walter, Dukes, Davenport, Rector, Miss Mann, Miss Cantrell, Miss Brett

Performance Comment: III: Drunken Peasant by Phillips. V: A new dance by Essex, Mrs Walter, Dukes, Davenport, Rector, Miss Mann, Miss Cantrell, Miss Brett .

1673
12 April 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tender Husband; Or, The Accomplish'd Fools

Afterpiece Title: The Mock Doctor

Music: Select Pieces

Dance: II: English Maggot by Villeneuve and Mrs Walter. III: Drunken Peasant by Phillips. IV: Serious Dance by Mlle Roland. V: Rover by Essex, Mrs Walter, Miss Mann, &c

Performance Comment: III: Drunken Peasant by Phillips. IV: Serious Dance by Mlle Roland. V: Rover by Essex, Mrs Walter, Miss Mann, &c .

1674
16 April 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: Julius Caesar

Afterpiece Title: The Virgin Unmask'd

Dance: I: Pierrots by Delamagne and Villeneuve. III: Black and White Joak by Phillips and Miss Mann. V: English Maggot by Villeneuve and Mrs Walter

Performance Comment: III: Black and White Joak by Phillips and Miss Mann. V: English Maggot by Villeneuve and Mrs Walter .

1675
29 April 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Virgin Unmask'd

Dance: II: English Maggot by Villeneuve and Mrs Walter. III: Grand Ballet by Essex, Mrs Walter, &c. IV: Dutchman and His Frow by Phillips and Miss Mann. v: Rover, as17360412

Performance Comment: III: Grand Ballet by Essex, Mrs Walter, &c. IV: Dutchman and His Frow by Phillips and Miss Mann. v: Rover, as17360412.