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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Peter Sandoni"/1) | (@(roleclean,performerclean) "Mr Peter Sandoni")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6284 results for: Keyword - Mr Peter Sandoni
We found 4290 matches on Event Comments, 1517 matches on Performance Comments, 536 matches on Performance Title, 339 matches on Author, and 1 matches on Roles/Actors.

1626
20 June 1791 @ Haymarket Theatre

Event Comment: [Prologue by John Peter Roberdeau (European Magazine, Aug. 1791, p. 141).] "Of Palmer Sen.'s? acting the chief fault is...a manner by far too juvenile. He has very much the turn of countenance and mode of speech suitable to Falstaff, but his gait has no appearance of debility or infirmity, and is such as any man might use, incumbered by the same dress" (Gazetteer, 21 June)

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: King Henry the Fourth [Part I]

Dance: End II: Triple Hornpipe, as17910617

1627
05 November 1791 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds, based partly on Monsieur Thomas, by John Fletcher. Prologue by Robert Merry. Epilogue by Miles Peter Andrews (see text)]: With new Scenery, Dresses, &c. Public Advertiser, 24 Apr. 1793: This Day is published Notoriety (1s. 6d.). Receipts: #228 8s. (224.0; 4.8)

Performances

Mainpiece Title: Notoriety

Afterpiece Title: Love in a Camp

1628
08 May 1792 @ Covent Garden

Event Comment: Benefit for Wilson. Wilson's most violent and sudden Indisposition will prevent his having the honor of appearing before the Public and his Friends this Evening, and sincerely hopes the Pieces he is under the necessity of substituting will meet their approbation. [2nd piece in place of Hail Fellow Well Met; 3rd piece of The Rights of Woman, both advertised on playbill of 7 May. A 4th (and new) play, The Point of Honor, by John Peter Roberdeau, was also advertised on playbill of 7 May. It was never acted. Hail Fellows [sic] Well Met and The Rights of Women [sic] were 1st acted, for Wilson's benefit, at the hay, 9 Aug. 1792.] Morning Herald, 24 Apr.: Tickets to be had of Wilson at his house, Park-lane, Church-lane, Chelsea. Receipts: #285 5s. (93.17; 1.14; tickets: 189.14) (charge: #105)

Performances

Mainpiece Title: Fashionable Levities

Afterpiece Title: Rosina

Afterpiece Title: Modern Antiques

1629
26 October 1792 @ Covent Garden

Event Comment: Mainpiece: 24th [recte 25th] time [i.e. in continuation of the reckoning for the previous season, when it had been acted 24 times. Epilogue by Miles Peter Andrews]. Receipts: #262 3s

Performances

Mainpiece Title: Notoriety

Afterpiece Title: The Prisoner at Large

1630
18 April 1793 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by William Thomas Fitzgerald. Epilogue by Miles Peter Andrews (see text)]: With new Scenes and Dresses. [In mainpiece the playbill lists Mrs Esten, but "Previous to the play an apology was made in behalf of Mrs Davis, who had undertaken Mrs Esten's character in consequence of the indisposition of the latter lady. [After considerable objection] Mrs Davis was well received in the part" (Thespian Magazine, June 1793, p. 4).] Public Advertiser, 3 May 1793: This Day is published How to Grow Rich (1s. 6d.). Receipts: #257 17s. 6d

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: The Poor Soldier

Dance: End: The Bouquet, as17930415

1631
24 April 1793 @ Covent Garden

Event Comment: Benefit for Mrs Mattocks. [Epilogue by Miles Peter Andrews.] 3rd piece: Not acted these 20 years [acted 15 Feb. 1779]. Morning Herald, 19 Apr.: Tickets to be had of Mrs Mattocks, No. 8, Great Russell-street, Covent-Garden. Receipts: #318 5s. 6d

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: The Soldier's Festival; or, The Night before the Battle

Related Works
Related Work: The Soldier's Festival Author(s): Peter Ewing

Afterpiece Title: The Reprisal; or, The Tars of Old England

Song: In the course of 3rd piece: The Mid Watch, Rule Britannia-Incledon; and to conclude with God save the King in Full Chorus-

1632
19 November 1793 @ Covent Garden

Event Comment: Afterpiece [in place of THREE WEEKS AFTER MARRIAGE, advertised on playbill of 18 Nov.]: Books of the Songs to be had at the Theatre. [Occasional Address by Miles Peter Andrews (see 23 Mar. 1793).] THE SIEGE OF BERWICK [advertised on playbill of 18 Nov.] is unavoidably postponed till Thursday next on account of Mrs Pope's sudden Indisposition. Receipts: #233 2s. (216/19/6; 16/2/6)

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: MOTHER SHIPTON TRIUMPHANT; or, Harlequin's Museum

Dance: In afterpiece The Burlesque Pas de Russe by Byrn and Miss Smith; Hornpipe by Holland

Song: In afterpiece God save the King by Gray, Linton, Street, Kendrick, Little, Miss Barnett, Miss Stuart, &c

Monologue: 1793 11 19 End of mainpiece An Occasional Address, in the character of Goldfinch, by Lewis

1633
06 October 1794 @ Covent Garden

Performances

Mainpiece Title: Fontainville Forest

Performance Comment: Lamotte-Pope; Marquis of Montault-Farren; Louis-Middleton; Peter Hull; Nemours-Powel; Jacques-Claremont; Laval-Blurton; Hortensia Lamotte-Miss Morris; Adeline-Mrs Pope.

Afterpiece Title: Harlequin and Faustus

1634
30 October 1794 @ Covent Garden

Event Comment: [1st piece: Epilogue by Miles Peter Andrews.] 2nd piece [1st time; MF 2, by William Pearce. In 1796 acted at cg, reduced to 1 act]: Scenery entirely new, consisting of several Views taken from the Spot, and executed by Richards. The Music selected and composed by Shield. Books of the Songs to be had at the Theatre. Morning Chronicle, 16 Nov. 1794: This Day is published Arrived at Portsmouth (1s.). The Doors to be opened at 5:15. To begin at 6:15 [see 22 Apr. 1795]. Receipts: #203 5s. (200.1; 3.4)

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: Arrived at Portsmouth

Afterpiece Title: Two Strings to Your Bow

1635
29 May 1795 @ Drury Lane Theatre

Event Comment: Benefit for R. Palmer. 2nd piece [1st time; SAT 1, by John Peter Roberdeau. Larpent MS 1080; not published]. "This piece found the audience in so ill a humour that it was soon put an end to by a general condemnation of it" (European Magazine, June 1795, p. 414). [3rd piece: Prologue by the elder George Colman.] Morning Chronicle, 20 May: Tickets to be had of R. Palmer, No. 28, Eaton-street, Pimlico. Receipts: #334 17s. 6d. (111.17.0; 44.10.0; 23.19.0; tickets: 154.11.6) (charge: #212 1s. 7d.)

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: Saint Andrew's Festival; or, The Game at Goff

Afterpiece Title: Bon Ton

1636
07 November 1795 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by the author. Epilogue by Miles Peter Andrews (see text)]: With new Scenes, Dresses, &c. Receipts: #242 4s. (237.16; 4.8)

Performances

Mainpiece Title: Speculation

Afterpiece Title: Rosina

1637
29 October 1796 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by William Thomas Fitzgerald. Epilogue by Miles Peter Andrews (see text)]: With new Scenes and Dresses. The Scenes painted by Richards and Phillips. Oracle, 29 Nov. 1796: This Day is published Fortune's Fool (2s.). Receipts: #229 2s. 6d. (226.0.6; 3.2.0)

Performances

Mainpiece Title: Fortune's Fool

Afterpiece Title: The Irish Mimick; or, Blunders at Brighton

1638
10 January 1797 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Thomas Morton. Prologue by William Thomas Fitzgerald; Epilogue by Miles Peter Andrews (see text)]: With new Scenes and Dresses. True Briton, 19 Jan.: Morton was paid #400, and #150 "for the Copy-right, which Harris has purchased." Ibid., 27 Mar.: This Day was published A Cure for the Heart Ache (2s.). Receipts: #237 15s. (236.0; 1.15)

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: Comus

1639
19 April 1797 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by John Taylor. Epilogue by Miles Peter Andrews (see text; although Boaden, Jordan, I, 286 says the Epilogue was by Samuel Rogers, being the same as that spoken on 27 Apr. 1795)]: With new Scenes, Dresses, and Decorations. [Afterpiece in place of No Song No Supper, advertised on playbill of 18 Apr.] Morning Herald, 29 Apr. 1797: On Monday [1 May] will be published The Will (2s.). Account-Book: Reynolds to receive #33 6s. 8d. for every night of The Will. Receipts: #413 4s. (344.12.6; 63.16.6; 4.15.0)

Performances

Mainpiece Title: The Will

Afterpiece Title: The Purse

Ballet: The Scotch Ghost. As17961221

1640
11 January 1798 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Thomas Morton. Prologue by William Thomas Fitzgerald (his Miscellaneous Poems, 1801, p. 88). Epilogue by Miles Peter Andrews (London Chronicle, 12 Jan.)]: With new Scenes and Dresses. Morning Herald, 14 Apr. 1798: This Day is published Secrets Worth Knowing (2s.). Receipts: #311 6s. (307.9; 3.17)

Performances

Mainpiece Title: Secrets Worth Knowing

Afterpiece Title: Harlequin and Quixotte

1641
21 October 1799 @ Haymarket Theatre

Event Comment: By Authority of the Lord Chamberlain. Benefit for Mrs Hunter, late of Covent-Garden Theatre. [Epilogue by Miles Peter Andrews.] Tickets to be had of Mrs Hunter, No. 12, Leicester-street, Leicester-square; and of Rice at the Theatre, where Places for the Boxes may be taken. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: Fortune's Frolick

1642
01 February 1800 @ Drury Lane Theatre

Event Comment: [In mainpiece the playbill retains Miss Biggs as Angela, but "On account of the sudden indisposition of Miss Biggs, Miss Heard will perform the part of Angela, and hopes for the usual indulgence of the audience" (printed slip attached to Kemble playbill).] Afterpiece [1st time; MF 2, by Thomas John Dibdin, based on Der Wildfang, by August Ferdinand Friedrich von Kotzebue. Prologue by Miles Peter Andrews (London Chronicle, 4 Feb. 1800)]: The Overture and Musick composed by Kelly [with one selection from Paisiello]. Books of the Songs to be had in the Theatre. Receipts: #264 17s. (139.8.6; 122.17.0; 2.11.6)

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: Of Age To-morrow

1643
23 April 1800 @ Covent Garden

Event Comment: Benefit for Miss Murray. 2nd piece: Compressed into Two Acts by the Author [Elizabeth Inchbald. Epilogue by Miles Peter Andrews]. Morning Chronicle, 8 Apr: Tickets to be had of Miss Murray, No. 77, Long Acre. Receipts: #393 9s. 6d. (159.5.6; 24.14.6; tickets: 209.9.6)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Child of Nature

Afterpiece Title: The Soldier's Festival; or, The Night before the Battle

Related Works
Related Work: The Soldier's Festival Author(s): Peter Ewing

Dance: In II: Negro Dance-Bologna, King, Platt, Blurton

Song: End: The Tight Little Island-Townsend

1644
15 August 1667 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

1645
12 March 1673 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Careless Lovers

1646
December 1690 @ Drury Lane Theatre

Performances

Mainpiece Title: Alphonso King Of Naples

1647
February 1696 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Husband His Own Cuckold

1648
February 1696 @ Drury Lane Theatre

Performances

Mainpiece Title: Neglected Virtue; Or, The Unhappy Conquerors

1649
05 September 1696 @ Southwark Fair

Performances

Mainpiece Title: Entertainments

1650
07 June 1698 @ York Buildings

Performances

Mainpiece Title: Concert