SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Pepys"/1) | (@(roleclean,performerclean) "Mr Pepys")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 4662 matches on Event Comments, 1149 matches on Performance Comments, 528 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Eliza

Music: I: By Particular Desire, a Concerto on the Violin-Mr Hay

Performances

Mainpiece Title: Coriolanus

Afterpiece Title: The Knights

Dance: II: Prussian Sailors-Master Settree, Miss Twist (Scholars to Mr Settree); III: Comic Dance-Master Settree, Miss Twist; IV: Roast Beef of Old England or The Antigallican-Leppie, Miss Hilliard; V: A Grotesque Minuet-Leppie, Miss Hilliard

Performances

Mainpiece Title: Alls Well That Ends Well

Afterpiece Title: The Old Maid

Dance: LLa Petite Bergere-Miss Lalauze; a Hornpipe, 1st time-Miss Lalauze (Music by Dr Arne); A Ball Dance, call'd the Louvre, ending with a Minuet-a Young scholar of Mr Lalauze, Miss Lalauze. Being the last time of their appearing on the stage. These Dances By Particular Desire

Performances

Mainpiece Title: The Englishman Returnd From Paris

Afterpiece Title: The Mayor of Garratt

Dance: I: The Venetian Gardeners-Rogier, Miss Street; II: The Provincial Dance-Master Clayton, Miss Street (Apprentices to Mr Gerhardi)

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: The Musical Lady

Entertainment: II: King, as Mr Prattle, will (for this night only) open a Packet of News-King; End: King, by Desire" will repeat a Comic Paraphrase on the Seven Ages of Shakespear-King

Dance: III: A Hornpipe-Miss Baker; End Comic Paraphrase: The Irish Lilt, as17630922

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Vintner Tricked

Entertainment: IV: Tragical Imitations-Miss Rose (By Particular Desire); End of Play: Imitations of Mr and Mrs Cadwallader-Mas. Frank, Miss Rose; Between the Acts of the Farce: The Picture of a Playhouse; or, Bucks have at ye all-Death

Performances

Mainpiece Title: Samson

Music: First Violin-Mr Barthelemon; Concerto on Organ-Stanley; Solo on Violincello-Duport

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Author

Dance: End: A New Comic Dance, call'd The Jovial Gardners-Sga Manesiere, Miss Hamoir, Mr Drouville[, being his 1st appearance. [See17630312.

Performances

Mainpiece Title: Alls Well That Ends Well

Afterpiece Title: Thomasand Sally

Dance: End: A Comic Dance, The Italian Gardeners-Mr and Miss West (Late pupils of Sg Grimaldi) [their first appearance on this stage. [See dl 9 Dec. 1760.

Performances

Mainpiece Title: Judas Maccabaeus

Music: End Part I: Organ Concerto-Stanley; Part II: Violin Concerto-Barthelemon; After the Second Song in Part III: a Concerto on the Hautboy-Mr ThomasVincent (who has not performed in Public for several years)

Performances

Mainpiece Title: Concert

Afterpiece Title: Britains Happiness

Music: Singing in Italian and English-Mrs Tofts

Dance: As17040222

Performances

Mainpiece Title: Cato

Afterpiece Title: La Guinquette

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: La Guinquette

Dance: A new Italian Night Scene-Sorin, Baxter; La Caprice, as17160411

Performances

Mainpiece Title: The Northern Lass

Afterpiece Title: La Guinquette

Dance: As17160420

Performances

Mainpiece Title: The Funeral

Afterpiece Title: La Guinquette

Afterpiece Title: Dido and Aeneas

Performances

Mainpiece Title: The Royal Shepherd

Dance: TThe Faggot Binders, as17640301 Dance, as17640301

Performances

Mainpiece Title: The Royal Shepherd

Dance: TThe Faggot Binders, as17640301 Dance, as17640301

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: New Dance call'd The Sheep Shearers-Grimaldi, Miss Baker; II: The Faggot Binders, as17640224; End Opera: A Dance, as17640224

Performances

Mainpiece Title: The Royal Shepherd

Dance: The Sheep Shearers, as17640308 The Faggot Binders, as17640308 Dance, as17640308

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: The Sheep Shearers, as17640308 but _Grimaldi, Lauchery; II: The +Shepherdesses, as17640113; End Opera: A Dance, as17640301 but _Grimaldi, Tassoni

Event Comment: The King's Company. Pepys, Diary: We three [Mrs Pepys, Mercer, and Pepys] to the King's house, and saw the latter end of the Surprisall, wherein was no great matter,I thought, by what I saw there

Performances

Mainpiece Title: The Surprisal

Performance Comment: Samira-Nell Gwin? (See Pepys, 26 Dec. 1667).
Event Comment: The Duke's Company. Downes (p. 30): This Comedy in general was very well Perform'd. Pepys, Diary: I alone to the Duke of York's house, to see the new play, called The Man is the Master, where the house was, it being not above one o'clock, very full. But my wife and Deb. being there before, with Mrs Pierce and Corbet and Betty Turner, whom my Wife carried with her, they made me room; and there I sat, it costing me 8s. upon them in oranges, at 6d. apiece. By and by the King come; and we sat just under him, so that I durst not turn my back all the play. The play is a translation out of French, and the plot Spanish, but not anything extraordinary at all in it, though translated by Sir W. Davenant, and so I found the King and his company did think meanly of it, though there was here and there something Pretty: but the most of the mirth was sorry, poor stuffe, of eating of sack posset and slabbering themselves, and mirth fit for clownes; the prologue but poor, and the epilogue little in it but the extraordinariness of it, it being sung by Harris and another in the form of a ballet

Performances

Mainpiece Title: The Mans The Master

Event Comment: The Duke's Company. This performance is on the L. C. list at Harvard. See VanLennep, "Plays on the English Stage," p. 13. Diary of Richard Boyle, Earl of Burlington: Heer dined with mee my lord of Canterbury my ld Sandwich and my brother and sister Orrery, and in the afternoone wee all went but his Grace to see my brothers new play cald Tryphon which was much applauded (Volume IV, in the Library at Chatsworth. This excerpt supplied by Kathleen Lynch). Pepys, Diary: My wife tells me of my Lord Orrery's new play "Tryphon," at the Duke of York's house...and [we] went thither, where, with much ado, at half-past one, we got into a blind hole in the 18d. place, above stairs, where we could not hear well, but the house infinite full, but the prologue most silly, and the play, though admirable, yet no pleasure almost in it, because just the very same design, and words, and sense, and plot, as every one of his plays have, any one of which alone would be held admirable, whereas so many of the same design and fancy do but dull one another; and this, I preceive, is the sense of every body else, as well as myself, who therefore showed but little pleasure in it

Performances

Mainpiece Title: Tryphon

Event Comment: Evelyn, Diary: I dined at Mr Pepys 's, where I heard that rare Voice, Mr Pate, who was lately come from Italy, reputed the most excellent singer, ever England had: he sang indeede many rare Italian Recitatives, &c.: & severall compositions of the late Mr Pursal, esteemed the best composer of any Englishman hitherto

Performances

Mainpiece Title: Concert

Event Comment: The Duke's Company. This apparently was not the first performance, but the time of premiere is not known. Pepys, Diary: My wife and I and Mercer to the Duke's house, and there saw The Rivalls, which is no excellent play, but good acting in it; especially Gosnell comes and sings and dances finely, but, for all that, fell out of the key, so that the musique could not play to her afterwards, and so did Harris also go out of the tune to agree with her. Downes (p. 23): The Rivals, A Play, Wrote by Sir William Davenant; having a very Fine Interlude in it, of Vocal and Instrumental Musick, mixt with very Diverting Dances: M Price introducing the Dancing, by a short Comical Prologue, gain'd him an Universal Applause of the Town....And all the Womens Parts admirably Acted; chiefly Celia, a Shepherdess being Mad for Love; especially in Singing several Wild and Mad Songs

Performances

Mainpiece Title: The Rivals

Performance Comment: Downes (Roscius Anglicanus, p.23): Theocles-Harris; Philander-Betterton; Cunopes the Jailor-Underhill; Pepys: Celania?-Mrs Gosnell; Edition of 1668 adds: Arcon-$Young; Polynices-$Smith; Provost-$Sandford; Heraclia-$Mrs Shadwell; Leucippe-$Mrs Long; Prologue-Price.